The U.K albums are the real Beatles albums. The American releases are just compilations. The only one they got right was Magical Mystery Tour but that is not a real Beatles album. They just took the British EP and added five songs released as singles from 1967. It works very well. The U.S Revolver record I hope is out of print and stays that way. Thank goodness they stopped this nonsense and Sgt. Pepper, The White Album, Let It Be and Abbey Road are all the same on both sides of the Atlantic.
I agree. Also includes a book of photographs from the film. Mind you the film itself bombed in the UK when shown on BBC during Christmas 1967. The fact that very few people had a colour tv to watch it didn't help,but essentially the film is a mess.
Don't put the blame anywhere except right at Capitol Records doorstep. They cut the typical 14 tracks in a UK album release down to 11 or 12 on their US releases... and OF COURSE it was all about the money... what else? The Beatles were not from America, Capitol regarded them as "foreigners", and Capitol milked the arrangement for all they could get... and until the practice was stopped with Sgt. Pepper and subsequent releases... Capitol made out like bandits. They were just plain greedy, and that is the best word to explain them...
I have a copy of the U.S. Revolver on vinyl. It's never been a favorite of mine. When I found out there were differences between UK and US versions, it pissed me off big time. And it was Capital Records' fault. Obviously money had something to do with it. The Beatles only released 13 albums in the UK instead of 20+ (not sure of exact number) in the U.S. Thank God Sgt. Pepper changed this ridiculous practice, but by then, it was 1967 and the band only had a few years left before they broke up.
@@sharigreen9252 All this discussion about Capitol records practice of dissecting the Beatles material for the U.S. market and not one mention of the Yesterday and Today "butcher cover".
I'm Only Sleeping and Doctor Robert are good songs. In fact they're great songs. Taking them off was a mistake. And John still was the driving force of the band up until that point. Tomorrow Never Knows, a Lennon composition, is the stand out of the album and it was the first song recorded and the one that inspired them to make the whole album.
John was ALWAYS the driving force of the band..until he stopped giving a shit. Paul and George barely spoke to each other from early 68 onwards..and the guys were barely seeing each other in the studio...Those guys fitted a 15 yr career into the never ending tour from 62 to 65.
Paul may have taken over for Pepper but the best songs of '67 were still John's. Lennon then dominated the White Album. John and George blew McCartney out of the water on that one. Abbey Road was the perfect synthesis of the three, although Paul was responsible for the turd in the punch bowl on that one. I dont think I have to speak its name
You are absolutely right. Capitol's objective was to 'create' albums out of singles and b sides to create and generate more cash. The Beatles eventually responded to this with the (rejected) 'butcher' cover for Y&T.
Travis Doucette The butcher cover was not an attempt to rebel against capitols practices, It was part of a photoshoot that went a little weird when the photographer brought jackets meat and baby doll parts
I read the butcher cover was done to protest the butchering of the Beatles song order. The Beatles wanted to release the album with the same format as the english Revolver album in the U.S., but Capitol wanted to make more money by releasing more abums with less songs on each one of them. Hence, for example, the Yesterday and Today album. The beatles felt they were butchering the original format!!
The reason was money, but had more to do with how royalties are paid from albums in the US as opposed to the UK. Most albums in America contained 10 or 11 songs and in the UK 14. Capitol had almost enough songs for a new album which became Yesterday and Today but needed 3 more. They asked George Martin for 3 songs already recorded for Revolver and he sent them those 3, but in different mixes because the final approved ones hadn't been completed. The American mixes of I'm Only Sleeping are unique to any other release for that reason. This gave Capitol the ability to release Yesterday and Today with 11 songs and Revolver was left with 11, killing 2 birds with one stone. The Beatles renegotiated their contract with EMI in 1967 which stipulated that all releases worldwide would be the same. Even so, Capitol still made Magical Mystery Tour into a full LP instead of a double EP.
One of the coolest things I've found about my original U.S. copy bought back when it was released was that when you adjust the balance on your stereo from the left speaker to the right you can hear the music played on one speaker and the vocals are omitted and just the opposite if your adjust it the other way. This is my all time favourite album by The Beatles.
I consider the U.K. Revolver album to be not only the best Beatle album but the best pop/rock album of all time. It's Lennon at the peak of his creativity (IMHO). It has not 2 but 3 Harrison compositions, all excellent. Ringo performs a hit song, Paul 's ballads are absolute gems (Here There and Everywhere, For No One), the ordering of the tracks is smooth (I'd never dare hit "shuffle" when playing the CD!) and as hard as I try, I can't find a single weakness in this perfect album.
Revolver is the best Beatles album. The only thing that could make it better would be to have included Rain and Paperback Writer which were released as a single but recorded during the Revolver sessions.
aldiakaroofus one could also throw the CD / LP into ones plastic recycling bin . Most councils recycle . Revolver is a terrible album and it is the low water mark of British music so thank you for your contribution and good night .
I believe EMI said to Capitol, which it owned at the time, that if they messed around with the Sgt Pepper album then they would revoke their licence to produce Beatles records..
Many thanks for this. 'Revolver' actually has more electronic and tape experiments on it than 'Sgt. Pepper' does. And - in all cases - the original, British versions of the albums are the bona fide versions, because those were the versions that The Beatles wanted and authorized.
uk forever!, the us albums shouldn't exist, those are abominations butchered by capitol, the uk discography is the real thing, the us discography is not canon!.
I agree with you, but what about the US Magical Mystery Tour which added Hello Goodbye, Strawberry Fields Forever, Penny Lane, and All You Need Is Love?
NinSoda a good idea by capitol, it worked great, that's why it was added to the canonical discography. there were not enough songs for another past masters volume, and it wouldn't have been the same as bonus tracks on sgt pepper
Pelger Forget that nonsense. We put em over the edge, not the UK. Heck, most Brit s hate the BEATLES . The US market is the gold standard. whoever heard anyone say ?"We need to go to Britain to make it big" That would be exactly nobody.
BTW - the mono version of "Tomorrow Never Knows" is much better than the stereo. The sounds effects are clipped shorter, giving them a more 'hellish' sound. Just my 2 cents.
There's also an alternate mono mix of 'Tomorrow Never Knows', accidently released on a very early pressing of 'Revolver'. Could 'Vinyl Rewind' do a video on released alternate mixes of Beatles recordings? The ones which are only available on vinyl?
