- Видео 307
- Просмотров 454 915
Christopher Fields
США
Добавлен 8 апр 2007
How Counting E-N-A Improves Your Footwork Skills!
Learn how to master the E-N-A kick pattern in part 2 of the "Develop Your Single Pedal" series! This drum lesson focuses on building control, which leads to faster and smoother playing on the kit. Follow along as we break down this 16th note pattern at 40 bpm, 50 bpm, 60 bpm, and 70 bpm. Perfect for beginners and drummers looking to improve their footwork!
Counting the "E-N-A" of each beat will help you lock in your timing and develop the strength you need to play confidently. Ready to level up your single pedal skills? Let’s start practicing!
bass drum speed, single pedal drum lesson, E-N-A kick pattern, develop speed on drums, 16th note drum practice, drum kit control, drum fill, foot spe...
Counting the "E-N-A" of each beat will help you lock in your timing and develop the strength you need to play confidently. Ready to level up your single pedal skills? Let’s start practicing!
bass drum speed, single pedal drum lesson, E-N-A kick pattern, develop speed on drums, 16th note drum practice, drum kit control, drum fill, foot spe...
Просмотров: 273
Видео
How Building Control Unlocks Faster Drumming
Просмотров 64519 часов назад
In this drum lesson, we’re starting part 1 of the "Develop Your Single Pedal" series! Today, I’m teaching a kick pattern that builds control, which will lead to better speed on the kit. This pattern focuses on hitting the first three beats of each count: 1 E N, 2 E N, 3 E N, 4 E N-played as 16th notes. We’ll go through this pattern at 40 bpm, 50 bpm, 60 bpm, and 70 bpm, so you can practice at y...
How Practicing One Pattern Unlocks Smooth Drumming
Просмотров 34 тыс.14 дней назад
Want to play drum fills that feel smooth and confident? In this video, I teach a simple pattern that helps you flow easily around the drum kit. We’ll work through a paradiddle (LRLL RLRR) with two hands and two kicks (LRKK LRKK) at 40, 60, 80, and 120 bpm! Perfect for drummers looking to build control, timing, and flow. By the end, you’ll feel more confident moving around the kit. Let’s get sta...
How To Build Speed and Control with KKRLRLL
Просмотров 3,6 тыс.21 день назад
Want to learn a simple drum fill that sounds great and helps you play around the kit? In this lesson, I’ll teach you the KKRLRLL fill pattern, played as 16th notes. We’ll practice it at 40 bpm, 80 bpm, and 120 bpm, so you can build your speed and control step by step. This fill is perfect for beginners who want to play smoother fills and gain confidence in moving around the kit. We’ll start slo...
How Paradiddle Diddles Build Flow on Drums
Просмотров 3,6 тыс.28 дней назад
In this drum lesson, I’ll teach you a fun pattern that helps you flow around the drum kit: the paradiddle diddle played as sextuplets! We’ll break it down into LRLLKK and RLRRKK, and practice it together at 40 bpm, 60 bpm, 80 bpm, and 100 bpm. This lesson is perfect for drummers who want to build speed, control, and smooth movement around the kit. Join me as we start slow, then speed up, making...
How These Simple Patterns Make You Faster and Smoother!
Просмотров 3,3 тыс.Месяц назад
In this drum lesson, I’ll show you how to build on the RLLK fill by adding new patterns like RL RLLK, RLLK RK, and RLLRRL RLLK. We’ll practice these fills as 16th notes, starting slow at 40 bpm and working our way up to 120 bpm. This lesson will help you get faster, smoother, and more creative with your fills! We’ll go step by step, making sure you understand each pattern and feel comfortable p...
How This Simple Pattern Builds Speed and Control
Просмотров 2,8 тыс.Месяц назад
Learn a super fun drum fill pattern called "3 over 2" or "3 hands, 2 kicks" (HHHKK) in this exciting drum lesson! We’ll break it down and practice it together as 16th notes at 40 bpm, 80 bpm, and 120 bpm. This fill will help you build speed, control, and flow in your drumming. Perfect for beginners or anyone looking to improve their drumming skills! Follow along as we go slow and then speed up,...
