Victor Vine I still use ozone 5 so I'm not really sure but the preview mode doesn't render since it's only the preview mode I don't know if you have to change something in the ozone settings but multiplier has a video specifically about this feature. If that doesn't do it try the manual
I simply love AU5. Never heard of him until my daughter started listening to him a year or 2 ago. I find him very inspiring and he is an instant inspiration. Thanks for the tutorials.
The whole thing was super helpful for me! Right now I'm rewatching to pick up on any tips I missed. I would say it'd be awesome for you do more of these with Austin, but hey quality over quantity right? Still would be awesome though
Alright, I'm going to go on a whim here and suggest the one and only Seven Lions. He uses FL, so I'm not quite sure how that would work out given that this series is mostly focused on Ableton, but that guy has so much knowledge it's unreal. I've seen the one studio session video that he did a few years back, and I can't help but wonder what else he is willing to show. From the atmospheric sound design, to the massive leads and supersaws, that guy produces the type of music I've been trying to make for years. Hopefully it is possible!
Great job on the editing Multiplier, it's nice to see you take feedback from the accurate yet unnecessarily harsh comments about your edits in the previous "In The DAW" installment. Keep up the the awesome work!
I find myself ditching the majority of livestreams due to boredom but you guys did a flawless job here! The editing, flow and explanations are second to none. Thanks for uploading.
TwistyTie I get that producers don't want to speak about how they make their "signature sounds". That's what I like about in the DAW, it's not about "how to make this bass" but more about sound design technique, arrangement and the overall approach in making music in different ways. So I think it's sad that some producers don't want to talk about their stuff on the Internet since that's how a lot of them learned how to make music in the first place. Especially because the electronic music community always seems to be so inclusive it would be nice to see some bigger artists giving back a bit.
Wyatt Christensen Awesome! Dude, everything Austin says is so informative that I can't pick one favorite. Thanks for making this show and for having him on it! BTW if possible, invite Noisestorm on the show :)
Why use Fabfilter-R? wouldn't you want to reverb the tail of the snare when creating the tail in operator? Is it bad to reverb your snare before shaping with eq and compressing? Are there any side effects to compressing a signal that already has reverb in a specific frequency range?
Au5 I know I am well aware But that does not change the fact the almost all of EDM consists of some arrangement of chords I IV V and vi Cool sound design is about all it's got going for it
Plus I'm pretty sure he meant that in a "play in the correct key" type of thing. There's a point where notes aren't blue anymore, they're just not in key
I loved the entire video from the technical knowledge to the funny little edits you guys threw in. One thing I look for in videos like these are when artists talk in depth about what obstacles or problems they faced while creating the song. Au5 touched on this by saying it was an experimental process creating this track. I love to hear when artists say they were stuck or didn't know what element to add. (ex: Darude said he sat on the melody for Sandstorm for a while before creating that epic song) I feel like when artists we look up to share their stories of struggle, it gives us 2 things; Solace knowing that we're not alone in the obstacles we face during our artistic pursuits & inspiration that we can make some dank ass tunes for the world to enjoy. Just my two cents :)
24:42 "Blablabla.." = Must important part of the whole thing: How to create Music=> Music is an Art, and so: it's accessible to anyone no matter you know music or not. Music is something that comes into your mind, as the Perfection. ANd you just try to express this Perfection into sound. As Buddha or John said: Let it Be and express what you feel into Music.
When Au5 shows his Kick 2 preset, I noticed that the Pitch Env Slider is set to 3.8K, but the first node in the envelope is set to A8 / 6.925kHz. Not sure how he managed that. I wonder if it's a visual bug.
Hi Multiplier I’m a big fan of these sessions you do with other producers, I was wondering how do you call them and show the project at the same time, I tried use Skype to call my producer friends, but they say the audio quality was very bad, hope you can do a tutorial on this, it will help me a lot, Thank Brah!!
