It is, perhaps, hard to imagine, for someone who has never tried it, how much of a test of endurance it is to play an hour of brass quintet music, without intermission.
I had the good fortune of studying with James Mattern when I was in high school, and then playing his quintet with excellent musicians in college and after. I probably haven't heard this piece in over 35 years. It was great to get reacquainted with it!
C O N C E R T P R O G R A M J Mattern -- Sonata Breve 1. Moderately Fast ------- 15:57 2. Fast --------------------------- 18:19 3. Very Slow ------------------ 20:11 4. Moderately Fast -------- 22:09 D Bourgeois -- Sonata 5. Allegro Vivace ----------- 25:44 6. Andante Piangevote -- 31:03 7. Maestoso: Allegro ----- 34:47 D Shostakovich -- String Quartet no. 3, Third Mvmt 8. Allegro non troppo ----- 40:07 E Crespo 9. Ragtime --------------------- 45:53 10. Bossa Nova -------------- 48:14 11. Vals Peruano ------------ 52:41 12. Zamba Gaucha --------- 57:14 13. Son de Mexico ---------- 1:03:58
! Que hermosa " involución de la involución " !. Que grandes Maestros de la música, usen los nobles templos para que sus ondas sonoras resuenen para un publico selecto en persona y en RUclips. ..sin temor a equivocarme, hasta los querubines artesanales..................!!!!! POR FIN SONREIRÁN !!!!. Saludos de " un emigrante con el alma emigrada hacia aquel templo " y El Yo Mio de Mi Mismo ya retornando de la selva de cemento a la selva de flores y cantos de aves ignotas : Ecuadorsito.
Estaban is in a class unto himself. His delivery never disappoints. I seriously believe, he is the BEST orchestral trumpet player in the USA -- better than Chris Martin. What I like about him so much is that he is OLD SCHOOL.... no messing around and take your instrument SERIOUSLY.
@@Onlinepersonality212 Glad to see that you're FINALLY getting your mind right. Too bad you were "wandering in the wilderness" of confusion until you "saw the light." And as I said, Esteban never disappoints.
@@Onlinepersonality212 Been playing for 60 years -- got my '65 Bach Strad when 13. Had a full scholarship to the New School of Music (Phila) when still in High School -- maintaining both at the same time. Teacher was Don McComas -- Asst Principal of Phila Orch. Have 12 Pro-grade horns. Practice an hour/day on material like Charlier 36 and 32 Etudes, Cafferelli, Foveau, Laurent, Chavanne, Gallay, Telemann and Bach transcriptions, etc.. Write my own Etudes -- receiving a comment from one of my pro-friends -- "Are you trying to kill me?".... which IS the whole point. Expect to publish them when I've generated a sufficient number. For the record, can play them myself. Attended Masterclasses conducted by both Esteban and Chris. After being exposed to them, I give the edge to Esteban for multiple reasons. And without a doubt, Esteban is EXTREMELY dialed into his craft in amazing ways -- applying a highly competent "Old School" approach (which, from my experience, has faded in the USA). So, my opinion has a sound basis to it, and was not made cavalierly. BTW... Chris did play with Don in Philly for a while in about 1998 (and onward). And his history at Chicago, Philly, Boston, and NYC tends to point to high competency. But I STILL give the edge to Esteban.
Not only some of the finest musicians in the world, but some of the greatest people you will ever meet. Well done, gentlemen.
It is, perhaps, hard to imagine, for someone who has never tried it, how much of a test of endurance it is to play an hour of brass quintet music, without intermission.
I had the good fortune of studying with James Mattern when I was in high school, and then playing his quintet with excellent musicians in college and after. I probably haven't heard this piece in over 35 years. It was great to get reacquainted with it!
