- Видео 8
- Просмотров 108 035
Carl-Philipp-Emanuel-Bach-Academy Hamburg
Германия
Добавлен 8 мар 2024
The Carl-Philipp-Emanuel-Bach-Academy Hamburg stands for sophisticated programmes, international cooperations, lecture concerts, promotion of young talents, world premieres and real cultural evenings - the Carl-Philipp-Emanuel-Bach-Choir Hamburg has been a guarantee for artistic excellence for over 25 years.
Report from the Tagesthemen on the St Luke Passion (12/03/2024)
J. S. Bach: St Luke Passion BWV 246 | Carl-Philipp-Emanuel-Bach-Academy Hamburg | Hansjörg Albrecht
Bach was a master of the pasticcio. He loved to reuse his own compositions in new contexts and to copy pieces from himself in order to demonstrate their flexibility and universality and to give them new expression. This "Lukas-Passion" is a work in precisely this pasticcio style.
Johann Sebastian Bach (1685-1750)
Christoph Eglhuber, Pasticco
Lorenz Eglhuber (1998), Pasticcio
cpe-bach-chor.de/
Julia Sophie Wagner | soprano
Bettina Ranch | alto
Daniel Johannsen | tenor (Evangelist)
Andreas Post | Tenor
Matthias Winckhler | baritone (Vox Christi)
Klaus Mertens | bass
Carl-Philipp-Emanuel-Bach-Choir Hambur...
Bach was a master of the pasticcio. He loved to reuse his own compositions in new contexts and to copy pieces from himself in order to demonstrate their flexibility and universality and to give them new expression. This "Lukas-Passion" is a work in precisely this pasticcio style.
Johann Sebastian Bach (1685-1750)
Christoph Eglhuber, Pasticco
Lorenz Eglhuber (1998), Pasticcio
cpe-bach-chor.de/
Julia Sophie Wagner | soprano
Bettina Ranch | alto
Daniel Johannsen | tenor (Evangelist)
Andreas Post | Tenor
Matthias Winckhler | baritone (Vox Christi)
Klaus Mertens | bass
Carl-Philipp-Emanuel-Bach-Choir Hambur...
Просмотров: 222
Видео
Opening Concert 11.04.2024 | Carl Philipp Emanuel Bach Fest Hamburg (Trailer)
Просмотров 3777 месяцев назад
cpe-bach-chor.de/termine-cpeb-fest Thursday, 11.04.2024 | 7.30 pm LAEISZHALLE Hamburg, Great Hall We cordially invite you to the opening concert with Jan Vogler (cello) and the Dresdner Kapellsolisten under the direction of Hansjörg Albrecht on the harpsichord. Programme Carl Philipp Emanuel Bach: Symphony in D major Wq 176 Concerto in A minor for cello & orchestra Wq 170 H 432 Johann Christian...
CARL-PHILIPP-EMANUEL-BACH-FEST HAMBURG 2024
Просмотров 5687 месяцев назад
cpe-bach-chor.de/termine-cpeb-fest 11. - 29. April 2024 in Hamburg @HamburgAhoi @HamburgTourismus @KomponistenQuartier
C. P. E. Bach: The Resurrection and Ascension of Jesus Wq 240 | CPE-Bach-Academy Hamburg | Albrecht
Просмотров 23 тыс.7 месяцев назад
Bach himself describes "Die Auferstehung und Himmelfahrt Jesu" as "a considerable one of my masterpieces". Carl Philipp Emanuel Bach (1714-1788) Karl Wilhelm Ramler (1725-1798), libretto cpe-bach-chor.de/ Chen Reiss | soprano Patrick Grahl | tenor Michael Volle | bass Carl-Philipp-Emanuel-Bach-Choir Hamburg Thuringian Bach Collegium Hansjörg Albrecht | conductor Part I 00:00:00 Introduction 00:...
C. P. E. Bach: Magnificat Wq 215 (1779) | CPE-Bach-Academy Hamburg | Hansjörg Albrecht
Просмотров 65 тыс.8 месяцев назад
C. P. E. Bach: Magnificat Wq 215, H 772 (Hamburg Version 1779) | Carl-Philipp-Emanuel-Bach-Academy Hamburg | Hansjörg Albrecht For Hamburg it had to be a bit more, and after the Berlin version in 1749, Carl Philipp Emanuel Bach added trumpets and timpani to his Magnificat for soloists, choir and orchestra. Carl Philipp Emanuel Bach (1714-1788) cpe-bach-chor.de/ Chen Reiss | soprano Olivia Verme...
