Color Spaces Explained! sRGB, Adobe RGB (1998), ProPhoto RGB
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- Опубликовано: 2 авг 2024
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If you've ever exported an image and the colors looked off after uploading it to your website, this tutorial can help! A basic understanding of how color space works in Photoshop can save you some serious time and headache. Today we break down the differences between LAB, Adobe RGB 1998, ProPhoto RGB, and sRGB while offering general tips on how to choose what color space to work in and what color space to use when exporting your final photos.
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0:57 Brief Background on Color Spaces
1:37 Common Color Spaces
3:04 Color Space Uses
4:32 Color Settings in Photoshop
9:32 Assigning Color Profiles to RAW
12:50 Color Settings from Lightroom to Photoshop
14:08 Color Settings for Export from Lightroom
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Color Spaces are tricky business. Follow the guide below to keep your photo's colors as consistent as possible through your workflow!
0:57 Brief Background on Color Spaces
1:37 Common Color Spaces
3:04 Color Space Uses
4:32 Color Settings in Photoshop
9:32 Assigning Color Profiles to RAW
12:50 Color Settings from Lightroom to Photoshop
14:08 Color Settings for Export from Lightroom
Sorry but you made one mistake which you actually said. @12:40 you save the image but not embed the profile. Thats not good ;)
How about when you calibrate your monitor? You should use the Color Profile or Workspace of the result of Monitor Calibration? Or still stick with Pro Photo RGB/sRGB?
Wish y’all did for capture one my colors be desaturated when exporting
I wonder... it's just me or anyone thinks the same? Shouldn't we have the information of the color space we are currently working on a image instead of going to "convert to profile" just to check what's the profile? I always found it a bit strange on Photoshop...
In case anyone is wondering: this video is focused on *WEB PUBLISHING*
Thanks for your comment, very good info right there!
What if you are sending your file to a company who are printing on aluminum dibond ?
@@markredankite Best to ask them directly what color space they want the image to be in when you send to them.
thanks for the info!
As a commercial retoucher : IMHO Using ProPhotoRGB is a terrible idea, except maybe in a few niche cases. It's a persistent myth that there's anything to gain by going from AdobeRGB to ProPhotoRGB. Use AdobeRGB 16bit with a 10bit eizo monitor and a Quadro, geforce with 2019 studio drivers or FirePro. Thats all you ever need. No monitor comes close to matching ProPhoto RGB, heck most people sRGB monitors. Basically your flying blind with ProPhotoRGB. I dont know a single commercial photographer, retoucher or printer who ever use ProPhotoRGB. Im not saying that there can't be niche applications for ProPhotoRGB but as a rule of thumb is a terrible idea to advice the use of ProPhotoRGB to people who are not color management experts. AdobeRGB 16 bit as your workspace, sRGB as output unless otherwise has been agreed upon with your client. Thats just industry standard.
For the first time in years I finally understood very clearly how color spaces work, you made it very clear and simple, great video, thanks!!
Thanks for this tutorial! It's saved me a bunch of time bringing photos in from LR that were in ProPhoto but didn't play well with an sRGB template I have to use regularly. Now it's set up to ask when transferring over to PS and I can switch automatically to sRGB on import.
This is the best explanation of color spaces I ever found in web. Thanks, Aaron.
You never cease to amaze me. I got it! Finally taught in a way I could understand. Thank you
A million thank yous for this! A complicated concept simply explained.
I think this has cleared up a LOT of misinformation. This question comes up SOO often in Facebook groups and you always get people guessing the answer or giving what is clearly the wrong answer. I personally learnt quite a bit from this and have adjusted some of my settings. A few times throughout i was think "ah but what about......." and within seconds you answered my thought. So well done on the video and well done on apparently reading my mind lol.
Thanks Aaron, very instructive. I really appreciate the time and preparation you invest in preparing your exceptional tutorials. Much appreciated!
