- Видео 30
- Просмотров 61 418
Viktor Brunö
Добавлен 14 июн 2017
The Wandering Nomad | Laowa Proteus 28mm t2
Laowa sent me the new Proteus 28mm t2 anamorphic to try out.
Amazing close focus ability and very little distortion.
Shot on Z Cam s6.
Amazing close focus ability and very little distortion.
Shot on Z Cam s6.
Просмотров: 168
Видео
DIY Creator Rig
Просмотров 32310 месяцев назад
Testing "The Creator Rig" concept. Gimbal on a shoulder rig. Im not a good gimbal operator but I can see the potential. Might add the DJI Lidar to the mix for more keepers. Extremely hard to do both framing and focusing. 2x anamorphic on a 16:9 sensor cropped to 2.76:1 like "The Creator" DJI Rs3 Pro Sony a7iv (s35 mode, some shots in full frame) Kowa 8z Canon nFD 50mm 1.4
Sofia Agardtson | The leather artisan
Просмотров 14410 месяцев назад
This is a short portrait of Sofia Agardtson who makes leather bags and accessories. A true craftsman! Go visit her instagram and store. Shot on Sony a7iv with Laowa Ranger 28-75mm. sofia_agardtson_design sofiaa.se
The Parity Complex - Move On Song (Official Video)
Просмотров 68Год назад
Music video directed and produced by me for the band The Parity Complex. Shot on Z Cam S6 and Aivascope.
Prores RAW to CinemaDNG + DaVinci Grading | My Workflow
Просмотров 21 тыс.Год назад
Thanks for watching! Jakes channel ruclips.net/user/results?search_query=jake pierrelee The specific video he talks about Kodak 2383 with free download ruclips.net/video/M58io2MTgSo/видео.html 00:00 Intro 00:32 Converting 02:10 Project Setup 03:30 Color Space Transform 04:46 Kodak 2383 LUT 06:32 Camera Raw Tab 07:14 Color Grading 08:58 Outro Connect with Viktor Brunö: ➡︎RUclips: @viktorbruno530...
Photo hike ASMR | Laowa Ranger 28-75
Просмотров 10 тыс.Год назад
Shot with Laowa Ranger 28-75 and Sony a7iv.
Hotel rooms & jetlag | Laowa Ranger 28-75
Просмотров 1 тыс.Год назад
Some test shots with the new Laowa Ranger cine zoom. Shot on Sony a7iv.
Z Cam | Prores Raw Low light
Просмотров 1,1 тыс.Год назад
Testing the lowlight capacity of Prores Raw on the Z cam S6. Iso range 400-6400. Some noise reduction is added.
Mir-20m | Night shoot with Z cam s6 + Speedbooster
Просмотров 1,7 тыс.Год назад
Mir-20m | Night shoot with Z cam s6 Speedbooster
Mir 20m & Jupiter 9
Просмотров 919Год назад
The Mir 20m is a lens I always wanted. Usually it goes for 400-500€ on eBay which is too expensive imo. Got this one for 100€. It's not in mint condition but I don't care. It looks so good! A short test before leaving the office. The tight shot is a Jupiter 9.
Aivascope 1.5x with Angenieux 35-70mm f2.5-3.3
Просмотров 2,3 тыс.Год назад
Testing out the Angenieux 35-70mm 2.5-3.3 with the Aivascope anamorphic adapter. Something I wanted to test for a long time. Finally got a good deal on the Angenieux. It's not in mint condition but works fine. Filmed in open gate on Z Cam S6. Cropped 7% in post to 2.4:1.
Mercedes EQB - Astro | Z Cam s6 2x Anamorphic
Просмотров 2512 года назад
Mercedes EQB - Astro | Z Cam s6 2x Anamorphic
Pre game movie | Z cam s6 Aivascope 1.5 anamorphic
Просмотров 1,3 тыс.2 года назад
Pre game movie | Z cam s6 Aivascope 1.5 anamorphic
Z Cam S6 Anamorphic | Aivascope 1.5x
Просмотров 5 тыс.3 года назад
Z Cam S6 Anamorphic | Aivascope 1.5x
Z Cam S6 Anamorphic | Aivascope 1.5 Amber | Gimbal test
Просмотров 2,3 тыс.3 года назад
Z Cam S6 Anamorphic | Aivascope 1.5 Amber | Gimbal test
Z Cam Anamorphic | Voightländer 40mm
Просмотров 1,1 тыс.3 года назад
Z Cam Anamorphic | Voightländer 40mm
Gone fishing | Canon 50mm Konica 135mm anamorphic
Просмотров 4314 года назад
Gone fishing | Canon 50mm Konica 135mm anamorphic
Konica 40mm F1.8 Anamorphic Zcam E2 4k
Просмотров 1,9 тыс.4 года назад
Konica 40mm F1.8 Anamorphic Zcam E2 4k
Hey, where did you get this metal skrew in Rings for them? Loved that!