C O N C E R T P R O G R A M
J Mattern -- Sonata Breve
1. Moderately Fast ------- 15:57
2. Fast --------------------------- 18:19
3. Very Slow ------------------ 20:11
4. Moderately Fast -------- 22:09
D Bourgeois -- Sonata
5. Allegro Vivace ----------- 25:44
6. Andante Piangevote -- 31:03
7. Maestoso: Allegro ----- 34:47
D Shostakovich -- String Quartet no. 3, Third Mvmt
8. Allegro non troppo ----- 40:07
E Crespo
9. Ragtime --------------------- 45:53
10. Bossa Nova -------------- 48:14
11. Vals Peruano ------------ 52:41
12. Zamba Gaucha --------- 57:14
13. Son de Mexico ---------- 1:03:58
Thanks for posting the times!
I loved the Zamba Gaucha from the Suite Americana!
Thanks for introducing me to this work.
Hello.
Thank you from Moscow.
Esteban is unreal... so much respect!
Song and Wind! Bravooooooooooooooooooo!
Well done! 👍
That sound! I love it! Bravo, gentlemen! Bravo, Northern! Love the York in the quintet setting!
I thought the Suite Americana was intriguing! Such a great blend! Thank you!
! Que hermosa " involución de la involución " !.
Que grandes Maestros de la música, usen los nobles templos para que sus ondas sonoras resuenen para un publico selecto en persona y en RUclips.
..sin temor a equivocarme, hasta los querubines artesanales..................!!!!! POR FIN SONREIRÁN !!!!.
Saludos de " un emigrante con el alma emigrada hacia aquel templo " y El Yo Mio de Mi Mismo ya retornando de la selva de cemento a la selva de flores y cantos de aves ignotas : Ecuadorsito.
Bud would smile.
Bud IS smiling, because Estaban is playing at least one of Bud's Mt Vernon's Strads... for sure Bud's C trpt.
The Shostakovich! Bravo!!!
Fantastic!
Estaban is in a class unto himself. His delivery never disappoints. I seriously believe, he is the BEST orchestral trumpet player in the USA -- better than Chris Martin. What I like about him so much is that he is OLD SCHOOL.... no messing around and take your instrument SERIOUSLY.
I agree with your opinion. I don’t like name dropping though, don’t discredit other players
If you seriously believe it, wow, I better take it for gospel
@@Onlinepersonality212 Glad to see that you're FINALLY getting your mind right. Too bad you were "wandering in the wilderness" of confusion until you "saw the light." And as I said, Esteban never disappoints.
@@Jaegertiger Try spelling his name correctly.
Also, you’re pretty confident. What backs that up?
@@Onlinepersonality212 Been playing for 60 years -- got my '65 Bach Strad when 13. Had a full scholarship to the New School of Music (Phila) when still in High School -- maintaining both at the same time. Teacher was Don McComas -- Asst Principal of Phila Orch. Have 12 Pro-grade horns. Practice an hour/day on material like Charlier 36 and 32 Etudes, Cafferelli, Foveau, Laurent, Chavanne, Gallay, Telemann and Bach transcriptions, etc.. Write my own Etudes -- receiving a comment from one of my pro-friends -- "Are you trying to kill me?".... which IS the whole point. Expect to publish them when I've generated a sufficient number. For the record, can play them myself.
Attended Masterclasses conducted by both Esteban and Chris. After being exposed to them, I give the edge to Esteban for multiple reasons. And without a doubt, Esteban is EXTREMELY dialed into his craft in amazing ways -- applying a highly competent "Old School" approach (which, from my experience, has faded in the USA). So, my opinion has a sound basis to it, and was not made cavalierly. BTW... Chris did play with Don in Philly for a while in about 1998 (and onward). And his history at Chicago, Philly, Boston, and NYC tends to point to high competency. But I STILL give the edge to Esteban.
Music begins - 15:55
1:08:00
Who’s the person introducing the players? Sounds like a fellow Kiwi. Maybe the trombone player too?
Michael Mulcahy on trombone. You were close - born in Sydney.
Yes I had thought the trombone player was maybe Australian and then found he was, but the person who introduced them was surely a Kiwi?
The introducer's name is Robbie Ellis and he works for radio station WMFT. He is from New Zealand.
Начало 15:20