Видео

Per li coglioni = for those incapable of deciphering music without aids. In spoken Italian, saying that someone is a coglione means that they are inept, stupid, unintelligent and contemptibly naïve.

Sbaglio o fra gli “scarabocchi” che si vedono all’inizio si legge “Albizzi”? Potrebbe trattarsi del impresario del Teatro della Pergola di Firenze, Luca Casimiro degli Albizzi, con il quale Vivaldi ebbe diversi contatti. Potrebbe essere una indicazione utile per tentare una datazione più precisa?

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This is a lovely, virtuosic concerto. I also like having the autograph score scrolling. Many thanks.

Hai un grande gusto musicale per scegliere una registrazione dell'Accademia Bizantina con Dantone e una cantante come la Galou.

Sento solo della "tecnica bruciante" e una grande violenza alla scrittura vivaldiana Purtroppo solo per me!

0:51

Yo creo que Mozart se inspiró en estas piezas de Vivaldi... cuyos adornos se parecen mucho a sus composiciones. Sin embargo, hay que recordad que Vivaldi es anterior a Mozart.

Hmm. I didn't realize there were different ways to do Dixit Dominus. I got an album of this years ago and it sounded much more upbeat.

Viva i concerti per sua gloriosa maestà Cattolica di Don Antonio!

🧐 *It's fascinating how,* all though the manuscript is not written in *Vivaldi's own-hand* ... there is no doubt as to who composed the music? *It's typical Vivaldi.* 🤔 📝 😮 *Whoever transcribed this had really-good handwriting* ... kinda like *Mozart.* 😮 Hearing the *d-minor violins* reminds me of the *famous RV 565* 🎻🤔🎼🎶

Sicuramente scrittura giovanile del Vivaldi: Armonico in una sottile alternante disarmonia! Benevolmente lo comprendiamo e gli siamo grati per averci fatto conoscere sia il minimo che il massimo della sua libertà creativa..❤😊!

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Immenso; uno tra i massimi compositori della storia.

L'Estro Armonico is beautiful, way ahead of its time. Slow or fast, it really can't be destroyed. My preference is for the "dinosaur" recording, Christopher Hogwood and The Academy of Ancient Music. There is a problem with some of todays recordings of Vivaldi, that are just too fast, a good example is RV157 when this piece is performed too fast it almost losses what Vivaldi is conveying.

❤ ANTONIO LUCIO VIVALDI❤

Oof when they become trilling double stops.

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Ci si potrebbe anche in ventare nelle esecuzioni di tanti "Temi musicali" vivaldini una "Tempistica trattenuta? La sento e sogno immaginativamente come a riempire un vuoto inesplorato..come in questo concerto con molti" Istromenti" Mi riferisco in particolare all'Allegro iniziale, attraverso il quale vorrei immergermi nel 1700, ed esservi contemporaneo ed ascoltare la musica di Vivaldi... magari seduto in una carrozza traballante, tirata da cavalli di buona razza, docili e attenti agli ordini del Vetturino, ma meno docili al "Direttore d'orchestra" nel nostro contemplato "Caso musicale" In astronomia si fa accenno alla velocità della Luce per misurare la distanza nel tempo...ecc ecc ❤😊!

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Thank you very much. This concert was the first violin concert I learned when I was a child.

VIVALDI I LOVE YOUUUUUUUUUUU MY HEART IS ON FIRE

While generally much better than the early "dinosaur" interpretations, the tempo chosen by the original instrument groups tends to be far too fast for my taste, and likely too fast compared to Vivaldi's days. It's as if they're supposed to play as fast as technically possible, and perhaps worse, they're trying to show off! Many essential details of the music get squashed. Like Bach, Vivaldi sounds best with balanced tempos. Many will find this exasperating, but the 3rd movement in the following recording (5:54) sounds much better to me, with clear, imposing bass and viola lines: ruclips.net/video/0hTxvAyBp-Y/видео.html

I wonder what the original manuscript was like? It must have been great.