I played the US vinyl version a month ago, not realizing it wasn't the UK version, and was shocked that the songs they omitted were all Lennon composed
much respect for your attention for “Tomorrow Never Knows”. it seems like it’s been forgotten a bit in any discussion around the band in recent years. in my mind it still stays as the most important song they’ve ever composed from a musicianship point of perspective. at least ‘cause of the simple reason that whenever i happen show it to anyone who’s unfamiliar with it in a “blind test” style, meaning, that i’m not telling who’s song it is or when it was recorded - the moment i tell that it’s a 1966 piece - 100% of all cases I get dropped jaws as feedback reactions. i can’t name any other Beatles song that has this effect. absolute ultimate masterpiece period
I think you should do a vs for the white album. The track listings are the same but the English version is the only one to have the mono mix, maybe you should do a mono vs stereo white album video because the mixes are quite different. Plus the look is a bit different but just a thought!
The Capitol Records version of Revolver is definitely weaker than the UK release. But the earlier recorded songs that were used for The Yesterday and Today Album along with the songs from Rubber Soul, not to mention album cover controversy, created a pretty good album. It also gave those who don't buy singles recordings of Yesterday, We Can Work It Out and Day Tripper. The most significant thing Capitol Records did was take two acoustic songs from Help - I've Just Seen A Face and It's Only Love - and put them on the Rubber Soul album. This created a Folk Rock sounding album that came at the apex of the Folk Rock movement and changed the listening habits of practically every student on a College Campus involved in the emerging protest movement. The significance of this little bit of history, that Capitol Records helped create, has always been overlooked by Rock historians.
Rubber Soul as you got it in the US MAY be a different listening experience. It certainly doesn't make it a better album. Capitol trying to pigeon hole the Beatles to make some more bucks. We all know that the album would have sold plenty the way it was before the tinkering anyway. Dave Dexter has a lot to answer for.
I took the LSD lifted off of Grace Slick and gave it to Checkers while I had Revolver spinning on the turntable. US version, of course. Wasn't sure if the mutt was tripping out or just old by that point, but he certainly seemed to appear rather peaceful. And yes, I put just a tiny bit in my beam and coke. Just that tiny little bit ended up really knocking my balls around. Turn down your blinds, kick back and float down the street. This is not flying. Aroo. This is not flying.
This is my favorite Beatles album, and I agree with everything you said. Back in the 1980's I found a UK import cassette of "Revolver" in a Camelot Records discount tape bin and I was surprised it had more songs than the USA album. Because of the way songwriting royalty rates were paid differently in the UK and USA, American record companies kept most albums around 10-12 songs. Capitol needed more songs for "Yesterday and Today" so EMI rushed them new 3 songs while the Beatles were still recording "Revolver". And the mixes Capitol received were early mono mixes that have some differences than the UK versions, especially with the backwards guitar overdubs on "I'm Only Sleeping".
+wildbilltexas Yes, I didn't want to get into too much detail on the different mixes, there's already so much solid information out there, plus it's hard to say everything I want without making it a 30+min video.
+Vinyl Rewind I agree. You could spend hours discussing the differences of the stereo and mono mixes between the 60's USA and UK albums. BTW check out this website.. its sadly not complete but has a extensive list of artists that borrowed riffs and production ideas from the Beatles albums up to Sgt. Peppers. www.silentbugler.com/Lets_Be_The_Beatles/Contents.html
+wildbilltexas I noticed that difference even between different pressings of Yesterday and Today. My college had an early pressing in their library and when I bought my more recent copy back then, I noticed the difference right away, mostly in the effects.
+aldiakaroofus The latest Vinyl and CD reissues of the Capitol albums use UK master tapes. So they are not the same mixes as the original Capitol albums. The only true reissue of those versions were on "The Capitol Albums" CD box sets, and sadly Y&T wasn't included.
Well done. Capitol really did a good job of "butchering" the UK albums. But on Rubber Soul it actually worked, creating a Beatles "folk album." Gonna go check out that video now.
Growing up discovering Revolver in the American version, I already loved it. When I found out my three favorite songs of Yesterday...and Today were on the British version, it became my favorite Beatles album. The way you talk about “I’m Only Sleeping” I feel about “And You’re Bird Can Sing.” And intentionally or not, it’s a better concept album then Sergeant Pepper. To go from the hard realities and materialism of Taxman to the esoteric philosophical and psychedelic ending of Tomorrow Never Knows in under 38 minutes is amazing.
The Beatles and George Martin had been using studio effects for a while. The guitar solo on "A Hard Day's Night" was actually recorded at half speed (it's really a guitar/piano duet). Of course, this became more prevalent after Revolver, I'm still amazed that the creativity and genius was starting to show earlier than most fans realize.
I understand that the break is a guitar/piano combination, but what do you mean 1/2 speed? I know Strawberry Fields, for example, fooled with recording speeds, but I don't understand how or why it was necessary on Hard Days.
Martin Freund In order to get the sound quality they wanted, the piano/guitar solo was played at double speed, kicking it up an octave and changing the tone of the sound. The way this was achieved was to record these instruments with the playback going at 1/2 speed, thus doubling the speed of the solo when the song was returned to normal.
@@MGF49 On "in my life" George Martin played the Harpsichord solo at 1/2 speed then played it back and added it to the song at normal speed. I don't think that was done on A hard days night. He added the piano to beef up the sound
When I first heard Revolver here in the U.S. I distinctly remember thinking "Oh I guess John wasn't writing much during this period." Yanking 3 John songs seems deliberate; almost like Capitol wanted a Paul-heavy mix of songs
@@bobbcarpenter7031 In it's original state it remains a perfect balance of the two main writers along with three (3!) Harrisongs Dave Dexter was the guy at Capitol who dic(k)tated what we heard and didn't hear Biggest selling band ever and the company still tried to squeeze a few extra bucks out of them
@@bobbcarpenter7031 The three Lennon tracks were already released on “Yesterday... and Today”, so that might’ve been a factor as to why they didn’t make the cut for the US release of Revolver.
I was at my local record store a few weeks ago in search of Revolver and there was only one left and it was the Parlaphone version in mono and I was pretty happy.
Pretty sure your right about the motive for the US record companies changing the records was money. They did that to stretch the material out over a larger number of albums, according to what I read.
Just found your channel. Love your Beatles album reviews and energy. I never knew that Ringo used the phrase “tomorrow never knows” during a press conference. Thanks for uploading.
Good review man. The US Revolver is a major blemish for Capitol....their worst mistake. They did good with Mystery Tour and Hey Jude (even Rubber Soul you can make a case for) but definitely not Revolver.
Capitol is short for Capitalism. The more records they could put out, the more money. Thank goodness we now have the British versions remastered and all!!!
@@FlashingFireGames Communism redistributes money and gives it to the unemployed for free. So why work? Communism makes everybody live in equal amounts of poverty.
