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How do youtubers not know how to work the close captioning?

Cyndi's vocals were fuc'ing top notch! 👍

Pau has said she will never go solo. Her sisters are too important to her songwriting process. They'll do performances with other bands, but their work is a collaboration of the three of them. Even in this case where the input was likely, no it's yours. Do it your way. ❤️⚡😭⚡🤘

Vocals were incredible

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Thanks, Ratty! 💞 I adore Ms. Lauper... voice, vibe and all. 🔸 For a similar, gutter point-of-view winter tune, be sure to listen to "Fairytale of New York" by the Pogues and Kirsty McColl.

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Pau is the main songwriter in the band, and according to her sisters is the most likely to step up to lead.

"They let the drummer sing one"...that's hilarious... The Warning is basically her band...she is the primary songwriter, creative force, interview spokesperson...this band is going to go wherever she takes it...

This song always hits right in the feels every time I hear it! I am so glad she chose this night to perform it!

Thank Ratty, a very personal song from Pau, likely the last time we shall ever see it Live. English subtitles are available had you selected it, here is the translation of what she said: Well, this next song, I said I was never going to play it live because it's a very personal song, but seeing you all gathered here, it's incredible to think that there are 8000 people here right now who came to see us, and honestly I'm so sick, my voice it's not great today, but I want to sing this song for you. **Fans start singing with her** No, I need to sing it (alone)... **She bursts into tears** Than you very much, I love you so much.

She was saying that she was never going to play this song live.. but she did it here for the first time in front of 8k people. Pau is not just the drumer, she also the main songwriter/composer for the band. She spawns the ideas, melodies, lyrics and then shows it to the other 2 to finish fleshing out the songs.

Pau is the chief creator of the band, she will start off the writing process most of the time, and always on the piano. In this case, it stayed a piano ballad. It’s also a personal song because contrary to other deep lyrics, this one deals with her personal life. She has had panic attacks and still seems to be prone to having them. This performance is very likely to be a one-off. She had never intended to perform it. She did it finally because it was the tenth anniversary, but also very probably, to get it off her chest. The reaction of the audience says it all. This was painful, but also therapeutic for her. I don’t think there will be a repeat.

Pau sings while running to build up her stamina.

This was also the first time The Warning played with the orchestra. They collaborated but had not played together prior.

So, Pau has never directly said what this song is truly about, as far as I know, but the lore of this song is that Pau wrote it just for herself as a way to deal with the depression of losing a close friend. The water is the despair and depression she was battling against and losing to, feeling like she was drowning. Again, that's not coming from Pau. Dany has talked about losing a close friend, and since Dany and Pau are only a couple years apart in age, it would make sense that it could be the same friend. They needed one more song to complete their 'Error' album and Pau decided to include this as that song, with the condition that she would never have to play it live because it's so personal to her. At this concert, in front of their biggest headline audiences to date at the time (8,000) and since it was their 10th anniversary concert, she decided to play it. Probably the only time she'll ever do it, unless many years from now when they eventually get into the R&R HOF, she can be convinced to do it one more time?

Paulina frequently mouths lyrics and such that she actually is not singing. What you were hearing is the backing track of Canadian vocalist Alessia Cara, she was the other artist that Metallica invited to do something for the Blacklist Album, and they have been using that track from the very beginning. The Warning makes no excuses for using backing tracks...I think they used them on 21st Century Blood, the difference with The Warning...they record all their backing tracks themselves.

The setlist for this concert included 20 songs, 1 X Anniversary video, and 2 encores. Enter Sandman was the 11th song in the set.

Breathe: (to understand what Pau was saying before she started singing you needed to turn on the English subs) It been mentioned in other comments from other reactors: Their record label wanted one more song to be added to their album "ERROR" and asked Pau for her song (Breathe) she agreed with the stipulation that she will not be forced to sing this song live, it was added to their album "ERROR" as a bonus track. At Teatro Metro concert a recording of Breathe was played during a break/change over; the setting was surreal the stage was dimly lit and only a black void where the audience sat/stood...then slowly cellphone lights lit up the darkness like fireflies. Now at Pepsi Center with 8,000 in attendance Pau felt compelled to sing Breathe live as a gesture of gratitude for the love and support of the fans. Hey, I just The Warning for the first time 4 weeks ago and have listened to just about everything on their channel, watched dozens upon dozens of reactions, interviews and documentaries. There have been many explanations as to why this song is so personal but until I hear it from Pau I remain skeptical.

As to whether they have solo careers, Pau and Dany have been invited on stage with a different band a time or two, but all 3 of them have said they have no interest in doing this without their sisters.

