Amazing!! Paul Lani is not only one of the most talented people out there he’s also one of the nicest! Great video Glenn!! I’m excited to interview him as well!
The part where he talked about punching Dave at the vocal mic and yelling "I don't believe you!" to get a good performance out of him... Holy shit. That gave me goosebumps.
Yes, a hint and only to trigger Reverb or add a tiny bit of attack to the front of a kick. I worked with Paul many years ago and he gets an amazing drum sound within minutes! He's really talented!
That should be the goal. Its not the fact that “samples suck”. It’s more about how it’s so obvious that every metal record uses the same snare and kick samples. It’s fucking boring.
@@ChadKirk agreed man. If you listen to magma by Gojira or ESPECIALLY Periphery’s last 2 albums, those albums have such a natural sound, and you KNOW there is samples in there, but it’s fun to sit there and try to find them. Plus, having those two amazing drummers of Matt and Mario being heard as they are is just a wonderful thing to hear.
@@jacee8094 i'm pretty sure Nolly basically added kick sample for more aggression (aka click) and his signature snare ambience sound to add just a little bit more depth
When you said “I judge music by if it makes my hair stand up then it’s good”it made my day! In the 30 + years I’ve been a musician/engineer I’ve never heard anyone describe exactly how I feel when I hear something I find to be exceptional.
There's definitely something magical about Peace Sells. It's weird that they have such an amazing sounding album so early in their career. The previous album had great songs, but it really wasn't all there yet, it sounded like a demo. With Peace Sells: IT'S ALL THERE! It sounds like a band at the pinnacle of their career, but they were just starting.
I've seen Paul Lani's name on some of my favorite albums. They say "never meet your heroes" but what a genuinely sweet guy!! I want to hang out with him myself now. GREAT interview Glenn!! I laughed my ass off when you said "I think I just got owned" about the samples. As hysterical as that was, I sincerely respect you even more now for keeping that in the video. Credit where it's due.
When it was said that drum samples were used, I was expecting Glenn to have an aneurysm. Seriously though, I love hearing interviews like this. Gives me ideas to play with in my mixes. It reminds me of reading “Back to the Front”, the book Metallica put out about the making of Master of Puppets. It mentions that there’s actually 5 rhythm guitar tracks (two on each side and one dead center) so I tried that on a track I’m working on and I love the sound of it. Take those 5 tracks, throw them into their own bus to EQ, and you have a massive guitar sound.
An episode I did not expect, but seeing as Peace Sells... is one of my favorite records, a very welcome surprise. Kudos for getting Paul Lani on the show!
12:15 That's one of my favorites as well. Just a few months ago, I went to listen to it on RUclips and I thought "This ain't as good as I remember". Turns out I was listening to the Remastered version. I then listened to the original version and that one DID sound as good as I remembered.
Paul Lani is one of the worlds finest mixers but most of all, he is an amazing human being. I have worked with Paul for around 12 years now and as a producer and mixer myself , even now I still get the WOW factor when he sends me mixes that I produce. He’s an absolute legend ! 👏🏻🙏
Okay, Fricker sorta got owned, but his case for all acoustic drums still holds massive weight in today’s recording environment. There’s a big difference between using samples to shape the tone vs. using samples to make a weak drum performance sound powerful. Paul Lani didn’t have some lame “metal drums” sample pack that is used by a million other bands-the record still sounds quite natural and unique. Do not let Lani’s light drum enhancements on an already great performance/recording justify your low effort productions. It’s kind of like music theory: once you have a firm grasp on it, then you can “break the rules” in a meaningful way. Plus, the power of a modern, digital FX chain can do a lot of what Lani’s samples did with only the source audio.
Glen does kind exagurate the case for co,edy value, but in practice I suspect hes a bit more nuanced about this sort of thing. Like everything, if it makes the music bettter, do it, otherwise practice restraint. (And hes stated plenty of times that if your a bedroom musician with no access to drums then sure, use samples, just if you DO have access, real is better than fake.)