Drum Cover | Crosspoint Fellowship | “That’s Who I Praise” by Brandon Lake
Просмотров 125Месяц назад
Hey everyone! Check out my fun drum cover of “That’s Who I Praise” by Brandon Lake, played with my church band, Crosspoint Fellowship. I’m playing the drums to this awesome worship song, and it’s all about praising God! If you like cool music and love hearing drums in church, you’ll enjoy this! Don’t forget to subscribe to see more videos like this. drum cover, Brandon Lake, That’s Who I Praise...
How To Get Smooth Fast Drumming!!
Просмотров 4,5 тыс.Месяц назад
Learn how to play the exciting RLRLLK RLRLLK RLLK fill pattern in this fun drum lesson! I’ll show you step by step how to play it as 16th notes, and we’ll practice it together at 40 bpm, 80 bpm, and 120 bpm. This fill will help you improve your speed, flow, and creativity on the drums. Perfect for beginners or anyone looking to add more flair to their drumming! Start slow, build control, and fe...
Crosspoint Fellowship Band playing “THATS MY KING” by CeCe Winans
Просмотров 227Месяц назад
This past weekend, my church band, Crosspoint Fellowship, played a powerful cover of "That's My King" by CeCe Winans. This song has such a deep message, and playing it was a reminder of how music can lift our spirits and bring us closer to God. Drumming to this song filled me with energy and joy, and I hope it encourages you in your journey-both in life and in your drumming. Whether you’re look...
How This Simple Fill Will Transform Your Drumming!
Просмотров 43 тыс.Месяц назад
Want to learn a cool drum fill that makes your drumming sound awesome? In this lesson, I’ll teach you the RLLRLLK fill pattern, played as 16th notes. We’ll start slow at 40 bpm, then move to 80 bpm, and finally play it fast at 120 bpm! This fill will help you play faster and smoother, and you can use it in any song to make your drumming stand out. By the end, you'll feel confident and ready to ...
How to Play a Fast and Easy Drum Fill For Beginners
Просмотров 5 тыс.2 месяца назад
In this video, I’ll show you how to play a fun and easy drum fill using the pattern KKRLLRLL. You’ll learn how to play it at 40 bpm, 80 bpm, and 120 bpm. This fill will help you get faster and more creative with your drumming! Whether you’re just starting out or want to add something new to your playing, this fill will make your drumming sound amazing. Watch now and start improving your speed a...
Unlock Power with the RLLK Fill - 4 Notes, Big Impact!
Просмотров 5 тыс.2 месяца назад
Looking to add more power and precision to your drum fills? In this lesson, I break down the RLLK fill-three hands, one kick-played as 16th notes. This simple yet highly effective four-note pattern is designed to enhance both the flow and power of your fills, giving you that dynamic, locked-in feel every drummer craves. Throughout the video, I demonstrate the RLLK pattern at 40 bpm, 80 bpm, and...
HOW THESE 3 Notes Will Take You Far!
Просмотров 1,8 тыс.2 месяца назад
In this lesson, CB Fields walks you through a powerful yet simple drum fill pattern that will instantly elevate your drumming. The RLL pattern, played as 16th notes, is easy to master and adds a smooth, flowing feel to your fills. We’ll break it down at 60 bpm and 90 bpm, helping you lock in this groove with precision and confidence. Whether you're a beginner or looking to refine your technique...
Drummers: DO THIS for bass drum control
Просмотров 1 тыс.6 месяцев назад
Drummers: DO THIS for bass drum control
How to Build Creative Drum Fills & Solos: Master These Simple Patterns!
Просмотров 7967 месяцев назад
How to Build Creative Drum Fills & Solos: Master These Simple Patterns!
The Best Love Song | Love Is | Miller Creek Crowd
Просмотров 7811 месяцев назад
The Best Love Song | Love Is | Miller Creek Crowd
My FAVORITE song by Miller Creek Crowd!
Просмотров 94Год назад
My FAVORITE song by Miller Creek Crowd!
