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Yes, this is the original single version with the lyrics "We all have the same call, we're all God's children after all" in verse 1. These lyrics were changed on the album version.

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No matter how many times I come back to this, it always leaves me weeping. Measha, brilliant. I'm so glad I was able to tell you that in person.

Goosebombs!

I can listen to this song of Joni Mitchell by Measha every day.. I first heard the song from the movie "Love Actually", I loved it then and I love it now. That's why I play it at least once a week.

One of my favorite songs!!! Rich, you are missed everyday, but God ensures that your legacy lives on in such wonderful music!!! I remember being at our Life Teen mass the weekend when your death was announced and the closing hymn was immediately scrapped to, yep you guessed it, Awesome God!!

This shit never seems to get old. I can listen to it repeatedly….and have, over the years.

Uff!! FUERA DE SERIE!! DE CHILE CON AMOR 💖

Here I am commenting two years later. Measha's version still thrills me! Kevin's guitar compliments Measha's performance and the splendid orchestra, casting a spell over many of us I am certain. A once in a lifetime musical experience. Thanks Measha, Joni, Kevin and orchestra.

Mas tarde

Going back old school, I saw them in SD in 2006 they opened for some other band Stardust or something. It was the first Christian rock band I heard live and they helped me go back to God after a long drought. This song and in the burning are great

Found a new treasure!

Love it❤️❤️❤️

Goose bumps

this is so f*ing dramatic.

Stunning!

Yo tabie

There is not enough *Thumbs Up* for this *singing charm*

Gorgeous song!

Stunning!🙏🏾🎶❤️

¡Dale María!

Love love love. Perfection in every way. My funeral farewell song.

Quarantine 2020

Wow!

I just heard Measha sing at Thomson Hall in Toronto this week. What a chameleon she is. This version of Joni's Clouds is one of a kind. It is matchless. Who has such range and power? I hope Joni enjoyed this unique version. It is a real compliment to her and one that moved me tremendously.

Tears.

no words

Never heard of her, not bad, but I still like Natalie Cole's version better.

Thanks for posting Paul Baloche's version of Let It Rise!!! Holland Davis (writer of Let It Rise)

Amazing version !!!

Hello from Singapore! Wish you'd have a great day =)

Beautiful <3

Well what could I say. Well of course it is great and outstanding .. This is such a dramatic performance...amazing voice.... but it looks a bit like pure Baroque... It looks like working for the golden medal... on the Olympics. But it isn't simple to see it as someone who's lost in thoughts, who 's musing or contemplating. (just a few minutes at the beginning perhaps..) And it certainly has the meaning to bring a great tribute to Joni Mitchell. But in this case "Both Sides Now" becomes great "opera" ...and "opera" is dramatic in essential . And without any doubts her voice is pure magical ..but... A lot of decades ago I had a docent...Who said these wise words about artistic creating: "Don't make it too heavy or too weighty" And if you know : This is "opera".. Then you could see it in another way.... It could bring you goose bumps or bring you in tears... just like opera could do. Today lots of performers bring the song "Both Sides Now" ....."too slow , too uneventful, too dull and too boring". And when not... then the risk of "overacting", of "hamming with too much of decoration" is everywhere. And of course there're some exceptional artists who gives priority to the expression of the aimed feelings and (for exemple ...Unni Wilhelmsen... but...!) Personnaly I like the old school the most... Judy Collins (at the piano in 1987), Joni Mitchell herself (in that album of 2000), Julio Bernardo Euson, even Bing Crosby did it very well..... But maybe we 're arrived in another time-segment...just like that time right after the renaissance.. in Italy... The time of mannerism. it was a time where every artistic "form giving" that could be achieved has been already achieved. And they get into a time of competition and competitive spirit.... and It was such a time of using characteristic distortion and exaggerations. And nobody of us can say that "El Greco, Bronzino, Tintoretto, Cellini... aren't great artists...And so was it in the music at that time we know what happens in the music.. a time of contrapuntally polyphonic music... But there was more up in the society ... there was more going on outside.... as just this deformations in the artistic style.. and so it is in our time now.

stunningly breathtaking!

i love paul colman no matter how old he will be.

One of the most beautifully dramatic and subtle builds ever!!!!!

Wow................................shocked with there being ANY negative comments..........................perhaps keep it to yourself, although it diminishes NOT the affect it has.....was moving and powerful when I watched live on TV, and now even moreso as I've experienced a great loss.......

Wasn't feeling the emotion in the song. Seemed rushed and not heartfelt. Just vocal acrobatics.

loving song

Amazing performance!!

Favolosa canción

incredible! sucha a breath taking voice

Wonderful alto presentation!!!

Amazing. Amen.

Still love you guys, we prayed in Vegas

This is an amazing song! I showed it to my kids last night, and they just loved it! thanks Paul!

Quien canta por favor ? Es sensational, carinoso et trajico.

............ Буває так, що з барв народжуються звуки, та постають у просторі прийменником буття. Митці усіх цехів споріднені у злу́ці червоних кольорів, в світлинах почуття. У барвах луна спів; у слові рухи в муках. Танок, складає в пазл відтінки до пуття. Митці усіх країв поєднані у штуці яскравих голосних, на сцені забуття. У аркушах картин, кутею на покуті, панує хлібом спів і в слові сіль життя. Митці усіх часів приречені до купи осяйних вітражів із присмаком вина… Ілюстрація: facebook.com/photo.php?fbid=1014331571922800&set=a.625118434177451.1073741827.100000379019034&type=3&permPage=1

María de Buenos Aires (Tango Opera) Yo soy María de Buenos Aires! De Buenos Aires María ¿no ven quién soy yo? María tango, María del arrabal! María noche, María pasión fatal! María del amor! De Buenos Aires soy yo! Yo soy María de Buenos Aires si en este barrio la gente pregunta quién soy, pronto muy bien lo sabrán las hembras que me envidiarán, y cada macho a mis pies como un ratón en mi trampa ha de caer! Yo soy María de Buenos Aires! Soy la más bruja cantando y amando también! Si el bandoneón me provoca... Tiará, tatá! Le muerdo fuerte la boca... Tiará, tatá! Con diez espasmos en flor que yo tengo en mi ser! Siempre me digo "Dale María!" cuando un misterio me viene trepando en la voz! Y canto un tango que nadie jamás cantó y sueño un sueño que nadie jamás soñó, porque el mañana es hoy con el ayer después, che! Yo soy María de Buenos Aires! De Buenos Aires María yo soy, mi ciudad! María tango, María del arrabal! María noche, María pasión fatal! María del amor! De Buenos Aires soy yo! Taken from lyricstranslate.com/en/maria-de-buenos-aires-tango-opera-maria-buenos-aires.html#ixzz3a1IFaihv

the very best performance of Maria... I have goose bumps every second word she sings!