'Speed manipulation' is mentioned at 1.54, as something the band had not done before. This is not so. Speeding recordings of songs up or slowing them down was something that was normal for their producer George Martin to do from probably the band's third album onward. George Martin had been doing that since producing The Goons in the 1950's. The song being changed in pitch/speed during recording is what differentiates The Rolling Stones from The Beatles-it never happened with The Stones it often happened with the The Beatles. What is new with Revolver is that the band could dabble in the manipulation rather than George Martin do it for them.
Eric, this is an excellent presentation. Thank you. I agree that the U.K. version is much preferable. This kind of meddling by Capitol has always been a great source of irritation for me. With The Beatles, A hard Days Night, Beatles for Sale, Help, Rubber Soul, were all butchered as well. Funny how during 1963, they couldn't be bothered with releasing any Beatle albums, and then later on they couldn't get enough of them. Greedy !! Rock on , Eric !! Love your videos.
He said the Beatles stopped touring in 1965. Correction, last concert was August 29th, 1966 at Candlestick Park in San Francisco. They did take a 3 month break and then started work on Sergeant Pepper in late November, 1966.
The best version is the UK mono pressing. The album's tracks are what they wanted on the album and the order they wanted. Most importantly stereo equipment was not available to the average fan ( teens & young adults ) so with that in mind The Beatles mixed the album in mono first and later did a stereo mix. So if you want to hear the album as The Beatles intended it to be heard you should listen to the UK mono mix of Revolver
lovely video. now does anyone know if there is a book/article/blogspot about the differences in how songs sound, in the beatles 2009 stereo box set, and the 2014 USA box set (maybe even the Japan Box)? ever since the USA box set came out, ive wanted to know if there were any sound differences, like how they were mixed differently than the UK ones were. its always something I've wanted to find out about.
The USA box set of 2014 uses the same remastered versions as used in the 2009 stereo set, they are simply placed in the running order for the US versions. IF a song was somehow unique on a US version, however, those mixes were used in most cases. A good example is the false start on I'm Looking Through You on Rubber Soul - the British version does not have the false start, the false start is on the 2014 US version, duplicating the original. Please note as well the stereo and mono versions are presented on each disk, which is cool if you don't have mono versions of these songs.
The song Tomorrow Never Knows is actually not about how to take an acid trip like he said. It is about the meditation process. Before his death in 2001 George Harrison said that this song was about meditation and ascending to the next level of conciseness. And being aware of our inner selves and preparing to ascend into the space of the unconscious mind and to be aware of our thoughts before we think them.
don't you understand that tripping is meditation......George should be said that. cuz it is. mushrooms lsd dmt all psychedelics are a form of meditation. they strip the ego and you transcend into a realm and basicly see and feel another dimension incapable by regular human limitations even if only slightly if you eat just a few mushrooms
Dude "Revolver's" TRADEMARK was track 1 "Taxman" . What other song ever began with mumbling , coughing a fake countdown with the actual Paul's countdown "FOOH!" fade out. McCartney was the king of countdown with "I saw her standing there and "Taxman" The title in itself is revolutionary ." REVOLVER" . A bat whack right across your head. Even though Help ! was one word "REVOLVER" came out of nowhere . "WHY" REVOLVER ? And amazing cover (much more creative than "Pepper's ) It took YEARS for bands to approach the subject "Guns & Roses" & "Velvet Revolver" derivatives absolutely influenced by "REVOLVER" AND one of the GREAT Ringo performances in "Tomorrow never knows"
Great job with the the detail you get into on this interview. Revolver and The Stone Exile On Main St. have been my fav albums of all time for over 40 years. I agree, the mono version of the UK issue from 2014 is the Revolver to own, unless you want stereo. However, the stereo issue from 2009 is sourced from digital rather than the original analogue tapes used for the mono set. The box set is worth over $3G's US however, you can pick up Revolver alone for under $70 US. I didn't know Klaus Voorman, a close personal friend of the band, won a grammy for concept, drawing, photo insertion etc.. for the album cover- well deserved. Geo
UK album because that is what The Beatles wanted the tracks placed and the mix they want. The MONO UK version because The Beatles mixed it in mono 1st and sometimes it would be weeks or even months before a stereo mix was even done. So the mono UK version is what The Beatles wanted it to look and sound like.
To those knocking the U.S. version....please keep in mind that it's the version that we heard here and it doesn't take away from the sheer brilliance of the album. Three of Lennon's songs may have been cut from the album, but the impact of the remaining two ("She Said She Said" and "Tomorrow Never Knows") more than makes up for their absence! Now if "Rain" had been cut from the U.S. version then I might feel differently, so it's a good thing that wasn't on the album to begin with. Yes, I prefer the original U.K. "Revolver" but I'll never forget hearing the U.S. version for the first time when I was a young boy. It's a killer listening experience too!
I've always felt Rubber Soul and Revolver were the best the Beatles ever did. I actually lost interest in them when Pepper came out. But the work they did in 65 and 66 was magic.
i HATE how i didn't know about the songs Dr Robert and she said she said until middle school, and i grew up to my mom blasting this album on her CD player
I'm Only Sleeping is a very fine song but it's a mood killer. I think the execs at Capitol made some very hard but very intuitive decisions that made the original UK album better, tighter, and best suited for the American listeners. American's have the best ears, duh. That is why the Beatles became so damned big.
+Eric Matthews I have both, the new mono UK and a '71 US. The US is short, but that sequence and editing blows the UK out of the water. Good way to describe I'm Only Sleeping as a mood killer. I also think that Lennon's 3 songs sound tedious on this particular album. However, I do like them all and think they are perfect on Yesterday and Today. I also like George having 3 songs on the album of the US's 11. Harrison's finest moment as a Beatle IMO. Further, I will state that the best way to listen to this period of The Beatles is the US versions of Rubber Soul, Y&T, and Revolver.
+Eric Matthews The three missing songs are great and everything, but I always thought the U.S. version was tighter and doesn't feel like it misses them.
I think Yellow Submarine was the mood killer on side one, at least for me. I really like I'm Only Sleeping a lot especially the harmonies George & Paul do as well as the backwards guitar really brings in the psychedelic element that's featured throughout the album. But seriously, there is no reason why And You're Bird Can Sing should have been off.
I agree 100 % Eric. Much prefer the American continutity for Revolver, and especially for Rubber Soul. 'I've Just Seen a Face' heralds the Beatles' switch to folk rock and influence from Dylan.
As with the stones , the uk ersion is always better in my opinion , the us are more like compilations and were decided by the record companies as opposed to the bands themselves. 3 songs missing = incomplete.