Such a revolutionary piece that even JJ Quantz was thoroughly impressed with the op. 3 set. I’ve missed you Del Vivaldi. I have this particular recording by Tafelmusik 😊 Thanks for the upload.

When did Vivaldi compose this? The originals are lost forever, and it only exists in this version. Perhaps it was a fresh composition, in 1711 when it was published - not widely circulated. It is certainly one of the more forward-looking concertos of the set. Bach did not transcribe it: it did not fit his idiom. Today, it is everywhere, a classic. And with good reason! A seminal work and as close to perfection as Vivaldi gets. I. Allegro (0:00) II. Largo (2:51) III. Presto (4:53) Composed: not later than 1711 Source: Estienne Roger No. 50, Amsterdam (1711) Tafelmusik, ‘L'Estro armonico’ Ellizabeth Wallfisch, violino solo Jeanne Lamon, direzione Analekta AN 2 9835

Tierce de picardie at the end of the fugue. No Bach!! The original minor final chord by Vivaldi is better.

Gracias infinitas, Del Vivaldi, por tanto. Loor y coronas de olivo para ti y para el gran maestro. La música, el canto, y esa partitura... Dios mío, cuánta belleza.

Gracias infinitas, Del Vivaldi, por compartir tanta belleza. En cada obra, el maestro Vivaldi nos abre nuevos caminos para el disfrute. Algunas piezas no las conocía y he tenido la oportunidad de saborearlas hasta la última nota. Albricias y coronas de olivo para el maestro y para ti.

An introductory section was struck out at the beginning of the manuscript. This deleted section can be heard in the following video: ruclips.net/video/8Q0pPObnppw/видео.html A copy of the concerto was sold to count Vinciguerra di Collalto on 28 June 1741, merely a month before Vivaldi's death; so probably a very late composition. I. Andante molto - Allegro non molto (0:00) II. Larghetto (6:21) III. Allegro molto (8:57) Composed: presumably not before 1734 Turin source: Foà 31 Concordance: 1:06 = RV 168 (1st movement) Europa Galante, ‘I concerti dell’addio’ Fabio Biondi, violino solo e direzione Glossa GCD923402

Thanks!❤😊

10:57 - 11:29 goes hard asf

Diálogo concertante fenomenal.

Sublime bellezza!! Might I kindly request the upload of Vivaldi’s Concerto for Chamber in D Minor, RV 96? It would be a privilege to experience your rendition of this piece as well. And again, grazie signor❣️

This is the most classical baroque piece I have heard

BRAVISSIMMI!! BEAUTIFUL !! ⭐⭐⭐⭐⭐⭐⭐

Are there any other early Vivaldi' s work available?

This is one of Vivaldi's greatest concertos. No one else of his time could have written something like this.

Gracias, Del Vivaldi, por compartir con nosotros estas maravillas del "cura rojo", un creador de belleza inigualable. Albricias y coronas de olivo para el maestro y para ti.

Cada pieza de Vivaldi es una maravilla y no nos cansamos de escucharlas. Menos mal se rescató su producción, de lo contrario nos habríamos perdido tanta, pero tanta belleza. ¡¡¡¡Benditos sean Vivaldi y Del Vivaldi!!!

Gracias eternas, Del Vivaldi, por esta maravilla sacada del inmenso joyero de VIvaldi, un regalo para la Humanidad. Y esa belleza de partitura, parece una obra de arte. ¡Aleluya!

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Qué belleza oír todo esto qué excelente realmente Vivaldi es un genio como ya dije es un deleite musical realmente endulzarse los oídos con un genio cómo lo fue Antonio Vivaldi

Es bellísimo este concierto gracias 😊👍

Oh dear lord

Such immense emotion. In a strange way, almost like he wrote it this morning, timeless. No one can write music like this.

Música que acaricia el alma y llega a lo más profundo de la conciencia. Qué grandeza, no hay palabras, solo escuchar y elevarse con lo mejor del ser humano, rozando la profundidad del gran misterio. Gracias Del Vivaldi, tu trabajo es increíble.

El minuto 9:42 ES MAGISTRAL Es un contrapunto que ni Bach pudo superar.

Bless you del vivaldi