Music theory is a bad analogy here, because you can't break its rules. If you do, you sound abominable. Everything that's not about major or minor is well documented and scientifically explained also, and it's even included in a very basic form in elementary theory. Stuff like Dorian, Phrygian, and Locrian modes, which are very common in rock and metal, is “breaking the rules”, but in fact it's just another set of “rules” that works for music too.
Hopefully this leads to a new series of long form interviews with engineers from these classic albums. Document old analogue techniques and gear while these guys are still around. Great video!
In my top five as well and "Good Mourning..." is my favorite track too. Chris Poland's leads in that song are amazing. "I see you... and I'm waiting..."
Absolutely true. They affected me like no other solo. I was an aspiring metal guitarist working as a guitar tech in London when this came out. I pretty much gave it up as I couldn't see how you could top this album. Ended up being a rock n roll rigger for the next 25 years.
You should get Erik "pytten" Hundvin on the show, he has done almost all the classic black metal records, it would be really interesting to see him on here. You should also get Peter Tagtgren on the show and talk about the newer Immortal records. Love the concept, looking forward to see more episodes in the future.
Pytten > Tagtgren. Every record Pytten engineered was different sounding, and crafted for the specific band. Everything Tagtgren did (back in the day at least) has the same tinny characteristic. Also, Pytten is interesting because he was an outsider to metal, much older, and just really believed in what those Norwegian kids were doing. He charged next to nothing-it was practically charity for those young bands. With that said, I’m not sure Pytten’s English is fluent enough to make for an effective interview like this, or if Fricker even cares much for the records he made.
I'm sure Pytten's english would more than suffice, and I'd love to see him on the show. I've met him a couple of times (I live in Bergen), and I once attended an event where he spoke about producing all those bands, he has some really interesting perspectives on production and metal. I doubt Glenn has much knowledge or interest in the norwegian black metal scene though, but oh well
Dan Swano would be another interesting guy to chat with since he had his hands involved with so many albums in the 90s and 00s. Edge of Sanity had some unique sounding records, in particular Purgatory Afterglow.
Would definitely love to see more of these when you and the producers of these albums have the time Glenn. Maybe you could get Terry Date on the show to talk about what went into producing the first four Pantera albums as well as producing Slayer's final album.
Probably my favorite video you’ve ever posted, so cool to hear into the minds of the people who mixed/produced the greatest albums of all time, albums I’ve sent countless hours banging my head too
"Good Morning/Black Friday" was my favorite track on that album too, my personal favorite of the whole band! One thing I love about that album Drum sound wise was the sound of the symbols, high hats, and crashes. It had this very bell-like tone to it.
thank you so so much for this video glen, the wealth of knowledge is incredible ,(no joke) sometimes what we seem is so so unobtainable is trully obtainable, this video shows so much truth and honesty in a studio experience, i very much enjoyed this video.. thank you - kevin
Thank you for that interview! You helped a lot of people to know what producers are actually do in the studio - they are pushing the musicians forward, which help push the limits for the record further. This is the way how people create an AWESOME records
Great interview Glen. Love hearing all the behind the scenes info. Never knew about adding some "noise" the the drums like that 🤘 Might have to give my original vinyl of Peace Sells a spin tonight.
When i clicked this video I thought I would be hoped that I was doing “marvelously well.“ In any case i hope you continue this series Glenn, this was wonderful!
Just wanna say thanks for bringing Paul Lani on the show!! This is a great episode I will be returning to for sure!! [Also: I totally agree Peace Sells is the finest hour for Megadeth.]
I like all Megadeth work. From their solos to their riffs. It's astonishing to think Dave wrote all that musicality & lyrics in his head but for sure have to give it to their mixing engineers.
I grew up on all this stuff, so this definitely brings back a lot of memories. Glenn, between you gushing (just a bit though) and the drum sample thing, I can't wait for the reader comments on this one!
