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Lets snag the next ones when we do our PDX dig.

Right? They can get us stem separation but not a mouse? That's a good suggestion tho ill have to look for a fine point stylus.

Reloop

I appreciate the kind words brother! That lab was an amazing workspace and I miss it sometimes but I found I needed to separate out my passions and found a new compound that lets me focus a bit more but still be only a few steps from the studio to the shop. A couple times a year I would convert that space with a 100" screen projector, set up a ton of retro video games, dynamic uplighting and all the speakers but it just got to be too much work.

I will say over many months of use they softened up a little bit... But the consistency/accuracy of my velocity sensitivity has never been better than stock since the swap and I feel strongly if I had taken their advice and used two sets of "Corx" (the vinyl stickers you put on the actual trigger sheet) it would be even worse. What I have come to believe is if they are recommending you use "Corx" for your application, what they are really saying is "We didn't actually engineer this product right for your rig, so pay us extra for our band aid that may or may not help."

@@alchemix206I didn't see the corx available for the ONE I get what your saying about months of wear and tear , but the pad replacement thick pads for the 1000 were perfect right from the install , I just got my 1000 out the garage so I'm gonna do a review of these pads stay tuned haha

@@alchemix206also yes using two sets of corx ? Omg that would be insane hahahha

The Omni is great for scratching, however if you do not own a full size turntable already I would start there. It will be cheaper and more versatile to find a used hanpin (modern technics clone) and simple mixer if you got the space for it. The Omni is awesome after you learn the basics and start collecting records as you can preview vinyl in store and refine fader technique without having to use multiple pieces of gear.

That's what I use but having lots of issues

That's what I use but having lots of issues

That's what I use but having lots of issues

If you can drop on time that's half the battle. Hope your having a blast with it, I know I loved mine.

Glad it helped!

It's a Miata header, I only have an upstream O2 sensor right now so I do have a CEL for downstream 02 but that one is mostly just for emissions. Just the stock tune currently.

@@alchemix206 im doing the same swap. Im looking for all the info i can find

@@Davincisgarage Sorry I'm slow to respond here. Hope it's going well. The one major issue I ran into was there were two connectors on the harness I had that fit the CPS and I first had it plugged into the wrong one.

Yeah I think the distributor is confused. For the manual trans both bearings were the same but it definitely seems the input is the one that tears up fastest.

@@alchemix206 thank you 🙏

Glad it helped! One of my students has one of these, still such a versatile and heavy duty rig in my opinion.

It's way more simple than I was trying to make it at first. Serato is using the midi out with the AMX or in your case the NS7 (excellent controller by the way, I believe the new skratch attach device might let you play 45s on that rig). So I set Traktor to send out the laptops aux/headphones port and then used an aux to rca cable to line it into the spare channel on my mixer.

Mega DJ Center, Open Format, Jesse Dean, Mile High DJ Supply to name a few

It is minor and hard to describe for me,... but HID control feels just a bit more like a controller with conductive jogwheels to me and DVS timecode just feels a little bit more like real vinyl. Both are fine, I just prefer a more classic vinyl feel.

@@alchemix206 thanks fot the reply. But still dont get it. How can a rane twelve (motorished turntable) feel like a conductive jogwheel if you don´t use DVS mode? 🤔

@@djatuncontomate I felt the same way about my CDJs when I used them HID in Serato. Something about connecting them to software reduced their measurable dexterity compared to how the jogs felt in standalone (possibly the extra latency?). I can also hook up my Omni one wire DVS and don't prefer it, I also did not like the first Phase that lacked RCA time signals as well. This is barely noticeable for most but I've seen other DJs demonstrate their ability to "scribble" (I believe it was Cleveland Terry) faster using timecode signals on here. Just a minimal difference and possibly not even very noticeable if you don't come from an analog vinyl background, but definitely an issue I've heard others voice as well.

