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Cheap Shots Lens Reviews and Photography
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Добавлен 2 сен 2020
Photography is arguably the most popular hobby, and while for many it is a costly pursuit, it certainly doesn't have to be. Join us as we rediscover vintage lenses that can be easily and inexpensively adapted onto modern DSLR or mirrorless cameras. Whether you're a budding photographer looking to take professional photos on the cheap, a photo enthusiast using vintage manual focus lenses to grow your skills or a seasoned pro adding seeking to add nuance and character to your photos - we hope to provide some content to inspire and grow your photographic skills.
Favorite Fast 50's from Nikon, Olympus, Pentax, Minolta, Konica, Tomioka, Yashica
I’m shooting this on a 24mp Sony FF camera. These are a few of my “fast 50’s” that are especially vintage, especially cheap and especially strong in their vintage characteristics. Their aperture opens up to f/1.4 or 1.2. They include my favorite normal lens, the Konica 57mm f/1.4. I was really surprised when I first came across Konica. Before this testing, I always felt this one is especially good, combining the characteristics I like most: close focus distance, a slightly longer focal length at 57mm vs. 50, sharp in center for portraits, really nice background blur (at least to me). Subjectively, I love this lens and I’m interested to see how it holds up. The Olympus OM 50mm f/1.4 is a s...
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Видео
Favorite Budget Vintage 28s Compared: Sharp, Classic Look
Просмотров 3,9 тыс.2 года назад
Please be patient as the 4000K version uploads - it may take a couple of days. Here we explore 6 Sharp, Vintage 28mm lenses that give a classic look without breaking the bank. This is the third in our series of 28mm lenses. So don’t miss our other two comparisons if you’re interested . . . there are a lot of cheapie third-party lenses selling for about $20 that did pretty well, and today, we’re...
7 Favorite Vintage 50mm 1.8 / 1.7 compared. Compact, sharp, and a sleeper!
Просмотров 3,2 тыс.3 года назад
Our first episode in the 50 / 50’s series! I’ll take a look at some of the 50 or so normal lenses in my collection, and hopefully help you determine which would help take your photography to the next level. Today we look at lenses adapted to my Full Frame (24MP) Sony A7II with Olympus 50mm f/1.8, Nikon Series E 50mm f/1.8, Konica 50mm f/1.8, Pentax-A 50mm f/2, Minolta Rokkor-X 45mm f/2, Sakar 5...
135 New Audio Battle of 10 Vintage 135mm Lenses
Просмотров 13 тыс.3 года назад
A pixel-peeping examination of landscape and portrait performance by Nikkor 135 f/2.8 AIS, Pentax Super Takumar 135 f2.5, Super-Takumar 135 f/3.5, Minolta MD 135 f/3.5, Minolta Celtic 135 f/2.8, Pro Kino 135 f/2.8, Chinon 135 f/2.8, Accura, Schneider-Kreuznach, more. A focal length from a bygone era. There was a time when 135’s were the standard telephoto option. And if you find an old kit in y...
$20 or less Vintage 28mm Lenses compared to Nikkor AIS Champ
Просмотров 4,1 тыс.3 года назад
Here’s a new set of 28mm lenses. If you caught my previous episode, you know that the Nikkor 28mm f/2.8 AIS was the clear winner: superb for landscapes and close-up work alike. It’s sharp corner to corner and is amazing even wide open. The other lenses in that challenge did pretty well though. And I feel like it proved for $50, you could get a pretty decent shooting experience. Here’s a new bat...
Another 4 24mm Lenses Compared to Minolta MD 24 f/2.8 Vintage Battle (SoundFix)
Просмотров 16 тыс.3 года назад
oday’s episode of Cheap Shots: 4 MORE 24mm lenses examined. Shot on a Sony A7II full frame camera. If you haven’t watched it, check it out my other comparison video where we looked at a super takumar 24mm f/3.5, a tx-mount vivitar made by Tokina, the well-regarded Olympus OM 24 f/2.8 and the lens that many felt really won that battle - the Minolta MD 24mm f/2.8. For continuity, I’m going to com...
Classic Manual Focus 28mm Lens Comparison - Battle of 5 Common Vintage 28mm Primes
Просмотров 34 тыс.3 года назад
Hey everybody, I’m so happy that I finally figured out audio levels, so hopefully this will be MUCH better! Today, we’re going to compare some great vintage 28mm lens options. These manual focus wide angle lenses are everywhere! We’re going to answer a few questions for you, like is it true when some say the best vintage 28mm lens is the Nikkor 28mm f2.8 AIS? How does the Nikkor 28mm f/2.8 AIS ...