This has to be one of the coolest interviews I ever seen. I love love love Peace Sells. The BC Rich Biches always are my favourite guitar tone. Like in the 1986 master it's raw with reverb and in the 2004 remaster you can hear the overdubbed guitars more upfront in the mix :D Groovie record and interview!
I now have an official Best Moment Ever in one of these videos. Seeing Glenn's reaction to the drum sample reveal is instant classic. Anyhow, SUPER COOL interview because this is one of the very first thrash records I ever bought when I was 15 or so. Paul Lani seems like the most chill, interesting dude to chat with!
Awesome interview, thanks. Cool to find out the details about the recording process. Peace Sells and So Far are my favorite Megadeth albums as well. One thing I've heard a lot is that the guitars seemed to be tuned somewhere between E and E flat.. lol The mix doesn't sound in your face like rust in peace but in a strange way it is the perfect mix. It captured that sort of somber vibe needed for that album. If it had the crispness of Rust in Peace, I don't think it would have the same effect.
RUclips recommendations (algorithms or whatever) really pulled through with this one for me. Fantastic video on one of my favorite records! Agree with the host about how Peace Sells has one of the all time greatest metal mixes, as well as picking Good Mourning/Black Friday as favorite track. Just a killer song on a monstrous album! Awesome, awesome, awesome all the way.
Such an incredible treat to hear about Paul's insight and knowledge on his recording philosophies, techniques and artist performance efforts. It was great to see Paul's approachability and open-ness in this interview. Hopefully this episode will usher in many more greats that greatly contributed to our favorite albums and recordings.
Amazing!! Paul Lani is not only one of the most talented people out there he’s also one of the nicest! Great video Glenn!! I’m excited to interview him as well!
Awesome dude, can't wait for it !
Thanks for making it possible, Warren!
@@SpectreSoundStudios you're welcome! Been waiting for yours so I can interview him! Haha He's really great!!
Dave fired him on Rust In Peace.
@@klauth_Yksyn Dave has fired everyone at this point.
Gar was a big part of how that band sounded back then. His style really gave them a unique sound.
Gar was out of this world sick on the first two albums. Heavily jazz influenced.
@@CardShark_Chris Dude was a total monster on the kit for sure. He was a Jazz guy first but he fit really well with thrash.
They were actually both in a jazz fusion band together before megadeth!
@@venividivicichannel I had heard that but have not been able to find any music by them. I bet it's badass.
@@brpadington ruclips.net/video/aDKSZCfa3dc/видео.html should've just posted this originally, but there you go!
The part where he talked about punching Dave at the vocal mic and yelling "I don't believe you!" to get a good performance out of him... Holy shit. That gave me goosebumps.
the world deserves a dave mustain biopic movie!
Me too! His vocals on that album are my absolute favorite, and it was interesting to hear about how he got vocals out of him!
A young James Franco would have been perfect for Mustaine's role.
"...just a hint of drum samples"
Knives were sharpened.
The drum sound on that record is monstrous.. especially the toms...
Yes, a hint and only to trigger Reverb or add a tiny bit of attack to the front of a kick. I worked with Paul many years ago and he gets an amazing drum sound within minutes! He's really talented!
@@Producelikeapro I’m convinced there exists nobody in audio that you don’t know
I blame Andy Wallace.
@@SpectreSoundStudios Black album has samples mixed in kick, snare, and even hi-hat, just saying.
The sample part killed me. Press F for Glenn.
F
F
F
F
F
Hey Glenn, haven’t seen this since the interview ... what a blast!
Thanks again for having me on, it was awesome fun.
cheers
Thanks for coming on the show! It was a real eye-opener!!
Glen loves samples when he doesn't know they're there lmao
True. He praises the black album snare all the time when there was a sample in there as well
That should be the goal. Its not the fact that “samples suck”. It’s more about how it’s so obvious that every metal record uses the same snare and kick samples. It’s fucking boring.
@@ChadKirk agreed man. If you listen to magma by Gojira or ESPECIALLY Periphery’s last 2 albums, those albums have such a natural sound, and you KNOW there is samples in there, but it’s fun to sit there and try to find them. Plus, having those two amazing drummers of Matt and Mario being heard as they are is just a wonderful thing to hear.
