- Видео 3
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AulendilElessar
Добавлен 12 фев 2007
Edda Moser - Ô malheureuse Iphigenie - Gluck
Edda Moser singing "Ô malheureuse Iphigénie" from Gluck's masterpiece Iphigenie en Tauride.
IPHIGENIE
Ô malheureuse Iphigénie!
Ta famille est anéantie!
Vous n'avez plus de rois, je n'ai plus de parents,
Mêlez vos cris plaintifs à mes gémissements!
Vous n'avez plus de rois, etc.
O malheureuse Iphigénie!
Ta famille est anéantie! etc.
CHOEUR DES PRÊTRESSES
Mêlons nos cris plaintifs à ses gémissements!
IPHIGÉNIE
Vous n'avez plus de rois, je n'ai plus de parents.
CHOEUR DES PRÊTRESSES
Nous n'avions d'espérance, hélas! que dans Oreste!
Nous avons tout perdu, nul espoir ne nous reste!
I do not own the rights to this clip.
IPHIGENIE
Ô malheureuse Iphigénie!
Ta famille est anéantie!
Vous n'avez plus de rois, je n'ai plus de parents,
Mêlez vos cris plaintifs à mes gémissements!
Vous n'avez plus de rois, etc.
O malheureuse Iphigénie!
Ta famille est anéantie! etc.
CHOEUR DES PRÊTRESSES
Mêlons nos cris plaintifs à ses gémissements!
IPHIGÉNIE
Vous n'avez plus de rois, je n'ai plus de parents.
CHOEUR DES PRÊTRESSES
Nous n'avions d'espérance, hélas! que dans Oreste!
Nous avons tout perdu, nul espoir ne nous reste!
I do not own the rights to this clip.
Просмотров: 6 269
Видео
Maria Callas (Medora) - Il Corsaro (G. Verdi)
Просмотров 74 тыс.16 лет назад
Il Corsaro rehearsal in 1969 with Maria Callas as Medora. Act I, Scene 2: (In Medora's room in an old tower with a balcony looking at the sea) MEDORA Egli non riede ancora! Oh come lunghe, eterne, Quando lungi è da me, l'ore mi sono! (Takes harp.) Arpa che or muta giaci, Vieni, ed i miei sospiri Seconda sì, che più veloce giunga Il flebile lamento Al cor del mio fedel, sull'ali al vento. Non so...
Vanity Fair (Now Sleeps The Crimson Petal)
Просмотров 79 тыс.17 лет назад
Rebecca Sharp signs "Now Sleeps The Crimson Petal" in the house of the Marquess of Steyne (Dialogue in spanish, song in engish)
❤❤❤😊😊😊❤,❤😂
❤❤❤❤❤❤❤❤❤
❤
❤❤❤❤❤❤❤❤❤
Exceptional......very fine........very many Thanks.
Lovely. She had some trouble in a couple spots, and she sang an octave lower in a couple of places, but that’s not unusual for rehearsal (it’s called marking). Still a great performance. Jessye Norman for me will always be my favorite on this particular aria.
What is the lowest note here?
Magnifica
Per sempre nei secoli, inarrivabile!!!!
Grazie mille
La mia preferita adorabile Callas..... è un amore per sempre.
The piano accompaniment is just beautiful, haunting.
Thanks for uploading
minuto 4.28 la improvisación que desarrolla del pasaje es super original. No solo por el color de la voz, las notas que mete están dentro de la escala pero completamente diferentes del original de la partitura. Tenía un terrible oído y criterio musical, aún con la voz desgastada.
Hard to top that
Katia Ricciarelli ist die beste in der Arie!
Ella, la diosa suprema de las emociones operísticas, las demás vienen de tras por los siglos de los siglos, amén. Preciosa aria ¡qué vibratos más exquisitos y difíciles! Gracias María por siempre.
This is a beautiful, haunting song, beautifully sung. Quite surprising. Perhaps the highlight of the movie.
Люблю, но Дж. Норман мягче, ближе...У Марии - магия..
Кто еще так сможет? пойду послушаю Джесси Норманн...
Is this Mr Muti conducting? Would you be a dear and please tell us the year and place of this performance? Thank you
Florence, 1981 or 1985.
is this romanza?
She switches the octaves as if they were nothing. She was and still is unparalleled. There will never be another Callas
mi è parso molto bello! ma davvero non sentite come cantano le "dive" di oggi?
grandiosa
nothing at all to be ashamed of! she stills sounds magical. love those chest notes...
Наверное это певческое золото, в котором я - совершеннейший профан. Но, когда Медору поет Джесси Норман, слушаю и раз, и два, и три...Да еще - Монтсеррат Кабалье.
Я тоже очень люблю эту арию в исполнении М. Кабалье!