I still love my Rane 12 and was really hoping my boys at Skratch Attach would drop a modular tone arm add on for it so I don't have to sell a kidney for a CRSS 12... But it doesn't seem like that's gonna become a reality for me. : (

It's awesome for a small battle style controller. I'd like to try out the Rev 5 as well but all my money is getting saved for CRSS 12s.

@@alchemix206 Nice. I just picked it up with a case and will run it through an external to run some QSC K.2 12s.

Super great balance on this rig.

Overall build, form and function felt better on the Numark.

Thanks man! I try and keep it real.

I believe they are all pretty much the exact same motors and belts. Omni came with an aluminum platter for most of the others I believe that's an upgrade. But once modded with any aluminum platter I think they would all feel pretty similar, its super adequate for 7" vinyl.

in my opinion id rather have the mkiis. I've had to use midi cable DVS in certain situations but prefer an actual timecode being transmitted.

Any old wired speakers should require a "head unit" to send the signal out to the speakers. This head unit should have RCA inputs that can be sent out from the controller. A decent head unit will have outputs for left, right and a subwoofer that should be able to be hooked up with standard stereo wire. Check out local thrift stores for killer deals on decent head units.

It can but really its more for just playing a prerecorded mix or auto mix. There is significant latency with almost all bluetooth tech and were only now seeing some companies release pro audio devices that have addressed this issue.

@@alchemix206 oh, alright good to know... a d I'm glad to know someone's doing Something about

@@alchemix206 it

I did notice the sound card was definitely "entry level". I have a DDJ SR that is also midi powered and it does not humm at 0 or + DBs. I did end up switching out the REV1 for a Mixtrack Platinum FX and the sound was noticeably better on that rig (also midi powered).

The Omni itself has built in faders and is exactly as portable as a Numark, the best part is the one button fader/Volume swap since I do like to cut right and left handed. But I do prefer the more full featured experience and would not hesitate to take a stand to the skatepark and mix this way.

@@alchemix206 I never seen an Omni I’m too broke really but ngl I always thought like a Omni was a more serious piece I’ve never came across one I see what your saying I’m just not too versed at all,everyone I see online is usually in a setup similar to yours I honestly didn’t think they were like throw in backpacks and got out it up anywhere? So u can use that just analog?

@@RobertKrafty Yeah I was expecting a metal case and was a bit disappointed it was plastic, but its definitely a big step up from base portables. It's the only one that does not come with a plastic tone arm. Fully analog and has an Audio Technica cartridge that is way nicer than the standard needles on the rest. The big selling point is the onboard DVS interface so you can connect with one cable to Serato or Traktor which is probably why most people display that, but as an analog rig to just rock 7" records its a Cadillac of a portable. Like you said fully pimped out a Numark or Reloop can be hooked up just as nice but will usually run about $100-150 more than it takes to really max out an Omni.

I never managed to get a second working portable in the mix. I bought an STX but it arrived with a broken tonearm spindle and had a few other issues I didn't like so it wen't back. Almost all these tables use the same motors I believe and where DVS on most modern 12" tables flutters about .3 BPM These can be between .5 to 1 full BPM. For the quick mixing I do as an open format DJ it really does not bother me too much as I'm usually doing the second deck internally or on a CDJ. I do worry if I had a second portable it might be harder to keep things aligned. All in all, I LOVE this Omni and have used it in place of a full turntable at many full 4 hour plus gigs without any major complaints. Would consider getting a second one but currently deciding if I should donate a kidney to start saving up for a CRSS12.

@@alchemix206 thank you for such a detailed comment 🙏 yes these crss12 look very very good but not portable lol.

@@iamandynewton The closest competitor to the Omni and much easier to get ahold of would be the Reloop Spin. My buddy has one and has been really happy with it.

