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It's the Yamaha Magicstomp with the Holdsworth patches. You can see it in this video. ruclips.net/video/kG6AiZ5IEOc/видео.htmlsi=mAqmTjZmTzDyBqIP

@@mraggrovator it's always a work in progress 😊

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@@GrahamYoung I did it.

@sivoltage cheers dude. Feel free to share it with any jazz boomers you might know 🤣

@@GrahamYoung I will. Has the UJG’s got anything on vinyl. Oh and how’s the Bognar amp. Has it blown up yet or did you sell it 🤪

@sivoltage no vinyl just two cds which I've still got copies available of. The Bogner is still working as far as I know! I haven't sold it but I haven't used it either 🤣 On this video it's the Bogner running as part of a dual pedalboard, dual amp setup. Sounded huge but it was a lot of footwork to keep on top of all the sounds.

That's the composer but not the track!

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@armandosinger I play in all 4ths on 6,7, and 8 strings. I'm constantly teaching people in standard tuning though so I'm able to switch back and forth. I can adapt to other tunings like 5ths easily too, partly because I started off playing violin but mostly because of the intervallic way I'm thinking about the neck. P4 is particularly satisfying on a 7 string though. I'd say give it a go on the 7. The majority of people who do don't go back. If you think about the type of music you're probably playing on a 7 string it's probably not cowboy chords and blues licks right? Not that you can't do those things in P4 but you're probably going in a different direction. Hope that helps!

@@GrahamYoung that makes a lot of sense. And it’s amazing you can go back and forth between tunings! I’ve heard that is hard from some of the p4 people. I just saw an old clip of Stanley Jordan, saying that he was playing both tunings. But he would instinctively grab the wrong chord because there are no physical cues to tell you what tuning you’re in. So he decided to stay exclusively p4. But perhaps a 7 string solves that-it’s physically different. And you’re right, I’d play differently on a 7. 7 also seems logical because all of the 7 3nps patterns (for example) are now present in every position. And all of the 7 C major scale notes are open strings. I can even imagine myself learning less common scales pretty deeply, and use that more on a 7 string, and not at all on a 6 string in standard. For example, I could do whole tone scale stuff on the 7, and not bother to learn it as deeply on the 6 tuned in standard. I’m at the point where I know the entire neck from a major scale perspective, but am about to embark on learning a ton of new things-all the interval skips, arpeggios, triads, shell chords, and tons of chord voicings. I think I’ll give p4 a go on the 7! I can get all the meat and potatoes down on the 6 standard, and go beyond that on the 7 in p4. Thanks for the encouragement!

Yeah personally for me P4 on the 7 string is the sweet spot and feels like the best implementation of the instrument. You've got 3 full octaves available in any given position which is deeply practical and lends itself to a musical way of thinking. This video demonstrates some aspects of that although there's so much more to explore. Glad you've found this helpful but bear in mind I teach P4 people from all over the world if you need any direct help. I guarantee I'll get you to where you want to be quicker than you thought possible.

@@GrahamYoungAwesome, I will seriously consider it. I need to sort out my 7 string, which is gathering dust. It’s a cheap 27” Harley Benton with an annoying tune-o-matic style bridge that won’t bring the action low enough. Need a pro to sort it out. Lessons from a world class p4 player sound like a great idea :)

You’re welcome 😊

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@nedim_guitar cheers dude. Another episode coming soon. Don't forget to like and subscribe!

@@GrahamYoung I'm not much into prog, but I do dive into it sometimes. This sounds like prog to me. I'll check out some more!

@nedim_guitar yup it's from the album that's currently in the works. Sort of proggy, classical, jazz stuff. I've plenty of other stuff in other styles though.

@@GrahamYoung Excellent! It'll be fun to follow the process.

@@mraggrovator thanks!

Err...no. I think you might be confusing this with another of my videos. Check out John Vullo's videos on the magicstomp.

@BrianStolte Cheers dude. Please consider subscribing if you haven't already and check out the breakdown video. Lots more content in the way.

@@BrianStolte ruclips.net/video/lVFHFRgLQyA/видео.htmlsi=0YSvdpHje4KyMd72

@sivoltage cheers dude. Please subscribe if you've not already.

@mraggrovator thanks. I intend to post more consistently in an effort to get to a thousand subs. There's a follow up to this video scheduled to drop on Friday and more in the works. All shares help and are much appreciated.

@gaseoussnake6919 thanks dude.

@@sjl-nb1kw It's Kiesel Vader. Koa body, buckeye burl top, three piece maple, purple heart neck, evo gold frets. Holdsworth pickup in the neck and a custom bridge pickup. 5 way superswitch wiring.

@@GrahamYoung Thanks for the info, it's beautiful!

@@JoseGarcia-qx7vw thanks. I tune in Perfect 4ths. B E A D G C F low to high. I have videos about P4 tuning on my channel.

Hi! Yes that's right. I taught Tom and introduced him to P4. When you're ready send me an email to info@leedsguitarstudio.co.uk and we can set something up.

@@GrahamYoung thanks. Will do

Thanks. It's a great instrument with a few unusual features and a bit of story behind. Maybe it does deserve a short video.

Congratulations on making the switch! I'm afraid I don't have chord diagrams as that's not the way I teach. If it's an option I'd suggest taking some lessons and I can explain how the harmony and the shapes work in a way that will be far more useful and satisfying.

Yes, there's so much of this 'white label manufacturing' going on. Even some of the Mooer designs turn up under three or four different brand names. Rowin, Harley Benton, Sonicake, Donner etc..

My 4th is on the root, 2nd finger has the 3rd and 1st finger barre is playing 5th and octave. My 3rd finger reaches back to play the low octave root. You need to be flexible to do that but as I say in most band situations it's not necessary.

@@GrahamYoung thanks Graham, will surely try it

@@GrahamYoung You inspired me to try using the P4 tuning next time I play with my small church band :) been using it on and off for quite a while now but never used it when playing with others. So I'll give it shot this sunday :)

@@koersmichiel cool! Let me know how you get on.

@@GrahamYoung ultimately I decided not to. Spent an evening practicing the repertoire and noticed I am just not fluent enough at the triads. Also I struggle in strumming precision and often hit strings that should remain silent. I should probably focus on a combination of left hand muting and strumming precision. so yeah that was a bit of a letdown.

That solo was improvised so I'd have to transcribe it. I'm too busy creating new music at the moment to have time to do that. Transcribing it yourself would be a great way of developing your own playing.

​@@GrahamYoung That's even more impressive, wow! Thank you very much for the tip and for the time available

Cheers! Share away and we might see if anyone's brave enough to have a go!

@@GrahamYoung well it definitely won’t be me.

You'd be surprised how useful it is. Aside from giving you three octaves in a single position those extra bass notes give so many more options chordally. For walking bass comping it's so much more practical than the 6 string. It all depends how you think about the neck I guess. I'm fairly atypical in that regard.

A better way to think of it is that at every place on the fretboard you can reach an extra 4th down (and a half step up if you're doing P4). That fact is much more useful than just the overall extended range.

Yes, an EB volume pedal if I recall correctly.

Hi, I have a comprehensive harmony course in P4 but it's something only available to my private students. It's constantly expanding to include subjects like the Barry Harris method. I teach people online from all other the world. www.leedsguitarstudio.co.uk