Каллас хороша другим, тем что не дала умереть итальянской опере, но Медора в исполнении Норман и Кабалье мне тоже нравится больше. )))
Amé su melancolía :3 Now sleeps the crimson petal, now the white; Nor waves the cypress in the palace walk; Nor winks the gold fin in the porphyry font: The fire-fly wakens: waken thou with me. Now droops the milkwhite peacock like a ghost, And like a ghost she glimmers on to me. Now lies the Earth all Danaë to the stars, And all thy heart lies open unto me. Now folds the lily all her sweetness up, And slips into the bosom of the lake: So fold thyself, my dearest, thou, and slip Into my bosom and be lost in me.
This was a rehearsal, never meant to be released. She was trying to find her voice again.
Even vocally lost, She still sounds better than 90% of those on stage these days.
I agree without everyone else. I love this arrangement .
In the end Orestes says "You have no more Kings, and I have no more kin"
A score animation with this recording would be a treat.
salierbeat, here are some links for you. The score is available free from various places because it's often used in teaching singers of plain song. Just keep in mind that you can't sell the sheet music after you download it, although you can point your friends to the links. I'm quite sure that if you give a paid public performance of it you're ethically bound to pay a royalty to the current copyright holder. I can't believe it's still under copyright in the U.S. But if you're going to sing it at your church, or at a free recital, etc., no lines are crossed. imslp.org/wiki/3_Songs,_Op.3_%28Quilter,_Roger%29 imslp.org/wiki/3_Songs,_Op.3_%28Quilter,_Roger%29 en.scorser.com/S/Sheet+music/now+sleeps+the+crimson+petal/-1/1.html
No idea where notruf34 is coming from. This is superb singing and superb phrasing of a very difficult aria. The tempo is faster than I would like, but so what, she deals with the aria very musically, and very dramatically in as much as she is allowed to . Pure singing. Wonderful.
La Divina, unica e incomparable.
Simply fantastic -La Divina for ever-Bravissima Maria Callas -She is unique and unforgettable-Thank you very much for the beautiful video
notru… you are kidding! this is magnificent!!!
My favorite poems
what can i say so so so so nice.
Mi padre era profesor de inglés y a él le gustaban las obras y los poemas de Tennyson, el cual fue un poeta favorita de la Reina Victoria de Gran Bretaña. Por abajo hay traducción castellana del poema por Tennyson, ¨Ya duerme el pétalo carmesí, ¨ el cual fue un poeta británico de los años victorianos.
Sería mejor escuchar y estudiar el poema en inglés, porque se consideraba que Tennyson fue maestro de la asonancia y de la aliteración en inglés las cuales se le pierden al poema en la versión traducida. Por ejemplo, Tennyson, según muchos, se caracterizaba así: ¨Aunque hay mejores poetas en el mundo de poesía inglesa que se escribirá mejor que yo no hay ninguno que mejor se sueña. ¨
“Ya duerme ahora el pétalo carmesí, también el blanco. No ondulan los cipreses en la senda del palacio ni brilla la carpa dorado en la fuente de pórfido. Despierta la luciérnaga. Despierta tú conmigo. Ya languidece el blanco pavo real como un fantasma y cual fantasma resplandece en mí. Ya la tierra, como Dánae, yace bajo las estrellas, como tu corazón se desliza hacia mí. Ahora en el silencio se desliza el meteoro y deja una estrella brillante, como tu pensamiento en mí.
I love this song and this scene. BUT, I do not like that Tennyson called the peacock a 'she'. Obviously, if it is drooping, it refers to the train of the male, not the female peafowl.
This is a perfect moment in film. I am so impressed with Reese's change and demeanor, the costumes, everything just sticks with me.
I love this rendition of the song. it's so haunting and mysterious. It really takes you somewhere else.
Well said
апп
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@@BelovedofGod14 ить
divina
なぜ最後の辺りでオクターブ下げまくった音源が残ってしまったか、これは本番の演奏?下げ方も天才的だけど。
where are these CDs available??
and still nearly two decades after her prime. She was a miracle.
As Maestro Serafin noted, Maria could sing "anything written for a female voice". Of all the mezzo parts, I would have LOVED to have heard her in "Aida". Undoubtedly, she would have been a Devastating Amneris. Back to this recording: thanks very much for posting!!
@AmatureComposer seriously, I don't know why so many aging sopranos insist on singing repertoire that is now too high for them (and resort to wobbles and shrieking). Callas later in her career would have made a wonderful dramatic soprano or dramatic mezzo, but NOT coloratura soprano. ( I would have LOVED to here her as Azucena) PS: that said, I believe this is a rehearsal and she's saving her voice (personally, I kinda like it better this way. her contralto low register sounds bad ass)