CB Fields Live Cover of 'Love Is' by Miller Creek Crowd
Просмотров 49Год назад
CB Fields Live Cover of 'Love Is' by Miller Creek Crowd
House of the LORD | Phil Wickham | Drum Cover
Просмотров 116Год назад
House of the LORD | Phil Wickham | Drum Cover
HERE FOR YOU | The Katinas | drum cover
Просмотров 37Год назад
HERE FOR YOU | The Katinas | drum cover
Come, Now is the Time to Worship (Drum Cover)
Просмотров 1,9 тыс.Год назад
Come, Now is the Time to Worship (Drum Cover)
Heaven On Earth | Micah Stampley | Drum Cover
Просмотров 349Год назад
Heaven On Earth | Micah Stampley | Drum Cover
He Is Yahweh | RAMP WORSHIP | Drum Cover
Просмотров 257Год назад
He Is Yahweh | RAMP WORSHIP | Drum Cover
CB Fields bringing the rhythm to Jeremy Camp's 'Beautiful One' with an incredible drum cover! 🥁🎶
Просмотров 47Год назад
CB Fields bringing the rhythm to Jeremy Camp's 'Beautiful One' with an incredible drum cover! 🥁🎶
🥁 Explosive Drum Cover: 'This is Amazing Grace' by Phil Wickham 🥁 | CB Fields Nails Every Beat!
Просмотров 130Год назад
🥁 Explosive Drum Cover: 'This is Amazing Grace' by Phil Wickham 🥁 | CB Fields Nails Every Beat!
For the algorithms✌🏾
Man you rejuvenated my drum 🥁 aspirations bruh 🙌🏾
Can you recommend an electronic drumset where I could start practicing indoors. A set with versatility to play out as well?
Thanks!
Appreciate your dedication to teaching ♥️
I’m glad you enjoyed it! I appreciate you watching
💪🙏⚙️⚖️
Thank you so much!
Gracias
De nada!
Please do not focus on your views of your videos it not about your view it’s about your spirit from Christ please keep going bro this video is the bestt
Thank-you for legitimately slowing it down- some of these guys even when they slow it are still going 80+ bpm!👍
Slow it down in playback settings
What are they? Bramd, and what type of wood
Oh I love this. Going out to practice now!
ty man
Great lesson to follow
A valuable lesson for a novice(me!), many thanks👍🏼
Thank you Chris. A great warm up exercise for daily practice and getting your left hand working better. I really enjoy your no nonsense and precise videos. From a drummer of 50 years!
The real answer is an intuitive feel for 4/4....
Why starting with the left hand on a right-handed kit? Is that part of the exercise or are you left-handed?
Prob better for unlocking your brain, also sounds better L-R you can go down the kit instead of up.. hitting rack tom ->floor Tom. Because R-L would be floor tom -> rack top.
@@domcruise274 uh, "unlocking my brain"... I fear I'm left-handed and play that shit on my set without hesitation. In fact I set it up symmetrical so I could either use it left or right-handed. But yes, it's about practice not habits, thanks.
Playing a right handed kit doesn’t matter much to me. I like to be able to start/play ideas with both left and right. I generally learn most exercises as left hand lead first so I am/get comfortable with starting the pattern that way. It’s my preference is all.
Start with the application, then break it down.
Nice one, mate .great relly really enjoyed the video, and they way you teach groovy
Good stuff man thx!
Hey Chris Sorry to bother man but I’m trying to figure out how all those patterns are going when you mash them together!?? Looks like you hit drums randomly cuz it’s not the same every time 😧🤔🤔 So maybe is it up to me?😓
Man im so greatful for these vids, i wish they were around years ago when i started, thanks bruh!
This is a great exercise.👍🏾 One can take it a step further by next having the metronome click on only the “e’s”. Then the “&’s”. Then the “uh’s”. You will notice immediately exactly where your weakness is. All musicians tend to rush when playing the “e’s & uh’s”. This will help fix that.👊🏾👊🏾
I love your lessons! This looks great for building the door of course, and if playing it like you do, build up the weak hand by playing open handed. Literally the kind of super exercise that can slowly be raised in speed to gain foot control and left hand timing. Love it!
Bonzo.
Nice one, I'll definitely try this out but I have to ask, is there's a reason you're starting with a left-leading paradiddle? It seems like this would work just as well with RLRR LRLL RLKK RLKK. Either way round, it's a good pattern so thanks for sharing!
❤❤alright now! I love that we can see your foot work
Love the breakdown. The only thing I wonder is why lead with the left hand?