@@jacee8094 i'm pretty sure Nolly basically added kick sample for more aggression (aka click) and his signature snare ambience sound to add just a little bit more depth
@@jacee8094 that being said, i'm basically on board with Nolly and the other Canadian (Jordan Valeriote) when it comes to producing modern Metal,
How he used the cut technique during the chorus of Peace Sells really makes a massive difference in the song. It was the right choice.
I have heard an alternate mix where the bass isn’t cut. I wonder where that came from?
Awesome! Everyone always says Rust In Peace is Megadeth's masterpiece, but I think this one is way better
I agree.
When you said “I judge music by if it makes my hair stand up then it’s good”it made my day! In the 30 + years I’ve been a musician/engineer I’ve never heard anyone describe exactly how I feel when I hear something I find to be exceptional.
There's definitely something magical about Peace Sells. It's weird that they have such an amazing sounding album so early in their career. The previous album had great songs, but it really wasn't all there yet, it sounded like a demo. With Peace Sells: IT'S ALL THERE! It sounds like a band at the pinnacle of their career, but they were just starting.
I AGREE WITH MAGICAL PEACE SELLS, I DISAGREE ABOUT KIMB, KIMB IS MY FAVORITE MEGADETH ALBUM
I love that record too, I just don't think it's recorded as well. @@leonshreds
Always thought the same thing
I've seen Paul Lani's name on some of my favorite albums. They say "never meet your heroes" but what a genuinely sweet guy!! I want to hang out with him myself now. GREAT interview Glenn!! I laughed my ass off when you said "I think I just got owned" about the samples. As hysterical as that was, I sincerely respect you even more now for keeping that in the video. Credit where it's due.
Paul was so great, absolutely no ego!
When it was said that drum samples were used, I was expecting Glenn to have an aneurysm.
Seriously though, I love hearing interviews like this. Gives me ideas to play with in my mixes. It reminds me of reading “Back to the Front”, the book Metallica put out about the making of Master of Puppets. It mentions that there’s actually 5 rhythm guitar tracks (two on each side and one dead center) so I tried that on a track I’m working on and I love the sound of it. Take those 5 tracks, throw them into their own bus to EQ, and you have a massive guitar sound.
An episode I did not expect, but seeing as Peace Sells... is one of my favorite records, a very welcome surprise. Kudos for getting Paul Lani on the show!
I bought "Peace Sells..." when it came out, and to this day, it blows my mind. Great interview, mixers are the hidden stars of so many records.
Please keep Behind The Mix as a series, I love hearing what makes classic albums sound the way they do
12:15 That's one of my favorites as well. Just a few months ago, I went to listen to it on RUclips and I thought "This ain't as good as I remember".
Turns out I was listening to the Remastered version. I then listened to the original version and that one DID sound as good as I remembered.
The Megadeth remasters are a fucking tragedy . Rust in Piece sounds just as bad .
Imagine punching Dave in the studio yet emerging still perfectly intact
That part was so funny!
Isnt he a blackbelt?
@@diobrando5896 Yep. He actually has around five I'm pretty sure. I'll have to check my sources though.
@@diobrando5896 he's a kick boxer
Still, drunk Dave was pretty fucking dangerous
Thanks for sharing the conversation with us Fricker. Awesome stuff dude. I love megadeth.
Paul Lani is one of the worlds finest mixers but most of all, he is an amazing human being. I have worked with Paul for around 12 years now and as a producer and mixer myself , even now I still get the WOW factor when he sends me mixes that I produce. He’s an absolute legend ! 👏🏻🙏
Okay, Fricker sorta got owned, but his case for all acoustic drums still holds massive weight in today’s recording environment. There’s a big difference between using samples to shape the tone vs. using samples to make a weak drum performance sound powerful. Paul Lani didn’t have some lame “metal drums” sample pack that is used by a million other bands-the record still sounds quite natural and unique. Do not let Lani’s light drum enhancements on an already great performance/recording justify your low effort productions. It’s kind of like music theory: once you have a firm grasp on it, then you can “break the rules” in a meaningful way. Plus, the power of a modern, digital FX chain can do a lot of what Lani’s samples did with only the source audio.