And 'And Your Bird Can Sing' was an absolute favorite, with that gorgeous guitar solo against Paul's brilliant contrapuntal bass line and the deceptive cadence, and Paul's insanely brilliant, jagged, frenetic guitars solo on 'Taxman' - absolute genius.
Another great post, Eric. The 11-track US version of Revolver was the last straw for the Beatles. From that point on they demanded that US album releases had to be the same as the UK versions which the Beatles themselves oversaw and approved.
Great observations. Geoff Emerick’s book is my favorite Beatles book. It’s like being a fly on the wall inside the recording studio as their masterpieces were created. Emerick is the secret ingredient and it’s a shame his is not a household name because his input was utterly invaluable and he was as much a genius, in his own way, as the four Beatles and George Martin. Nice episode, man!
Hey Eric, I must say this is a FABulous review of my favourite Beatles LP Revolver, you have the passion and knowledge I enjoy listening to ...and guess what? I'm from Liverpool UK subbed your awesome channel 🙌
Recently picked up the UK remastered version, great record. Taxman is probably one of my favorite tracks. The drums were suuuper compressed in the mix, which really defined the 60's brit wave sound.
Excellent work man! You did your research very well, and I'm glad you read HT&E by Geoff Emerick, what a great book! A fun fact for you about the three Revolver tracks on Yesterday and Today: These are earlier mixes than the ones released on the UK Revolver. Capitol needed a few more songs to fill up an album, as they made their own Beatles albums with singles, b-sides, orchestral stuff, etc, and they asked EMI/George Martin if there was anything ready to go. They received early mixes of those three songs, put them out with other random tracks, and pissed off a lot of British people as Yesterday and Today came out in the US way before Revolver did in the UK. I love both versions, but I grew up with the US albums, so that's where it's at for me! Keep up the awesome videos dude!
+Giggens Thank you! I heard a similar story with the Y&T tracks but I haven't picked out the differences in the mixes for myself. I guess they are pretty different.
5:07 The original pressing of 'Yesterday and Today' (1966) contains unique mixes of 'I'm Only Sleeping', 'Doctor Robert' and 'And Your Bird Can Sing'. Unavailable on CD. Wikipedia: The mono mixes were different from those used for the August 1966 release of Revolver, while the stereo version of Yesterday and Today initially contained duophonic ("fake stereo") mixes of the three songs.[8] Subsequent issues of Capitol's album used the true stereo mixes.[9] en.wikipedia.org/wiki/Yesterday_and_Today
While many think that the end of touring allowed the Beatles to work on Revolver more, that's incorrect. Revolver was recorded through June (as you said), and they embarked on their last tour immediately afterwards.
Ringo: well if ye can't play, then what else can ye do?
John: yeah...
Ringo: well, tomorrow never knows.
John: *wheeze*
Yes, it was more "product", more money.
No One two great songs came from stuff out of Ringo’s mouth.
Correct it says that in the video
Tomorrow Never Knows
A Hard Day’s Night
Eight Days A Week
There’s at least three, probably more 🙂
@@neildunham1 Eight Days a Week is not a Ringo malapropism.
The reverse guitar solo on I'm Only Sleeping is the greatest guitar solo ever.
Lol, and Hendrix was never able to figure it out.
Chase Gilley Best song in the album
My favorite Revolver song in Tomorrow Never Knows
In order to appreciate it you have to listen to all 4 mixes of this song. The guitars are on different spots on each version
No it’s not man, expand your vision on guitar and rock. Seems like you’ve got lot more to listen to.
The U.K albums are the real Beatles albums. The American releases are just compilations. The only one they got right was Magical Mystery Tour but that is not a real Beatles album. They just took the British EP and added five songs released as singles from 1967. It works very well. The U.S Revolver record I hope is out of print and stays that way. Thank goodness they stopped this nonsense and Sgt. Pepper, The White Album, Let It Be and Abbey Road are all the same on both sides of the Atlantic.
I agree. Also includes a book of photographs from the film. Mind you the film itself bombed in the UK when shown on BBC during Christmas 1967. The fact that very few people had a colour tv to watch it didn't help,but essentially the film is a mess.
Don't put the blame anywhere except right at Capitol Records doorstep. They cut the typical 14 tracks in a UK album release down to 11 or 12 on their US releases... and OF COURSE it was all about the money... what else? The Beatles were not from America, Capitol regarded them as "foreigners", and Capitol milked the arrangement for all they could get... and until the practice was stopped with Sgt. Pepper and subsequent releases... Capitol made out like bandits.
They were just plain greedy, and that is the best word to explain them...
I have a copy of the U.S. Revolver on vinyl. It's never been a favorite of mine. When I found out there were differences between UK and US versions, it pissed me off big time. And it was Capital Records' fault. Obviously money had something to do with it. The Beatles only released 13 albums in the UK instead of 20+ (not sure of exact number) in the U.S.
Thank God Sgt. Pepper changed this ridiculous practice, but by then, it was 1967 and the band only had a few years left before they broke up.
Yes the UK albums are the fruits of their creativity
@@sharigreen9252 All this discussion about Capitol records practice of dissecting the Beatles material for the U.S. market and not one mention of the Yesterday and Today "butcher cover".
There is something magical about the song " Here, there and everywhere". I can't explain it
According to George Martin, Geoff Emerick, and most of the boys in the band it's the best song The Beatles ever wrote.
Maybe you think that because you like it.
;-)
I know what you mean.
the most unforgivable thing about the US version to me is the fact that it only includes two Lennon songs
Darth Waroc it bacame Paul's band from this point on
I'm Only Sleeping and Doctor Robert are good songs. In fact they're great songs. Taking them off was a mistake. And John still was the driving force of the band up until that point. Tomorrow Never Knows, a Lennon composition, is the stand out of the album and it was the first song recorded and the one that inspired them to make the whole album.
John was ALWAYS the driving force of the band..until he stopped giving a shit. Paul and George barely spoke to each other from early 68 onwards..and the guys were barely seeing each other in the studio...Those guys fitted a 15 yr career into the never ending tour from 62 to 65.
They also took out "And Your Bird Can Sing" another John song.
Paul may have taken over for Pepper but the best songs of '67 were still John's. Lennon then dominated the White Album. John and George blew McCartney out of the water on that one. Abbey Road was the perfect synthesis of the three, although Paul was responsible for the turd in the punch bowl on that one. I dont think I have to speak its name
I love And your bird can sing
ernesto rodriguez that’s my favorite on the album
me too! :)
Funny ? Lennon hated it! I agree I thought it was a cool song !
Revolver was the best!
@@jimilee4609 To be fair, Lennon hated a lot of their songs... at least in his numerous interviews.
