AulendilElessar
AulendilElessar
  • Видео 3
  • Просмотров 160 073
Edda Moser - Ô malheureuse Iphigenie - Gluck
Edda Moser singing "Ô malheureuse Iphigénie" from Gluck's masterpiece Iphigenie en Tauride.
IPHIGENIE
Ô malheureuse Iphigénie!
Ta famille est anéantie!
Vous n'avez plus de rois, je n'ai plus de parents,
Mêlez vos cris plaintifs à mes gémissements!
Vous n'avez plus de rois, etc.
O malheureuse Iphigénie!
Ta famille est anéantie! etc.
CHOEUR DES PRÊTRESSES
Mêlons nos cris plaintifs à ses gémissements!
IPHIGÉNIE
Vous n'avez plus de rois, je n'ai plus de parents.
CHOEUR DES PRÊTRESSES
Nous n'avions d'espérance, hélas! que dans Oreste!
Nous avons tout perdu, nul espoir ne nous reste!
I do not own the rights to this clip.
Просмотров: 6 269

Видео

Maria Callas (Medora) - Il Corsaro (G. Verdi)
Просмотров 74 тыс.16 лет назад
Il Corsaro rehearsal in 1969 with Maria Callas as Medora. Act I, Scene 2: (In Medora's room in an old tower with a balcony looking at the sea) MEDORA Egli non riede ancora! Oh come lunghe, eterne, Quando lungi è da me, l'ore mi sono! (Takes harp.) Arpa che or muta giaci, Vieni, ed i miei sospiri Seconda sì, che più veloce giunga Il flebile lamento Al cor del mio fedel, sull'ali al vento. Non so...
Vanity Fair (Now Sleeps The Crimson Petal)
Просмотров 79 тыс.17 лет назад
Rebecca Sharp signs "Now Sleeps The Crimson Petal" in the house of the Marquess of Steyne (Dialogue in spanish, song in engish)

Комментарии

  • @rosekokose2031
    @rosekokose2031 4 месяца назад

    ❤❤❤😊😊😊❤,❤😂

  • @rosekokose2031
    @rosekokose2031 4 месяца назад

    ❤❤❤❤❤❤❤❤❤

  • @nelliabdy181
    @nelliabdy181 7 месяцев назад

  • @rosekokose2031
    @rosekokose2031 8 месяцев назад

    ❤❤❤❤❤❤❤❤❤

  • @gowanhewlett745
    @gowanhewlett745 11 месяцев назад

    Exceptional......very fine........very many Thanks.

  • @nathanswanson1040
    @nathanswanson1040 11 месяцев назад

    Lovely. She had some trouble in a couple spots, and she sang an octave lower in a couple of places, but that’s not unusual for rehearsal (it’s called marking). Still a great performance. Jessye Norman for me will always be my favorite on this particular aria.

  • @jerryalbertleonmendoza1858
    @jerryalbertleonmendoza1858 11 месяцев назад

    What is the lowest note here?

  • @josecarrerastema8654
    @josecarrerastema8654 Год назад

    Magnifica

  • @liviabrescia
    @liviabrescia Год назад

    Per sempre nei secoli, inarrivabile!!!!

  • @paulbouvier7442
    @paulbouvier7442 Год назад

    Grazie mille

  • @luciaclarini
    @luciaclarini 3 года назад

    La mia preferita adorabile Callas..... è un amore per sempre.

  • @flyinghow
    @flyinghow 3 года назад

    The piano accompaniment is just beautiful, haunting.

  • @juliakh2167
    @juliakh2167 3 года назад

    Thanks for uploading

  • @carprinceps
    @carprinceps 3 года назад

    minuto 4.28 la improvisación que desarrolla del pasaje es super original. No solo por el color de la voz, las notas que mete están dentro de la escala pero completamente diferentes del original de la partitura. Tenía un terrible oído y criterio musical, aún con la voz desgastada.

  • @GMGM0013
    @GMGM0013 4 года назад

    Hard to top that

  • @nosehook324
    @nosehook324 4 года назад

    Katia Ricciarelli ist die beste in der Arie!

  • @jesusbautistavasco7737
    @jesusbautistavasco7737 4 года назад

    Ella, la diosa suprema de las emociones operísticas, las demás vienen de tras por los siglos de los siglos, amén. Preciosa aria ¡qué vibratos más exquisitos y difíciles! Gracias María por siempre.