Battle of 10 Vintage 135mm Lenses
Просмотров 30 тыс.3 года назад
A pixel-peeping examination of landscape and portrait performance by Nikkor 135 f/2.8 AIS, Pentax Super Takumar 135 f2.5, Super-Takumar 135 f/3.5, Minolta MD 135 f/3.5, Minolta Celtic 135 f/2.8, Pro Kino 135 f/2.8, Chinon 135 f/2.8, Accura, Schneider-Kreuznach, more. A focal length from a bygone era. There was a time when 135’s were the standard telephoto option. And if you find an old kit in y...
Preset T-Mount Many Blade Vintage Lenses
Просмотров 2,4 тыс.3 года назад
Maybe you've heard of the Spiratone 135 f/2.8 with it's many aperture blades and renowned rendering for video and photo work. Well, there are many others, and today we take a look at three. The Spiratone 135 or Vorn 135 f/2.8 a nice Spiratone 85 f/1.9 (same as the Spiratone 85 f/1.7 I believe) a Vivitar 180mm f/3.5 and a Spiratone 200mm f/4.5. I think the spiratones were probably manufactured b...
5 Inexpensive Ways to take great Macro
Просмотров 1,8 тыс.4 года назад
In this episode, we explore different ways to get macro shots, without breaking the bank. We look at test shots, do a little pixel peeping, and capture some nice macro on a budget. Options explored include macro lenses that don't go down to 1:1 (including a Pentax-M 50mm F/4 and a Tamron 90mm F/2.5). We test extension tubes on a Meyer Optik Oreston 50mm f/1.8 and a set of B W and Rollei 3 magni...
Vintage 24mm Lens Comparison - Minolta, Olympus, Pentax, Tokina 24mmLensBattle
Просмотров 34 тыс.4 года назад
In this installment, we take a look at 4 different vintage 24mm camera lenses. These include the Pentax Super Takumar (super tak) 24mm f/3.5, the Minolta Rokkor-X 24mm F/2.8, the Olympus H.Zuiko 24mm F2.8 and a Tokina made Vivitar 24mm f/2.8. These inexpensive legacy glass range from $50 to $200 and are all fairly common. But how do they render? And how do they compare? Enjoy this real world le...
JCPenny )
Great roundup loved this ❤
The music was louder than your voice
Just bought a Quantaray 24mm F2.5. It looks older than your Quantaray F2.8. Not used it yet as still waiting for delivery. Have you heard of the F2.5 version?
Great video, the comparison is really useful! Just want to see if u have tried the Pentax smc 24-35? trying to decide between the minolta and Pentax :) Thx!
Bellissimo video io ho un obbiettivo vintage cosinon t 135 mm vorrei montarlo su Canon 2000 D potresti consigliarmi un adattatore giusto grazie anticipatamente
I picked up a Hoya 135 f2.8 on eBay last year. It has a Canon FD mount and I use it on my Sony cameras with an adapter. A very good lens.
The horrible background music ruins this video
Just to note - The takumar 135mm f2.5 has a 6-element version too and is more controlled and tad sharper. Though not as Nikkor wide open. But closer.
Love the 135 mm focal length, thanks for the video, very enjoyable
Loving your channel 👍
This might be my favorite focal length.. yes I'm weird
I get that you are a real Nikkor advocate, and it is a very nice lens. But would it be possible to compare Nikkor and Minolta 2.8s again and at least comment int the description on the result? I believe you have missed the focus with Minolta. Just would be nice to be fair to the very good Minolta lens, cause it is a great lens after all! Thanks for the good quality video, otherwise... Another great lens for comparing in this range is an interesting Soviet space race lens ("AL")TAIR-11 133mm f/2.8 ;)
My first telephoto - Spiratone 200mm f4.5 preset. Yashica Penta J. Only shot B&W with it - Plus-X, Tri-X, which I processed in D76. I don't remember it as a particularly remarkable Lens. Low contrast.
I have the Hanimex 28mm. My copy needs to be underexposed by 2/3 thirds EV to approximate the contrast of the 28mm Nikkor. Not as contrasty as the Nikkor and not as sharp, but decent enough for the price.