...and none of the songs that he hated was bad.
You are absolutely right. Capitol's objective was to 'create' albums out of singles and b sides to create and generate more cash. The Beatles eventually responded to this with the (rejected) 'butcher' cover for Y&T.
Travis Doucette The butcher cover was not an attempt to rebel against capitols practices, It was part of a photoshoot that went a little weird when the photographer brought jackets meat and baby doll parts
I read the butcher cover was done to protest the butchering of the Beatles song order. The Beatles wanted to release the album with the same format as the english Revolver album in the U.S., but Capitol wanted to make more money by releasing more abums with less songs on each one of them. Hence, for example, the Yesterday and Today album. The beatles felt they were butchering the original format!!
Donald Levin Apparently the Butcher cover was their comment on the Vietnam War.
The reason was money, but had more to do with how royalties are paid from albums in the US as opposed to the UK. Most albums in America contained 10 or 11 songs and in the UK 14. Capitol had almost enough songs for a new album which became Yesterday and Today but needed 3 more. They asked George Martin for 3 songs already recorded for Revolver and he sent them those 3, but in different mixes because the final approved ones hadn't been completed. The American mixes of I'm Only Sleeping are unique to any other release for that reason. This gave Capitol the ability to release Yesterday and Today with 11 songs and Revolver was left with 11, killing 2 birds with one stone. The Beatles renegotiated their contract with EMI in 1967 which stipulated that all releases worldwide would be the same. Even so, Capitol still made Magical Mystery Tour into a full LP instead of a double EP.
ruclips.net/video/iHgoklU2i9g/видео.html John Lennon'd explanation for the butcher cover!
Capitol Records cannibalized the British LPs to make "extra" Bealtes LPs for the very purpose you mentioned- Money. No debate about that.
Capitol Records "butchered" the British LPs to sell more product. On top of that, by havig fewer songs on an album, they saved on royalty fees.
I always felt like I Want To Tell You was an underrated song on the album
I think Love you to is more underrated
I Want To Tell You is in my top 3 Beatles songs of all time.
Honestly, It’s in my top 3 for that album
I think I want to tell you is so badass
Totally agree
I love that song
One of the coolest things I've found about my original U.S. copy bought back when it was released was that when you adjust the balance on your stereo from the left speaker to the right you can hear the music played on one speaker and the vocals are omitted and just the opposite if your adjust it the other way. This is my all time favourite album by The Beatles.
I consider the U.K. Revolver album to be not only the best Beatle album but the best pop/rock album of all time. It's Lennon at the peak of his creativity (IMHO). It has not 2 but 3 Harrison compositions, all excellent. Ringo performs a hit song, Paul 's ballads are absolute gems (Here There and Everywhere, For No One), the ordering of the tracks is smooth (I'd never dare hit "shuffle" when playing the CD!) and as hard as I try, I can't find a single weakness in this perfect album.
+aldiakaroofus Brilliantly said! I'm inclined to agree with you
I tend to agree with you. No one band could ever pull off what The Beatles achieved with "Revolver", IMHO.
Revolver is the best Beatles album. The only thing that could make it better would be to have included Rain and Paperback Writer which were released as a single but recorded during the Revolver sessions.
aldiakaroofus one could also throw the CD / LP into ones plastic recycling bin . Most councils recycle . Revolver is a terrible album and it is the low water mark of British music so thank you for your contribution and good night .
Democracy Person please tell me you’re a troll
Personally, I could care less about the cover. It's about the music. The U.K. has 3 more songs. End of story for me.
*COULDN'T care less.
I believe EMI said to Capitol, which it owned at the time, that if they messed around with the Sgt Pepper album then they would revoke their licence to produce Beatles records..
R.I.P. Geoff Emerick
He was instrumental in the sound of albums from Revolver onward.
Favourite beatles album :)
Same here dude!
Same. Track 5 alone makes it mine.
My favorite song on Revolver is She Said She Said
Good choice
I know what it’s like to be deeead
please review magical mystery tour
+Noah Salem added your vote
+Vinyl Rewind how about magical mystery tour UK vs US
that's a good one
Vinyl Rewind more Beatles, more Beatles!
I hope you mean the EP
Many thanks for this.
'Revolver' actually has more electronic and tape experiments on it than 'Sgt. Pepper' does. And - in all cases - the original, British versions of the albums are the bona fide versions, because those were the versions that The Beatles wanted and authorized.
uk forever!, the us albums shouldn't exist, those are abominations butchered by capitol, the uk discography is the real thing, the us discography is not canon!.
I agree with you, but what about the US Magical Mystery Tour which added Hello Goodbye, Strawberry Fields Forever, Penny Lane, and All You Need Is Love?
NinSoda a good idea by capitol, it worked great, that's why it was added to the canonical discography. there were not enough songs for another past masters volume, and it wouldn't have been the same as bonus tracks on sgt pepper
They did release magical mystery tour in mono in the states.
Pelger
Forget that nonsense.
We put em over the edge, not the UK.
Heck, most Brit s hate the BEATLES .
The US market is the gold standard.
whoever heard anyone say ?"We need to go to Britain to make it big"
That would be exactly nobody.
Pelger your correct but you don't need to be rude about it
You are one of the best authorities I've seen on the Beatles on You Tube. Great video!!! Rock on!!!
+bubaah thanks so much!
BTW - the mono version of "Tomorrow Never Knows" is much better than the stereo. The sounds effects are clipped shorter, giving them a more 'hellish' sound. Just my 2 cents.
nice, now I gotta go back and listen
There's also an alternate mono mix of 'Tomorrow Never Knows', accidently released on a very early pressing of 'Revolver'.
Could 'Vinyl Rewind' do a video on released alternate mixes of Beatles recordings? The ones which are only available on vinyl?
Nah, sorry strongly disagree, how the mono was mixed with all the sound affects fading in and out just destroys the song for me.
At 7:17 Tomorrow Never Knows was originally titled Mark I.
It was also the first track that newly promoted engineer Geoff Emerick was to work on.
I played the US vinyl version a month ago, not realizing it wasn't the UK version, and was shocked that the songs they omitted were all Lennon composed
much respect for your attention for “Tomorrow Never Knows”. it seems like it’s been forgotten a bit in any discussion around the band in recent years. in my mind it still stays as the most important song they’ve ever composed from a musicianship point of perspective.
at least ‘cause of the simple reason that whenever i happen show it to anyone who’s unfamiliar with it in a “blind test” style, meaning, that i’m not telling who’s song it is or when it was recorded - the moment i tell that it’s a 1966 piece - 100% of all cases I get dropped jaws as feedback reactions.
i can’t name any other Beatles song that has this effect.
absolute ultimate masterpiece period
I think you should do a vs for the white album. The track listings are the same but the English version is the only one to have the mono mix, maybe you should do a mono vs stereo white album video because the mixes are quite different. Plus the look is a bit different but just a thought!
