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theinsidepitch
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Добавлен 27 июн 2020
THE INSIDE PITCH is the official RUclips channel of the Facebook group of the same name. The group is forum for screenwriters, filmmakers & creatives to ask and answer questions and exchange ideas and information about the craft & business of movie making.
THE INSIDE PITCH YOUTUBE CHANNEL
We park all the live interviews we do in our Facebook group here on this RUclips channel.
THE INSIDE PITCH is a facebook group for screenwriters, filmmakers, and creatives. Join us: groups/theinsidepitch
Superepic by Alexander Nakarada | www.serpentsoundstudios.com
Music promoted by www.free-stock-music.com
Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/
THE INSIDE PITCH is a facebook group for screenwriters, filmmakers, and creatives. Join us: groups/theinsidepitch
Superepic by Alexander Nakarada | www.serpentsoundstudios.com
Music promoted by www.free-stock-music.com
Attribution 4.0 International (CC BY 4.0)
creativecommons.org/licenses/by/4.0/
Просмотров: 315
Видео
THE INSIDE PITCH with J. TODD ANDERSON
Просмотров 295Год назад
J. Todd Anderson is a renowned storyboard artist who has worked with Hollywood greats - namely the Coen Brothers - providing a visual representation of the screenplay to enable the moviemakers to see the story before it's committed to film. THE INSIDE PITCH co-admin Ramesh Santanam is staying with J. Todd at the home of Shane Black, and the two gather in front of a single camera and microphone ...
THE INSIDE PITCH with ZACH COX
Просмотров 717Год назад
Zach Cox is a long time lit manager with Circle of Confusion. He talks with THE INSIDE PITCH co-admin Ramesh Santanam about the script game and gives great insight & advice for writers looking for representation.
THE INSIDE PITCH with EVAN MARLOWE
Просмотров 108Год назад
Writer/director Evan Marlowe, a member of The Inside Pitch, talks about his new feature film called ABRUPTIO. This is film that seems certain to have a future on the midnight movie circuit and capture the curiosity and hearts of those who love weird movies. ABRUPTIO has taken critics by surprise, saying things like: "Evan Marlowe’s animated nightmare exploits its own uncanny valley to deliver K...
THE INSIDE PITCH with ERIK BORK
Просмотров 807Год назад
Erik is a two-time Emmy & Golden Globe winning writer, who has also penned a terrific screenwriting book called "THE IDEA," which helps writers test the dramatic effectiveness of their ideas before they start writing. Erik visits our Facebook group to talk about his book and how writers can apply its teachings. He also talks about his career and provides general writing advice. Superepic by Ale...
THE INSIDE PITCH with SALVATORE CARDONI & BRIAN RAWLINGS
Просмотров 222Год назад
Our Facebook group welcomes screenwriters Sal & Brian, who wrote the high concept thriller UNSEEN (2023) for Blumhouse. It's their first screenplay produced as a team. They tell us about the project's conception & development, and talk about writing as a team. Superepic by Alexander Nakarada | www.serpentsoundstudios.com Music promoted by www.free-stock-music.com Attribution 4.0 International (...
