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Was this also the Ponnelle production?

What a Tristan!!!! Thank You❤ Winbergh is magnificent

Ich bin weissgott kein Sangesexperte irgendeiner Art; habe mir hier auf youtube viele Lohengrins angeguckt und und angehört. Von den Elsas gefallen mir Rysanek und dann Grümmer am besten. In dieser Aufführung kann man sogar meist den Text verstehen, was mir bei vielen anderen Aufführungen sehr schwer fällt. Vogt habe ich in München als Lohengrin gesehen - spellbinding schrieb der Guardian und so war es auch.

Thank you for this. What a wonderful singer and person she was. I fondly recall her performances in Hamburg, particularly as Turandot. Beautiful voice.

Grob-Prandl is about 36 here. The voice is perfectly equalized from top top to bottom - so healthy. She has a way of approaching the top notes somewhat 'from the side', initially with a narrow , slightly squeezed placement which quickly opens up. Melchior used to sing that way also. She is most impressive and apparently the voice was absolutely huge in the theater. She's an almost exact contemporary of Nilsson and no doubt would have been far more well known without that competition. Lorenz is 52 or thereabouts and the years of singing the heaviest repertoire are showing here, though I prefer him to Svanholm's nasal placement and scooping. Sebastian paces the work thrillingly. Some of the tempi would choke a horse, but the two principals manage with extra breaths. A wonderful document.

La Grob-Prandl aveva una grande voce, ma non la dolcezza e il colore della Flagstad.

Almost twenty years earlier, Columbia Records released an album of the opera with Tucker, Guarrera, Cleva and the Met forces, but Tucker refrained from singing the heavy role of Canio in performance until now.

Everytime i hear him and see him on stage, now more than 10 years he amazes me every time, un immense chanteur et une belle personnalité 🎉🎉🎉🎉❤

Merci pour ce partage Une grande tres grande artiste ! Une Elektra inoubliable .

Was it the Ponnelle production?

If only more people knew this work ... I have just gone 70 and am waiting to sing it but it is so rarely done. I know it's too late now. What an ending!

37:50, Des Ritters will ich wahren, 50:45, Elsa soll ich 51:17, Nie sollst du mich befragen (tema della domanda proibita) 1:39:45, duetto Elsa Ortrud 1:43:48, Entweihte Götter! Helft jetzt meiner Rache!, Ortrud invoazionedemoniaca 1:45:11, Ortrud, wo bist du? arriva Elsa 1:47:29 gruppetto 1:48:01, Wie kann ich solche Huld dir lohnen, 1:49:30, Könntest du erfassen, 1:50:09, Du Aermste, frase di Elsa con gruppetti 1:51:02, Lass mich dich lehren, 1:51:59, Ha! Dieser Stolz, er soll mich lehren (intreccio delle voci) 1:54:30, So zieht das Unheil in dies Haus!, Telramund 2:28:31, Vertraue mir! Lass dir ein Mittel heissen 2:30:55, Heil dir, Elsa! Nun lass vor Gott uns gehn!

Was this on cd ? It is the best orchestral playing of the opera that I have ever heard.

Please performance G.Taddei 1963 Matacic Thanks

Wunderbar Danke

Phenomenal cast. I don't think you'll ever better it. In '54 though, the main singer for King Heinrich was Josef Greindl, who had a much deeper timbre to his voice than Theo Adam, and I feel he would have given the role a much deeper gravitas than Adam. Not taking away anything from Theo Adam, he was an incredibly versatile singer and a personal favourite of mine.

Quanto ci manchi

Fuego en el cuerpo.Siguiendo el camino de Karajan.

POR SIEMPRE LUCIA POPPOVA.

Bonfadelli's coloratura technique leaves a lot to be desired!

great performance but what happened here between 49:04-49:13? Too hard for Schlüter? By the way your channel is a treasure. thanks for uploading these "clandestine" gems.