That is some incredible sound design!! Have you considered using Harmor and Vocodex in Propellerhead's Reason? I know you can do some pretty complex routing in FL patcher, but Reason takes it to a new level and it's Mac friendly. The mac patched FL plugins seem to work pretty well too, but their only 32bit, so you need jbridge or something similar for a 64 bit daw :/. I use Windows 10 on my beefy desktop because I don't have enough space on my MBP. I've found that combining LFO's and EG's with Reason's CV routing can be expressive in ways that I couldn't match with Logic Studio, Ableton, or FL. Also, resampled Omnishphere is the bee's knee's. Keep doing what you're doing man. You're a huge inspiration to me!! :D
I think you all covered so much good stuff in this episode. I thought the zipper bass was just a SAW going through a comb filter - I was pleasantly surprised! The episode gave me a lot of good ideas :D I want to design tools for sound design, and content like this helps me think outside the box!
Okay ;) I am on FL. For over 15 years now. I am pretty good with it but always want to learn a few tricks and things i might not know. Thanks for the answer. I asked because i kinda want to do the same. Go through projects and let the heads know what i did, how i did it and why. All the best from Berlin!
Yeh as Colby says... those artists. Also Herobust and yeh a few other i dont know yet 😁. Dont ever ask people that. If you youtube my name WYATT.. you can find my music of course. Let me know what you think. All the best from Germany
24:47 That happens when you listen to too much music . Say youre exposed to 8 hours of constant tunes you start hearing things that are actually not there and then your mind takes over to fill the gaps in the tunes to make its way to harmony.
Maybe I have I'm not sure. This one time I was at festival exposed to constant loud music for many many hours and then when it was all over I could still hear tunes in my head. I asked my brother if he could hear it too and he did and there was definitely no extenal music that was playing. I went home, opened my DAW and just started producning like usual. I did find myself attracted toward the tune that was playing in my head and really wanted to get it out and into the DAW so I tried. Dont remember if it worked out well
the bass sounds more like an inspiration taken from the bass sounds of Perceptronium by Zebbler Encanti Experience - ruclips.net/video/LkGdNhu751E/видео.html The texture of the bass in that song sounds very much similar to the bass iin Goo Lagoon. was that the case Austin?
my god you guys did great with editing this. AU5 is such a genius. Thanks guys!
Yessss more AU5
Victor Vine I still use ozone 5 so I'm not really sure but the preview mode doesn't render since it's only the preview mode
I don't know if you have to change something in the ozone settings but multiplier has a video specifically about this feature. If that doesn't do it try the manual
I simply love AU5. Never heard of him until my daughter started listening to him a year or 2 ago. I find him very inspiring and he is an instant inspiration. Thanks for the tutorials.
One of the sickest Au5 songs explained~ Wowow!
The whole thing was super helpful for me! Right now I'm rewatching to pick up on any tips I missed. I would say it'd be awesome for you do more of these with Austin, but hey quality over quantity right? Still would be awesome though
Alright, I'm going to go on a whim here and suggest the one and only Seven Lions. He uses FL, so I'm not quite sure how that would work out given that this series is mostly focused on Ableton, but that guy has so much knowledge it's unreal. I've seen the one studio session video that he did a few years back, and I can't help but wonder what else he is willing to show. From the atmospheric sound design, to the massive leads and supersaws, that guy produces the type of music I've been trying to make for years. Hopefully it is possible!
FL!! Great to see Au5 in Harmor and Vocodex :)
41:38 Best advice. This answered A LOT of questions I had about making El Music.
dang, it is now a life goal of mine to become good enough to be on two episodes of ITD now.
cant wait to check this one out, thanks guys!
Great job on the editing Multiplier, it's nice to see you take feedback from the accurate yet unnecessarily harsh comments about your edits in the previous "In The DAW" installment. Keep up the the awesome work!
Agreed completely. Didn't care for them in the last video, but they were great in this one!
51:53 "dank psychedelic forest"
I find myself ditching the majority of livestreams due to boredom but you guys did a flawless job here! The editing, flow and explanations are second to none.
Thanks for uploading.
Since this episode is about trippy psy stuff... Alon Mor would be a great artist to get production advice from
Or Amon Tobin!
While that would be super awesome I don't think that he'd do it considering he won't even talk about music production on twitter live streams
Alon doesn't want anyone to know how his music is made for some reason.