Just stumbled onto this channel while cruising around. Very cool and very knowledgeable.
I want to see a review on "A Night At The Opera" by Queen
James Lynch now that's a great album . I can't wait for the review . Bring it on .
He already did in season 1
Love your enthusiasm and knowledge.
Tomorrow Never Knows is by far my favourite Beatles song
Raven Hutt it's fab ...and gear
Listen to the lead guitar on that tune. Way ahead of it's time.
SiSenior Hola senor .Everything (almost ) that they did was way ahead of its time
Raven Hutt mine to
Raven Hutt rain was a great song also
I absolutely love how excited this guy is about Eleganor Rigby, Yellow Submarine, and Tomorrow Never Knows. It's great.
The Capitol Records version of Revolver is definitely weaker than the UK release. But the earlier recorded songs that were used for The Yesterday and Today Album along with the songs from Rubber Soul, not to mention album cover controversy, created a pretty good album. It also gave those who don't buy singles recordings of Yesterday, We Can Work It Out and Day Tripper. The most significant thing Capitol Records did was take two acoustic songs from Help - I've Just Seen A Face and It's Only Love - and put them on the Rubber Soul album. This created a Folk Rock sounding album that came at the apex of the Folk Rock movement and changed the listening habits of practically every student on a College Campus involved in the emerging protest movement. The significance of this little bit of history, that Capitol Records helped create, has always been overlooked by Rock historians.
Rubber Soul as you got it in the US MAY be a different listening experience. It certainly doesn't make it a better album. Capitol trying to pigeon hole the Beatles to make some more bucks. We all know that the album would have sold plenty the way it was before the tinkering anyway. Dave Dexter has a lot to answer for.
This is easily one of the best channels on RUclips.
I took the LSD lifted off of Grace Slick and gave it to Checkers while I had Revolver spinning on the turntable. US version, of course. Wasn't sure if the mutt was tripping out or just old by that point, but he certainly seemed to appear rather peaceful. And yes, I put just a tiny bit in my beam and coke. Just that tiny little bit ended up really knocking my balls around.
Turn down your blinds, kick back and float down the street. This is not flying. Aroo. This is not flying.
+Richard Nixon Love this
This is my favorite Beatles album, and I agree with everything you said. Back in the 1980's I found a UK import cassette of "Revolver" in a Camelot Records discount tape bin and I was surprised it had more songs than the USA album. Because of the way songwriting royalty rates were paid differently in the UK and USA, American record companies kept most albums around 10-12 songs. Capitol needed more songs for "Yesterday and Today" so EMI rushed them new 3 songs while the Beatles were still recording "Revolver". And the mixes Capitol received were early mono mixes that have some differences than the UK versions, especially with the backwards guitar overdubs on "I'm Only Sleeping".
+wildbilltexas Yes, I didn't want to get into too much detail on the different mixes, there's already so much solid information out there, plus it's hard to say everything I want without making it a 30+min video.
+Vinyl Rewind I agree. You could spend hours discussing the differences of the stereo and mono mixes between the 60's USA and UK albums. BTW check out this website.. its sadly not complete but has a extensive list of artists that borrowed riffs and production ideas from the Beatles albums up to Sgt. Peppers. www.silentbugler.com/Lets_Be_The_Beatles/Contents.html
+wildbilltexas I noticed that difference even between different pressings of Yesterday and Today. My college had an early pressing in their library and when I bought my more recent copy back then, I noticed the difference right away, mostly in the effects.
+aldiakaroofus The latest Vinyl and CD reissues of the Capitol albums use UK master tapes. So they are not the same mixes as the original Capitol albums. The only true reissue of those versions were on "The Capitol Albums" CD box sets, and sadly Y&T wasn't included.
+aldiakaroofus wow, crazy
Well done. Capitol really did a good job of "butchering" the UK albums. But on Rubber Soul it actually worked, creating a Beatles "folk album." Gonna go check out that video now.
Growing up discovering Revolver in the American version, I already loved it. When I found out my three favorite songs of Yesterday...and Today were on the British version, it became my favorite Beatles album. The way you talk about “I’m Only Sleeping” I feel about “And You’re Bird Can Sing.” And intentionally or not, it’s a better concept album then Sergeant Pepper. To go from the hard realities and materialism of Taxman to the esoteric philosophical and psychedelic ending of Tomorrow Never Knows in under 38 minutes is amazing.
The Beatles and George Martin had been using studio effects for a while. The guitar solo on "A Hard Day's Night" was actually recorded at half speed (it's really a guitar/piano duet). Of course, this became more prevalent after Revolver, I'm still amazed that the creativity and genius was starting to show earlier than most fans realize.
I understand that the break is a guitar/piano combination, but what do you mean 1/2 speed? I know Strawberry Fields, for example, fooled with recording speeds, but I don't understand how or why it was necessary on Hard Days.
Martin Freund In order to get the sound quality they wanted, the piano/guitar solo was played at double speed, kicking it up an octave and changing the tone of the sound. The way this was achieved was to record these instruments with the playback going at 1/2 speed, thus doubling the speed of the solo when the song was returned to normal.
No, Steve...most fans know.
@@mrmaestro04 no, Steve..it wasn't to get the desired sound. It was done because the musicians couldn't execute their parts at the proper tempo.
@@MGF49 On "in my life" George Martin played the Harpsichord solo at 1/2 speed then played it back and added it to the song at normal speed. I don't think that was done on A hard days night. He added the piano to beef up the sound
My favourite Beatles album!
I just discovered your channel and I'm really loving it, you're funny and make the information very interesting. Subscribed :D
thank you
he sounds like Cassey Cassem
Yellow submarine is one of the most common songs teachers usually utilize for teaching English in Mexico.
When I first heard Revolver here in the U.S. I distinctly remember thinking "Oh I guess John wasn't writing much during this period." Yanking 3 John songs seems deliberate; almost like Capitol wanted a Paul-heavy mix of songs
kirbygene Right! I thought maybe John was getting so stoned he only came up with two songs
What a rip-off!
Capitol felt the fans would enjoy Paul's pop more so than John's psychedelic musings. Boy, were they wrong!
@@bobbcarpenter7031 In it's original state it remains a perfect balance of the two main writers along with three (3!) Harrisongs
Dave Dexter was the guy at Capitol who dic(k)tated what we heard and didn't hear
Biggest selling band ever and the company still tried to squeeze a few extra bucks out of them
@@bobbcarpenter7031
The three Lennon tracks were already released on “Yesterday... and Today”, so that might’ve been a factor as to why they didn’t make the cut for the US release of Revolver.