Lucia Popp ❤

❤❤❤❤

Fantastic performance!!! Thanks for putting this together!!

Rysanek siempre está a la altura, pero acá dio miedo. Un monstro sobrehumano, imposible que hoy una soprano haga esas maravillas sobre todo cuando interroga Elsa a Lohengrin con esos B4 naturales asesinos

36:20 "Di rigori armato il seno" von Helmut Wildhaber. Respektabel!

WIE IMMER...TAUSEND DANK!!! EINE FRAGE: HAST FU JE EINE LIVE AUFNAHME VON MUENCHEN VON DEN MEISTRSINGERN MIT FISCHER-DEISKAU UND VARADY?UND EINE KLIVE AUFNAHME VON DER ERSTEN ODER EINER DER ERSTEN FRAU OHNE SCHATTEN ABENDE VON FRAU STUDER MIT DER JONES ALS FAERBEIN...auch Muenchen?

Ja , ich wundere mich, d h ich hätte nicht erwartet, dass meine hochgeschätzte Luxoa Popp diese Rolle sänge.....

Vielen Dank! Schon der zweite "Rosenkavalier" mit Lucia Popp als Marschallin. Ich habe Frau Popp in den 1970er Jahren oft an der Kölner Oper gehört und sehr verehrt. Übrigens: Gibt es eine vollständige "Entführung" mit ihr als Konstanze ? nochmals danke sehr! M.Parent

Vermutlich eine der ganz wenigen Aufnahmen von Lucia Popp als Marschallin wunderbar ❤vielen Dank

Thank you for posting this! Act 1: 0:06 "Wie du warst!": 03:43 "Da geht er hin": 44:57 Act 2: 1:09:00 "Mir ist die Ehre": 1:14:40 "Herr Kavalier!": 2:03:58 Act 3: 2:08:55 "Marie Theres'...Hab' mirs gelobt": 2:57:41

Wunderbare Martha Mödl ❤

Grob-Prandl sounds fantastic. Her Isolde,her Brünnhilde,her Turandot are outstanding.I my opinion the best dramatic soprano after the war.

CAN one hope that maybe....the Tristan with Callas and Lorenz will be found!!!!!?

AMAZINGG>>>.... DANKE DANKE DANKE

Leonie sang this role for about thirty years.

Bellissimo! As in ancient Athens, the teaching of Socrates has continued throughout time, up to the present day. Krenek's opera (1955.) is a call - "Learn, if you can, to avoid what led us to our downfall," Socrates had said, facing the audience, at the end of the prologue. From 1955-2024, it can be seen that we did not listen to either Socrates or Cracker. Hitlers, in gloves, multiplied.

Thank you for posting this! Overture: 0:17 Act 1, s.1: 04:58 Act 1, s.2: 13:10 Act 1, s.3: 32:18 "Temerari!...Come scoglio": 49:49 Act 1, s.4: 1:04:47 Act 2, s.1: 1:21:28 Act 2, s.2: 1:31:16 "Ei parte...Per pieta": 1:48:25 Act 2, s.3: 2:03:46 Act 2, s.4: 2:13:04 Epilogue: 2:30:46

It was somewhat disappointing to have no pictures of the performance.Anyway,thank you for uploading this record,at least I could hear my favorite singer, Rod Gilfry, and many other excellent singers.

I'm looking forward to hearing Martha Mödl as Brünnhilde!

Vielen Dank!

WOWWW!!!!!!!!!!!! Huge thanks!

Thielemann and Mozart!

Das ist ja UNGLAUBLICH ❤

With my voice professor Rudolf Knoll ❤

Many thanks for this rarity. Grob-Prandl is really amazing!

Is the chorus singing French?

Grosse Oper, fantastische Interpreten. Damals war´s

Grob-Prandl sounds so girlish here, almost like a Verdi soprano. She could have handled Aida, surely.

Very nice! One of the things that immediately draw my attention is the woodwind section, especially the bassoon - Wagner sounds SO different in French :)