TwistyTie I get that producers don't want to speak about how they make their "signature sounds". That's what I like about in the DAW, it's not about "how to make this bass" but more about sound design technique, arrangement and the overall approach in making music in different ways. So I think it's sad that some producers don't want to talk about their stuff on the Internet since that's how a lot of them learned how to make music in the first place. Especially because the electronic music community always seems to be so inclusive it would be nice to see some bigger artists giving back a bit.
I never said that it should happen or that they should try and get it to happen, just simply said it would be cool
Love the discussion towards the end, VR live shows, sounds so crazy
MORE AUSTIN PLEASE!
Wyatt Christensen Awesome! Dude, everything Austin says is so informative that I can't pick one favorite. Thanks for making this show and for having him on it! BTW if possible, invite Noisestorm on the show :)
Amazing editing, man. Thank you so much!
Another great one!
Oh sup man !
I was intrigued how lagoon was made!!! Thx maa bro!!
Amazing explanations and examples of the sound design used. Incredible sounds. Thanks guys. This series is awesome.
43:00 Amazing tips for chord creation and music theory!!
yeah, this is very well done. super watchable and tons of good info. nice work.
the editing is fire
Au5 is one of my favourite producers. His way of thinking confuses me, and I like it ;)
I produce mainly techno and tech house, but this is so loaded with nice information
personal note: 17:00 zipper synth
Why use Fabfilter-R? wouldn't you want to reverb the tail of the snare when creating the tail in operator? Is it bad to reverb your snare before shaping with eq and compressing? Are there any side effects to compressing a signal that already has reverb in a specific frequency range?
This was a tremendous video bro! Thanks!
Amazing. Another great video.
Do one with Virtual Riot pls
SICK EDITING!
Such a great video
this is awesome thank you guys
I try it for a last time : BitBird ?
"stay in you key signature"
God how much more EDM can one's reasoning get
You gotta learn the rules before you can break them ;)
Au5 I know I am well aware
But that does not change the fact the almost all of EDM consists of some arrangement of chords I IV V and vi
Cool sound design is about all it's got going for it
Plus I'm pretty sure he meant that in a "play in the correct key" type of thing. There's a point where notes aren't blue anymore, they're just not in key
Who's Claire Wyatt? :]
Love this!!!
53:30 I love using Transient Master to add tightness and punchiness to my drums and other elements. Really awesome plugin by Native Instruments.
I'd love to see Illenium on here!
great stuff guys
no suggestions at the moment, just keep up the great content man! :)
This is great. Thanks for doing this
I loved the entire video from the technical knowledge to the funny little edits you guys threw in. One thing I look for in videos like these are when artists talk in depth about what obstacles or problems they faced while creating the song. Au5 touched on this by saying it was an experimental process creating this track. I love to hear when artists say they were stuck or didn't know what element to add. (ex: Darude said he sat on the melody for Sandstorm for a while before creating that epic song) I feel like when artists we look up to share their stories of struggle, it gives us 2 things; Solace knowing that we're not alone in the obstacles we face during our artistic pursuits & inspiration that we can make some dank ass tunes for the world to enjoy. Just my two cents :)
24:42 "Blablabla.." = Must important part of the whole thing: How to create Music=> Music is an Art, and so: it's accessible to anyone no matter you know music or not. Music is something that comes into your mind, as the Perfection. ANd you just try to express this Perfection into sound. As Buddha or John said: Let it Be and express what you feel into Music.
When Au5 shows his Kick 2 preset, I noticed that the Pitch Env Slider is set to 3.8K, but the first node in the envelope is set to A8 / 6.925kHz. Not sure how he managed that. I wonder if it's a visual bug.
Thats great
Hi Multiplier I’m a big fan of these sessions you do with other producers, I was wondering how do you call them and show the project at the same time, I tried use Skype to call my producer friends, but they say the audio quality was very bad, hope you can do a tutorial on this, it will help me a lot, Thank Brah!!
Thanks brah, this will really help me alot, thanks for the info, big up, ill give it a try!! Thank you
Au5 is on a whole other level. Rip my brain
That is some incredible sound design!!