You've made the best analysis I've ever heard about a Beatles record. Congrats!
I think the UK albums are superior, except for Magical Mystery Tour.
Your enthusiasm and depth of detail is great! Thanks for the superb video!
thank you
Dr. robert in mono make you fell so physcadelic as if i was in a vr chat with john lennon
...and John's "okay, 'erb" at the U.S. mono version's fadeout.
I was at my local record store a few weeks ago in search of Revolver and there was only one left and it was the Parlaphone version in mono and I was pretty happy.
This guy knows his stuff!
That was a perfect little mini-documentary. Thank you.
Pretty sure your right about the motive for the US record companies changing the records was money. They did that to stretch the material out over a larger number of albums, according to what I read.
Just found your channel. Love your Beatles album reviews and energy. I never knew that Ringo used the phrase “tomorrow never knows” during a press conference. Thanks for uploading.
Good review man. The US Revolver is a major blemish for Capitol....their worst mistake. They did good with Mystery Tour and Hey Jude (even Rubber Soul you can make a case for) but definitely not Revolver.
Thanks VR. Your reviews are GREAT!!!
Capitol is short for Capitalism. The more records they could put out, the more money. Thank goodness we now have the British versions remastered and all!!!
Starship Trooper Exactly, this is why we need Communism and not greed promoting Capitalism! Glad to see someone finally agrees!
@@FlashingFireGames This but unironically
@@FlashingFireGames Communism redistributes money and gives it to the unemployed for free. So why work?
Communism makes everybody live in equal amounts of poverty.
Umm...Magical mystery Tour remaster is the US version lol
@@FlashingFireGames Lmao.
Starting their recordings with Tomorrow Never Knows is exactly why this is probably the best album ever recorded.
i per fer the UK version because it has more songs
'Speed manipulation' is mentioned at 1.54, as something the band had not done before. This is not so. Speeding recordings of songs up or slowing them down was something that was normal for their producer George Martin to do from probably the band's third album onward. George Martin had been doing that since producing The Goons in the 1950's. The song being changed in pitch/speed during recording is what differentiates The Rolling Stones from The Beatles-it never happened with The Stones it often happened with the The Beatles. What is new with Revolver is that the band could dabble in the manipulation rather than George Martin do it for them.
Eric, this is an excellent presentation. Thank you. I agree that the U.K. version is much preferable. This kind of meddling by Capitol has always been a great source of irritation for me. With The Beatles, A hard Days Night, Beatles for Sale, Help, Rubber Soul, were all butchered as well. Funny how during 1963, they couldn't be bothered with releasing any Beatle albums, and then later on they couldn't get enough of them. Greedy !! Rock on , Eric !! Love your videos.
He said the Beatles stopped touring in 1965. Correction, last concert was August 29th, 1966 at Candlestick Park in San Francisco. They did take a 3 month break and then started work on Sergeant Pepper in late November, 1966.
What kind of vinyl player do you have? Great video by the way.
The best version is the UK mono pressing. The album's tracks are what they wanted on the album and the order they wanted. Most importantly stereo equipment was not available to the average fan ( teens & young adults ) so with that in mind The Beatles mixed the album in mono first and later did a stereo mix. So if you want to hear the album as The Beatles intended it to be heard you should listen to the UK mono mix of Revolver
lovely video. now does anyone know if there is a book/article/blogspot about the differences in how songs sound, in the beatles 2009 stereo box set, and the 2014 USA box set (maybe even the Japan Box)? ever since the USA box set came out, ive wanted to know if there were any sound differences, like how they were mixed differently than the UK ones were. its always something I've wanted to find out about.
Steve Hoffman forums are a good place for that info
The USA box set of 2014 uses the same remastered versions as used in the 2009 stereo set, they are simply placed in the running order for the US versions. IF a song was somehow unique on a US version, however, those mixes were used in most cases. A good example is the false start on I'm Looking Through You on Rubber Soul - the British version does not have the false start, the false start is on the 2014 US version, duplicating the original. Please note as well the stereo and mono versions are presented on each disk, which is cool if you don't have mono versions of these songs.
Yes. Revolver is my favorite LP of ALL Time!
The song Tomorrow Never Knows is actually not about how to take an acid trip like
he said. It is about the meditation process. Before his death in 2001 George Harrison said that this song was about meditation and ascending to the next level of conciseness. And being aware of our inner selves and preparing to ascend into the space of the unconscious mind and to be aware of our thoughts before we think them.
Timothyojohnson Definitely makes sense, especially with the overall sound.
it's about using lsd to ascend to that level of consciousness. the first line is literally taken verbatim from that leary book.
Just cause the line was taken from the book, it can still be used to describe starting to meditate since that's exactly what one is supposed to do.
don't you understand that tripping is meditation......George should be said that. cuz it is. mushrooms lsd dmt all psychedelics are a form of meditation. they strip the ego and you transcend into a realm and basicly see and feel another dimension incapable by regular human limitations even if only slightly if you eat just a few mushrooms
hey I guess you all COMPLETELY missed the part about the PSYCHEDELIC experience????
This was fun, and you have excellent presentation skills. Thanks, lad!
Dude "Revolver's" TRADEMARK was track 1 "Taxman" . What other song ever began with mumbling , coughing a fake countdown with the actual Paul's countdown "FOOH!" fade out.
McCartney was the king of countdown with "I saw her standing there and "Taxman"
The title in itself is revolutionary ." REVOLVER" . A bat whack right across your head.
Even though Help ! was one word "REVOLVER" came out of nowhere . "WHY" REVOLVER ? And amazing cover (much more creative than "Pepper's )
It took YEARS for bands to approach the subject "Guns & Roses" & "Velvet Revolver"
derivatives absolutely influenced by "REVOLVER"
AND one of the GREAT Ringo performances in "Tomorrow never knows"
youre so Right - hear drumming from other titles in the beginning of 1966 - Tomorrow never knows are one of the best Songs of the menkind
Excellent review. Also, you told me several things that I did not know about that great album.
Tomorrow Never Knows also sounds like another Chemical Brothers song, Setting Sun
Great job with the the detail you get into on this interview. Revolver and The Stone Exile On Main St. have been my fav albums of all time for over 40 years. I agree, the mono version of the UK issue from 2014 is the Revolver to own, unless you want stereo. However, the stereo issue from 2009 is sourced from digital rather than the original analogue tapes used for the mono set. The box set is worth over $3G's US however, you can pick up Revolver alone for under $70 US. I didn't know Klaus Voorman, a close personal friend of the band, won a grammy for concept, drawing, photo insertion etc.. for the album cover- well deserved. Geo
great vid to a great album :)
+TheOompahRoundabout thank you
Man, you’re the friend I never had. Love your videos!
