- Видео 220
- Просмотров 411 492
rosie
Добавлен 9 ноя 2015
i'm making score videos until i get bored
request pieces/recordings in my comments and i'll see what i can do
request pieces/recordings in my comments and i'll see what i can do
Sigismond Thalberg - Le départ (Romance en forme d'étude), Op. 55
Composed in 1844.
pf: Stanley Waldoff
original audio: ruclips.net/video/10lqX2Z9LHc/видео.html
pf: Stanley Waldoff
original audio: ruclips.net/video/10lqX2Z9LHc/видео.html
Просмотров: 265
Видео
Charles-Valentin Alkan - Jean qui pleure et Jean qui rit (2 Fugues)
Просмотров 26314 дней назад
The inspiration for 'Jean who weeps' and 'Jean who laughs' appears to come from the same source as his later 'Esquisse op.63 no.39 Héraclite et Démocrite', the weeping and laughing philosophers, namely Voltaire’s poem 'Jean who weeps' and 'who laughs'. This unity of opposites reflects the familiar faces representing the Greek muses of tragedy and comedy, Melpomene and Thalia staring down from m...
Arnold Bax - The Poisoned Fountain
Просмотров 18921 день назад
'The Poisoned Fountain' was another of the works Bax wrote for Ethel Bartlett and Rae Robertson in the 1920s. It was first performed by them in June 1928. A composer who often evoked the sea in his music, Bax was good at watery textures, in such works as Winter Waters, Nereid, and a host of sea-pieces. At the outset Bax instructs his pianos to play quite independently of each other and the very...
Arnold Bax - Hardanger
Просмотров 20721 день назад
Most of Bax's two piano music was written in the late 1920s for the husband and wife piano duet team of Ethel Bartlett and Rae Robertson. Dated May 1927, 'Hardanger', a short encore piece, was first performed by them in February 1929. Bax writes 'with acknowledgements to Grieg' on the score, and in one letter refers to it as his piece of Grieg. In it Bax emulates the style of Grieg's folk-style...
Efrem Zimbalist - Concert Fantasy on Rimsky-Korsakov's Opera 'Le Coq d'or'
Просмотров 2,3 тыс.Месяц назад
Opera premiered in 1909, fantasy composed in 1921. vn: Antal Zalai pn: József Balog original audio: ruclips.net/video/QK2eaw4wlbY/видео.html
Richard Strauss - Der Rosenkavalier, Op. 59: Waltzes (Arr. Otto Singer)
Просмотров 1,8 тыс.Месяц назад
Opera premiered in 1911, transcribed in 1911. pf: Lingling Park original audio: ruclips.net/video/LFCclM6bFpI/видео.html
Franz Liszt - Fantasy and Fugue on 'Ad nos, ad salutarem undam', S. 259 (Arr. Ferruccio Busoni)
Просмотров 6 тыс.3 месяца назад
Liszt’s Fantasy and Fugue on the Chorale ‘Ad nos, ad salutarem undam’ for organ was composed in 1850 and first published the following year together with a somewhat perfunctory arrangement for piano duet, presumably to make it more accessible (and saleable). The theme is taken from the chorale of the Anabaptists in the first act of Meyerbeer’s immensely successful opera ‘Le prophète’, premiered...
Sydney Smith - Fantasy Brillante on Verdi's Opera 'Un ballo in maschera', Op. 10
Просмотров 1,1 тыс.3 месяца назад
Sydney Smith was one of the greatest pianists and composers of the Victorian England. He studied piano with Moscheles, cello with Grützmacher and composition with Rietz. From 1859 he lived in London where he composed and transcribed about 400 works for piano. In addition to his “official” compositions and transcriptions, he also issued several works with the aliases “Paul Beaumont” and “Victor ...
Sydney Smith - Fantasy Brillante on Verdi's Opera 'La traviata', Op. 103
Просмотров 4,9 тыс.3 месяца назад
Sydney Smith was one of the greatest pianists and composers of the Victorian England. He studied piano with Moscheles, cello with Grützmacher and composition with Rietz. From 1859 he lived in London where he composed and transcribed about 400 works for piano. In addition to his “official” compositions and transcriptions, he also issued several works with the aliases “Paul Beaumont” and “Victor ...
