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Guitar Moderne
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Добавлен 19 июн 2011
The Anthony Pirog Interview II
Anthony Pirog is a modern guitar hero on the level of his heroes Bill Frisell, Nels Cline, et al. In some ways he transcends them in his ability to deftly navigate a variety of genres-Jazz, Rock, Noise, Country, Ambient-genuinely but with his own take. At the time of this interview, his latest release is a collection of ambient guitar duos with Nels Cline, John Frusciante, Luke Stewart, Andy Summers, Janel Leppin, Brandon Ross, Wendy Eisenberg and Ryan Ferreira called on Otherly Love Records, The Nepenthe Series Vol. I.
Просмотров: 676
Видео
The Oz Noy Interview
Просмотров 60510 месяцев назад
Oz Noy and I go back 20 some years. From the beginning, it was obvious that he was unfettered by the limitations of technique-the guy could play anything from SRV blues to avant sonic explorations. We talk about his new record with Dennis Chambers and Jimmy Haslip, the second Ozone Squeeze record, and much more. Please check out my sponsor www.redpandalab.com/ for some of the best sonic explora...
The Adam Levy Interview
Просмотров 420Год назад
I talk to Adam Levy (Joey Baron, Nora Jones, Tracy Chapman, Vulfpeck) about his terrific new record "Spry;" what it means to be a modern guitarist, how you develop your own voice on the instrument and a bunch of other stuff. www.adamlevy.com/ www.guitarmoderne.com/ www.redpandalab.com/
The Harry Christelis Interview
Просмотров 337Год назад
We live in a world of post Frisell-ian guitarists. A couple of generations have grown up influenced by his use of space and effects. His influence shows more in some than others and his style is so identifiable that it can be hard to find a unique identity under his musical spell. British guitarist, Harry Christelis has managed that feat, learning all the right lessons while carving out a sound...
Markus Reuter interview
Просмотров 733Год назад
Happy New Year. My interview with Markus Reuter is long overdue. He has been a major part of the modern guitar community for decades, from his brilliant work with The Stickmen and versions of King Crimson, to his recordings ranging from ambient to prog, to his terrific podcast featuring a number of modern guitarists. He has worked with Tim Moetzer, Adrian Belew, Robert Fripp and Mark Wingfield ...
The Second Jonathan Crossley Interview
Просмотров 291Год назад
I interviewed Jonathan Crossley a year ago and described him as the poster boy for modern guitar, due to his experimentation with haptic control. He is now focusing on laptop software to create aleotoric loops with which he and his trio can improvise. I highly recommend his new record, Inhale and that you go back and watch the first interview, either before or after. Also please patronize my sp...
The Seth Andrew Davis Interview
Просмотров 2742 года назад
While many mainstream guitarists were bemoaning how live gigging thing was ramping up too slowly, avant-garde picker Seth Andrew Davis was doing 50 gigs in the first six months of 2022. Even more surprising, he is not based in the new music scene of Brooklyn but in Kansas City. How is this possible? Check out our interview and find out. Go to www.guitarmoderne.com/ for more content like this. P...
Vernon Reid Talks FutureFret 'n' Stuff
Просмотров 3722 года назад
FutureFret; Episode One is happening in Asbury Park on May 14th, 2022. If you are nearby don't miss it, but even if come to this video after it is over, it is looking to be ongoing in some form. We talk about that and many interesting things. Go to Guitar Moderne to subscribe and see more about the frets of the future. FutureFret tix: wl.seetickets.us/event/FutureFret/471509?afflky=ElmThreeProd...
Future Fret
Просмотров 2272 года назад
A Mount Rushmore summit of modern guitarists. This a a promo for an event taking place Saturday, May 14th where Vernon Reid and Chris Buono debut FutureFret - a collective of panel discussions, masterclasses and live performances centered on forward-thinking concepts for the modern guitarist. Hopefully, this will be an ongoing collaboration. More info at: www.guitarmoderne.com/ Get tickets here...
