- Видео 15
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Diego Parra
Испания
Добавлен 9 окт 2011
J. Turina - La Procesión del Rocío (Arr. for Saxophone Ensemble)
This arrangement features a 13 player Saxophone ensemble.
Audio compiled with NotePerformer 3.
Audio compiled with NotePerformer 3.
Просмотров: 74
Видео
M. Sotelo - Muros de Dolor I - Saxophone Diego Parra
Просмотров 2053 года назад
Live recording of "Muros de dolor... I" by Mauricio Sotelo. Saxophone: Diego Parra Marbán
R.Strauss - Der Rosenkavalier - Waltz Sequence No. 2, TrV 227a (Arr. for Saxophone Ensemble)
Просмотров 6424 года назад
This orchestral suite was compiled in 1911 using music from Act III of "Der Rosenkavalier". My arrangement features a standard 12 player Saxophone ensemble and optional percussion parts for 3-4 players. The full score can be downloaded here: drive.google.com/file/d/16OJ5_8jBQHg1_Id81IyH7vEB837CyHkk/view?usp=sharing
Haydn-Symphony No. 26 in D minor ("Lamentatione")-Arr. for Saxophone Ensemble. I. Allegro di molto.
Просмотров 2184 года назад
Arranged for 12 piece Saxophone Ensemble by Diego Parra. The not great saxophone sound comes from Noteperformer 3 playback in Sibelius 8. The complete score can be downloaded here: imslp.org/imglnks/restimg/6/66/b074-PMLP71533-SINFONIA_No_26_-_Partitura_completa.pdf and the complete parts are available at the IMSLP page for the symphony (arrangements and transcriptions): imslp.org/wiki/Symphony...
Anton Bruckner-Symphony No.8 in C Minor-II.Scherzo. Allegro moderato - Trio.Langsam. (Audio + Score)
Просмотров 9 тыс.4 года назад
2nd movement, Scherzo. Allegro moderato - Trio.Langsam, from Anton Bruckner's (1824-1896) 8th Symphony in C Minor, WAB 108 with orchestral score. This performance uses the 1939 Robert Haas edition, which amalgamated the 1st and 2nd versions of this work. The full score can be downloaded here: ks.imslp.info/files/imglnks/usimg/5/54/IMSLP465769-PMLP16220-bruckner8.pdf This video uses a recording ...
Anton Bruckner - Symphony No.8 in C Minor - Wand/NDR
Просмотров 9 тыс.4 года назад
Anton Bruckner's (1824-1896) 8th Symphony in C Minor, WAB 108. 00:00:00 - I. Allegro moderato. 00:16:52 - II. Scherzo. Allegro moderato - Trio. Langsam. 00:32:30 - III. Adagio. Feierlich langsam; doch nicht schleppend. 01:01:02 - IV. Finale. Feierlich, nicht schnell. This performance uses the 1939 Robert Haas edition, which amalgamated the 1st and 2nd versions of this work. The full score can b...
Anton Bruckner - Symphony No.8 in C Minor, - I. Allegro moderato. (Audio + Score).
Просмотров 13 тыс.5 лет назад
1st movement, Allegro moderato, from Anton Bruckner's (1824-1896) 8th Symphony in C Minor, WAB 108 with orchestral score. This performance uses the 1939 Robert Haas edition, which amalgamated the 1st and 2nd versions of this work. The full score can be downloaded here: ks.imslp.info/files/imglnks/usimg/5/54/IMSLP465769-PMLP16220-bruckner8.pdf This video uses a recording of the Wiener Philharmon...
Gustav Mahler - Symphony No.4 in G Major, - IV. Sehr behaglich. (Audio + Score).
Просмотров 10 тыс.5 лет назад
4th movement, Sehr behaglich, from Gustav Mahler's (1860-1911) 4th Symphony in G Major with orchestral score. This video uses the 2000 DG recording of The Cleveland Orchestra conducted by Pierre Boulez.
