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Will you be doing Whistler's Palette?

Tuymans didnt paint the actual rabbit because he cant... he's technically inept. An overrated painter with no imagination who just got lucky.

love the emerald green and UM blue mix

is he saying killers?

Very good.

Thanks for your comments Mixing colour is like playing music. After years of practice you tend to know what happens when you mix a combination of colours. Colour theory helps to speed up learning. Have a look at my colour theory videos if you want to improve your skills.

Thanks. Yes he’s the best isn’t he Cézanne. It’s like football. Messi is the best. I like what you described about the flat and the spatial in the picture. And how he added dabs of a unifying colour to unify the picture. It’s the same with the blues in his woman with the coffee pot. There are bits of blue all over the painting and all over her, which sounds weird, but it looks right in the picture. You mix the colours like magic. You obviously know in advance what the mix will turn out like.

Nice video! Will you be expanding on these to include more artists?

Loved this! Inspired me to make the palette! Ever finished this one? Really curious how you would go on about and finish a painting lime this

Finally, someone simplify color mixing & demonstrates the how/why color changes once applying to canvas.…thanks Ian…please come back to doing RUclips 🙏💖 USA 🇺🇸

Do you have an email…do you critique work for a fee 🇺🇸

no naples yellow??

miss your uploads !

Thanks for sharing. Beautiful colors.

PARABÉNS PROF. GOSTEI MUITO DE SUA EXPLANAÇÃO.

Thank you so much. Im from Brazil and impossible to find such a good content here, greetings.

Cezanne drained some of the oil out of the tube paint by putting the paint on paper . The paper absorbed the oil . Monet did this too, and so did I . The paint becomes quite stiff after this , so he used turps to thin it down . He did not blend . Strokes side by side . It took him over 170 ( ? ) sittings for a particular portrait. His earlier work was not done in this fashion. Because his paint did not contain much oil , it did not crack , or not as much. Oil in paint yellows the pictures, less oil , less yellowing. I don’t think he painted like you at all. No he did not .

Many thanks. Very efficient. I love your sense of color. Do you produce any video today? I hope so.

Loved that😊

beautiful work

Have you switched to another platform or just stopped making videos? I was looking forward to your Zorn palette video.

Sam you are a genius. Pay no attention to the professor do nothings in the comments. You sir have inspired me beyond the precipice of getting stuck in. Thank you so much for your time.

❤

Thank you!

Love your content Your videos are so inspiring and helpful❤Thank you

So happy to have found you!!!!

Excelente!!

I have just come across your videos Ian. Thankyou so much for posting this, it explains everything so clearly to me. I have been painting on and off for many years and no one has ever explained these concepts as logically as you have. I can’t wait to get home and practice! Thankyou

not even close

Very underrated channel, this is closer to the James Gurney video quality teaching than most other i've seen on youtube

Can you write the names of the colors more clearly please? Hard to hear the names of the colors with your wonderful Accent.

I think he uses a more runny paint. He does watercolor studies before his paintings if I understood correctly.

VACINA!!!

Thanks so much for the insights Ian, I am loving your series, just wondering which brand/s of oils you work with. Cheers, Anthony.

I like the vids. Even if they’re old

You should do a vid on ground

I thought to myself there will be no videos on Hopper’s color technique and low and behold some dude appears. Thank you

I return to this video again and again, so educational. Love how you mix the tech topic with interesting remarks regarding different painters and art in general. Thank you!

Thanks. It was interesting to think about the values in the eye area!

I should trust myself more. When I was analysing Cezanne I've seen those black paints in hi work that looked really dark. But I've been thinking, can't be black, he was mixing it to get it. It's what we've been told it's no, no. I've also noticed lots of hard thin black lines in some of his work, like he was using black or dark blue ink for underdrawing. Does anyone knows anything about that? Thanks for the video, by the way.

Absolutely, never understood why people waste their time with a profuse pallete. Best research you can do is to understand that all full color printed materials are made from 4 inks: yellow, cyan,magenta and black.

This whole "no-black is better" myth is disarming a lot of people of ton of possibilities, as well the black is so expressive. Of course some people treat shadow=black and if badly executed the effect is off putting, hence it's helpful to take this pigment off the palette.

Could you please share What you use to mix emerald green? Or do you talk about it in earlier video?

Tissot and Manet used black...

So good. Great Vídeo. Thank you so much

Hi Ian, how do you reduce (or increase) the value of a colour without losing colour intensity/chroma? Very confused about how to adjust value but maintain the same colour intensity. Are these two different techniques?

Respect bro.

This is excellent - learned so much from this - thank you!

hi, what is the brush used to create those brush marks?