Sydney Smith - Fantasy on Wallace's Opera 'Maritana', Op. 207
Просмотров 4483 месяца назад
Sydney Smith was one of the greatest pianists and composers of the Victorian England. He studied piano with Moscheles, cello with Grützmacher and composition with Rietz. From 1859 he lived in London where he composed and transcribed about 400 works for piano. In addition to his “official” compositions and transcriptions, he also issued several works with the aliases “Paul Beaumont” and “Victor ...
Sigismond Thalberg - Grand Caprice on Bellini's Opera 'La sonnambula', Op. 46
Просмотров 1,3 тыс.3 месяца назад
Opera premiered in 1831, fantasy composed in 1842. pf: Mark Viner original audio: ruclips.net/video/M0a7tNQezJg/видео.html
Finally, a clear recording with a tidy sheet music for this beast! Will it be possible to see you do his Mozart Concerto transcription?
@@rexy7399 it will be done
@@rosiepiano That's kind of you. Looking forward to it!
Interesting piece! 😆💖
Про " концы фраз* пианист не в курсе)))))
Похож на Тальберга
(*｣´□`)｣ブラボー！
Those fast arpeggio runs in chords look difficult. Would have loved to see a live performance
3:45
U only upload bangers
No way, a good written version of this score 😮
!!!!!!
Cadenza is too long and not very inspired.
Great tricky to sight read but I managed
Any tips to someone learning this?? Wonderful performance!!
0:39 Yikes, those leaps in M.25.
😻
アルカンの音楽に栄光あれ✨️ それはそうとアルカンは紛失作品が結構あると推察されているのでこの転書も一応全楽章揃えていたのか気になるところ..
i don't think he transcribed the other movements. if you look at page 3, under "transcriptions de concert", only the first movement of beethoven is listed s9.imslp.org/files/imglnks/usimg/a/ae/IMSLP233164-SIBLEY1802.19130.f957-39087012484244score.pdf
of course it's possible that he began transcribing the other movements, and maybe they have been lost, but i don't think they were ever published
@@rosiepianoI've got them 😂. Ill be publishing later
Yooo cool I'm learning the normal version right now and was thinking about playing the Alkan cadenza or trying my hand at writing my own because his looks way too hard
You can do both.
I love cadenza 14:34 which he quoted Symphony no.5
Woah, I never knew there was a recording of this obscure but wonderful piece, please more thalberg
where did you get such a good version of the score? the one on IMSLP is very grainy. did you engrave it yourself?
@@cantdecideonmyname4441 i found it on the french national library's digital archives! it should be uploaded to imslp and accessible in a week or so. i always try to look for a good quality score and i upload everything i find to imslp :)
@@rosiepiano oh thanks a lot!
@@rosiepianobased
Thanks very much I've screenshot this but that'll be handy @@rosiepiano
omg thanks for bringing this back :D
Thank you
Waiting for the 3rd movement. It will be glorious I'm sure.
i fear alkan only transcribed the first movement of this concerto
@rosiepiano Ach! Shame! I'd do it but I'm incredibly lazy.
Well, he did at least transcribe the full concerto no 20 by Mozart, the adagio from the emperor concerto, Handel's 1st movement from the piano concerto (lost) and many others, he did arrange for orchestral and vocal works, like the allegretto and the Finale from the 7th symphony by Beethoven arr. for 2 pianos, 8 hands that he himself played live with his friend and neighbour Chopin, Zimerman (Alkan's teacher and the head of the "conservatoire de Paris", Alkan was his best student), and Gutmann, which is really sad that it's lost
@@WD_GX i can't find any evidence of an emperor concerto transcription. do you have a source?
@@rosiepiano sorry, didn't mention that it's lost (i guess), but there is, from his 6 petits concerts that he performed in a course of 4 years, he played it (i guess), maybe you can find about it in the Alkan society. It was in his 2nd year, the 3rd program and the 2 part after the interval, he played 1 : a. canon by Schumann, b. Fugue for piano-pédalier. 2 : Lieb, for voice and piano. 3 : 3 transcriptions for solo piano : 1. Andante from concerto no 4 by Beethoven, 2. Andane from symphony no 36 Mozart, 3. Menuet from symphony no 40 Actually, nvm i can't seem to find it and found the no 4 instead of no 5, i'm really sorry for that but i believe that i already saw it, but also found that he played the Largheto from Chopin's 1st piano concerto but i don't think that he transcribed it for solo piano.
randomly quoting Beethoven's 5th in a cadenza is such a power move. feels like something Rzewski would do
i quite like it. in c major the first three notes are identical, so it's only logical that he puts the two themes together
@@rosiepiano it’s awesome
Do you take requests?