Thank you, Aaron! Your presentation style is excellent! You made a VERY difficult subject easier for me to understand (I still don't really understand it but I understand it a lot better than before because of this video). Keep up the good work!
Thank you for the tut' once again you've explained it in "plain speak " over the years you have improved my photoshop and photography skills beyond the call of duty, and for that I thank you
Yay! Thanks so much Aaron. I was struggling getting to the bottom of this information. Cannot wait to go home and check my settings. 👍
This was super helpful! I have never understood the different color spaces and now I TOTALLY get it!! Thanks for the tips to change settings in Photoshop and Lightroom too.
thank uuuuuu so much this was the best clearest most comprehensive video for someone who knows nothing about color spaces!
Aaron Stark! Iron Photoshopman! Great and clear tutorial!
This is one of the most helpful videos I have watched photography wise, if not the most helpful. Excellent.
I love this guy's honesty! "Put it in the top adobe! Its not even obvious you can click there!" So many times its not until i see a tutorial that i realize hey thats actually an option to click! *face palm*
PShop is not beginner friendly, thank God for these free tutorials or else I 'd be completely lost .
Nicely done Aaron. That's a lot of information to cover in a way people can understand. Thanks! However I do have two comments.
First, because I open multiple images at a time in Photoshop which are usually RAW or exported from Lightroom previously as ProPhoto for further editing in Photoshop, I do NOT have my working space as sRGB. That would drive me bonkers. I have the workspace set to ProPhoto. If I set it to sRGB then every file I open would give me a prompt due to the ProPhoto colourspace in the file and the mismatched sRGB workspace. It hurts just thinking about it. My workflow is 100 percent Prophoto until I export from Photoshop for print or web. No prompts appear unless I open a file without a colourspace, which would be something downloaded from the web as you said.
Second, your section on exporting from Lightroom assumed that you would only export from Lightroom for use on the web, thus the sRGB colourspace for export. However many (most?) pro/semi-pro users would do some work in Lightroom on multiple files and then export (save) those files for further editing at some point in Photoshop. Those exports should be in PROPHOTO, not sRGB! If you dumb down the file on export from Lightroom, then you lose all that colour information. Once it's gone it's gone. Opening that sRGB file in Photoshop, even in a Prophoto colourspace, will not get you back all that data you threw away. So I would suggest that there are multiple paths or workflows you could have, depending on how you plan to edit. Maintaining a ProPhoto colourspace ALL through the edits and workflow is very important. The sRGB conversion should be done on that last export for print or web.
Great video: well-paced, informative, and accurate. Thank you.
Man, you are such a sweet guy! What another GREAT (fun!) and SIMPLE presentation of The Subject. I've had always questions about this and, in the end, color profiles are not that complicated. Thank YOU, Aaron, my teacher.
I was shooting, editing, and exporting all my photos in AdobeRGB. You have saved my proverbial bacon, my friend. Will ALWAYS export in sRGB now in Lightroom. Yikes.. to think what kind of calamity has already happened and would've happened if I didn't watch this vid!
One of the most useful videos I saw, no crap only professional and well-explained data. Should be 10 times more views..
So well explained everything, thank you!
Love these videos! so easy to follow and understand
This was a really perfect explanation and walk through as always. Thank you x
oh, it all makes perfect sense now, thanks 😊
Love your content Aaron, I learned so much from you for MY OWN RUclips THUMBNAILS.
This video helped explain something I have been avoiding for years because I thought it was too complex for me to understand. So for that I thank you so much. Although you missed something important at 12:45. You forgot to check "Embed Color Profile" and thus saved the image WITHOUT embedding the color profile! Leaving you with an image which requires the fix you laid out at length at 6:15. Be the solution not the problem! ha. Anyways, just a little note, but love the videos!