You could have turned on Auto-Translate. 1- In the RUclips video window, click on the CC button 2- Click on the Settings icon that looks like a gear (at the bottom right), then on Subtitles/CC 3- In the new window, select Auto-Translate, scroll through the list and select English

All the sisters learned to play piano at very early ages. Pau was essentially baring her soul here. This is not just some well-written ballad -- she wrote it about and for herself, voicing a difficult struggle she was having. She knew it would hit hard which is why she said she would never perform it live. Yet perform it she did out of love for those 8000 people who came to help celebrate the 10th anniversary of the band. In fact her last remark translates to "I love you very much". The audience helped her finish the song when it became clear she couldn't. I'm guessing part of the reason Pau cried is she could feel the love for her from that crowd.

The Pepsi Center may be the only live performance ever. For the Error album, the studio requested another song. Pau had written Breathe and agreed to have it on the album if she never had to play it live. That was written into the album contract. The recorded version was not done in a studio, but with Pau playing their slightly out of tune home piano. During the album debut concert (Teatro Metropolitan CDMX 2022 ruclips.net/video/FGzD4PkhARk/видео.html), they played the album track with no one on stage. Gave me the chills. Pau sings lead on about 20% of their songs. No one "lets" Pau do anything, unless they want a song written about them. Pau writes most of their songs, starting on the piano. She wrote Animosity about a break up with a bad friend.

My suggestion.. get into their history 11yrs of vlogs and music. Start from the beginning.

This is such a timeless holiday classic, and I’m so glad you enjoyed it as much as I do. Your enthusiasm really made my day-perfect way to get into the holiday spirit! 🎄✨

Pau said this song is a panic attack set to music. It's a very personal song to her.

It's so funny how people say they "let the drummer do a song". I have a feeling no one has ever "let" her do anything. I think it's more of a "get out of her way" rather that "let" her lmao ;)

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That was beautiful. The piano and the melody. Really great. She has a great voice. I feel like in the beginning she was singing very low, nearly at the bottom of her range which can account for the shakiness and parts that were slightly off. When she got to the higher parts she really was stunning. 👍👍

So much a personnal ballad from Pau, We listen to the artist and her song, this always pierce my heart,, now , comment on drums if you like, but emotions are overwhelming and this is what counts in this stellar performance

Big Props reaction . I subbed. Greetings from Toronto.

Yeah; one of the things that's frustrated me from the beginning of Google's "auto-translate" is that you have to specify what language you want it to translate _to_ , even ignoring the sometimes bizarre nature of the output. It always defaults to "translating" to the original language, which is pointless. Having a way to permanently set a desired output language would be a huge improvement, but for some reason they've never gotten around to that. Normally, when they "let Pau be Pau" and do her Mexican ballad thing, the other two chime in one way or another, even if it's just subtle guitar/bass work. But while they knew she had decided to sing this that night, it's nothing they've ever really practiced before... because it was never supposed to played live.

....and then, 90 seconds later she was playing Enter Sandman. Oh. Solo careers? No. And they most definitely can't play each others instruments! Hilariously demonstrated with some hilarious home VLOGS!

You said “They let the drummer…” As you get to know the band better, you’ll understand that Pau is a, if not the, major cog of this machine. Besides being an award-winning drummer, she is the main song writer, can sing lead while drumming and has co-directed one of their music videos. I would suggest you watch (and we’ll be right there with you) Tidal Rising and Mayday in the Making (1-6), two documentaries which would help you better understand the dynamic of the sisters. I’m sure you’d get plenty of views. I really like your style and look forward to your The Warning journey.

They generally don’t have any solo projects (yet), though Pau did write, perform, record and produce this song herself for the end of their Error album. 👍😎

how does Metallica play *Enter Sandman* live? perhaps this rendition from Russia back in 1991 will answer that question 👀 😜 😹 ruclips.net/video/_W7wqQwa-TU/видео.html TWA ⚡🤘😸🤘⚡ TWA

This song is so emotional for Pau because she wrote it descriving her feelings after a friend died by suicide. The crowd has a relationship with DPA that fuses music with artestry with compositional excellence with talent with really nice, humble, hard-working, dedicated women that is reciprocated by their desire to give the audience of 8,000 the best 10th anniversary of The Warning because of their loyalty. THAT'S why, when the audience sees Pau cannot finish the song, they do it for her out of love. Not many bands or people can create such an atmosphere.