Fantastic you must have put so much time and energy into making this detailed video
I found a good deal on a Sigma Super Wide today and purchased it before watching this video. I am now really excited to review this lens when it arrives. I’m planning on using it on my Minoltas and Sony Digital cameras
There is the Nikkor AIS, and then the rest (among these lenses). No contest.
i have a problem with 28mm m42 lens on Canon 5D its Auto Beroflex 28mm F2.8 , it cant focus past 3meters , also after 50mm next most common lens is 35mm , 28mm is a bit on a wide side . I dont know , even today , classic is 50mm , after that 35mm. Wider then that are available but considered specialized .
Great video! Thank you. Would have been nice to see the Vorn lens version of the portrait post processed. Do you have that posted anywhere? I've been considering getting the Nikkor 135mm 2.8 AIS, and this video has cemented that thought. Although, I would like to compare it to the Series E Nikon version of the same lens as well. Thanks again!
It's the Rokkor MC lenses that were made during the Leica partnership. The MD lenses were made after the partnership ended and have different coatings
Just bought Nikon 135 f2DC vintage lens I love it it is really sharp at f2.8 to f5.6 etc
I couldn’t get past the porno music in the background. Wayyyy too loud. I couldn’t hear you.
Thank you! I can’t seem to find the Quantaray (MD) anywhere, except for one that has 58 thread instead of 52. Do you think it would perform similarly since they’re the same brand?
Great comparison! Thank you.
pro (kino)?where find it?
I know you did this video three years ago now, but you missed several really great 135s that are not that expensive. I own four 135s myself. 1) Mamiya/Sekor, f2.8, M42 mount. A stunning lens, the bokeh is so creamy. Will a nice built in hood. 2) Vivitar f2.8, M42 mount. A nice lens with wonderful controls and its so nice to use, but its a bit soft. It's useful for those glowy, dreamy, soft focus sorts of shots. It includes a built in hood. 3) Konica Hexanon f3.2, AR mount. This is a VERY nice lens. Very sharp with beautiful bokeh and blur. It focuses very close (1M). Its also light weight, small and has a built in hood. 4) Konica Hexanon f2.5, AR mount. As sharp as the 3.2 Konica is, this lens steps it up another notch. Even @ f2.5, its crazy sharp! The bokeh is very similar to the 3.2, but maybe not as creamy. This is a heavy lens. The first three elements in the front of the lens are massive, thick, chunks of glass. But if all that weight is what renders that sharpness and bokeh, then I'll take it! Its a smooth lens to use, the controls aren't as nice to use as the Vivitar, but its and easy lens to use right away and feels good in your hands. The Konica Hexanon AR lenses as a group are actually some amazing lenses that don't get all the hype that other, bigger name brand lenses get. I bought both of my Konica 135s for less than $40 each. They did have a wee bit of fungus, but they both cleaned up nicely and are spectacular lenses. The entire line is very special. Even the basic 50mm f1.8 isn't bad. The 50 f1.7 is much, much better and the 40mm f1.8 is insane how cool it is and how sharp. It holds up so well to high MP sensors. The 57mm f1.4 is so much fun to use. A lot like an old Takumar lens in how it feels, but the blur in the bokeh is very special. It also looks great on you camera! I use my entire collection of vintage lenses on my Canon R7. Its a fairly aggressive sensor and quickly shows out weak lenses. As for your review, Great job. I do believe you did miss the focus on several of those shots of your daughter. Especially those Minolta lenses. If you look at the couch she is sitting on and compaired to the Nikkor shot, the Minolta lens has the couch more in focus. So you simply missed it. Also, kudos to your daughter for sitting there and putting up with you changing out lenses! LOL! I've got kids myself. They got tired of me using them as models. LOL! Lastly, your audio levels are all sorts of messed up. It makes it hard to watch your videos. It's something I've noticed in many of your videos. I record audio for a living and so I'm especially sensitive to this. Your voice over needs to be louder and your background music needs to be driven down. This is a fairly common mistake a lot of people make. In all honesty, nobody is here for the music. The fact that I sat through to the end and put up with audio levels all over the place is a testament to the content.
