Видео

Very helpful video. As a note for next time, when you zoom into tools like at 2:56, keep the background the same brightness and unblurred. You want to point the focus on the sliders, but they are big enough, I see them, but it'd be very beneficial if we could see the actual changes the sliders are making.

So much great info in here! Do you have a link to those boa bags?

Wow, this video is incredibly insightful! Learning how and when to use boom stands on a set will be a game-changer for my shoots. Their versatility is unmatched-you can get the perfect lighting and angles without cluttering the floor space. This video breaks it down so well and makes it easy to understand. I highly recommend that everyone master this skill-it's totally worth it! Thanks for sharing such valuable tips!

Mole is a sauce. MOLLE (pronounced Molly, like the name) stands for Modular Lightweight Load-carrying Equipment, and only refers to the pouches. MOLLE attaches to things with PALS (Pouch Attachment Ladder System).

Great video! Thank you for the knowledge of these pack. What kind of cable does it need to sync the pack with air sync?

This video is a lifesaver! Color grading has always been so intimidating for me, but your clear explanations and step-by-step guide have really helped me overcome that hurdle. I feel so much more confident now. Thank you for making this complex topic so accessible!

Absolutely love this video! The 50mm prime lens is such a fantastic choice. Your passion for it really shines through, and I couldn't agree more with everything you said. It's my go-to lens for capturing stunning portraits and everyday moments with such clarity and beautiful depth of field. Thanks for sharing your love for this amazing lens!

The integration of Generative AI into Lightroom's Remove Tool is nothing short of revolutionary. It's like having a digital artist embedded in your software, capable of flawlessly removing unwanted objects and seamlessly filling in the background with stunning accuracy. This technology not only saves time but also elevates the creative process, allowing photographers to focus on their artistic vision without being bogged down by tedious editing tasks. The potential for innovation and creativity with this tool is truly mind-blowing, and I appreciate you being the shepherd in the valley of darkness when it comes to new Adobe updates.

Great video! Very informative! Can a sony 6300 be tethered on capture one?

My real question is about presets. Can capture one use lightroom presets? If it does I can finally stop pirating Lightroom once and for all.

I've always felt the 50 is MEH. So, I bought one (Sony 50 1.2) and used it for almost a year (last year) to see if that opinion changed. The beginning of this year, I sold it. I still feel it MEH. It's a jack of all trades and master of none.

When I right click on the photo, only the "Remove from Collection" option appears. When you click on the "Photo" section in the menu above, the options "Remove from Collection", "Remove Selected Photo From Collection", "Remove Photo From Catalog" and "Delete Rejected Photos" appear. I cannot delete photos from Disk.

You earned yourself another subscriber. Great video

Great Video 😊 Thanks

Great video, just wanted to chime in on the last bit at the end, although ignore me if you've figured it out since!😆 You *can* edit multiple images directly at once, but you have to use the "Speed Edit Keys", you can't just use the sliders. This caught me out for ages as you would think "Edit Selected" would do just that but it doesn't, which is silly I agree. But when you use the "Speed Edit Keys", by holding down the shortcut key (E for brightness for example) and *then* use the slider you want to adjust (or the arrow keys), you can adjust all the images you have selected at the same time. I don't know if it works on every adjustment, but it will with the ones that have keys assigned. The default keys for the "Speed Edit Keys" are in a sub-menu in the Keyboard Shortcuts menu. It still doesn't do everything that LR's Auto Sync does, like the metadata stuff, but you can at least multi-edit. C1 is kinda bad at telling you that this stuff even exists to be honest. p.s; in one of your other videos you talked about being able to set star ratings but not color ratings on multiple images at once, again if you use keyboard shortcuts for the colours it'll change all the photos you've got selected together. Clicking to change will only affect that one photo. I can see the logic as to why, but i wish it was a bit more obvious.

A small note about the 35 being close to a 40 field of view but a little wider.... If you ever make prints in the old formats, 5x7, 8x10, the 35mm excels. The side cropping means the 35 performs like a 40 does in the 2x3 format of the sensor. Please don't take my 35mm away! You already took my Kodachrome!