Rafiq Bhatia Interview
Просмотров 5892 года назад
Rafiq Bhatia is poised to become a force in modern guitar. His trio was the best guitar-based show at the last Big Ears Festival pre-Covid. And that festival included shows by David Torn and Bill Frisell! Check out his record "Breaking English." He is also in a band called Son Lux that released a three record project in 2021: Tomorrows I,II,& III. If D'Angelo and Bowie had a baby, it might soun...
The Joe Gore Interview
Просмотров 3,4 тыс.2 года назад
Joe an I go back decades. He is responsible for jump-starting my career as a music journalist. He has played guitar with PJ Harvey, Tracy Chapman, and Tom Waits, been an editor at Guitar Player Magazine and Premier Guitar, worked on guitar-based things for Apple's Logic, and designed pedals. He just released his terrific first solo record, Falling Through Time: Music From The 1300s. A collectio...
The Samo Salamon Interview
Просмотров 2412 года назад
Move over James Brown, Samo Salamon go down in history as the hardest working man in show business. He has written over 300 compositions and recorded 35 albums as a leader to date. Last year Salamon recorded two terrific albums of Covid-required remote duets, and begins this year with an album of solo, acoustic guitar performances of works by Eric Dolphy. He has also posted over 150 RUclips int...
Andy Summers Interview
Просмотров 4,2 тыс.2 года назад
A few years ago, I was contacted by Andy Summers’ publicist about interviewing him about his then new record, Metal Dog, a masterpiece of modern guitar mayhem. Now he has a new book of short stories, Fretted and Moaning, and a new record Harmonics of the Night, so it seemed like a perfect time to chat again. We spoke in general terms about gear but he was kind enough to also send me a more spec...
Seth Lee Jones Interview
Просмотров 8963 года назад
Guitar Moderne occasionally features what we call Roots Moderne players: guitarists who have pushed a genre's envelope. Seth lee Jones was pitched to me as a blues guitarist, but when I checked him out on RUclips he was using multiple string-benders, picking behind the nut, and generally bringing the blues forward. Please go to www.guitarmoderne.com/ and click through to our sponsors www.earthq...
Marc Ribot Interview
Просмотров 7 тыс.3 года назад
I have wanted to talk to Marc for a long time. As we discuss, we were playing the Bleecker Street scene at roughly the same time when we were both working as sidemen in the Seventies. Both is book, Unstrung, and his new Ceramic Dog record are terrific, and highly intertwined. We talk about that and a lot of other deep musical and highly humorous stuff. Go to www.guitarmoderne.com/ for more Ribo...
Joel Harrison and the Alternative Guitar Summit/Camp
Просмотров 3133 года назад
Joel Harrison and the Alternative Guitar Summit/Camp
Very good vidéo, helpful, bravo😊
Thanks
Monster player AND singer AND guitar builder!!!!
love it-----thank you
Very interesting interview ! Thanks a lot for this. Adam Levy 's playing and in-dephts views are so inspiring! And glad I discover this Channel. Adam mentioned a gig in Marseille at the end of thé vidéo , do you know more about it ? ( It's not mentioned on his website ) thx!
Thanks so much. I don't knw any more about that gig.
I had the pleasure of seeing Oz jam with Ugonna and Ray a few times in Riverside Park. Oz lives in my hood. Chocolate Souffle rules!
Benjamin Whorf did that work. Not Noam Chomsky.
It is he. Not it is him.
it's a great interview thanks for doing this
Thanks you for watching.
Hmmm, is it somehow more authentic to play old classical musical while scrunching up your face rather than blues? Oh man I fell the classics and you don’t feel the blues… is that it? Sounds like bs
I agree. Unfortunately, there's very little under the sun that actually new in any period of time.
I saw Harry last night at Peggy's Skylight in Nottingham. I wouldn't have known about him without this interview, so thank you, Guitar Moderne!
That's great Dave. It is why I do this.
Love Raoul’s play and writing. Especially "The Sky Is Ruby". What a high head!
It's Mc - GLOCK - lin not Mc - glauf- lin. OK thanks,I'll see myself out
I just bought a Klon clone haha love you Joe!