Have you considered using Harmor and Vocodex in Propellerhead's Reason? I know you can do some pretty complex routing in FL patcher, but Reason takes it to a new level and it's Mac friendly. The mac patched FL plugins seem to work pretty well too, but their only 32bit, so you need jbridge or something similar for a 64 bit daw :/. I use Windows 10 on my beefy desktop because I don't have enough space on my MBP.
I've found that combining LFO's and EG's with Reason's CV routing can be expressive in ways that I couldn't match with Logic Studio, Ableton, or FL. Also, resampled Omnishphere is the bee's knee's.
Keep doing what you're doing man. You're a huge inspiration to me!! :D
I think you all covered so much good stuff in this episode. I thought the zipper bass was just a SAW going through a comb filter - I was pleasantly surprised! The episode gave me a lot of good ideas :D
I want to design tools for sound design, and content like this helps me think outside the box!
Does Au5 samplepack work in fl studio aswell?
Hehehe, I know Ben Cantil. He's from my homestate (Alaska).
I'd love to see an episode of in the DAW with Chee
Wyatt Christensen either Fear Monger or Grotesque
i love to nice
who is the Wyatt guy?
Get Virtual Riot here!!!!!!!!
That would be amazing
I second this comment.
I love Au5 tutorials seriously, high quality content check out his youtube channel
Static chorus was impressive but Phase Mod anything with serum is my favorite along with Punchy Drums with Operator :D
Mmm sound design wise i think it would be interesting to see Joe Ford ;)
10:42
I'm sampling that
20:52 my comment!
I'm so confused bc all the projects that I see everywhere 1. uses a master chain 2. uses OTT multi band compression on master bus
How does he use serum as an effect?
where's the au5 track?
So it seems you only do in the daw with ableton users?
Okay ;) I am on FL. For over 15 years now. I am pretty good with it but always want to learn a few tricks and things i might not know. Thanks for the answer. I asked because i kinda want to do the same. Go through projects and let the heads know what i did, how i did it and why. All the best from Berlin!
Wyatt Christensen oddprophet, Soltan and space laces are sound design geniuses that use FL
Yeh as Colby says... those artists. Also Herobust and yeh a few other i dont know yet 😁. Dont ever ask people that. If you youtube my name WYATT.. you can find my music of course. Let me know what you think. All the best from Germany
Wyatt Christensen can y’all have bukez finezt come on the show :)
:D
16:00 Rickyxsan just got exposed
24:47 That happens when you listen to too much music . Say youre exposed to 8 hours of constant tunes you start hearing things that are actually not there and then your mind takes over to fill the gaps in the tunes to make its way to harmony.
Maybe I have I'm not sure. This one time I was at festival exposed to constant loud music for many many hours and then when it was all over I could still hear tunes in my head. I asked my brother if he could hear it too and he did and there was definitely no extenal music that was playing. I went home, opened my DAW and just started producning like usual. I did find myself attracted toward the tune that was playing in my head and really wanted to get it out and into the DAW so I tried. Dont remember if it worked out well
Can you guys get Crystalize to do In The DAW??? Plssssss
This might be a weird request, but his Humble Remix is really diverse in sound design and could be cool to dive into
siiick
10:42 lmao
44:00 wuttt multiband OTT compression is life on that master tho
Jaysus
Multipliers mic audio sounds kinda bad. Sounds "Watery" and unclear
Zoras in Ocarina of Time talk like everybody else...
Hey.....ask San Holo if he like to giva a in the DAW.... ableton guy and "fet" or "grym" as we say in Sweden!
says no starwars spoilers, gives multiple spoilers ;P
MorN awww ;(
Wth is oversampling lol. Im not too good with the technical names and stuff..
the bass sounds more like an inspiration taken from the bass sounds of Perceptronium by Zebbler Encanti Experience - ruclips.net/video/LkGdNhu751E/видео.html
The texture of the bass in that song sounds very much similar to the bass iin Goo Lagoon. was that the case Austin?
Its one mad tune ruclips.net/video/LkGdNhu751E/видео.html
these guys are called - Zebbler Encanti Experience
Never heard that song before!
Oh definitely! Thatd be wise :))
So glad you replied. You're truly a top inspiration to me! much respect to you for providing this indepth insight into the production.
Yall should contact Midnight T and Dubloadz!
First!!!!!!!!!!!!!!! can I get a heart