Nice jawline
UK album because that is what The Beatles wanted the tracks placed and
the mix they want. The MONO UK version because The Beatles mixed it in
mono 1st and sometimes it would be weeks or even months before a stereo
mix was even done. So the mono UK version is what The Beatles wanted it to look and sound like.
To those knocking the U.S. version....please keep in mind that it's the version that we heard here and it doesn't take away from the sheer brilliance of the album. Three of Lennon's songs may have been cut from the album, but the impact of the remaining two ("She Said She Said" and "Tomorrow Never Knows") more than makes up for their absence! Now if "Rain" had been cut from the U.S. version then I might feel differently, so it's a good thing that wasn't on the album to begin with. Yes, I prefer the original U.K. "Revolver" but I'll never forget hearing the U.S. version for the first time when I was a young boy. It's a killer listening experience too!
It totally takes away from it. That's why it wasnt a top rated Beatles album until the 80s when it was finally rectified.
What a great information you gave for this one, man! Keep it up so well always.. Very thankful for this channel
hello fellow revolver pfp
I've always felt Rubber Soul and Revolver were the best the Beatles ever did. I actually lost interest in them when Pepper came out. But the work they did in 65 and 66 was magic.
Uk stereo original pressings can be found for 10 dollars
Geoff was 19 and RIP
i HATE how i didn't know about the songs Dr Robert and she said she said until middle school, and i grew up to my mom blasting this album on her CD player
I'm Only Sleeping is a very fine song but it's a mood killer. I think the execs at Capitol made some very hard but very intuitive decisions that made the original UK album better, tighter, and best suited for the American listeners. American's have the best ears, duh. That is why the Beatles became so damned big.
+Eric Matthews I have both, the new mono UK and a '71 US. The US is short, but that sequence and editing blows the UK out of the water. Good way to describe I'm Only Sleeping as a mood killer. I also think that Lennon's 3 songs sound tedious on this particular album. However, I do like them all and think they are perfect on Yesterday and Today. I also like George having 3 songs on the album of the US's 11. Harrison's finest moment as a Beatle IMO. Further, I will state that the best way to listen to this period of The Beatles is the US versions of Rubber Soul, Y&T, and Revolver.
+Eric Matthews The three missing songs are great and everything, but I always thought the U.S. version was tighter and doesn't feel like it misses them.
I think Yellow Submarine was the mood killer on side one, at least for me. I really like I'm Only Sleeping a lot especially the harmonies George & Paul do as well as the backwards guitar really brings in the psychedelic element that's featured throughout the album. But seriously, there is no reason why And You're Bird Can Sing should have been off.
I agree 100 % Eric. Much prefer the American continutity for Revolver, and especially for Rubber Soul. 'I've Just Seen a Face' heralds the Beatles' switch to folk rock and influence from Dylan.
As with the stones , the uk ersion is always better in my opinion , the us are more like compilations and were decided by the record companies as opposed to the bands themselves.
3 songs missing = incomplete.
And 'And Your Bird Can Sing' was an absolute favorite, with that gorgeous guitar solo against Paul's brilliant contrapuntal bass line and the deceptive cadence, and Paul's insanely brilliant, jagged, frenetic guitars solo on 'Taxman' - absolute genius.
Another great post, Eric.
The 11-track US version of Revolver was the last straw for the Beatles. From that point on they demanded that US album releases had to be the same as the UK versions which the Beatles themselves oversaw and approved.
7:28.
Ringo:"You can't blame 'em you know. What can you say?
John: "What can you say?"
Ringo: "tomorrow never knows".
Great observations. Geoff Emerick’s book is my favorite Beatles book. It’s like being a fly on the wall inside the recording studio as their masterpieces were created. Emerick is the secret ingredient and it’s a shame his is not a household name because his input was utterly invaluable and he was as much a genius, in his own way, as the four Beatles and George Martin. Nice episode, man!
Hey Eric, I must say this is a FABulous review of my favourite Beatles LP Revolver, you have the passion and knowledge I enjoy listening to ...and guess what? I'm from Liverpool UK subbed your awesome channel 🙌
that's awesome
Recently picked up the UK remastered version, great record. Taxman is probably one of my favorite tracks. The drums were suuuper compressed in the mix, which really defined the 60's brit wave sound.
Excellent work man! You did your research very well, and I'm glad you read HT&E by Geoff Emerick, what a great book! A fun fact for you about the three Revolver tracks on Yesterday and Today: These are earlier mixes than the ones released on the UK Revolver. Capitol needed a few more songs to fill up an album, as they made their own Beatles albums with singles, b-sides, orchestral stuff, etc, and they asked EMI/George Martin if there was anything ready to go. They received early mixes of those three songs, put them out with other random tracks, and pissed off a lot of British people as Yesterday and Today came out in the US way before Revolver did in the UK. I love both versions, but I grew up with the US albums, so that's where it's at for me! Keep up the awesome videos dude!
+Giggens Thank you! I heard a similar story with the Y&T tracks but I haven't picked out the differences in the mixes for myself. I guess they are pretty different.
Thanks for the heads up on the UK release
5:07 The original pressing of 'Yesterday and Today' (1966) contains unique mixes of 'I'm Only Sleeping', 'Doctor Robert' and 'And Your Bird Can Sing'. Unavailable on CD.
Wikipedia: The mono mixes were different from those used for the August 1966 release of Revolver, while the stereo version of Yesterday and Today initially contained duophonic ("fake stereo") mixes of the three songs.[8] Subsequent issues of Capitol's album used the true stereo mixes.[9]
en.wikipedia.org/wiki/Yesterday_and_Today
Time For you to relax and floatdown stream
Favorite LP of all time! 🙌🏻
Love your reviews! Great job!
Those three songs left off of the U.S. copy are 3 of my favorite songs by the Beatles period.
Fabulous review and story. Thanks.
favorite album period.
"Revolver" -- diversity and brilliance on vinyl. 1966 -- one amazing year for sound.
While many think that the end of touring allowed the Beatles to work on Revolver more, that's incorrect. Revolver was recorded through June (as you said), and they embarked on their last tour immediately afterwards.
Dude I love your videos and by the way, my favorite Beatles album!!
Wait a minute they give Grammy's for album art??
Follow the British catalogs.
The only exception is Magical Mystery Tour where the U.S. version is considered the classic version.