The fact that he admitted he got owned by that fact makes me respect him even more. Still a great record!
@@kmatthe4
Agreed. Imagine if Glenn started lecturing him instead haha
Glen does kind exagurate the case for co,edy value, but in practice I suspect hes a bit more nuanced about this sort of thing. Like everything, if it makes the music bettter, do it, otherwise practice restraint. (And hes stated plenty of times that if your a bedroom musician with no access to drums then sure, use samples, just if you DO have access, real is better than fake.)
Music theory is a bad analogy here, because you can't break its rules. If you do, you sound abominable. Everything that's not about major or minor is well documented and scientifically explained also, and it's even included in a very basic form in elementary theory. Stuff like Dorian, Phrygian, and Locrian modes, which are very common in rock and metal, is “breaking the rules”, but in fact it's just another set of “rules” that works for music too.
What Lani did is the art of production. Enhancing details to create impact.
Hopefully this leads to a new series of long form interviews with engineers from these classic albums. Document old analogue techniques and gear while these guys are still around. Great video!
Absolutely. I could listen all day
You ought to try to get Max Norman on next! That would be a REAL treat!
This was so cool Glenn!! I love it. Any chance you’ll get Mike Clink on the channel to discuss RIP???
In my top five as well and "Good Mourning..." is my favorite track too. Chris Poland's leads in that song are amazing. "I see you... and I'm waiting..."
Absolutely true.
They affected me like no other solo.
I was an aspiring metal guitarist working as a guitar tech in London when this came out.
I pretty much gave it up as I couldn't see how you could top this album.
Ended up being a rock n roll rigger for the next 25 years.
Paul Lani essentially co-wrote the hook to Peace Sells by muting the guitars. That's awesome.
You should get Erik "pytten" Hundvin on the show, he has done almost all the classic black metal records, it would be really interesting to see him on here. You should also get Peter Tagtgren on the show and talk about the newer Immortal records. Love the concept, looking forward to see more episodes in the future.
I would LOVE to hear from Pytten. So many seminal groups from the Second Wave in Norway passed through Grieghallen, he probably has a lot to say...
Pytten > Tagtgren. Every record Pytten engineered was different sounding, and crafted for the specific band. Everything Tagtgren did (back in the day at least) has the same tinny characteristic. Also, Pytten is interesting because he was an outsider to metal, much older, and just really believed in what those Norwegian kids were doing. He charged next to nothing-it was practically charity for those young bands. With that said, I’m not sure Pytten’s English is fluent enough to make for an effective interview like this, or if Fricker even cares much for the records he made.
I'm sure Pytten's english would more than suffice, and I'd love to see him on the show. I've met him a couple of times (I live in Bergen), and I once attended an event where he spoke about producing all those bands, he has some really interesting perspectives on production and metal. I doubt Glenn has much knowledge or interest in the norwegian black metal scene though, but oh well
Dan Swano would be another interesting guy to chat with since he had his hands involved with so many albums in the 90s and 00s. Edge of Sanity had some unique sounding records, in particular Purgatory Afterglow.
Another vote for Peter Tagtgren. I would love to know his secrets to his 90s Abyss tones.
Would definitely love to see more of these when you and the producers of these albums have the time Glenn. Maybe you could get Terry Date on the show to talk about what went into producing the first four Pantera albums as well as producing Slayer's final album.
I think Terry started with Pantera's 5th album actually
Probably my favorite video you’ve ever posted, so cool to hear into the minds of the people who mixed/produced the greatest albums of all time, albums I’ve sent countless hours banging my head too
Yes. More of this please. Amazing technique being discussed here.
This is one of the best episodes! Glenn one of my top fav Metal records too, thanks for all you do man!