Thanks Chris
I really love this one cuz there’s more than just one pattern inside. Only with this you can make a short solo 😊 I didn't understand at first and then I saw that you explained in the summary that we add other patterns Thanks a lot Chris… I’ll try that out God bless 🙏🏽
💪🙏
Gracias
Thank u bro. Real thorough with the explanation. I'm trying this today
So beautifully explained. Thanks bro!❤
Hey this lesson is the first step in note rates and very very valuable to learn this starting out. After you do 16ths, go back the opposite way to the 1/4's back and forth like that several times, maybe 5-10 minutes a day. same with just hands, only add in 16th triplets 32nds 32nd riplets, 64ths 64th triplets. add 5's 7's and 9's...in place. The most valuable lesson in the world right there. Great following your vids going to get into all of them. I am restarting playing after being away from it, for way too long. This time I am doing the things a i regretted not doing the last time, like practice pad work.fully embracing what I used to not want to do.
Found your videos on your page after i subscribed. I think that right there might have opened my eyes to the mysterious 1/4 note triplet. The revalation here is the 8th note hihat with 8th note triplets is exactly the same as 1/4 note triplets played with 1/4 note hihat. It makes so much sense I don't know how I did not see it. See I can count 1 & A 2 & A... but it is weird trying to play every other 1/4 note, 1 x A x & x 3 x A x &, NO WONDER i WAS TROUBLED. Is it too much of a cheat to start thinking of my 1/4note triplets as 8th notes at half the same tempo. sO i CAN COUNT IT, I am enlightened once again. I just don't want to skip doing it right if it is going to matter later. (1 x A x & x 3 x A x &), while also thinking 1 & 2 & 3 & 4 &, thats why drummers using 1/4 triplets on the bass between the 2 and 4 deserve more recognition. A lot of mental brain activity going on there. Many potential jokes there....
Liked half way through. Love how you control it out wow
Count
I would totally take lessons from you!
If this is too easy for people put a 1/4 bass drum added to it, then if thats too easy put a salsa pulse to the bass drum to it. dun-dundun-dundun-dundun in 3/2, (or is it 2/3?) well if thats too easy put a hihat pedal "chick" on the triplet rest between the bass drum notes. Dun-chik-dun-dun-chik-dun-dun-chik-dun-dun-chik-dun... I can't do it... YET!
Loving this pattern 🙏
Thats a cool warm up and well spoke lesson for beginners. I know my first temptation was to say forget starting with left and to do the paradiddle starting with right. I wonder what made you start on the left and if it is the same reason why I decided that it is a very crucial, specific, point that it must be the left as you made it. I am suspecting it is for the same reason that I have a more difficult time starting paradiddle on the left and what it does is devolops the left hand as you work through the drill? At least mentally. Maybe when this drill is natural shifting the start of the paradidlle like garabaldi would be the next 7 sets of exersizes? Like Stick Control book, Then move the accents one note at a time, all start points with all accents, masterclass.
This is good. I saw your other response already. I definitely decided to start this with my left because that's where I am out of my comfort zone. I know other musicians may feel that way too. It's important for me to develop left hand lead. Carlin Muccular, the first person I saw play the exercise, plays it with right hand lead. The next thing I want to do is add my left foot with a quarter note pulse on the hihats. I appreciate you. I love the dialogue.
@@cbfieldsmusicYes, I think it is a next level step for new drummers, that advanced drummers can also use to add like you said that left foot,. It is like basic bones with unending expansions, I bet it can eventually create an entire solo. Have you thought of writing a book? I have been doing paradiddles for the last couple months, but starting right, like you said, I want to develop my left too. So tonight i had to reduce my metronome, to start left, actually playing 8ths at 200bpm and not for a minute. 8ths at 240, is my starting point with right. I can go faster without the click but wipe out after a few measures. About two months ago I could only hold the pattern about 80bpm (as 16ths). So I think i am trying to say the left hand start point will be absolutlely the most important part of your lesson and I enjoyed your video, Thank you so much for responding...
Love you daddy ❤❤❤❤
Love you too Moo!
This is Great! Thank You
Thanks for watching. I'm glad this is helpful for you.
You said by the end of this lesson I can play this at 120bpm. Unless BPM means Broken Practice Meters - Nope. Not even close. ---- I'm just hazing you a little. I love your content, bro. I took your RLLRLLKK lesson a couple of weeks ago. I finally have it pretty damn tight. I phrase it differently than your instructions, though. Your video said it's all straight hits, but I found that making it mostly ghost notes and not playing it all strictly on the 8th sounds really good. I wish there was some way for me to share a tab here. I think you'd like what I did to it.
