Takin out of context, this barely makes sense. I assume the e-dominant is tonicizing a minor which is in the key of c. It throws you off out of the gate because E7 is not the secondary dominant of d minor or c major
its nice to see how people understand music theory from their own perspective. that change to the E7 evokes a lot of Don Fagen for me. And rarely is music played by thinking about every extension and what the key center is. It's feel, muscle memory, hours of time sitting at the piano. Just knowing the extensions wont tell you a good way to piece chords together. And I think he explains himself well. I mean, who gets much of anything out of "iTs FrOm tHe HaRmOnIc MiNoR sCaLe Of ThE rElAtIvE MiNoR" rather than, "the major third sounds great here because its a great leading tone to the chord a fifth below." new york state of mind C->E7->am7. this change is incredibly common. The III7-> * is even more common.
@@abababa6897 Yes, that's definitely where my shortcomings are. I learned music very mathematically from the outside in and and a lot on my own. it's hard to talk to people that seem like they grew up inside of music. They seem to have a much more intuitive understanding. Like a native speaker versus someone taking up a second language.
@@MahtiGC That's my understanding. D7 does not exist in c major because of the f sharp. It would be secondary dominant to g which is dominant of the key of c
So i thought the secondary dominant of Dm was A Major? N00b here. Why would I drop the step on the thumb but a whole steo with the pinky? I love this but cant understand fully.
The examples you gave are primary dominants. The reason he resolved the E7 to a A minor is because he is still playing in the key of c he just goes and grabs that secondary dominant from the a minor scale (E being the 5th of A minor scale) hope that helps!
@@lucasdeniro1906 OMG! Now that makes sense. A min is the relative minor of C. (His channel is definitely more for experts and Im sure his content helps others... but I see now I have a long way to go when it comes to understanding theory.) Thank u for taking the time out ur day to reply. 🤗🎹
@@insertnamehere9154You're right, A minor is the relative minor of C major, but try not to think about secondary dominants in terms of relative minor/majors. The best way to find a secondary dominant of any chord in a key is to play a dominant seventh chord a 5th above your target chord: G7 is a fifth above C major (c d e f g) E7 is a fifth above Am (a b c d e) A7 is a fifth above Dm (d e f g a) And so on. You target a chord of your key, in this case C major (C Dm Em F G Am Bdim) by choosing one, going a 5th above it and playing a dominant 7th and then resolving to your chosen chord. Your chosen chord may be any chord from the key, minor or major.
Damn.... I didn't catch any of that. Music is crazy yo
Best tutorial I’ve seen on this whole page so far, keep up the great teaching man
you made me following you worthy. Thanks for this piano Life transforming Video
Sweet, I have actually loved that movement but didn't know it. Thanks for taking care he time to make this short.
So smooth indeed, indeed, indeed!
i need this explained to me like i was a toddler.
Takin out of context, this barely makes sense. I assume the e-dominant is tonicizing a minor which is in the key of c. It throws you off out of the gate because E7 is not the secondary dominant of d minor or c major
its nice to see how people understand music theory from their own perspective. that change to the E7 evokes a lot of Don Fagen for me. And rarely is music played by thinking about every extension and what the key center is. It's feel, muscle memory, hours of time sitting at the piano. Just knowing the extensions wont tell you a good way to piece chords together. And I think he explains himself well. I mean, who gets much of anything out of "iTs FrOm tHe HaRmOnIc MiNoR sCaLe Of ThE rElAtIvE MiNoR" rather than, "the major third sounds great here because its a great leading tone to the chord a fifth below." new york state of mind C->E7->am7. this change is incredibly common. The III7-> * is even more common.
@@abababa6897 Yes, that's definitely where my shortcomings are. I learned music very mathematically from the outside in and and a lot on my own. it's hard to talk to people that seem like they grew up inside of music. They seem to have a much more intuitive understanding. Like a native speaker versus someone taking up a second language.
@@dustinsprague5083 so is a secondary dominant chord just a passing chord that leads to the chord a fifth below?
@@MahtiGC That's my understanding. D7 does not exist in c major because of the f sharp. It would be secondary dominant to g which is dominant of the key of c
😮 best piano teacher I ve ever seen 😮, thanks for sharing
❤❤❤❤❤
WOW...😮
Noobs: ii-V-I (perfect cadence)
Novice: ii-IV-I (plagal cadence)
Experienced: ii-IV-vi (R&B cadence)
Expert: ii-III7-vi (jazz/quiet storm cadence)
Very nice thank you
Super
Woooow. NEW Suscritp !!!
Oh i understand now why that dmin7 sounds so natural before that E7#9, because its like a iv-V7-i in the key of Amin.
Lovely 😊
man, jazz is so cool.
Its a dominant chord a half step above the primary dominant chord
So i thought the secondary dominant of Dm was A Major? N00b here. Why would I drop the step on the thumb but a whole steo with the pinky? I love this but cant understand fully.
That was nice Professor I’m definitely using that in my playing thank you.
Deeper than Programmed C++ MicroAppleSoft
Beautiful
Awesome.
Holy smoke, this is genius
Either the 2nd chord is rootless or the progression is going from dmin7 to A7 for which the the alt E is its secondary dominant. Sounds good!
Nice!
Mike tyson playing piano😂
The technical aspect always make me want to learn EVERYTHING THAT YOU KNOW.😅
Jake, how would you show how this works in a song, and why?😊
Luv your work🎉🎉🎉🎉🎉🎉🎉
What software is he using ?
I think it’s chordie app
@@Everkeys Thank You Very Much ! :)
I know it's an " instructional short " - but that was georgeous .
Very informative!
that is beautiful
You're a magician.
that screen in the middle, is that some kind of tool or software? would be awesome to have something like that while learning or producing music
Whats that program that shows you the chords youre playing
I’ve been using secondary dominants in music for a long time without even knowing, I just thought it sounded good lol
Im playing only 4 month's, how long time i need to practice for playing like his
everyday. Its a marathon.........
jazz theory is so cool... classically trained pianist and damn its so different
Need more of this tuts❤
Wait "...the 5th it wants to drop dwn to." The 5th of C is G and the 5th of E is B.... but u resolved to am A min chord. 🤔Im confused!
The examples you gave are primary dominants. The reason he resolved the E7 to a A minor is because he is still playing in the key of c he just goes and grabs that secondary dominant from the a minor scale (E being the 5th of A minor scale) hope that helps!
@@lucasdeniro1906 OMG! Now that makes sense. A min is the relative minor of C. (His channel is definitely more for experts and Im sure his content helps others... but I see now I have a long way to go when it comes to understanding theory.) Thank u for taking the time out ur day to reply. 🤗🎹
@@insertnamehere9154You're right, A minor is the relative minor of C major, but try not to think about secondary dominants in terms of relative minor/majors. The best way to find a secondary dominant of any chord in a key is to play a dominant seventh chord a 5th above your target chord:
G7 is a fifth above C major (c d e f g)
E7 is a fifth above Am (a b c d e)
A7 is a fifth above Dm (d e f g a)
And so on.
You target a chord of your key, in this case C major (C Dm Em F G Am Bdim) by choosing one, going a 5th above it and playing a dominant 7th and then resolving to your chosen chord. Your chosen chord may be any chord from the key, minor or major.
You are the MAN.
Subbed
Yeah but isnt it just a 4 5 1 in a minor
Is being years I’ve see your recent post? What happen prof
My honest reaction: 😧
Bruh the first chord was dfac
Totally confusion😩???
more
And Am is the 6th