This song is from their album Error. They haven't released anything officially individually, but you can see them sing by themselves on their RUclips channel. There are multiple videos of either Dany or Pau singing by themselves. You should check out Pau singing a cover of Radiohead's Creep.

reimagined *Enter Sandman* DPA/TW and Alessia Cara certainly understood the assignment! Alessia Cara is a Grammy winning Canadian Pop and R&B singer... they had 10 days to rip this rendition of *Enter Sandman* from the ether and make it a darker, more eerie, and a more haunting lullaby than the original metal version... they made the deadline and they made an OMV for it to boot! this reimagining of *Enter Sandman* was done because they, and many other artists from numerous genres, were invited by Metallica to take one of the songs from the original _"Black"_ album, keep the lyrics and change it up how ever you like... play it backwards, upside down, whatever... this was all for the 30th anniversary of the _"Black"_ album... all the submissions from 50someodd artists were put on the 2021 _"The Metallica Blacklist"_ album... the proceeds from the album sales are split 50/50 with half going to Metallica's "All Within My Hands Foundation" and the other half being donated to a charity of the participating artists' choice. in the OMV, Dany (guitar) and Alessia share the lead vocals until they are in the three doorways when Dany takes over and Alessia does more of the background oooohs and aaaahs... the version they play in concert has Dany doing the vocals with a backing track of Alessia's ohhhs and ahhhs... of course Ale (bass) and Pau (drums) join in with their angelic harmonies in both... this is a fantastic reimagining of the iconic original... the performances at their "Big 3" 10th Anniversary shows, in Oct 2023, are astounding with the 10-piece string section from Monterrey, DPA/TW's home town... the string section came out to join Pau on her solo keyboard performance of *Black Holes* and stayed for *Enter Sandman* ... i like their lead-in to ES while the stage was being cleared of the piano and other equipment from Pau's solo performance... this 60+ year old rocker loves this reimagining of *Enter Sandman* by TW and Alessia and it gets a lot more airtime these days 😹 TWA ⚡🤘😸🤘⚡ TWA

Pau is an angel.... a fantastic creature!!!!!

*Dull Knives* a dull knife tears instead of making a clean cut... torn wounds are very hard to repair... in this 9th song of the concept album, _"Queen of the Murder Scene"_ (aka QOTMS), the Queen is considering suicide as one way to possibly stop her evil side from taking hold... by using a dull knife, she is making it harder for someone to stop the bleeding and save her if she is found before she expires... in another of the songs on the QOTMS album, *Sinister Smiles* , the lyrics talk about the water in a tub turning red from blood... this is seen as a female way of suicide because the tub would keep the mess all contained and not mess up other parts of the location... to me, the lyric "I'm plucking roses but keeping the thorns!" is about seeing, gathering, and embracing beauty while retaining only the darkness and gloom that was used to create and protect that beauty... that's some pretty deep stuff, there! TWA ⚡🤘😸🤘⚡ TWA

*Dust to Dust* *Dust to Dust* is the prologue song on DPA/TW's _"Queen of the Murder Scene"_ concept album (aka QOTMS) which has just turned 6 years old! it is inviting you in to a funeral to hear the deep, dark, and foreboding story of a young woman apparently in love with someone that doesn't even know she exists... it is a story about how well things can appear to be going and how fast it can all fall apart... it follows her battles between good and evil over her soul... the Spanish speaking part (hard to hear in the 2023 Pepsi Center show but definitely voiced by the audience) is their manager, Rudy, playing the part of a preacher at the funeral... translated to English, this is what he says... Brother! Salvation is something that is earned! Let go of your hand of resentment and Wake up to a new light within you Although your brothers try Plunge into the darkness DPA/TW's _"Queen of the Murder Scene"_ is one of those concept albums best experienced by listening to it from beginning to end in order... listening to each of the songs piecemeal and out of order is like trying to figure out a movie by catching a portion near the end, one from near the beginning, and one near the middle... yeah, it won't work out very well... their performance of it at Lunario was the first time the album was presented in full to the public... it had been released over time in chapters of three songs each and the last three songs were presented here to complete the album... i like their Lunario show because it was the first public performance, the animations on the big screen behind Pau, and the girls were in character... others prefer their presentation of QOTMS at another venue for various reasons... as a concept album, many of us members of TWA can easily see QOTMS as a movie or Broadway stage performance... it is that good and to think it was written by them at a very young age and released as their 2nd album! i mean... whoa! who does that?? 😹 Fun Fact: Rudy plays the part of a preacher in two of DPA/TW's tracks... the 1st one is in *Dust to Dust* off the QOTMS album... the 2nd is in the OMV for their 3rd Spanish track, *Qué Más Quieres* ... while you cannot hear it in the OMV, he does actually say the same part in both... TWA ⚡🤘😸🤘⚡ TWA

Did you know youtube can auto-translate the captions? "Breathe" was a bonus track on their third album, "ERROR," released in 2022. The label requested an extra song, so Pau recorded it at home on their slightly out-of-tune piano, and it was included on the album. Before performing it at the Pepsi Center, Pau said: "Ok, this next song. I said I was never going to play it live because it is a very personal song, but seeing all of you gathered here, it's incredible to think that there are 8,000 people here who came just to see us. Honestly, I’m kind of sick, and my voice isn’t in great shape, but I still want to sing this song for you."

