The "Arpegge" stuff happens from about 12-14 minutes into the performance. Arpegge is not just "arpeggios", but the difference is hard to describe and is perceived more by the player than the audience. I have been working on this new technique this term, and this is my best recording yet. The book on the chair, shown, has the text reversed (can't seem to change this) but it is OPEN TIME, the book of Lubomyr, which very very few people have. It is old, and would need funding/support to be published properly.
The "Arpegge" stuff happens from about 12-14 minutes into the performance. Arpegge is not just "arpeggios", but the difference is hard to describe and is perceived more by the player than the audience. I have been working on this new technique this term, and this is my best recording yet. The book on the chair, shown, has the text reversed (can't seem to change this) but it is OPEN TIME, the book of Lubomyr, which very very few people have. It is old, and would need funding/support to be published properly.