Well done on a tough topic !! Thx
One of the most informative videos I've ever watched :)
In less than 5 minutes I have learned a ton about color spaces, from you Aaron. I was just on the phone with BayPhoto.com because I wanted to print my photos to glass, acrylic, and metal for a comparison of two photos across all three medium respectively.
BayPhoto.com informed me that they print using Adobe RGB (1998), which I didn't know too much about. I was calling them because I also learned that BayPhoto.com and MetalPrints.com are sister companies and when I loaded my images into both websites, one of the images presented differently in the browser; which is what brought up the discussion about "Color Spaces."
Very helpful as always! Thank you! :)
Very well explained, thank you very much! Do you like to do another part explaining calibrating and profiling a monitor? And another part creating images for prints in a special ISO Coated profile?
Excellent informative tutorial , many thanks
Thank you, thank you!!! I was looking for this info everywhere and it was so confusing! You explained just perfectly clear!
This had so much useful info. Thanks!
Thanks for clearing that up Aaron
Thank you very much for this amazing tutorial. It helped me a whole lot!
Very informative! Thank you!
It´s a very important tutorial. Many o us don´t know much about it. Thanks
Brilliant video explaining a complicated topic in a simple fashion. I finally get it!
Thank you so much for this editorial, i have really struggled with my colours and this as made so much sense now. Please keep up the great work as i find photoshop so very difficult kind regards Lee
Thanks Aaron - very helpful! I would also appreciate a tutorial about color profiles used by print shops and how to install them and select them in PhotoShop for exporting images for printing (if the print shop offers them - e.g. COSTCO does if you talk the right person).
Beautifully explained:) I'm not great with colour- can use all the help I can get!
Damn dude, this was super helpful. I know almost nothing about photoshop and I was editing an image that I screenshotted but when I opened it it was darker and more saturated, and it happened again after opening the exported version. Turns out the Color Settings were all out of wack. Thanks!
Really helpful, thank you!
Excellent... Thank you!
Still the trickiest part is:
When you edit in proPhoto RGB, what you see is not what you'll get when you export in sRGB so editing becomes an annoying guesswork and may not be worth the effort because monitor/screen consistency is rather poor anyway. You can use the overview in PhotoShop when you switch the colour settings from proPhoto to sRGB, but still the result you will export is not the same as you see on photoshop even if you set the colour setting to sRGB (shadows tend to be much much deeper in the final image)...
I edit with the default setting in Photoshop. I calibrated my monitor with display Cal when i export picture & check to convert to sRGB the image looks more saturated than the document colors. Why is it happening?
Document colors look dull & after comverting to sRGB looks more saturated!!
@@AliMukhtar53 On PS you can choose proPhoto, sRGB or a custom colour space that is optimized for you monitor (some monitors' options are already available inside PS).
If you edit in proPhoto, you can be sure that the final pictures will look different. Printing should be consistent but I've no experience with prints so I don't know.
You're probably using a custom colour space optimized for you monitor but this will visibly change your file colours already in PS so I tend to avoid it. I also avoid it because this way your images will look very different on different monitors/screens.
sRGB should be the most consistent but thing is... It's not very consistent. Final images look different anyways and also look different on different screens. The difference is less evident compared to custom spaces but it's still there. I think you just have to accept it and try not to think about it. My only concern is that on some screens my images may looks awful and I don't know when I share them.
Absolutely. One good option is have a monitor that can have multiple color calibrations for different color spaces. For example Any of the BenQ SW line. You can also use duo gamut to see two different color spaces in side by side viewing. It is frustrating the resulting colors when going from a bright colourful image in Prophoto to the lowly sRGB space, even when you can preview the colors.
thank you so much its really helpful
You are always so clear! I finally got it ! you are great !
Thanks for the info and always producing great content.
Great episode !
Thanks! Very helpful.
This came at a right time.
This video helped me better understand the color spaces that the programs and cameras have....thank you! Definitely will subscribe to your channel.
You are a good teacher! Explaining verse clearly.
awesome video! remember! it's east to take away, but a lot harder to add.