*Evolve* 2023 MTV VMAs this was such a huge and powerful exhibition they gave with the short time they were given... they performed two songs, *More* (done first) and this one, *Evolve* which is certainly a fan favorite... Pau (drums) came up with *Evolve* after watching a documentary about evolution and gene manipulation... this isn't the first time she has drawn inspiration from a TV show or movie, either... i understand that MTV is still looking for their roof LOL i'm quite proud and happy for DPA/TW for making these milestone appearances at two MTV functions, the MIAW in CDMX (back in Aug 2023) and the VMAs in NY&NJ (Extended Stage) (in Sep 2023)... three additional milestones for their VMA appearance are 1) they are the first Mexican band to perform at the VMAs, 2) they were invited to perform, 3) they were not nominated for anything... those speak volumes in a great and huge way! now add to that they have been doing this for 10 years... most of that was while independent... DPA/TW did both of their songs fully live and in one take each... DPA/TW were also the only ones to be announced on the main stage when it was time to present their performances... watching Pau (drums) firing her *_"Scream of Evolution"_* toward the heavens releasing all of her frustrations and pain so she can *Evolve* and grow past them is always a treat 😜 she has described the scream she does in *Evolve* in similar fashion and she brings it for real each and every time they present this hard rocking power ballad in concert or live sessions... Pau has also stated that playing here on this stage was a very _surreal moment_ ... she said the stage was very much like the stage in the game Rock Band... i can easily see that they might have felt as if they had been transported into the game... i'm sure they imagined similar when they were playing the game as children and just beginning to find their path in life pre-2012 or so... in Aug 2023 they celebrated their 10th Anniversary as a band... i can't wait to see what the future bring to them! Fun Fact: Pau has four screams/yells that she does... the first, most well known, one in *Evolve* , one in *Z* , another in *Hunter* , and her latest one in *Apologize* ... TWA ⚡🤘😸🤘⚡ TWA

Although she was quite sick during this performance, I think the "shakiness" is actually her embracing her fast vibrato to commit to the emotion of the song.

this Pepsi Center performance was the 3rd of the three 10th Anniversary concerts... they played the same performance in Guadalajara (Oct 21, 2023, Teatro Diana - 2500+), Monterrey (Oct 25, 2023, Pabellon M - 4500+), and Mexico City (Oct 28, 2023, Pepsi Center - 8000+)... all three performances had the same set list (with a notable difference or two), same costumes, same stage design and light show (or as close as possible for the venue)... they premiered *S!ck* and *Hell You Call A Dream* in Guadalajara and they had the 10-piece string sections with them at all three... the lighting was done by the same guy, Brian Bogovic, that does Halestorm's lighting... he had some free time that matched DPA/TW's schedule so they made things happen... somewhere is a BTS showing them working on the lighting programming and controls at the office before doing it all actually setup... very cool stuff... i saw all three performances via live fan cam streams and they were ... i mean, "WOW!" doesn't even begin to describe it... i remember the double surprise when *S!ck* and *HYCAD* were premiered in Guadalajara... and the surprise when the string section appeared out of nowhere for *Black Holes* and *Enter Sandman* was indescribable... Pau playing *Breathe* right after *Black Holes* here in Mexico City was a monstrous surprise to everyone watching... there were a lot more than 8000 pairs of eyes overflowing from that portion of the set... i fully enjoyed seeing them and only miss not actually being there... TWA ⚡🤘😸🤘⚡ TWA

The crowd finished the song for her. In the album version the ' OHHH, OHHH OHH' is the end of the song!.❤❤❤

*Breathe* a deeply felt panic/anxiety attack set to music... when Pau plays *Breathe* i can't because i'm 😿😿😿 idk how she gained possession of my soul in addition to my heart... i think we all know that when looking at a keyboard, any keyboard, through tear filled eyes, it is impossible to see the keys properly... (that's why this is a pre-written comment in a text file 😉) 🧅🥷 🧅🥷 🧅🥷 TWA ⚡🤘😸🤘⚡ TWA

In the full concert video, they added a translation to the Spanish. Same for Dany’s during “when I’m alone”

TW❤