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There is a new one available from Kraft Music on reverb and a used one on Reverb right now.

Yes, So there is a Drone From Petrichor happening and some voices for spitfire albion. For the Murmux, I'm using some Valhalla Tape Delay on the back end. But the dotted delay is coming from the murmux. Other than that nothing else on the Murmux.

And the sequencing was coming from UVI Falcon.

​@@JeremySHGriffithBetter to explain all that up front. Because I think what you are saying is the Murmux doesn't sound like this by itself, without a lot of other gear. Regardless you made it sound lovely, thanks for sharing with the world.

​@@irtnycdon't be rude, the gentleman took time to answer your question comprehensively

@@irtnyc No I am not saying that at all. This was just a little jam I did on the fly. The murmux sounds great on it's own but it also works very well with others. It was the core of this little musical moment so it felt appropriate to post it. I didn't even think about explaining anything because this isn't a review. Just an expression of enjoyment of use. Glad you enjoyed the little tune.

I think it's extremely Unique. I love how simple it is.

If I may ask a slightly tangential question, Antonio, as you own both the E7 and the Nina: how "vintage-y" is the sound of the Nina out of the box, compared to the E7 (which seem to ooze a lovely drifty character out of the box, without much or any coaxing, using modulation etc)? Thanks!

@@stefanherzog I owned both the e7 and Nina as well. I wanted to love the Nina (and the motorized knobs are awesome) but I sold it because I just kept going to my e7 instead because I love its sound so much more. Tbh, I wasn't a huge fan of the Nina's sound. I didn't like it's filter much and I don't think it sounds very "vintagey" out of the box.

@@user-kx5fs9jy1g : Thanks for your thoughts on this, very helpful! And what I "feared" 😄

@@stefanherzog Nina is more modern sounding in my opinion but it is a good “modern” with its own character. I haven’t gotten the vintage drifty vibe out of it yet but then I haven’t really tried too much. The E7 like the Murmux is instant drifty vintage 70’s without even trying.

Well, I truly love underdogs and this one seemed like it was passed over. I had a moog one and it didn't scratch the itch because of the variable wave shapes and something was strange about the gain staging. I Love combining the wave shapes. And I love the way Sequential synths hit the filter with drive and feedback. I have a studio Electronics Se1, which is probably my favorite mono and This really feels like the poly version of that. So I felt like Taking a chance and it's an unreal machine. I'm Strongly Considering buying the desktop also to chain. A Twelve Voice Trigon would be unreal. I think every synth you mentioned is a complete winner and equally as wonderful. I just wanted to take a chance and I connect very with it. I think this answers your question.

ruclips.net/video/jsZcJCiHjQs/видео.html

​@@JeremySHGriffithvery interesting point of view, thank you !

​@@JeremySHGriffithDo you think it can do Minitaur like bass ? If so, I would almost be sold because the Minitaur is one of my favourite bass synths 🙂

@@villavide I cannot speak to the minitaur but I think it can get close. Especially when you combine the saw and Triangle and get that shark tooth wave. There is no doubt it will be different in someways, there is no avoiding that from company to company. But it does all the things I love in one box. I do wish it had one more LFO. Then it would be perfect. That being said U could run and lfo Via midi cc. There are boxes like the LFE. That work with Trigon. So many amazing options out there. I would say this. I would keep my minitaur and buy a trigon.

lol sweet

This is my Preset:)

Amazing patch. Do you sell patches? :)

@@sonolumina I have a moog one preset pack I sell. And Im planning one for the quantum as well. Just takes time :)

Been a little bit since I made this video. I would imagine maybe its a combo. I just use Eventide Stomp Boxes. The Waldorfs efx are pretty good though. The verb is great but always sounds like the strymon Chorale Algo. But its nice.

Honestly, Both of those synths are just so unique with how they sound that I think comparing them isn't a good decision. The moog one is a lot of synth but like I have always said, its not immediate. And my moog one had trouble with the timbrality. There was just so much going on. But I loved programming it and it was really fun. The waldorf although mostly digital, has its own sound. Waldorf is really great at having an identity in my opinion. The Waves, PPG, Xts, Qs, ETC ETC. There is a reason people dug them. And yes they did so much before plug ins were powerful. But they had a sound and that sound to me rips. And I think in the end is the reason people really enjoy them. I think Both synths offer different things that are very enjoyable. The reason I like hardware is I just enjoy the tactile aspect of it all. I mix records for a living so using soft synths can be hard for me at times. But I think they are amazing too. Falcon, OBE, PIgments, That shit is nuts. If I had to be honest thought. The warmest synths I have right now are my OBX8 and my Trigon 6. If we are basing it on analog gooooo. But the moog one and MK2 can do it also. But all four of those are different and do completely different things. I love that Im able to have all of them. They all give back to me in their own way. I'm not sure if this helped at all. But if I had to choose. I would probably go Waldorf Mk2. It does everything really well.

@JeremySHGriffith Would you put the MK2 over the Prophet X? My goal os to take samples and key them up on the board and use the digital and analog filters to give the sounds more characteristics.

@@santanakcre8ivecontrol809 I dont have any experience with the Prophet X. But Imagine they are very different.

Let it rip...