Schwenk: Ut quid, Domine (2023) | Carl-Philipp-Emanuel-Bach-Academy Hamburg | Hansjörg Albrecht
Просмотров 18 тыс.8 месяцев назад
Ut quid, Domine Decimus psalmus for soloists, choir and orchestra. Homage to Carl Philipp Emanuel Bach (world premiere) Fredrik Schwenk (*1960) cpe-bach-chor.de/ Elise van Es | soprano Olivia Vermeulen | alto Patrick Grahl | tenor Michael Volle | baritone Carl-Philipp-Emanuel-Bach-Choir Hamburg Thuringian Bach Collegium Hansjörg Albrecht | conductor Video: STUDIO17 Medienproduktion Audio: PARRY...
So grateful to be able to hear this work by excellent musicians.
Excelente!!! No hay palabras... NUESTRA MADRE MARÍA seguramente muy feliz!!! 🌷
🎉Erhebend !! Vielen Dank😊
Hall Angela Moore Anna Thomas Frank
The fake holed trumpets and horns are awful...
The fake "baroque" brass strikes again... holed trumpets and horns, OMG!
バッハの音楽は心の清涼剤
ああこれは受けないわ。明らかに当時ロンドンにいたヘンデルの影響をモロに受けてますね。レチタティーヴォはもろ親父ですやん。 あれ、アリアが始まったぞ、もう寝ようかなとおもったんですけど。 これもしかして凄いかも… 指揮者ダレ？
やはりこの人、ヴィヴァルディに影響受けた親父とは別の境地を目指してた気概を感じる。 初めて聴いたけど、やはりこの人はもっと評価されるべき。俺は好きだぜ、カール・フィリップ・エマヌエル・バッハ。大バッハの次男よ。 そしてこの弾き振りしてる人物は何者…？
I agree with you.
この作品を聴いている後ろで微笑みながらバッハ好きの神様が聴いているような気がしてきます
Michael Volle singing is absolutely riveting and excellent! Thank you, Michael.
9:03 食事に行こうと言ってくれたが、とうとう誘ってくれなかったわね、適当に歌えばよいわ 11:05 やはり素敵だわ、
Pleasantness of Bach‘s music Is immeasurable and off the charts
How interesting seeing politically correct version of Carl Philipp Emanuel.
Was seinem Vater oft nicht zugestanden wird... lasst es uns wenigstens seinem Sohnemann einräumen: Suchend zu sein, rebellisch - aber nicht aufmüpfig als quasi entgleister Selbstzweck... So war diese Zeit nicht. Ich breche das für mich jedenfalls runter: CPE ? Pure Vorahnung des Sturm und Drang... Gruß an die CPE-Bach-Akademie nach Hamburg: Großartig interpretiert, einfühlsam auf den Punkt gebracht ! Kleiner Tipp: Der Laderaum der 'Peking' hat übrigens auch eine wunderschöne Akustik 😉❣
Primorosa e inspirada composição. Nada deixa a dever à homônima de autoria paterna.
Fantastische compositie geweldige uitvoering en opname. Mijn complimenten aan alle artiesten, dit heeft veel tijd gevergd om deze kwaliteit ten gehore te brengen.🤗
Excelente orquesta y coro , este Magnificat de C. Filip nunca lo había escuchado , gracias , saludos desde Chile ❤😊
יוטיוב הציע לי להאזין, נהניתי מאד.
各パートの躍動感が､1つ1つ心に伝わり！･まさに三位一体《独唱･合唱･合奏》の研ぎ澄まされ見事な響きの共演に感無量です。👏👏🤩‼️
very precise conducting
So vibrant and thrilling! Orchestra, choir soloists and conductor are giving their all to this beautiful performance by infamous C.P.E, Bach.
Why 'infamous'? Did he do something terrible?
Lovely performance until the last chorus seemed rushed to me. A lot of beautiful harmonies in that fugue that are hard to sift through when played at that speed. Even so, I love this piece. I first listened to it in college in 1985.
Ô JARDIN DES SPLENDEURS ’ DES CHŒURS & CŒURS 💕 DU MAESTRO 🌟 BACH 🌟 MERC’⚜ POUR CE MOMENT OÙ L’OUIE FRÔLE LE CÉLESTE ❕ ☝***🌈 "CÉLESTEMENT MA LUMIÈRE DIVINE À TOUS - 🔥"🏵🌬 *SPIRIT DÉITÉ* 🕊🏵"🔥
C.P.E.'s music is a string of tired clichés, competently woven together. A well-trained musician but absolutely lacking in inspiration and genius. What a contrast with the bold, shocking, scintillating imagination of his father! And oh! all the bullshit comments below which seem to be generated by RUclips bots.
I like it. Particularly his unique forte piano transitions . Sturm und Drang full of innovation.
