- Видео 8
- Просмотров 25 728
Rick Wetting
Нидерланды
Добавлен 12 сен 2013
Colorist based in the Netherlands.
Dehancer Review: Exploring Film Emulation for Color Grading
In this video, I review Dehancer, a film emulation plugin designed to bring the look of analog film to your color grading workflow. From its extensive film stock library to unique film effects, I'll demonstrate how it works and share my thoughts on its capabilities.
The Dehancer Colourist Awards are now open! Submit your best work for a chance to win amazing prizes. The submission deadline is December 16, 2024-learn more here: www.dehancer.com/awards/2024.
Want to get Dehancer? Use my promo code RICKWETTING at checkout for 10% off! Get it here: www.dehancer.com/shop/video/davinci_resolve
00:00 - Graded with Dehancer
00:30 - Intro
00:54 - What is Dehancer?
01:09 - What I like about Dehancer
03:06...
The Dehancer Colourist Awards are now open! Submit your best work for a chance to win amazing prizes. The submission deadline is December 16, 2024-learn more here: www.dehancer.com/awards/2024.
Want to get Dehancer? Use my promo code RICKWETTING at checkout for 10% off! Get it here: www.dehancer.com/shop/video/davinci_resolve
00:00 - Graded with Dehancer
00:30 - Intro
00:54 - What is Dehancer?
01:09 - What I like about Dehancer
03:06...
Просмотров: 697
Видео
Save Time with Powergrade Shortcuts & Default Project Settings in DaVinci Resolve
Просмотров 1,6 тыс.2 месяца назад
In this video, I’ll show you how to set up Powergrade shortcuts in DaVinci Resolve, a powerful trick for saving time and speeding up your workflow on new projects. Powergrades let you quickly access and apply your go-to node trees and CSTs, making your color grading process much more efficient. As a bonus, I’ll also demonstrate how to save your project settings as a default, ensuring every new ...
Node-Based Color Management in Resolve - Quick Setup Guide
Просмотров 4,3 тыс.2 месяца назад
Learn how to set up Color Management in DaVinci Resolve with nodes! In this tutorial, I’ll show you my exact steps for configuring color settings, grouping clips, and efficiently managing color for real projects. Ideal for those who want a straightforward, practical setup without deep dives into color theory-just fast, effective methods to get you grading like a pro. 00:00 - Intro 00:23 - Proje...
Testing out my new iFlight Protek35 with GoPro Hero 10
Просмотров 1622 года назад
First few test shots with my new cinewhoop. Filmed at 5K (4:3) 24fps. (Hypersmooth disabled, High bitrate, Low sharpening, Min and max ISO 100, Shutter 1/384 (for locked exposure), Flat color). Stabilised with ReelSteadyGo. Equipment: GoPro Hero 10 Black iFlight Protek35 Analog 6S TBS Mambo Some cheap Emax goggles Music: Machinedrum - Ur2yung #fpv #cinematic #drone
My Alternate Realities Challenge Submission
Просмотров 6033 года назад
My submission for Clinton Jones' Alternate Realities Render Challenge. Had a good time making this and learned a lot about procedural textures and stuff! #alternaterealities #blender #pwnisher
Blender Eevee Realistic/Cinematic Render Test
Просмотров 17 тыс.3 года назад
Statue asset from Sketchfab: sketchfab.com/3d-models/vestalin-210a5ec23ada407ea87d2c7b5b948771 Other assets taken from the Quixel Megascans library: quixel.com/megascans/ Add-on I used for the lighting: blendermarket.com/products/physical-starlight-and-atmosphere (Really great add-on! Definitely recommend it!)
Good trick the part about, going to the timeline. Keep them coming, Thanks!!
Pretty good review of this plugin 👍 For everything else you need regarding color, there are a few tools in Davinci Resolve that might come handy 😉
Thank you for an incredible video and your honest thoughts! We can't wait to answer your questions about Dehancer.
Hey man, really nice review. Might have a project soon I which I could use this. Will make sure to use your code when it comes to that. Are there any other plugins that you use on a regular basis in Resolve?
@@DutchCruelty Thanks for the nice comment! I use Contour for my look development on pretty much every project!
The fact that you only have 271 subscribers is insane to me. Very detailed video about the plugin, thank you :) The intro looks amazing btw
Wow, thank you so much!
Thanks for the review, Will probably get this plugin!!
Dope!
great video bro...
Very informative thank you!
well done, delighted to see the powergrade set up
Great video once again, keep up the good work!
Thanks for investing ur time into this video, very helpful.
Thank you so much for this video! The Powergrade shortcut setup is a total game-changer-I can't believe how much time it saves! I especially appreciated the tip on setting up default project settings, which I didn’t even realize was possible. You've really helped make DaVinci Resolve more accessible and efficient. Looking forward to implementing these tips in my next project!
I’m new to DaVinci and video editing, I’m sure I’ll learn a lot from you. Do you have any advice? Thanks!
Nice video bro. If I’m not mistaken since you’re TL color space is davinci wide gamut there is no need to CST from log to wide gamut just got from log to rec 709 and whatever you doing the Timeline tab before CST will be in davinci wide gamut color space.
Your footage will not automatically be transformed to DWG, unless you're using DaVinci YRGB Color Managed (in which case you wouldn't need CSTs at all). Sure, you could skip transforming to DWG and still grade it in a DWG timeline, but you will be lacking some proper math in your color workflow, which can cause inconsistencies.