Love this. Listening to the men behind amazing records is a great learning experience!
I've never recorded an instrument in my life. The metal fan in me enjoyed the hell out of this video. Good info, thanks Glen.
This wasn't the type of video I thought I needed until now. Do more of these if you can, this is super interesting stuff to listen to
Paul friggin Lani!
Peace Sells sounds so massive ngl
speaking of PSBWB guitar tone, i think Owen of CIRCLE OF TONE nailed that one
"Good Morning/Black Friday" was my favorite track on that album too, my personal favorite of the whole band! One thing I love about that album Drum sound wise was the sound of the symbols, high hats, and crashes. It had this very bell-like tone to it.
excellent interview , two of my favorite all time albums , greetings from Argentina !!!
Picturing the scene from 18:20 just warms my heart and makes me tear a little bit. I loved this interview!
Thanks Glenn and thanks Paul!
Amazeballs! So mad to hear from the giants!
My favorite Megadeth record as well! Great vid, thanks Glenn!!
This was a great look into how Peace Sells was made.
But what I want to really know is...how hard to swallow was that sample replacement pill? 😂
He did say he didnt actually replace, just added a bit. I would say thats more of a "reinforcement by sample" lol
@Cyrus Freeman yes i never would of suspected...
Waiting for Glen to sit in the corner in the fetal position and cry :)
@@420wizdumb6 That's a thing that Glenn has heavily criticised too hahaha
Damn this is amazing. Thank you Glenn, keep up the great content dude . Cheers!
thank you so so much for this video glen, the wealth of knowledge is incredible ,(no joke) sometimes what we seem is so so unobtainable is trully obtainable, this video shows so much truth and honesty in a studio experience, i very much enjoyed this video.. thank you - kevin
Wow, I haven't even watched and I know it's going to be amazing! thanks. Now we demand more interviews with metal people from this era, lol!
Thank you for that interview! You helped a lot of people to know what producers are actually do in the studio - they are pushing the musicians forward, which help push the limits for the record further. This is the way how people create an AWESOME records
Glenn's reaction to the use of samples to create one of his reference drum sounds is priceless ! 😁
This is so great man!!! We need more interviews!
Great interview Glen. Love hearing all the behind the scenes info. Never knew about adding some "noise" the the drums like that 🤘 Might have to give my original vinyl of Peace Sells a spin tonight.
Wow....that was an amazing and inspiring episode!!!! For REAL!! Thank you Glen!
The low frequency synth makes a lot of sense. I've always wondered what that rumble was and thought it was a fault with my old cassette copy.
What an incredibility brilliant interview, Glen this will be diffidently one to remember - well done for teeing this up mate
Cool shit. This album helped form me as a player. Very original style of metal and production. Thanks for the interview!
Great interview...Thanks Glenn! and Paul! Appreciate the history! Have a great weekend Glenn!
great interview! so much information. Black Friday is also my favourite, from the first time I heard it.
Loved this! You could've made this interview another 4 hours longer and I'd happily sit through it all!
This video is awesome. Thanks for doing it!
Peace Sells has the best drum performance in the history of metal.......IMO. Gar was a beast!
GAR is FKN AMAZING
Especially on The Conjuring
Great conversation! Thanks to you both.
Love this album!!! Thanks Glen for going behind the scenes on it. Wishing Julie a speedy recovery ❤… And Henning does run like a girl!
When i clicked this video I thought I would be hoped that I was doing “marvelously well.“
In any case i hope you continue this series Glenn, this was wonderful!
Just wanna say thanks for bringing Paul Lani on the show!! This is a great episode I will be returning to for sure!! [Also: I totally agree Peace Sells is the finest hour for Megadeth.]
I like all Megadeth work. From their solos to their riffs. It's astonishing to think Dave wrote all that musicality & lyrics in his head but for sure have to give it to their mixing engineers.
I love how peace sells sounds, it's up there with very the best metal albums.
Yes! done right, blending samples behind real drum hits really can sound amazing !
