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I honestly don't know how you don't have more subscribers. Your videos are simply amazing.

The is one of the best camera videos online! You have just supported my use of my 12mp Nikon D700 and 16mp Nikon D4!

Thank you. Very good information and good video. Thanks again

What is important is the dynamic range and the level bit colours your camera can produce.

Photograpy is made to be printed. Images are for computer screen. I dont work for computer screen because I am a photograph since i was 16 yo and now I am 71. So your explanation for mega pixel is irrelevant in photography.

You may not need many megapixels, but it is better to have them.

Absolutely first class. Thank you.

My current cameras have 26-61 megapixels. Most of my photography is landscapes. I don't think I need more than that. But, I wouldn't be surprised if I own a 100 megapixel camera in the future.

Micro 4/3 is not a sensor format. It is a lens mount format. They really are not interchangable as only the only Micro 4/3 cameraa are mirrorless.

Great summary!

sorry that does not work this way for Capture One. You always end with greyish Blacks compared to C1 original profiles using the Xrite / Calibrite software. Why? Xrite does not take aware of the non standard C1 icc profiles... which include a bit of the tonal curve near Black too. Why C1 does not take care of the wrong done Xrite app... who knows... For other raw converters no problems... all others work with standard icc profiles.

Great video. I own the a99 mark 1, 24mp and I use most of minolta´s top lenses plus several top zeiss lenses. I photograph many concerts indoor, often with artificial Light. Classical concerts make for very messy pictures ( music stands, parts of arms and instruments.....) so the I often have to crop. These crops look great (sharpness, contrast, noise etc). Nót because of the nr of pixels (or the lack thereof) but due to the lens quality.

Excelent!!!

That is genius

If you wanted the dancer frozen near the start and near the end, would firing the flash manually twice do the trick, or would the second flash obliterate the first freeze?

I've been following RUclips photographers, particularly portrait photographers, for about 6 years. Why is this the first time I've seen you. Subscribed. Looking forward.

Well presented, detailed and easy to understand..i think 12mp is enough😁

Thank you; great clarification on a largely un clear subject!!!

Do you do any editing to the source raw file (ie. exposure or WB) before exporting to TIFF?

Great Explanation👍

I did product photography withna nikon d5100 with either a kit lens or a tamron lens and it worked great however when i did a model shoot i think the images couldnt really be blown up and were lacking clarity we used lighting maybe i needed to flash but i thinkni did, it didnt compare to my canon friends model photography. So is it the lens glass???the nikon had around 24mp but my. Friends canon was a full frame 30mp i think

In my film only days, I calculated that I would need a 36-megapixel digital camera to duplicate the image quality I was getting on my 35mm film camera. My first digital camera was 2.1 megapixels. My second was 5, then 12, then 24.

I want a 500mp camera or a 10 x 8 field camera.

I love my 8mp EOS 30d!

Awesome teaching...I like the visuals

As a landscape photographer I’ll take all the pixels I can get. I don’t print anything less than 36x24 and larger. A D850 with a couple of Otis lenses work quite nice. I disagree with some of the comments, bill boards are not the same as gallery prints, people stand closer and can see the detail in a large print.

Low megapixel cameras are not better in low light. This is a misconception brought by viewing images in 1:1 size.

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What you just explained is absolutely true. I shoot with a 24 MP camera and I can print great-quality photos on 20x30-inch canvas (I am pretty sure I can go up to 40x60, but never tried; after all is still a 100 DPI print). Once just for fun, I tried to compute the resolution needed for a billboard, and including the obvious crop I determined that a 6-8MP camera would be enough for a high-quality image. Also, the space needed (especially for RAW files) and the computing power needed to process an enormous file, should be considered. And what's the point in having a 60 MP camera when the lens resolves at best about 40MP?

My Samsung phone camera is 50mp and my Olympus camera is 20mp. The phone shots are total garbage while the camera shots are fantastic.

You’re a marketeers nightmare; undoing all their hard work and arually ‘educating’ their consumers on the facts 🤣🤣 So over chasing gear. This was really helpful.

Master!! Thank you so much ❤

Thanks. I think you just saved me from wasting a good chunk of money on needless megapixels.

thanks bunches

Great tutorial, very clear and easy to follow. Thank you so much!

Great video!! Simple, straightforward, easy to understand.

I was shooting with a 28 megapixel camera but some of my 14 and 16 megapixel cameras produced better photo results. I think the issue with very high pixel counts produces pixel clutter in some photos.

I found the video very useful. It seems I have little different Capture version, but the described workflow works on ver. 22 also. The process cant be repeated with Spyder Checkr calibration card and software, at least with the one I have, but with X-Rite it works. The reason is that the Spyder does generate an icc profile. It only produces calibration files for Adobe which are not suitable for SaptureOne.

Lmao, that blue chip looks glossy after the profile was applied.

😮Hi Marty, I would like to use the new tethering option with Capture one and the Ipad app and use my X Rite colour checker to obtain accurate colours Will all the adjustments you mention re not selecting a profile or S curve still apply when using this new app.

You don't have to do that thing with your hands.

Hi, Just downloaded Cap One and following you step by step to learn. Nowhere I can find "PROCESS RECIPES" ?

Very useful ! Liked and subscribed ! ;) Quick question though, why do I need to create this ICC profile if I choose a standard one for processing like Adobe 98 ? Is this only to apply on the raw file, then export as a tiff adobe 98 ?

Super informative - Thanks so much!!!!!!! I found the constant hand movement to be distracting, though :)

I am sooo sensitive regarding data loss on my photos and videos..... those are literally priceless treasured memories which you can't exchange with money. I have watched part 1 and part 2..... great quality contents..... but where the hell is part 3 😭

how do i use older lenses on my new camera,,,please put a video on it too, your explanation is amazing

sorry take it slow i dont understand any thing pixels this confuse man what about lens why you dont talke about it

Fantastic channel mate, I am going through a lot of your videos and find them very helpful, I was linked to this video from your hard vs soft light video. Just a question - at the 5 minute mark in this video you mentioned that when photographing a group of people, you can move the light source back to create even lighting. But according to your other video, since the light source is smaller relative the group, that would also make the lighting more harsh correct? So how do you balance between the two?

8K is 33.2MP. That should be the new minimum size for DSLRs and mirrorless cameras.