THE INSIDE PITCH with SCRIPT CONSULTANTS
Просмотров 1,5 тыс.Год назад
THE INSIDE PITCH with SCRIPT CONSULTANTS
THE INSIDE PITCH with 2022 BLACK LIST WRITERS ALEXANDRA TRAN and DAVID L. WILLIAMS
Просмотров 676Год назад
THE INSIDE PITCH with 2022 BLACK LIST WRITERS ALEXANDRA TRAN and DAVID L. WILLIAMS
THE INSIDE PITCH with NICHOLL WINNER BYRON HAMEL
Просмотров 3172 года назад
THE INSIDE PITCH with NICHOLL WINNER BYRON HAMEL
THE INSIDE PITCH with JILL BLOTEVOGEL
Просмотров 3322 года назад
THE INSIDE PITCH with JILL BLOTEVOGEL
THE INSIDE PITCH with ALVARO RODRIGUEZ
Просмотров 1573 года назад
THE INSIDE PITCH with ALVARO RODRIGUEZ
THE INSIDE PITCH with SAVE THE CAT WRITES FOR TV! author JAMIE NASH
Просмотров 7383 года назад
THE INSIDE PITCH with SAVE THE CAT WRITES FOR TV! author JAMIE NASH
THE INSIDE PITCH with IAN SHORR & JOHN ZAOZIRNY
Просмотров 9533 года назад
THE INSIDE PITCH with IAN SHORR & JOHN ZAOZIRNY
THE INSIDE PITCH with SCOTT ROSENBERG
Просмотров 6303 года назад
THE INSIDE PITCH with SCOTT ROSENBERG
THE INSIDE PITCH with LAURA TOFFLER-CORRIE
Просмотров 1924 года назад
THE INSIDE PITCH with LAURA TOFFLER-CORRIE
INSIDE "THE INSIDE PITCH" with MELODY COOPER
Просмотров 2074 года назад
INSIDE "THE INSIDE PITCH" with MELODY COOPER
INSIDE "THE INSIDE PITCH" with JAY ARNOLD
Просмотров 3184 года назад
INSIDE "THE INSIDE PITCH" with JAY ARNOLD
Chris' story about dealing with notes towards the end is interesting because the Walking Tall remake's Rotten Tomatoes consensus states, "The Rock makes a competent hero, but the movie is content to let a 2x4 do all the talking."
Spiderman vs predator ? U fired lol
Logline: A mysterious ancient recipe written with hieroglyphs calls for a never before heard of ingredient discovered by a local archaeologist returning from Egypt.
Not that mysterious. If you know your story, and it has a strong structural foundation, loglines are pretty easy. They get difficult when the screenplay lacks crucial dramatic elements.
@@theinsidepitchfacebook Sorry, I wasn't poking fun. I was just pitching a logline idea. But now that I read it it's missing a conclusion.
@@MrArtist1971 Loglines don't offer a conclusion. Tell us who's the protagonist, what they want, and what stands in their way of getting what tthey want. That's the best start of writing a logline. If you're not a member of our Facebook group, consider joining.
I hope that next time you'll give us a few days notice before announcing the next live logline video.
@DDumbrille Consider joining our Facebook group. Invites were sent out two weeks prior.
@@theinsidepitchfacebook I'm a member. Must've missed it. Thanks, I'll be on the lookout for the next one... :)
Great discussion!
Big fan of the Companion Chronicles. Josh's work really brings to the action to life.
PLEASE: Next time listen to your playback before posting the video. Ramesh's voice is LOUD, GARBLED, almost unintelligible, while Joshua's is about 1/2 as loud. Makes for a VERY difficult listen...in fact, I had to stop at about 16 minutes in...
The video was live and posted live. No post production or editing. It is what it is. I listened to it. The sound isn't great, but it's more than audible.
The Nice Guys is much much better than Once Upon a Time in Hollywood
The care and thought that went into their software is amazing! I've never seen anything comparable. This is very much worth a watch, and I hope I can cough up the money to try it. Thanks for the discount, btw!
Couldn't too much like the comp mean too derivative?
@@gamkal7231 It could, which was why I thought the writer was suggesting the note was vague. Scott pointed out that they strive for clarity but will miss the mark every so often.
@@theinsidepitchfacebook It's sometimes tough to be clear and not hurt feelings. Just noticing the raves I left about this webinar have disappeared! Did I forget to hit hit 'enter'?
@gamkal7231 Perhaps you didn't hit enter. Please try again. There are ways to deliver notes that circumvent hurt feelings and motivate instead. But that takes a little experience and some innate kindness.
Informative and innovative! Thank you for hosting this webinar! Sharing now!