  • @mehitablestorm8877
    @mehitablestorm8877 4 года назад

    This is a beautiful, haunting song, beautifully sung. Quite surprising. Perhaps the highlight of the movie.

  • @СеклитаЛимариха
    @СеклитаЛимариха 5 лет назад

    Люблю, но Дж. Норман мягче, ближе...У Марии - магия..

  • @СеклитаЛимариха
    @СеклитаЛимариха 5 лет назад

    Кто еще так сможет? пойду послушаю Джесси Норманн...

  • @theogoldberg8919
    @theogoldberg8919 5 лет назад

    Is this Mr Muti conducting? Would you be a dear and please tell us the year and place of this performance? Thank you

    • @beatah259z
      @beatah259z 2 года назад

      Florence, 1981 or 1985.

  • @singingjy627
    @singingjy627 5 лет назад

    is this romanza?

  •  5 лет назад

    She switches the octaves as if they were nothing. She was and still is unparalleled. There will never be another Callas

  • @magicflute3
    @magicflute3 5 лет назад

    mi è parso molto bello! ma davvero non sentite come cantano le "dive" di oggi?

  • @MrEDUARDOARAMIS
    @MrEDUARDOARAMIS 6 лет назад

    grandiosa

  • @hankblaustein4149
    @hankblaustein4149 6 лет назад

    nothing at all to be ashamed of! she stills sounds magical. love those chest notes...

  • @СеклитаЛимариха
    @СеклитаЛимариха 6 лет назад

    Наверное это певческое золото, в котором я - совершеннейший профан. Но, когда Медору поет Джесси Норман, слушаю и раз, и два, и три...Да еще - Монтсеррат Кабалье.

    • @ЕленаЛаврищева-д1т
      @ЕленаЛаврищева-д1т 6 лет назад

      Я тоже очень люблю эту арию в исполнении М. Кабалье!

    • @АнастасияКоршевихина
      @АнастасияКоршевихина 5 лет назад

      Каллас хороша другим, тем что не дала умереть итальянской опере, но Медора в исполнении Норман и Кабалье мне тоже нравится больше. )))

  • @littlewildbutterfly9228
    @littlewildbutterfly9228 6 лет назад

    Amé su melancolía :3 Now sleeps the crimson petal, now the white; Nor waves the cypress in the palace walk; Nor winks the gold fin in the porphyry font: The fire-fly wakens: waken thou with me. Now droops the milkwhite peacock like a ghost, And like a ghost she glimmers on to me. Now lies the Earth all Danaë to the stars, And all thy heart lies open unto me. Now folds the lily all her sweetness up, And slips into the bosom of the lake: So fold thyself, my dearest, thou, and slip Into my bosom and be lost in me.

  • @Shahrdad
    @Shahrdad 8 лет назад

    This was a rehearsal, never meant to be released. She was trying to find her voice again.

    • @LaDivinaLover
      @LaDivinaLover 5 лет назад

      Even vocally lost, She still sounds better than 90% of those on stage these days.

  • @chirality2
    @chirality2 8 лет назад

    I agree without everyone else. I love this arrangement .

  • @caviper1
    @caviper1 8 лет назад

    In the end Orestes says "You have no more Kings, and I have no more kin"

  • @deadwalke9588
    @deadwalke9588 9 лет назад

    A score animation with this recording would be a treat.

  • @tekobari
    @tekobari 10 лет назад

    salierbeat, here are some links for you. The score is available free from various places because it's often used in teaching singers of plain song. Just keep in mind that you can't sell the sheet music after you download it, although you can point your friends to the links. I'm quite sure that if you give a paid public performance of it you're ethically bound to pay a royalty to the current copyright holder. I can't believe it's still under copyright in the U.S. But if you're going to sing it at your church, or at a free recital, etc., no lines are crossed. imslp.org/wiki/3_Songs,_Op.3_%28Quilter,_Roger%29 imslp.org/wiki/3_Songs,_Op.3_%28Quilter,_Roger%29 en.scorser.com/S/Sheet+music/now+sleeps+the+crimson+petal/-1/1.html

  • @dgbx6
    @dgbx6 10 лет назад

    No idea where notruf34 is coming from. This is superb singing and superb phrasing of a very difficult aria. The tempo is faster than I would like, but so what, she deals with the aria very musically, and very dramatically in as much as she is allowed to . Pure singing. Wonderful.