That’s good to hear! I’m glad you’ve found a way to flip this pattern and make it work for you. That’s what it’s all about. I do wish there was a way videos and other items could be shared directly on a post! I’d love to see what you came up with
Awesome job!! For most of you asking if you can apply it to a piece of music, I recommend finding a song that you like and don't play the groove. Play this concept and try different ways of making it fit. Play it with the timing and of the song you choose and play it out of timing. And if you have a hard time trying to find the timing then just practice it throughout the song until it fits. Practice at slower and faster speeds as well.
That’s a great suggestion! I appreciate your thoughts. That’s what it’s all about! I’m glad we can all learn together
@cbfieldsmusic thanks man salute to you for the awesome video! You did a great job at breaking it down.
ruclips.net/video/Yqx4wwgKWIw/видео.htmlsi=kuRjVYvvQwGSvIiP
I was taught (way back when) that it's actually called a paradiddle-diddle. ...So, a paradiddle-diddle plus 2 kicks. 👍 Good stuff man! For others working on this, then try the same with double paradiddle-diddle's (double paradiddle = LRLRLL RLRLRR)...can build entire solos around those mechanics. EDIT: Also, for the "mastery" feel, if you can bump it up to 140 & 160 BPM and change toms on each paradiddle half, you've got the "pro" sound with it. 😉
Thanks for the feedback. I’m not surprised you learned a different name. I’m always learning more, too! 👍 it’s good to see how we learn different things over time.
I think this would be a paradiddle + a half, paradiddle unles your kicks are double pedal or two kicks, then its a paradidle an 4 singles. Paradiddle-diddles are LRLLRLRRLL RLRRLRLLRR Paradiddle-diddle-diddles are LRLLRLRRLLRR RLRRLRLLRRLL Thank you Jesseyeager6662 for showing the double paradiddle.
Nice work but this exercise consists only of paradiddles. There are no paradiddle-diddles and no double paradiddles. You're playing a paradiddle on all four beats, you're just moving the paradiddle on beats 3 and 4 to the snare and kick drum. The "para" is the alternating of hands LR or RL and the "diddle" is the two successive strokes from the same hand/ foot, LL/ RR or KK. You are playing LRLL RLRR LRKK LRKK. That's four paradiddles. A paradiddle-diddle would be LRLLRR, RLRRLL, or if you moved it to the kick LRLLKK, RLRRKK, LRKKLL, or RLKKRR, for example. You double the "diddle" so to speak. A double paradiddle is LRLRLL, RLRLRR, or LRLRKK, etc. Here you double the "para," but not the "diddle." 1."Par-A-Did-Dle" (4 notes/ strokes) 2. "Par-A-Did-Dle-Did-Dle" (6 notes/ strokes) 3. "Dou-Ble-Par-A-Did-Dle" or "Par-A-Par-A-Did-Dle" (6 notes/ strokes) Cheers!
@@PracticalSelf-Deliverance Yes, I understand the exercise...my suggestion was to expand upon that for extra practice and exploration of grooves for those who wanted a little more challenge. It's all good either way, but some like to take it a step or two further in their practice sessions, that's all. Once again, I learned this stuff a LONG time ago when there were different names for some rudiments and rhythmic patterns...forgive me if it's not what's being used today, my intent was not to confuse.
@@jesseyaeger6662 Yes, I agree. We should always push the boundaries of our abilities and creativity. Even spicing up basic exercises can expand our playing in amazing ways. We just disagree on terminology, and that's fine, we all learn different ways, and at different times. It's all good to me! No ill intentions in my comment(s). Sorry if that wasn't made clear before. Happy drumming, my friend!
Was that the ‘Seconds’ timer app I heard?
I’m using Tabata Timer Pro and pro metronome from the Apple App Store
Thanks a lot Chris…peace bro ✌🏽❤️
Thank you! I appreciate you watching! 🙏🏾
Great demo and explanation. I liked that you explained the difference in dynamics between the left and right hand. I’ve seen a lot of drum fill tutorials and they don’t typically highlight that.
I appreciate that you noticed, thanks for watching! 🙏🏾