Thanks mate! Great information :)
Respect! wonderful video :)
Awesome info! 🙏
Great stuff.Thank YOU!
Quick Question: Why PSD instead TIFF when exporting from Lightroom to Photohop?
Thank you Aaron !
Thank you, thank you!
Thanks you Sir
Thank you so much for this video!
Thank you, i had this damn problem when i transfer photo form Lightroom and camera raw to photoshop and the colours changed. and finally i resolved thanks to you.
Thank you, really interesting, but like quite a few others it would be really helpful if you could cover the next step, what settings to use to get accurate colours out of my home photo printer.
Okay, I really appreciate this video, but what I want to see is a comprehensive tutorial that not only focuses on the color spaces in PS, but covers the whole workflow. I now purchased a wide-gamut 10-bit monitor, Precision laptop with Quadro graphics (10bit/channel) card and monitor calibrator. It is not that easy to find easily-accessible information on how to correctly set everything up for work in different color spaces.
Excellent, you are always smiling .thanks for everything
Useful. Thanks.
This is so helpful and well explained. Thanks
Great tutorial and I change my color management as per your recommendation, Thanks, I still can't wrap my head around one thing that once we set our color space when why we need calibrate our monitors? 2 you talk about screen or web but I work with printing my photos as well and you need color management on that as well, Please let me know what we need to do if I am printing in my office as well as sending my print to a web service like WHCC?
By the way great tutorial on compositing on Adobe, I learned a lot.
Really excellent and useful thanks Aaron
This video is incredible
You are such an expert and intelligent guy
That ''aha moment"' just entered into my brain
Superexcellent Aaron, very helpful. A million thanks!
Thank you so very much Aaron! Very helpful tutorial!
Thanks for this excellent tuto, as always.
I had a problem lately when it came to scaling down the size of my images (photomontage with painting) for the web. I had made very large images thinking that the only problem there could be in term of scaling images was with scaling up. But my files were quite heavy and I had to scale them down up to 4 times smaller for some of them and even on the web, the quality was not great. On top of it, I couldn't have the light weight images I was hoping for without deteriorating the quality too much. They would get too pixelated. In case you plan to give advice about image size. :-)
Thank you so much, very useful information. I have a question about os color profile and my display color profile (wide gamut dispaly) how to set and another question about printing. Which color space must be exported for printing. Many thanks 👍
you just made my life easier ...... thanks a lot
I love your videos. Thanks a lot. Very helpful.
This is very well explained. I wished you had gone over assign profile and convert profile though
Hi Aaron Nace,
In-depth High-level tutorial.
I am your RUclips fan since 2012, almost, I have seen your all Photoshop and Lightroom tutorial and learned many things. I SUBSCRIBED your RUclips channel "PHLEARN" and ring the bell so never miss your any update.
Thank you!
Sadat
Well done! Complicated but I understood it
Thanks so much very helpful!
Thank you so much.
This video save my life!!
thank you so much!
sRGB was not invented because of consistency with mobile devices, it was the color space of typical CRT monitors in 1996. The Adobe RGB compatible CRT's were very expensive.
did he say that's why it was invented, or did he just say that's why the web reads it?
very easy to understand, even for me who English is not my mother tongue. Thanks a lot!
I was having trouble with the gama blending setting, and I thought this video would help, but 10 minutes in it looks like I'm never figuring this out... Oh well that's normal for me.
Something else worth noting is that it's a common recommendation to use more than 8 bits when working with ProPhoto RGB since its gamut is so big
Really interesting video, very well explained, but need to watch it a few times ...??
Thank you so much
Thank you.
Thanks a lot for this video.
Under the save for web dialogue, is the "Embed Color Profile" box to be checked ?
Thanks for the video. What about when it comes to printing with a lab? Is there a good rule to follow?
Great tutorial for one of the most badly understood bits in photography!