Awesome! Thanks guys
Wait wait wait wait wait... JOE SPEAKS ?!?!?!
Very cool. Learning stuff!~!
Thanks Chuck. Good to hear from you. Joe is a fount of knowledge. Hope you and Steph are well.
Several YT channels proclaim that nothing new is happening. These "why do all modern jazz artists sound the same" guys are often primarily about affirmation of what they already know and not really into expanding at all. It's way more of a buzz to hear players like Mary Halvorson, David Torn and Brandon Seabrook than it is to just like what you know and know what you like. Three Layer Cake completely confounds expectations of what you might anticipate from Mike Watt. It's also a gorgeous sounding record...really astounding on a good playback system.
Cool-thanks!🔥❤
I love how Maestro McLaughlin credits both Coltrane and Hendrix as lifelong inspirations. Wonderful interview!
When was this recorded?
A year ago
The last two Talk Talk albums were Spirit of Eden (1988) and Laughing Stock (1991). These were the two albums that were recorded using multiple session musicians often playing small parts of a song which Mark Hollis and Tim Friese-Greene then took away and edited into complete tracks. The Colour of Spring came before these two in 1986 and features David Rhodes - a good candidate for a Guitar Moderne interview!
Great interview. I'm a big fan of John's. Especially The Mahavishnu Orchestra as well as his work with Miles Davis and The Guitar Trios he's played with over the years.
Thanks.
@@hoagyguitarmichael I've got to check out the band you were talking about with John, Joey De Francesco and Dennis Chambers. I first discovered Dennis on the Steely Dan live album Alive In America. Fantastic drummer.
Great interview Michael!!! John is my greatest guitar hero, and great influence in spirituality as well. I have to disagree with both of you however. That Johnny Smith with the sony preamp sound is a little off-putting for me. I has a "sour" sound with a lack of articulation to my ears. However it is only that Johnny Smith guitar sound of John's that I don't like, all the rest in his entire career I love, including the guitar synth sounds. His tone on the early Mahavishnu albums is among the best ever!
Thanks. To each his own.
@@hoagyguitarmichael Thanks Michael. I really tried to like that sound. As you mentioned it was used on the album with Elvin J and Joeu D. Along with several other albums. And I didn't know that he didn't use an amp with it but instead went directly into the PA. As a guitar player, I can see how that is not a typical set-up that normally produces good sound. To me it lacked dynamics and articulation, which took away from the sffect and impact of his machine-gun-like picking. Then it had a peculiar sound that I describe as "sour". The sound is interesting, but not guitar-like, nor beautiful, IMO. Interestinly of late I have been able to open up my ears to get what other people such as yourself like about it. But in the past, as a fanatic of John's, I was quite disapointed with it. To reiterate, great interview - it really allowed me to understand John as a muscian and person better- Just found your channel. I also watched one of the Bill Frisell interviewa which was fascinating!
@@pjjmsn That is where we differ. I was never a fan of his early rock tone; I felt it lacked the range and expressiveness of the other great guitarists of the time: Beck, Clapton, Hendrix. I loved the "sourness" and expressive quality of his Bigsby work later. Glad you like the Frisell as well.
@@hoagyguitarmichael Thanks Michael. It is interesting to try to put myself into someone else's ears. And I must admit that I haven't had the greatest ears with regard to setting up my own guitar tone iin the past although I have gotten better at it. I actually went back and did a little listening to his Johnny Smith tone again with an attempt to open my ears more. I think I was able to grasp better what you are describing and liking. And also what John said about the pickups being "wide". So I think I got it, but I still came away with the feeling that the guitar was somewhat unresponsive to his fingers and was not faithfully putting out the sound that his fingers were telling it to do. And, along those lines, there were more than a few dead notes, which, to be fair could have been him missing notes with his fingers, but it didn't seem to be. I was listening to his solo on My Favorite Things here: ruclips.net/video/FjPUrUI4_ek/видео.html&ab_channel=PavelLevin With regard to his old tone, a good example of what I was talking about was his solo on Dance of Maya from Inner Mounting Flame, starting at 4 minutes in.