Awesome footage! 🎥 I'm planning to shoot a low-budget feature with my S6 + Sigma 18-35 and aiming for a look like yours, shooting in ProRes RAW. Any tips on the settings you tweaked on your Atomos or camera? Would love to know. Thanks a bunch!
@@citadelfilms7 Thanks! Check out my prores raw to cdng tutorial for some post trips tricks :)
Wow awesome tutorial
@@robingossman3385 Thanks mate!
HI! Thank you so much, it helped me a lot because I'm fairly new to grading. I have one question. I shoot Nikon Z7ii with Atomos NinjaV to ProRes Raw, shouldn't I put input Gamma in the first CST to Nikon N-Log instead of Blackmagic Design Film?
@@matejstavny9747 Happy to help! If you convert ProRes raw to cdng it has nothing to do with N-Log anymore.
@@viktorbrunoe Thank you so much!
Super helpful, thanks !
@@user-ye1hg8ys8f Glad you like it :)
0:16...precioso!
Looks good 👍🏽
HELLO, it's me again... a question, do you know DEHANCER PRO? In this chain in which node could we introduce this plugin and what would be its input configurations?
Hi! Yes, but I don't use I personally. Just put it in between the CST's. Make sure your timeline is in DWG or else specify the input color space in the DEHANCER plugin. I would introduce this plugin after I've balanced the image in the node chain. It depends on your workflow but you could probably skip the CST out and just tell DEHANCER to output rec709 if you use it as the last plugin?
@@viktorbrunoe muchas gracias!!!!
SJUUUKT GÖTT!!!
Tack! Säg till om du vill testa 😃
this is so good.
Thanks! Great lens 👌🏻
@@viktorbrunoe yes,I think so,can you share this footage in your dropbox,I want used in to HDR.
Hola, es el mismo procedimiento si se graba con una Sony a7sIII y Ninja V ?
¡Hola! Sí, el principio es el mismo.
@@viktorbrunoe gracias!!!
wow!soo pretty good!!!it was s6?
Cant remember. Might be the e2 4k.
can you tell me which camera is better to take for advertising m4 or s6?
@@user-wi7zg1py5d m4 have more frame rate options if that is important. But the s6 have a nice image in my opinion. Don't get me wrong, both look good but the s6 have a slight edge in IQ.
@@viktorbrunoe great thanks!!!
Thank you
hello I want to ask, is the RAW app for 2 accounts? If so, how do I use it? please help
Hi! Not sure I understand what you mean by two accounts. Multiple users/computers?
@@viktorbrunoe Hi thanks for the reply, Yeah I mean multiple computers, a days ago I just bought RAW Covertor with my friends, we bought it together cause we think, it can use by 2 computers, but we stuck like we dont know how to use it with 2 computers. Does it use for 2 computers like Davinci, something like that. Thank you.
@@bunzopictures4923 I’m not sure but if you buy it on the AppStore with your Apple ID it’s tied to that. You can maybe log in with your Apple ID on another computer and install it. But I’m not sure if you can use it simultaneously. Try it out!
Very cool clip! Quick question- is this the MC or single-coated version?
Thanks, its the single coated version.
just got one. but damn the focus ring is a bit stiff. feels like its a model thing rather than a bad copy. how was yours? cheers and cool video!
Mine was not stiff at all. It’s an old lens and old lenses tend to get stiff over the years. Maybe you can take it apart an fix it. It’s a beautiful lens to have in the toolkit. I just wish the focus throw was a bit longer.
Thanks for sharing your solution to this. I have this issue now and I appreciate all of you people who shared how to solve it. Cheers 🙏
Happy to help 👍🏻
Life saver
How did the angie work with aviascope? Was it easy to use? Is there a need to focus from adapter as well from lens?
Worked good optically. Not a massive rig but not suited for production imo. Single focus on the adapter only.
Great work brother!
Thanks mate!
Hey this is amazing! But what do you do if you’ve already edited an entire sequence timeline in Premier of ProRes Raw footage and need to bring it into Da Vinci with an XML or something? (aka my problem, haha) thanks!
You could convert the timeline footage to ProRes 4444 and the export the timeline. This way you still have a 12bit file to work with in davinci.
Hi Viktor. Great video. But it brings questions. If you have mixed camera how you make the colors similar since in your workflow you are not telling davinci if its slog3, vlog, clog etc. Is in this conversion important to get matching between the cameras?