STX

I went the pt o1 route suites me fine their all upgraded now

I agree, there is tons of potential with the concept/layout and I was definitely hoping they would have dropped a "Pro" model or something by now. I pulled it out more recently and was reminded how insanely horrible the touch screen is. Three taps on average to navigate anywhere and there seems to be no rhyme or reason to pressure or duration that makes it more consistent.

@@alchemix206 I would love to buy the company from them and create firmer spongier Version 2 build. Most reviewers are critical of the build. I have as yet to order mine.

Thanks man! Definitely would still recommend.

There is another product called "Chord Bot" or something like that, that you may like better. I would have hoped for a cheaper MKii model of this Theory Board by now.

It gets so bad you can't even go on the freeway.

@alchemix206 I know the feeling. I am about to put both the input and the main shaft bearings into a 2010 Jeep Patriot.

@@MrWoodMan23 Good Luck brother!

Primarily just training wheels for exotic scales, I really only pull this out when I am programming an instrument I'm less familiar with or for inspiration while making a melody. Honestly even the strum features on this thing are very limited and not super impressive.

The touch screen is still one of the worst features. I used it not too long ago and was reminded how clunky and slow the touch screen is, usually takes 3-4 taps to switch menus. the main issue I've found with the wrapped case is it causes different velocity responses from individual pads. Still a neat toy... surprised they haven't made an MK2 that addresses these common issues.

I couldn't find the exact link. I know the part number was listed in the comments a few times but I could not find it during a quick check just now. I remember it being a Mopar part and cost about $130 for two new bearings.

Yeah the carbon fiber tone arm was a simple and worthwhile mod at about $40. It's a Jesse Dean kit you should not have any trouble finding.

@@alchemix206 Aaah, i see. Thanks.. Yeah, Jesse Dean makes great products

Thanks for sharing! That really sucks, sounds like they must have installed an out of spec power supply in that rig. I can definitely say I've only grown to love my Omni more the longer I own it and have used it for way more than just portable scratch sessions, it does work around here.

@Alchemix yeah i almost went with the omni instead. The price was the deciding factor. Stanton dj is sending me a new STX. But still... I have to send it in and wait for a new one. That's 2-4 wks. I didn't purchase it just to send it back and wait 2-4 wks. Bummer. All good. At least Stanton is replacing it for me.

@@showmesomelove3353 Hopefully it shows up soon, I know the frustration of playing the waiting game with warranty swaps it's what caused me to buy my first backup controller.

@Alchemix I appreciate your empathy.

My STX showed up a few weeks ago. 👍to Stanton for showing ❤️! They immediately helped me out.And I didn't even talk to anyone....lol? Awsome Toy. Can't believe it took me so long to jump on one. There isn't much STX info on the Tube? Or anywhere. upgrades. Ect? Anyways. Yep...stoked! Love it!.

The Xone would be a better all around option than this mixer, especially if you think you might get into mixing and scratching this one had weird crossfader settings I was not very fond of.

Great advice on the PCB board screw tension I hadn't considered that potentially effecting the sensitivity but it makes sense.

Glad it could help people!

I can kill it with my maschines and mpk

Thanks...im passing on it

@@sixxmilliondollarproductii965 I think that's a good choice. This is helpful for exotic scales and unusual instruments that might be hard to blend with other common instruments but has never been any sort of essential item in my studio.

I enjoy your music...im gonna stay subscribed to your page... thanks again for the reply and your music

Don't take this as a positive diagnosis but your symptoms sound more likely to be the clutch throwout bearing. Input shaft bearings are the opposite, noisy with the clutch out and while moving.

I didn't realize the Numark had something similar till my buddy brought his PT01 over for a scratch night last week. Also looked kinda awkward and silly on that rig.

Hi, I’ve just bought the STX. When the crossfader is closed and the record is playing are supposed to hear any sound ?

Right? It's like... That MPC X SE looks AWESOME! But then you find out the specs are only mildly improved and they are trying to get an extra $800 for gear that's really more just limited edition than an upgrade. Might as well wait for the true next gen.