  • @playpaolo
    @playpaolo 10 лет назад

    La Divina, unica e incomparable.

    • @MultiZahl
      @MultiZahl 10 лет назад

      Simply fantastic -La Divina for ever-Bravissima Maria Callas -She is unique and unforgettable-Thank you very much for the beautiful video

  • @nastynancy2404
    @nastynancy2404 10 лет назад

    notru… you are kidding! this is magnificent!!!

  • @lilyswann6420
    @lilyswann6420 10 лет назад

    My favorite poems

  • @mohammedalsodani1087
    @mohammedalsodani1087 11 лет назад

    what can i say so so so so nice.

  • @richarddoyle1600
    @richarddoyle1600 11 лет назад

    Mi padre era profesor de inglés y a él le gustaban las obras y los poemas de Tennyson, el cual fue un poeta favorita de la Reina Victoria de Gran Bretaña. Por abajo hay traducción castellana del poema por Tennyson, ¨Ya duerme el pétalo carmesí, ¨ el cual fue un poeta británico de los años victorianos.

  • @richarddoyle1600
    @richarddoyle1600 11 лет назад

    Sería mejor escuchar y estudiar el poema en inglés, porque se consideraba que Tennyson fue maestro de la asonancia y de la aliteración en inglés las cuales se le pierden al poema en la versión traducida. Por ejemplo, Tennyson, según muchos, se caracterizaba así: ¨Aunque hay mejores poetas en el mundo de poesía inglesa que se escribirá mejor que yo no hay ninguno que mejor se sueña. ¨

  • @richarddoyle1600
    @richarddoyle1600 11 лет назад

    “Ya duerme ahora el pétalo carmesí, también el blanco. No ondulan los cipreses en la senda del palacio ni brilla la carpa dorado en la fuente de pórfido. Despierta la luciérnaga. Despierta tú conmigo. Ya languidece el blanco pavo real como un fantasma y cual fantasma resplandece en mí. Ya la tierra, como Dánae, yace bajo las estrellas, como tu corazón se desliza hacia mí. Ahora en el silencio se desliza el meteoro y deja una estrella brillante, como tu pensamiento en mí.

  • @marcusmartin2668
    @marcusmartin2668 11 лет назад

    I love this song and this scene. BUT, I do not like that Tennyson called the peacock a 'she'. Obviously, if it is drooping, it refers to the train of the male, not the female peafowl.

  • @gentleeyes
    @gentleeyes 11 лет назад

    This is a perfect moment in film. I am so impressed with Reese's change and demeanor, the costumes, everything just sticks with me.

  • @titusdiodoros1876
    @titusdiodoros1876 11 лет назад

    I love this rendition of the song. it's so haunting and mysterious. It really takes you somewhere else.

  • @annamariacorsaro4802
    @annamariacorsaro4802 11 лет назад

    divina

  • @mocomocomocoron
    @mocomocomocoron 12 лет назад

    なぜ最後の辺りでオクターブ下げまくった音源が残ってしまったか、これは本番の演奏?下げ方も天才的だけど。

  • @gustopheles
    @gustopheles 12 лет назад

    where are these CDs available??

  • @gustopheles
    @gustopheles 12 лет назад

    and still nearly two decades after her prime. She was a miracle.

  • @MCSQUARED31
    @MCSQUARED31 12 лет назад

    As Maestro Serafin noted, Maria could sing "anything written for a female voice". Of all the mezzo parts, I would have LOVED to have heard her in "Aida". Undoubtedly, she would have been a Devastating Amneris. Back to this recording: thanks very much for posting!!

  • @raigekimaru
    @raigekimaru 12 лет назад

    @AmatureComposer seriously, I don't know why so many aging sopranos insist on singing repertoire that is now too high for them (and resort to wobbles and shrieking). Callas later in her career would have made a wonderful dramatic soprano or dramatic mezzo, but NOT coloratura soprano. ( I would have LOVED to here her as Azucena) PS: that said, I believe this is a rehearsal and she's saving her voice (personally, I kinda like it better this way. her contralto low register sounds bad ass)