@@alindmay Good point, but CPE’s music is categorically *not* Viennese (mainly) sturm und drang, but his own very personal take on North German empfindsamer Stil.
NisanyanS Music is sometimes like listening to someone speaking a foreign language one does not understand; you may appreciate the sound as in the case of Italian for example which is naturally very beautiful, but may not understand a word of the message. I would suggest that if CPE is a foreign language to you, the lack of understanding might just be your problem not that of CPE; I have a similar issue with the music of Debussy who I might well describe in the words you have used above, I would not however, because I understand the problem is entirely mine. Your analysis of CPE is mistaken, but to use another metaphor, music is like food - some you like and some you don’t and it’s a personal thing with no right or wrong answer. CPE is actually one of the few composers to put his own musical aesthetics into words, if you are interested in challenging your own problem with CPE, get a copy of his Versuch and read the relevant sections; if not, just think of CPE as I do Debussy, but be wary of making bold statements that are in fact as inaccurate as to fact as they are unrepresentative in judgement.
Complete nonsense
@@markusboyd4834 You have probably said more in two words than I did in four paragraphs.
Marvelous performance of a work ahead of its time! Thank you!😊👏👏👏🏆Nice to have this new high quality channel!🎼
21st Century sacred music performed on 18th Century instruments!?! Incredible!🏆😊👏👏👏More like this please! Thanks!
Wonderful! Wunderbar! Thank you! (I see you use H numbers. I was a music history student of Dr. Helm back in the 70's. He instilled in me an appreciation for early music which is still with me to this day.)
Wunderschoen aus ibiza
CPE Bach out standing transition compocer between Baroque to Classical.
Sangat indah.... musik yang luar biasa..... ❤
Bach continuum❤
What a beautiful work! The soprano aria is divine, impossible to hear it once only
Opening chorus - MUCH! - TOO! - FAST! …. Resulting in an INAUDIBLE BLUR! … Absolute chaos … 👎
I can hear it clearly just fine.
@@dorette-hi4j Listen to it again, with the full score open in front of you - and see how much you can hear. The singers don’t even have time to breathe at this absurd overspeed.
@@gregfolland6569 How often within each phrase do you think singers need to take breath in the opening chorus? There are rests between phrases for them to breathe.
@@dorette-hi4j Remainer and/or cyclist, by any chance? … Please advise.
@@gregfolland6569 ???
This is wonderful! I have always been admirer of CPE Bach and his music, and understand why he was considered a very great master in his own right!
Fabulous and original, on his own style
Great tempii! CPE at his best is much more than just 'Hayzart' ...!
CPE Bach is a fascinating North German empfindsamer Stil relatively unknown area of the predominantly Viennese Classical period so dominated by the very different sounds of Mozart and Haydn, to the exclusion of almost all else. CPE was the only composer Haydn ever acknowledged as a mentor and the respect was mutual; apart from one alleged quote, there is almost nothing of CPE in Mozart, apart from CPE’s Versuch (Manual on keyboard playing) which was known to all composers as it outlines in some detail what was to become modern keyboard technique (Beethoven was still using it into the 19th century).
Of a kind, and beautiful!!
chat replay is disabled * who gives a fuk
Gracias por el vídeo... Hubiera dado un link del libreto para saber lo que cantan, o un pequeño comentario introductorio. Muchas gracias. 😊
Usted puede buscar el internet por las letras.
cpebach.org/pdfs/librettos/IV-2-Translation.pdf
Excelente!!!! Maravilloso trabajo coral y estupendas voces solistas!!!
Magnificent rendition! This is the best C.P.E. Bach Magnificat I ever heard so far. Both of Philipp Emanuel's inner personae; Sanguineus and Melancholicus have ample opportunity to express themselves in this masterpiece. His penchant for constant and sometimes reckless experimentation makes CPE a composer that might offer inspiration and artistic guidance for our troubled and confused present historical moment. The grösse Fuge "Sicut erat in principio" never sounded so coherent and unified as here, in my humble opinion. This Fuge is a spiritual bridge between J.S. Bach and the polyphony of Haydn/Mozart/Beethoven.
hay grabaciones antiguas que toman el coro inicial a menor velocidad, también lo prefiero.En el resto esta interpretación me parece excelente
Sehr gelungene Aufführung. Habe mich über den neuen musikalischen Kanal gefreut und direkt abonniert. ❤😊
Rare and beautiful performance lovely Chen
Superb performance. Must find a recording of this work. Have subscribed
Превосходно! 👋😇👋 Спасибо! 🙏
Das finde ich auch!
Lovely performance, perfect in every aspect.
Magnifique!!! Continuo (orgue) très inventif dans l’air de basse.
Cool!
Bravo! ❤🐐