Thanks for hosting this amazing webinar, Christopher, Ramesh, Scott and Brian. Impressive, innovative and very well thought out assessment system and structure of The Gauntlet. Can’t wait to enter. Sharing this link with my writer and filmmaker mates. Appreciate your time guys🙏
@@gemini99l Thanks, Lindsay. We appreciate your participation.
Feedback from a TV Development Executive from Warner Bros.Studios who read and offered notes on my TV pilot script said, "I want you to know that I think your proposed series and pilot are very good; outstanding actually - obviously, you are a very talented writer. To take such a complicated concept and pull it together almost seamlessly is an art and you have, by in large, nailed it." This endorsement became a negative inclusion with my submission. Second note: Due to poor quality from a reviewer at The Blacklist, I dropped my work from The Blacklist. Writer's thoughts for your consideration.
Wonderful stuff, instrumental. All of it is good, but I loved that starting around an hour and thirty minutes there was a focus on good writing (tips and advice) and some common errors writers make (all supportive, not snarky or adversarial). I'll definitely watch that section again. Thanks!
Thanks for the tip...some of these videos are SO LONG, it's helpful to know where the better parts are.
You guys have a promo code to purchase the book?
Loved this conversation. Thank you.
It is one of those !only for those who know" kinda channel. But those who know, know it's hard to beat it.
WHY THE HECKIN AM I JUST FINDING OUT THAT I CAN WATCH THE LEGEND, RAMESH, SPEAK WITH EXPERTS LIKE CHRIS AND SCOTT?????????? this is fantastic.
Dude, I've been following the facebook group for YEARS and had no idea there were videos. Videos. Vids. Like apps. Appetizers!
Great video. Thanks!
"In a world...."
Serious question: If these men are so great, why are their films rated so poorly. Re Infinite: "On the review aggregator website Rotten Tomatoes, 17% of 83 critics' reviews of the film are positive, with an average rating of 4.1/10. The site's critics consensus reads, "An initially intriguing sci-fi thriller that quickly veers into incoherence, Infinite is as inane as it is inconsequential."[31] According to Metacritic, which assigned a weighted average score of 28 out of 100 based on 27 critics, the film received "generally unfavorable reviews".[32] Ty Burr of The Boston Globe gave the film 1.5/4 stars and wrote: "Heading straight to streaming platform Paramount+ without the embarrassment of appearing in theaters first, the movie is both blissfully incoherent and weirdly generic, as if it had been assembled from the spare parts of other movies and glued together with stuntwork."[33] From The Hollywood Reporter, David Rooney said: "Infinite is a soulless grind. Juiced up with a succession of CG-enhanced accelerated chases and fight action interspersed with numbing bursts of high-concept geek speak, Antoine Fuqua's sci-fi thriller isn't helped by a lead performance from Mark Wahlberg at his most inexpressive."
Enjoyed this.
Great conversation. Guy's got the right approach to all of his software: it has to actually help, and be invisible to the user. As for the threat of AI, no generative AI, certainly now and likely for the foreseeable future, can create a screenplay or film on its own. They rely completely on humans for their initial input and all of their iterations. In other words, they are a tool, or could be seen as a collaborator. The quality of an AI-generated script completely depends on the storytelling and writing capabilities of the human prompting it. A thousand screenplays generated by a thousand people using AI will generally skew along the same bell curve in quality as a thousand people not using AI. Other writers are still the primary competition, whether they're using AI or not.
Sounds like something worth trying out
that's pretty incredible, will definitely give it a try
Thanks so much, I just missed the end, was there a code as discussed?
Yes. PITCH50.
Very cool! I will definitely try it out!
This was fantastic information
Brilliant. This is legitimately a modern filmmaking Masterclass. Fantastic questions and topics and a fantastic guest.
Mc Quarrie you are a disgrace to screenwriting.
I can’t find Brooks’ book. Anybody got a link?
Has he written a book?