I own a Konica 135mm f/3.2 Hexanon. I also have a Leica tele-Elmar f/4. The Leica M mount tele-Elmar produces images of typical "Leica" look (excellent sharpness & micro contrast, 3D...) The Konica is not too far behind in terms of sharpness and it beats tele-Elmar by it's ability to close focus down to 1m. The Konica is so well designed (based on Zeiss Sonner) and made, some said it performs almost like an APO glass when stopped down to f/5.6. I paid less than $25 for the Konica (in mint condition). It is among one of my favorite lenses. I also own the Konica 40mm/f1.8 pancake, which is another example of excellent lenses by Konica produced in the golden era of Japanese cameras.
A very helpful review. Noting the centre sharpness of the Tokina, as you noted, a great but for APSC and M4/3.
I own all of these in my collection. I like the Olympus 24 among all of them. I won’t say takumar 24/3.5 is the best but not as bad as the one in your review. I guess yours was harshly hit or there is fungus on the glass.
🤔...Vintage lenses should probably be compared closed down at least one stop.... IMO vintage lenses for the most part were not intended to be shot wide open. The lenses were made brighter than modern lenses to aid you in seeing through the viewfinder for manual focusing, but were not generally intended to be shot wide open. This is the reason as soon as autofocus happened lenses got darker. They didn't need lenses to be so bright because without the manual focusing screen viewfinders got brighter and you weren't using them to focus anyhow....Of course lenses got darker still recently with the transition to mirrorless because the optical viewfinder has been eliminated completely and we now see what the lens sees.
Thanks for the comparison video. I have seven Pentax Takumar prime lenses that range from 28mm to 300mm focal lengths. All produce good image quality. I never bought any Takumar screw-mount lenses wider than 28mm because they were either too expensive or their image quality was not that good. Based on this video, your 24mm definitely did not have good image quality.
I have the Takumar 35mm 3.5 , 50mm1.4 and the 135mm 3.5 I use them primarily on my Pentax Spotamatic SP11 camera and I have heard to stay away from Takumar's wider than 35mm
I own and use a Nikon 24mm f/2 Nikkor lens in a 24/50/105mm or 24/50/135mm lens kit.
What a nice presentation! Im impressed and also this is exactly how I do my comparisons and you saved me a lot of work here. The Albinar looks so soft in the initial test I would suppose it has a bit of haze or really ineffective coatings.
Push the boat out a bit more and opt for the Carl Zeiss Contax Sonnar T* 2.8/135.
The Minolta 24mm 2.8 is the same Lens design as in the Leica Elmarit-R 24mm 2.8 because it was designed by Minolta for Leica, the differences is the build quality and the coating.
I bought a very cheap vivitar md 135mm f3.5 for $30 and is sharper than the nikkor lol
i really love your format of showing everything side-by-side.
What about the Konica ar 135 f2.5
Konica 135mm f3.2 will surprise you
Great video, thanks.
Konica 135 f3.2 is a real gem sharper than my Pentax 135s
Good work, appreciated. These comparisons can be misleading at occasions, for example @16:42 it is pretty obvious that the image on the right Takumar 135mm 2.5 is not focused on the eyes as the image on the left is, it is actually girl's hair further back that is in focus, which renders her face out of focus. The strand of hair in front of her eye is completely blurred and out of focus. Having said that, I understand it is tricky to be consistent every single time especially in such shallow depth of field and subjects that might not be entirely static. Just my observation, enjoyed your comparison.
Agree...
Great video comparison and coverage. Just wondering if you were to throw in the Olympus zuiko 135mm 2.8 lens into the mix how would the results turn out?
THANKS! I like this kind of tests, but I don't always find my favorite lenses, so it's missing the Konica Hexanon 50mm f1.7 better than the 1.8, the famous Nikkor 50mm f2 (with rubber nose black) the famous Ricoh XR rikenon 50mm f2, ((japan, the poor man's summicron) etc.... I love the Yashica 50 f2 or f1.9, compact and easy to use - you should also compare with the Pentax smc 50mm f1.7 should be compared with some m42 55mm f1.8 f1.7 f2....like Mamiya. (part of which is thorium)
Interesting. I actually preferred the Pro (Kino), wide open, for the portrait. It has virtually the same detail as the Nikkor, but the skin tones are much nicer.
Dump the music or learn about sound mixing!
Great discussion. Love the 24mm lenses.
I have a broken but kind of usable and sharp beroflex 135mm f2.8 m42 mount lens. It's broken because when you move the focus ring it also moves the aperture blades. I don't know what could cause that. It's still a good lens though.
Carl Zeiss Contax Sonnar T* 2.8/135.
Wish the canon 135 was here too.