@@rickwettingcolorohhhh, okay then gotcha. So would this work if the timeline color space is rec 709 instead of DWG or should the timeline/project color space always be DWG? And a problem I was having was I would change my project color settings but my timeline color settings were different so I had to go to my timeline settings and make the changes because the timeline color settings override the project color settings.
@@Theaaronchris Sure, your timeline color space can be Rec709. This will mean you are grading in a Display Reffered enviroment., rather than Scene Reffered. It's just important to know your color pipeline and have it properly setup. I like to work in DWG, because it retains all the data of Log footage and makes it easy to also output to other color spaces when necessary and the tools I use are designed for DWG as well. Your timeline settings can be linked to your project settings, but if you have independent timeline settings that override your project settings, you do need to be aware that your project settings do not influence your timeline. You can go into your timeline settings and check the 'Use Project Settings' box at the bottom.
Thank you for the clear and concise video. One question: Is it "ok" to use the camera's native gamma and color space for the timeline if we want to use a particular LUT for that particular gamma and gamut? For example: 90% of my footage is shot in Panasonic V-LOG, and there are one or two LUT's designed for transforming V-LOG in to Rec 709. So do I lose anything by putting that conversion LUT at the end of the pipeline and doing my grading with the timeline set to Panasonic V-LOG? (I realize for the other clips that I will have to do a CST, but that is ok with me). Is working in DaVinci Wide gamut / Intermediate that much better than using the camera's specific gamma and gamut for the timeline? Thanks in advance.
Thank you for your comment! It is fine to work in Panasonic V-Log instead of DaVinci WG/Intermediate. Especially if you have a LUT with a conversion from Panasonic V-Log to Rec709 it makes sense for your workflow. As long as you've got your color management properly figured out and set up, you're all good to go and it sounds to me like you do! I personally prefer working in DaVinci WG/Intermediate, because I have certain tools that are designed for that color space.
@@rickwettingcolor Thanks for the follow up. Yes, I understand what you are sying about using tools that are designed for DWG / Intermediate. I have a few DCTLs myself and I think they are designed to work specifically with DWG / Intermediate.
thanks ! we want more ahah
thank u I will be grading myself soon, very helpfull for starting out!
Great! I will wait the next video. Can you make a video for color grading Braw? Thank you.
I will wait the next video for color grading. Can you make video for color grading Braw? Thank you.
Thanks for sharing. Great info. Are you planning on doing more DaVinci tutorials?
Thank you for the kind comment! Yes I will be doing more DaVinci Resolve tutorials in the near future. I'm planning on doing some tips & tricks tutorials to speed up your grading workflow, but will most likely do some more in-depth grading tutorials in the future as well!
Can you explain this is better than using DaVinci color management and letting it automatically detect the color management for you?
It gives you more options for your DRT's. For example: I really like to use Juan Pablo Zambrano's 2499 DRT (this is a DCTL that brings me from DWG to Rec709, with more filmic characteristics). Also for the project I have in the video, I had an export of the entire film, which means all the clips are from the same source file. DaVinci YRGB Color Managed wouldn't be able to recognise the different color spaces, because all the clips are from the same single source file.
Great content! Are you planning on doing some more in depth tutorial into grading? Really interested in seeing what your way of working is for skin tones for example!
Thank you! I am planning on making more content in the near future on varying topics in color grading. Stay tuned!
Thank u for blessing the community with such great insight!
If you want to learn more about Color Spaces and why you need to manage your color workflow, I recommend watching this video by Team 2 Films: ruclips.net/video/w0ubDSzEEYg/видео.html
Excellent Work!!!
Wat een movement
how you do dat in Eevee
wonder how ssgi would do on this
Wow, man!! I can not achieve realistic results with Eevee. I'm making a film with cycles and it takes forever to render!
For anyone wondering how I achieved this or willing to do the same, I basically just followed this tutorial by Pranjal Choudhary: ruclips.net/video/mnAlXbtJvtQ/видео.html It's actually really simple, I even left a couple things out. Check out his video!
You have to tell me how to achieve such great lighting in Eevee. How many lights did you use in total? Did you do some node tricks with the world shading?
Really did nothing fancy! It's just photoscan assets, a volume and the Physical Starlight and Atmosphere add-on for the lighting!
Dang, looks great!!
Wow that amazing
Goddamn
Wow how.
What are you render settings this looks great
Thanks man! Nothing special really. Just standard Eevee render settings with motion blur and some grading in After Effects.
this is Eevee???? wow...
Mannn.... So this is eevee true power
what are the pc specs/ render time?
Oh man I've no idea of what the render time was anymore, but not that long as it's rendered in Eevee. I'd guess about 10 minutes. PC Specifications are: AMD Ryzen 7 2700X, 16GB RAM, GTX 1060 6GB.
Imagine this rendered in cycles!
Then its still rendering...😆
@@saranshafiq2898 oof xD
Ahhh yes, grab random shit from megascans, slap volumetrics and call it a day. nice one. nice one
unsubscribers are lame
fantastic man
Subscribe go on daen
Looking good! You got yourself a new subscriber!
unsubscribe
dogshit
Wow it's just amazing how good this is, I mean eevee can be a headache while making realistic stuff.
Did you use any lighting add-ons or this is a default setting?
The lighting is done with the Physical Atmosphere addon and I added a volume and blocked off the light at certain areas to create the lighting rays!
damn that's neat bro
Thank you!