Did the same, but didn't go so far back in time. I picked up a used Pro-10 pack and a ProHead. Totally agree that the flat-face monolights are great for travel and work will with certain modifiers. But they're no match to a pack & head system across Profoto's full line of modifiers. Pack heads have an exposed flash tube that do a much better job filling larger modifiers. The flat-face units already have a built-in reflector that works well, but also limits its ability to fill a modifier larger than about 36-inches. Also a caveat on Profoto ProHeads... In 2023 Profoto changed the connector end on new ProHead production to meet EU requirements. The new connector still works with Pro-8 thru Pro-11 packs, but not with older packs. This also applies to old vs new ProHead extension cables.

What about on a crop sensor?

Excellent information. Thanks

Terrifically useful video RS.

Helpful = YES

Very good video

Great and informative video! I have a 24mm and 50mm prime lens. I wish I had a 35mm on many occasions.

Nice run down on both focal lengths! I love those two prime lenses and own both as well.

Damn! Brilliant

Oh! I'll go put that 35mm on order!

"In Capture One 16.3.4, you can copy unchanged Subject Mask and Background Mask Layers to other images, and Capture One will automatically re-calculate what the subject or background is."

HORIBLE EDIT IN CAPTURE ONE PHOTO!!!!! WTF IS THAT?? WHITE BALANCE IS INCORRECT

I looked at the blur tool but wasn’t sure how it worked. Your explanation was wonderful, time to experiment. Thanks!!!

Liked, followed and subscribed

Maybe it’s just me but the spot removal tool in Capture One is inferior to Light Room Classic

Muchas gracias.

How about this idea similar to what you did in this video. Use the point curve for contrast set as "medium contrast." Then save the adjustment as a user preset only saving the "point curve" with the amount slider. Then when you select the preset, you can adjust the amount of contrast using the preset slider.

Great tip never thought of using masks in that way and as an add on you can turn that into a preset to add to any other image in one click with full adjustability.

2-1/2 minutes and I have no idea where you're going or what you are talking about - the big "Secret Feature". Gotta go somewhere else to spend my daily hour of LR/PS learning. Please get to the point. 2-1/2 minutes is more than generous on the part of your audience.

Did not know this! Great tutorial & thankful you shared. Fairly new with LR & a slow pace, however, tutorials like yours are a game changer.

Why would anyone compares Light room with Capture one? Do you compare BWM vs Kia? too many crack heads

Great video, you have a new subscriber 🙂

Nope Adobe is dead long live Affinity or Gimp or Luminar Neo

Did not know that, great valuable info.

Thank you so much for sharing this.🙏 you make my life easier👍

Excellent tutorial, thanks a gazillion 👍

Thanks for sharing ! I hadn't looked to masking this way. I usually do the global adjustments not overdoing it and use masks to desaturate parts of the image. I'd keep this in mind next time, thanks

To select / create your layers, rather than using the dot/invert/fill in dot, it is much easier simply to use a gradient pulled away from just outside the edge of the image holding shift to keep it straight - then the whole of the image is immediately selected for the mask.

So using masks as adjustment layers as you would in PS - brilliant. I shoot fine art and print and prefer to work in Lightroom direct from my camera files as the difference between contrast and saturation can be quite subtle for printing.

Fantastic tip!

great!, new sub :)

Nice video, I like new ideas and great tricks and tips. This is one of it. 👌

Fabulous tip, thank you, I will start experimenting using these masks and expect they will become the starting point for my post work. 🙏

I am truly grateful for learning about the ability to now separate Contrast from Saturation in Lightroom. This new feature has significantly enhanced my photo editing process, allowing me to achieve more precise and nuanced adjustments. By independently controlling contrast and saturation, I can now bring out the best in my images without compromising on quality. This improvement has not only streamlined my workflow but also opened up new creative possibilities, and for that, I am incredibly thankful for bestowing your knowledge upon us!