I grew up on all this stuff, so this definitely brings back a lot of memories. Glenn, between you gushing (just a bit though) and the drum sample thing, I can't wait for the reader comments on this one!
This has to be one of the coolest interviews I ever seen. I love love love Peace Sells. The BC Rich Biches always are my favourite guitar tone. Like in the 1986 master it's raw with reverb and in the 2004 remaster you can hear the overdubbed guitars more upfront in the mix :D Groovie record and interview!
Excellent interview Glenn....made my fkn day 🤘
This was fantastic! Thanks for putting this together. I learned a lot from Paul. What a legend.
Awesome interview Glenn! thanks!
yea man, that album changed my life when I was 16. So cool to get to talk to Paul Lani.
That should have been longer. One of my favourite albums of all time too. Great to have this small but amazing insight to it. Nice one, man!
Amazing video! Can't wait to see more from you guys.
I now have an official Best Moment Ever in one of these videos. Seeing Glenn's reaction to the drum sample reveal is instant classic. Anyhow, SUPER COOL interview because this is one of the very first thrash records I ever bought when I was 15 or so. Paul Lani seems like the most chill, interesting dude to chat with!
Great video!! Ive been waiting for this🔥🔥🔥
Awesome interview, thanks. Cool to find out the details about the recording process. Peace Sells and So Far are my favorite Megadeth albums as well. One thing I've heard a lot is that the guitars seemed to be tuned somewhere between E and E flat.. lol The mix doesn't sound in your face like rust in peace but in a strange way it is the perfect mix. It captured that sort of somber vibe needed for that album. If it had the crispness of Rust in Peace, I don't think it would have the same effect.
Thank you for this Glenn!
RUclips recommendations (algorithms or whatever) really pulled through with this one for me. Fantastic video on one of my favorite records! Agree with the host about how Peace Sells has one of the all time greatest metal mixes, as well as picking Good Mourning/Black Friday as favorite track. Just a killer song on a monstrous album! Awesome, awesome, awesome all the way.
Such an incredible treat to hear about Paul's insight and knowledge on his recording philosophies, techniques and artist performance efforts. It was great to see Paul's approachability and open-ness in this interview. Hopefully this episode will usher in many more greats that greatly contributed to our favorite albums and recordings.
What an amazingly likeable person behind such a beautifully DARK record. Props for bringing him to light!
Great episode and chat, enjoyed it, it's good to bring some of those production's information out from those records and years, well done. More.
Thank you so much for this video! Life-changing album and its incredible to have insight into the mix. ♥
Thanks man for this great interview! We all learned something here today!
Wow. Can’t believe how much I learned from this. Thank you
I watch them all but rarely comment. Thank you for this Glenn...
How cool. Love Peace Sells! Good mourning, yes! And what a super nice guy Paul is. Awesome video.
I fucking love megadeth and your channel, thanks for combining the 2 in todays topic.
I remember you having 500 subscribers, it's insane to now see you interviewing and shooting the shit with a man of legend.
Thanks for sticking with me all this time, Zach!
Thank you for having him on and the insight
I could listen to him for hours. So modest and adds insight to two of the greatest albums ever.
Awesome vid Glenn! 🤘🏼
This is great, Glen! Thanks for sharing this knowledge.
So good to hear from behind the scenes on this classic. What a pair of albums 😁
I love seeing a pro audio guy teaching us about it. I went to college in the analog times. I can’t figure out digital
Id fucking kill for a Behind the Mix of The Sound of Persevernce. That mix is so clean and crispy man. pls do it!
Chris Poland is a beast im glad you acknowledged his talent
Amazing video Glen. Mind blowing insight.
Love the channel !
As a fellow engineer I really appreciate and enjoy the content.
Thank you 😁
Well that was a rare treat. 10/10, would watch again.
That was awesome, I could have listened to another hour of that, fascinating!
Nice one Glen! Definitely one of the best albums! Cool to meet the guy that mixed some Megadeth.