Klare und saubere Interpretation dieser ewigen und perfekt komponierten Sinfonie mit seidigen Tönen aller Streicher, milden Tönen aller Holzbläser und brillanten Tönen aller Blechbläser sowie herrlichen Stimmen vierer genialen Solisten und gut harmoniserten Stimmen des ausgezeichneten Chors. Der intelligente und ebenso geniale Dirigent leitet das ebenso ausgezeichnete Kammerorchester im relativ schnellen Tempo und mit perfekt kontrollierter Dynamik. Einfach wunderschön!
A clear, clean interpretation of this eternal and perfectly-composed symphony, with silky tones from all the strings, mild tones from all the woodwinds, and brilliant tones from all the brass, as well as lordly voices from the four genial soloists and well-harmonized voices from the outstanding choir. The intelligent and equally genial conductor led the equally outstanding chamber orchestra in a relatively quick tempo and with perfectly-controlled dynamics. Simply wonderful!
While I agree with virtually all the sentiments here, I'm not sure I would call the timbre of the strings in this recording "silky"; however, this does not detract from their sound. Having grown up listening to Bernstein's no-less-immortal "Ode to Freedom" recording, this recording comes across as raw and impetuous. _And that fits this masterpiece perfectly:_ it reflects the nature and musical approach of its seasoned composer. The clarity of sound sets each instrumental line apart - the bombastic tympani, the chafing buzz of the natural horns, and the cutting arco and woody thick pizzicato timbres of gut strings - almost like a concerto for orchestra, adding an timbral immediacy quite unlike the well-honed refinedness of most modern symphony orchestra recordings.
Nice, but you missed the point. Basel Kammerorchester uses original time period instruments. Sure, nobody can beat Fischer-Dieskau but that is besides the point.
I also have a score-video of this symphony, autograph score - only reason is because the famous London Symphony performance with over (currently) 117mil views was the very first piece of classical music I ever heard from beginning to end, and was the day I began the journey to become a composer and humbly attempt to master counterpoint, so it has significant sentimental value to me, and was why I uploaded my video of the work.
What a gift to listen to this peak of all symphonies with the handwritten score!! Thank you so much, Bartje! It may interest you that Beethoven also considered to write an instrumental Finale based on sketches he later used for his string quartet op. 132 --> ruclips.net/video/CCiRkgZFVaI/видео.htmlsi=O4HUZVJ6KBsADdsL Based on these I wrote this movement to imagine what Beethoven may have had in his mind regarding these ideas ...
Great, however I prefer Liszts transcription (Liszt transcribed this as with all the other Beethoven Symphonies as the folks of that time had little chance to attend concerts however all homes generally had a piano), so the idea of Liszt had merit - he tried his best but he admitted he had troubles with the 4th movement voices.
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This is the symphony at the end of his life that opened up the world. Out of the ashes the phoenix is risen.
Wunderbar, and a shout out to the poor copyists who had to decipher the master's scrawl.
Amazing!
Klare und saubere Interpretation dieser ewigen und perfekt komponierten Sinfonie mit seidigen Tönen aller Streicher, milden Tönen aller Holzbläser und brillanten Tönen aller Blechbläser sowie herrlichen Stimmen vierer genialen Solisten und gut harmoniserten Stimmen des ausgezeichneten Chors. Der intelligente und ebenso geniale Dirigent leitet das ebenso ausgezeichnete Kammerorchester im relativ schnellen Tempo und mit perfekt kontrollierter Dynamik. Einfach wunderschön!
A clear, clean interpretation of this eternal and perfectly-composed symphony, with silky tones from all the strings, mild tones from all the woodwinds, and brilliant tones from all the brass, as well as lordly voices from the four genial soloists and well-harmonized voices from the outstanding choir. The intelligent and equally genial conductor led the equally outstanding chamber orchestra in a relatively quick tempo and with perfectly-controlled dynamics. Simply wonderful!
While I agree with virtually all the sentiments here, I'm not sure I would call the timbre of the strings in this recording "silky"; however, this does not detract from their sound.
Having grown up listening to Bernstein's no-less-immortal "Ode to Freedom" recording, this recording comes across as raw and impetuous. _And that fits this masterpiece perfectly:_ it reflects the nature and musical approach of its seasoned composer.
The clarity of sound sets each instrumental line apart - the bombastic tympani, the chafing buzz of the natural horns, and the cutting arco and woody thick pizzicato timbres of gut strings - almost like a concerto for orchestra, adding an timbral immediacy quite unlike the well-honed refinedness of most modern symphony orchestra recordings.
First like from me Beethoven is great.
you didn't have the time to listen it :-) uploaded 19 minutes your comment 13 minutes
@@TempodiPiano But I know already ^^
xD
Old but gold.
Nice to see the original score.
I love this recording. Giovanni Antonini also recorded all the other symphonies by Beethoven.
귀가 즐겁네요
42:28 a 4mv
9 is the number where/when the music is reborn...
ottima esecuzione
The video by Im Walde is also the manuscript score, but it has the missing pages! (and a better recording for that matter)
Nice, but you missed the point. Basel Kammerorchester uses original time period instruments. Sure, nobody can beat Fischer-Dieskau but that is besides the point.
I also have a score-video of this symphony, autograph score - only reason is because the famous London Symphony performance with over (currently) 117mil views was the very first piece of classical music I ever heard from beginning to end, and was the day I began the journey to become a composer and humbly attempt to master counterpoint, so it has significant sentimental value to me, and was why I uploaded my video of the work.
Interesting to compare this with the printed score
H 48:11
49秒前!!!!！！！！？
What a gift to listen to this peak of all symphonies with the handwritten score!! Thank you so much, Bartje! It may interest you that Beethoven also considered to write an instrumental Finale based on sketches he later used for his string quartet op. 132 --> ruclips.net/video/CCiRkgZFVaI/видео.htmlsi=O4HUZVJ6KBsADdsL Based on these I wrote this movement to imagine what Beethoven may have had in his mind regarding these ideas ...
46:28 e
quelques mesures en plus dans le scherzo il me semble
It says in German that the coda is missing in this manuscript score, and there were a few more differences from the printed score.
This is completely illegible😂😂😂😂😂
Great, however I prefer Liszts transcription (Liszt transcribed this as with all the other Beethoven Symphonies as the folks of that time had little chance to attend concerts however all homes generally had a piano), so the idea of Liszt had merit - he tried his best but he admitted he had troubles with the 4th movement voices.