@@mrtchaikovsky whats the request
@@rosiepiano Felix Petyrek's Variations and Fugue in C Major.
didn't know there was a non-MIDI recording of this
love using the highest note on the piano in fugues
That note didn't even exist on the piano when this piece was written!
How is possible to play that first chord on the piano? Id like to see the pianist monster hand
stretch your left hand from the low e to the f sharp. your right hand can take the top a of the bass clef. :)
Loving Philip Martin's Gottschalk recordings! Have been looking for the score for this (and other) pieces - imslp doesn't have a scan of it, and I have yet to find a publisher who does. Any info would be greatly appreciated.
digitalcollections.nypl.org/items/a50d693a-1d15-bbef-e040-e00a18063e67
@@rosiepiano Thank you!
Seems like he was heavily influence by thalberg
Sounds like Grainger to me.
Thanks for posting!
It’s a beautiful piece, super light and beautiful.
Fabolous!!
Am I the only one catching a lot of Petrushka from this?
I can hear the Grieg influence, including a few direct quotes. Fun piece!
Quotes such as?
Beautiful pieces
Can you do mark viner recording of alkan's Jean qui pleure et Jean qui rit fugues?
sure
One of gottschalk best work
Almost has a Disney sound to it…
I cant understand why Moszkowski is not more famous. His music is divine!
like czerny
I'm almost ashamed to admit that, while listening to Liszt's transcription of the 5th, I was wondering where the part at 15:05 was, not remembering it came from Thalberg LOL
Must've practiced 40 hours to perform this
The role of Octavian is traditionally played by a female singer, specifically a mezzo-soprano. This type of role is known as a "trouser role" or "breeches role," where a female performer portrays a male character. The practice of casting women in these roles dates back to the Baroque and Classical periods of opera and continues in modern productions. In "Der Rosenkavalier," the portrayal of Octavian by a female singer adds to the opera's themes of disguise and gender fluidity, particularly in scenes where Octavian himself is disguised as the maid "Mariandel."
"Der Rosenkavalier" is a comic opera in three acts by Richard Strauss, with the libretto by Hugo von Hofmannsthal. Here is a short summary: Act 1: Set in 18th century Vienna, the opera opens with the Marschallin, Princess Marie Thérèse, in bed with her young lover, Count Octavian. Their morning is interrupted by the arrival of Baron Ochs, the Marschallin's crude cousin, who announces his engagement to Sophie von Faninal, the daughter of a wealthy bourgeois. Ochs asks the Marschallin to suggest a young nobleman to present Sophie with a traditional silver engagement rose. The Marschallin recommends Octavian, who disguises himself as a maid to avoid being discovered by Ochs. Amid the chaos, the Marschallin reflects on the passing of time and her fading beauty. Act 2: Octavian, in his role as the "Rosenkavalier" (Knight of the Rose), presents the silver rose to Sophie, and the two instantly fall in love. Baron Ochs arrives, revealing his boorish and lecherous nature, which repels Sophie. She and Octavian plot to thwart the engagement. They arrange for Ochs to meet with "Mariandel," Octavian's maid disguise, to expose his character. Act 3: The final act takes place in an inn, where Ochs eagerly awaits his rendezvous with "Mariandel." Instead, he is tricked and humiliated by Octavian, Sophie, and their accomplices. The Marschallin arrives to find Octavian and Sophie together. Realizing Octavian's love for Sophie, she gracefully steps aside, acknowledging that it is time for the young lovers to be together. The opera ends with Octavian and Sophie expressing their love and the Marschallin accepting her inevitable solitude. "Der Rosenkavalier" is renowned for its lush orchestration, intricate characterizations, and themes of love, time, and the bittersweet nature of life.
I can play this with only one feet...
Hey Rosie I like your work, do you think you can do Thalberg's le depart? There is a great performance here by Stanley Waldoff
sure
Er spielt mehr als auf den Noten steht.
noice