Видео

Thanks! I made this tapeloop myself but it's based on a design by @BatteryOperated. I think they made a tutorial on how to create these loops on their RUclips channel but if you want spare yourself the hassle you can also buy them at their Etsy shop: www.etsy.com/shop/BatteryOperated Thanks for watching.

Thank you 🙏

Thanks!

Step 1, buy $1,000 worth of pedals Jkjk, but sk-1’s are still not cheap and I am on the lookout for one

@@brianlong9100 I’m not familiar with Basinski but I will definitely check out his work. What album would you recommend? Thanks for watching.

@@django-music >>> Disintegration Loops <<<, Selva Obscura, and A Shadow In Time are some of my favorites

I hope the tears weren't due to the noise. I tried to cut the noise in post but I eventually decided to keep it, makes it sound a bit more fragile. Not sure if I made the right decision but I can't change it now it's out there. Anyway, thank you for your kind words.

Awesome, thank you!

Lofi instruments and reverb pair beautifully, especially with the cloud mode. Thanks for watching!

Although limited, it is a joy to use. I hope you enjoy it as well.

I'll give it a try. It's a two part problem: 1. The hold function on the Osmose doesn't seem to properly work. If I trigger a triad, and then trigger another triad the clock seems to be interrupted, the transition is hitchy. 2. I cannot toggle the hold function with a sustain pedal like I can with for instance the Rev2 or the Subsequent 37. Toggling hold (or latch in the mentioned examples) allows me to keep the arpeggiator clock going when I have to switch chords. It's still quite a challenge to pull this off due to the high tempo but with the Osmose I start out with a handicap with is a pitty since the mpe arpeggiation is really expressive. I hope this answers your question and thanks for watching.

@ thanks! This will likely make more sense to me once I receive mine.

​@@sebastienbarre I hope they will fix it with an update but it's still a great instrument without the mentioned feature.

@@django-music and that's on firmware 2.0?

@ I recorded this before the update was geleased.

Thanks! The pedals are chained in series from right to left so the setup is quite simple.

Thanks!

Thanks Stephen 🙏

Thank you James 🙏

With a regular tape player (without auto reverse) the tape is moved by the pinch roller, the right reel is used to wind up the tape but does not pull the tape forward. The left reel is not motorized and is only turning because it is unwinding tape. Since this is a tape loop the tape behaves a bit differently. The tape is not routed over the right reel so the turning doesn’t effect the tape and the left reel only turns when there is enough tension which varies a little due to the loop length. I hope this answers your question.

@django-music Thank you django. You explained it perfectly. 👍😎

Thanks for watching

Thanks 🙏

I usually create and record these bits in about an hour or two. While in the moment you kind of accept its flaws, only to realize the day after that timing might be a bit too far off. I probably should have practiced this a bit more or should have tried an arrangement that works better with the Osmose arpeggiator. I still hope that Expressive E will add the option to latch the arpeggiator with a sustain pedal but maybe that’s just an excuse for bad playing. It still was a lot of fun to play though. Thanks for watching.

​@@django-music Don't get me wrong: I am not criticizing you, but the Osmose. The Arp includes a lot of great ideas, but it is almost not possible to play rhythmically precise. It should have to option to run independently from the keystroke.

@@StephanvonBothmer no worries, I’m just taking the opportunity to criticize my own work 😀

Thanks! I'm glad to hear you like it.

Thanks!

That’s quite a complement, thanks!

@@K33f11 Thanks 🙏

♥️🔥

It's a lot more affordable than a Tube Screamer and has great tone. Thanks for watching.

Thank you for your kind words Mark, I'm glad to hear you like it.

Thank you Abi.

Google translate seems to be failing me here so I'm not sure what this means but thank you for your time.

Thanks!

@@shrine.project thanks!

Thanks for watching anyway.

Thank you Paul!

I think the playing could be a little tighter but the lovely sound of the Subsequent 37 makes up for it. Thanks for watching!

bro yapping

@@BlueCoore You give me hope

Thanks!

The signal chain is pretty simple: - The main output of the 424 is going to stereo strip (9-10) on my mixer (Mackie 1202) - The FX send on the Tascam is going to the Mood with miso enabled, the stereo out also routed to a stereo strip (11-12) on my mixer I mainly use the mixer to set the gain for my dry and wet signal, in some cases I use a little bit of eq. The main out of the Mixer is routed to my interface. I usually do a little bit of tweaking in Ableton and that’s about it. I hope this helps. Thanks for watching!

I'm recording with a Rode NT-1 (condensor mic) that is mounted over the glockenspiel, just out of frame. Thanks for watching!

Thank you for your kinds words. I don't have bandcamp page or anything similar at this time but I am working on something. I'm still in the early stages of recording, not really sure yet in which directions it's going but I hope to eventually release it on bandcamp.

Thanks 🙏

Thank you 🙏

It's just a simple short tape loop. The left reel is effected by the tape tension, the right reel in just spinning it's regular direction but doesn't have any effects here because I flipped the tape. Thanks for watching.

Thanks 🙏

Thanks! The Octatrack is great once you get used to the workflow. I don't think it's as hard to learn as everyone says but since it can be applied to a variety of workflows, you have to figure out how it complements you setup. At least, that proces took quite some time for me. It pairs very well with you Subsequent 37, seems like a great setup. Nice usename btw, gives me roffa vibes

I'm looking forward to hearing your recordings.

Only if it gets me a BigSky MX 😂 Thanks for watching!

Thanks for watching

That’s a massive complement. Thanks!

Sorry, not yet. I am working on something but that is far from done. I did consider publishing a collection of my tape jams on Bandcamp but the quality of the recordings is a bit inconsistent. Probably cheaper to just revisit it here one RUclips Anyway, the fact that you are even considering purchasing my work is a massive complement to me. Thanks!

@@django-music oh I would in a second! Look into distrokid. If things aren’t consistent you can release them as singles which is actually the way to go these days. That’s what I think I’ll start doing (instead of albums) myself. Everything will be put on your channel and every major online music streamer and retailer. It’s only $20 a year.

Thanks, I'll check it out.

Thank you 🙏

@@luisaNFKDmSNDEWLJRJ Thanks Luisa 🙏

Thanks! It would have been a lot easier if I would have setup a scene with the pitch/reverse but it seemed to work in the moment. The trigs are set to DELAY CTRL mode to control a freeze delay on the master channel, this allows me to use the delay as a beat repeat function. This effects all the audio tracks and the incoming audio (in my case the Reface CP). EZBOT made a very good tutorial on this: ruclips.net/video/XVghai8leTI/видео.htmlsi=nhG5KFnObwG5RW1H The Octatrack and Syntakt seem like a great pair. Keep exploring and thanks for watching.

I'll see what I can do.

Just wanted to let you know that I haven’t forgotten your request, just didn’t have to time yet to look into it.

I exported the project, let me know if it works: www.dropbox.com/scl/fo/mlragi0c69w57o993rgfs/ADdbdjaV2gUJ6hWic2MZLcM?rlkey=gwq3at5pd6xwl8uhh20vldw2s&st=8h7q74if&dl=0

@@django-music downloaded! I’ll try and report back