If you have mixed cameras with different color science it shouldn’t be that hard to match them in post if shooting raw. But you could convert the log profile to another log profile you want to match before the dwg sandwich. One software I use is cinematch. Works really good 👍🏻
Beautiful…been using the Helios and been looking for a wider taking lens …Konica seems good
Thanks! I know it’s not the same budget range but I would recommend the voightlander 40mm f2 over the Konica.
@@viktorbrunoe thank you... yes its 3 times the price ...so too much right now...
3:22 😹 Oscar-level for sure
Oh yeah 😎
Magnificient. Seriously, this lens is SICK, you can make a very good feature film on budget with it, in a Evil Dead / Texas Chainsaw style!
서울인줄 모르고 봤다. 멋지다!
Hi Viktor - great video - thank you! Quick question - do you notice that when you choose "Decode using - clip" & "White balance - as shot", the white balance value shown is different to what you had the camera set to? For example, I set my camera white balance to 5600 - but it shows as 5303 in Resolve. Do you experience something similar?
Yes, it’s the auto white balance in the metadata. I just set it to the value I want in post. This workflow is not as flush as braw, but it gets the work done with some tweaks.
@@viktorbrunoe Ah! That makes sense. Thanks for clarifying. :)
Thank you❤️🥹🥹
Do you have to pay a separate license for every camera in the Raw convertor?? Or is it just a one time buy??
I think there’s a lot of cameras included.
What adapter did u use?
No adapter. Native e-mount 👍🏻
WOW! Am I glad I landed on this video; This takes care of everything I have been wanting to do with my ProRes Raw in Davinci Resolve. Thank you, Thank you, Thank you.
Glad to help 🤗
Amazing. Looks so good
Thanks mate!
Thanks of the informations, but what is the difference of the quality provided by raw converter?
Not sure if this answers your question. But we want to convert the prores raw to cdng for native support in davinci resolve. If you work in Final Cut you don’t have to do the conversion because it’s supported natively.
good workflow,get it
😃🙏🏻
Looks like it works really well for moving subjects, but has some noticeable shake for stationary subjects. Do you have more test videos?
I just suck operating the gimbal :D I just got the lidar unit. It's a game changer! I will try to make a video.
Super helpful, thanks !
Glad to help!
Curious if you have any samples in bright daylight?
No sorry. The angenieux is sold.
I cannot wait until I can afford one! I have my eye on the black with red interior 😮
Roligt att se, blev snyggt ändå. Funderar på att själv testa riggen.
Märkte att jag inte ville lägga den på axeln alls. Så den delen kan man nog ta bort 👍🏻
How fast does it convert from ProRes Raw to cDNG? On what computer was it converted on? How does the conversion time compare to ProRes Raw to ProRes 4444?
Hi, the conversion takes about the same time as transferring the files to my computer. Maybe a little bit slower but it's close. That's why I convert straight from the card. I have never converted to prores 4444 so I can't say. This example is done on a 2021 MacBook Pro M1 Max.
Excellent tutorial, Sir!
Thanks 😃
Beautiful shots!
Thank you!
Vilken jävla känsla! Snyggt jobbat 😍
Tack 🙏🏻😍
Thanks for the tutorial. Following along with this process because I recently discovered a noticeable difference between going from ProRes RAW to ProRes 4444XQ, vs converting to CDNG. It was especially apparent in the highlights, and I was surprised how much it "flattened" the dynamic range in those areas. Highlights on someones skin, etc, were crushed in the XQ format, but are still very present in the CDNG. I'm converting from a Sony A7s III of Ninja V. This was the first time I've converted into the Blackmagic Design inputs, many other tuts leave it in the Rec 709 space.
Glad you find it useful :)
Such a helpful video, thank you so much. One question, do you do all of your node adjustments between the two CST's? Or was it just for this specific grade?
Glad to help! Yes, i keep the grading process in between the cst’s when doing this workflow.
👍
My computer is quite old, and I tried converting ProRes RAW to CDNG, but it's a time-consuming process, and the file size increases. So now, I'm using Final Cut for basic corrections like ISO, white balance, and basic exposure correction. After that, I export it in ProRes LT or 422 and then use it in DaVinci Resolve. Is this approach correct?
Thats also a way to do it 👍🏻 But you will be working on a 10bit file instead of a 12bit. And it’s nice to have everything in davinci.
wassup with the attitude 😂😂
I’m not sure I follow 🤔
The V is a Roman numeral 5 and therefore what you should be saying is the Ninja 5.
That is correct. Just heard so many saying Ninja "V" it kind of stuck I guess.
😀Is FX3 operating the same way
If you're referring to recording Prores Raw. The FX3 does.