Bill Frisell also did an album with Vernon Reid called smash and scatteration in the mid 80s that had a lot of guitar synth.
Bill used one for a while with Stone Tiger. John Abercrombie used one as well. Pat Metheny stuck with it and Fripp but few others.
Definitely one of the best guitarists ever! Plus he’s a really interesting person, and very polite and pleasant.
Really interesting talk!
Thanks
Great interview. Well done getting this legend.
Thanks it was so lucky.
He seemed to connect with you as a kindred spirit. Like you were a good friend
@@jasecole Nice of you to say. I think he responded to the fact I asked him about the Fender Mustang he was playing early on. He probably doesn't get asked that sort of thing often.
JM can Really talk! Like no other player
Great interview, thanks.
Wonderful discussion. Joe seems in fine form. Check at 1:46:59 as he reflexively gives the finger to his host...
Obsessed with that framed photo of him behind him.
Aww, the giant that is Andy! The ease with which he plays complex guitar chords is amazing. In my humble opinion, I think that his versatile talent, his superb technique, and his inner strength is what facilitated The Police to become who they are, and helped Sting & Stewart to blossom. A fabulous guitarist and his solo work is superb.
Beautiful!
Terrific interview … lots of insights here…thanks to you - both!
I think Shakti has been the best band McLaughlin has had. The music is stunning.
Such a great man and musican love him John McLaughlin has been a big influence on my life of music since I listened to him and the Mahavishnu Orchastra Billy Cobham was a teacher at a drum seminar I went to and I learned alot from him I loved their music very spritual stuff thank for the video God Bless yall bros n sisters peace n love to all
I'm lucky enough to see Seth play every Thursday...he really is phenomenal. Been a fan of guitarists and guitar music my whole life, and he genuinely stands out.
Fantastic interview.....John is s prince! And concerning George Benson, he did record with Miles in 1968, the tune called "Paraphernalia" off of Miles In The Sky.
Thanks and thanks for the info.
Great questions and great answers. I’m a student of Markus myself and this interview helps me to know him even better. I also had big struggles with the Chapman Stick and find the Touch Guitar to be a much easier instrument to play both physically and mentally. Markus is also an excellent and very patient teacher who I’m very grateful for.
Thanks. It was fun. Please spread the word.
This old fart makes a video and calls the Blues a cliche' genre'?? I'm pretty sure mr moderne has been in the closet too long.
Could be interesting to hear where Mclaughlin got the idea to use arpeggiated chords played with a pick, used in so many Mahavishnu tunes and some Shakti tunes . Its rather unique and very typical for his way of writing. And also his fashion for odd meters.
Really great interview.
Thanks. i twas a pleasure.
Thanks very much for doing this, gentlemen! Enjoyed this, and really digging what I've heard of Jonathan's work so far, thank to Michael.
p.s. - "Lost Tribe" was the NYC band you were remembering.
𝓅𝓇o𝓂o𝓈𝓂
probably the last interesting guy in blues music was SRV ...
very strange statement.
I saw this amazing guy, Seth, at Maggie's Music Box in Jenks and was completely blown away! Still blown away. Soo much talent, Soo humble. Love him🌠
seen JMcL recently few years ago in milan with fusion band, but he never played acoustic guitar with nylon strings,,probably because of the problems of different neck lenght, but the live london concert with trio and trilok gurtu was unbelievable! ciao from Italy-
You mean he didn't play non in that koncert? Because he played nylon strings during several phases in his career
great interview! thanks!
why not asked him how developed his style soo speedy and scales modes oriented? the greats in the 60' 70',kessel montgomery,ellis ,raney,farlow, played jazz guitar in such a similar style. he was totally different.! harmonically too with his chords. Remember" my goals beyond,"extrapolation,"devotion"and then indian records,and miles records.. and then fusion records. all played with same famous quick scales modes style. only one in the world with such a style together with larry Coryell too.ciao from Italy.
I think that has been covered in many interviews and I was more interested in some things I had never seen discussed.
Because he is, arguably, greatest. And so, as one of truly greats, he is completely original
excellent interview and discussion
Thanks Matthew