What went o Impossible 7 why didn't go well in the box office sad didn't go well you director What went wrong
Barbie and Oppenheimer take all the IMAX screens that's why and the film had only 60 day window without the big expensive IMAX screens not like top gun Maverick had 120 day in IMAX screens and made 1.4 billion dollars just bad lack and marketing imo the next one will make money part 2 coming in 2025.
Thank you!!!
he is such a cool and stand up guy.
Shannan, I enjoyed your input and you seem like a pleasant person. But please don't eat on camera. It's VERY rude and doesn't bode well for your degree of professionalism. If you must eat, just turn off your camera. Not hating. Just some constructive advice. God bless.
This has been pure gold, really gets into script consulting versus coverage.
Come on Meg, preach
This guy is dropping absolute diamonds here. Most inspiration filmmaker imo
You're trying to make yourself a filmmaker instead of letting the film make you a filmmaker.
1:01:00
"Just because you make or write a movie about something significant doesn't make your movie significant. The execution needs to be there and it needs to be in your own voice for people to feel the story. It could be about cancer, depression, love, job struggles, family, politics, saving lives, or even some significant experience or memory of yours, but you still need to do the work to help your audience feel it. Otherwise all they'll come away feeling is that it was a poor attempt at something good without feeling the good." - my quote because why not [Basically I just very much agree with Chris's views]
Very inspiring, hardcore knowledge re getting our vision out there. Especially now, as the WGA and my union, SAG-AFTRA, are in the existential fight of our professional lives. Make your movie!! 🖤
Kudos to both moderator Ramesh Santanam and his guest, lit manager Zach Cox, for a terrifically informative interview. Great questions, thoughtful responses. I appreciated hearing not only helpful info, but also the rationale behind it. Thanks so much.
"asshole who slept through alarm" 🤣
if that was going to be toms last top gun movie, then he should have died in the movie trying to save goose jr from whatever
This is a must watch vid for every aspiring screenwriter. I definitely will pickup the book. Thanks guys.
What's 'IP'?
Intellectual Property
Big fan of Eric’s book, The Idea, and his blog. His premises apply to both novels and scripts.
47:31 I was waiting for this moment, thanks for being brutally honest! And I liked how you guys got out of the tricky question! I wished you spoke more about ChatGPT and others, like Google’s Bard, for instance. Such an interesting topic when it comes to creating in general. I had a chance to deal with the term “transhuman” in college, and for me, AI is just another tool that helps people create stuff. But are we all really unique and creative as we think we are? AI will “steal” the jobs from people who are copycats anyway, which is a brutal, but a necessary thing to do: divide people into ones with a unique voice and the ones with a bit less unique voice. Only the strongest - or in this case, the most creative ones - will survive. So let’s get our popcorn, the show’s about to begin. And whatever the outcome, it’s what we deserve as a human kind. At least, that’s my opinion. It was great listening to you all, thanks so much for such a pleasant afternoon!
I know no one asked for my opinion, but it somehow slipped away. Because it’s so damn interesting, this topic! And please, Chris, do ask your future guests the same question and discuss the future of writing with AI tools further. I would love to hear different POVs from different writing professionals!
@@tijabestija Maybe we'll do a whole session about AI. To be honest, it doesn't intrigue me all that much. However. I use ChatGPT. It's great for loglines. Writers have no more excuse for bad loglines. Writers merely have to enter a brief synopsis of their screenplay and ask the AI for a short logline. And it will create one. It might only be a rough version, which you can tweak, but it will help get you on track. :)
Awesome stuff here, guys! Thanks for sharing the insights.
Really helpful stuff! Thank you.
You are welcome. 😁
Thanks for watching, Josiah.
@@ShannanEJohnson Thank you! It felt like grad school again at USC.
@JosiahIsWrite Hopefully, that's a good thing! 😁
@@ShannanEJohnson haha. It is (at least in this context).