Gustav Mahler - Symphony No.4 in G Major, - III. Ruhevoll (Poco adagio). (Audio + Score).
Просмотров 23 тыс.5 лет назад
3rd movement, Ruhevoll (Poco adagio), from Gustav Mahler's (1860-1911) 4th Symphony in G Major with orchestral score. This video uses the 2000 DG recording of The Cleveland Orchestra conducted by Pierre Boulez.
Gustav Mahler - Symphony No.4 in G Major, - II. In gemächlicher Bewegung. (Audio + Score).
Просмотров 7 тыс.5 лет назад
2nd movement, In gemächlicher Bewegung. Ohne Hast, from Gustav Mahler's (1860-1911) 4th Symphony in G Major with orchestral score. This video uses the 2000 DG recording of The Cleveland Orchestra conducted by Pierre Boulez.
Gustav Mahler - Symphony No.4 in G Major, - I. Bedächtig, nicht eilen. (Audio + Score).
Просмотров 17 тыс.5 лет назад
1st movement, Bedächtig. Nicht eilen - Recht gemächlich, from Gustav Mahler's (1860-1911) 4th Symphony in G Major with orchestral score. This video uses the 2000 DG recording of The Cleveland Orchestra conducted by Pierre Boulez.
Anton Bruckner - Symphony No.7 in E Major, - IV. Finale. (Audio + Score).
Просмотров 20 тыс.5 лет назад
2nd movement, Sehr feierlich und sehr langsam, from Anton Bruckner's (1824-1896) 7th Symphony in E Major, WAB 107 with orchestral score. This video uses the 1989 DG recording of the Wiener Philharmoniker conducted by Herbert von Karajan, which uses the Haas edition of this work. The score can be downloaded here: ks4.imslp.net/files/imglnks/usimg/e/e7/IMSLP474965-PMLP7929-bruckner7.pdf
Anton Bruckner - Symphony No.7 in E Major, - III. Scherzo. (Audio + Score).
Просмотров 21 тыс.5 лет назад
3rd movement, Scherzo, from Anton Bruckner's (1824-1896) 7th Symphony in E Major, WAB 107 with orchestral score. This video uses the 1989 DG recording of the Wiener Philharmoniker conducted by Herbert von Karajan, which uses the Haas edition of this work. The score can be downloaded here: ks4.imslp.net/files/imglnks/usimg/e/e7/IMSLP474965-PMLP7929-bruckner7.pdf
Anton Bruckner - Symphony No.7 in E Major, - II. Sehr feierlich und sehr langsam. (Audio + Score).
Просмотров 24 тыс.5 лет назад
2nd movement, Sehr feierlich und sehr langsam, from Anton Bruckner's (1824-1896) 7th Symphony in E Major, WAB 107 with orchestral score. This video uses the 1989 DG recording of the Wiener Philharmoniker conducted by Herbert von Karajan, which uses the Haas edition of this work. The score can be downloaded here: ks4.imslp.net/files/imglnks/usimg/e/e7/IMSLP474965-PMLP7929-bruckner7.pdf
Anton Bruckner - Symphony No.7 in E Major, - I. Allegro moderato. (Audio + Score).
Просмотров 44 тыс.5 лет назад
Anton Bruckner - Symphony No.7 in E Major, - I. Allegro moderato. (Audio Score).
1:20 5:45 10:35
2:00
5:06
15:45 Philip Glass joins the chat 😊
. 5:06 15:42 .
Here you have this gorgeous piece of music to go to sleep by, and then Mahler has to ruin it with that bombastic shit at the end. Just Beethoven did at the end of the 3rd movement of the 9th. Oy(!)
um, well, mahler didnt compose this to help you fall asleep
Another recording that doesn't pay attention to Bruckner's dynamic markings.
Beautifully sung!
So excruciatingly elusive this Dionysian Scherzo.
18:16 is the only part percussionists plays in entire music and some might think it's unfair to be paid the same but if you think about it... percussionists had only one chance to make it right while other play can mess one or two notes and not get caught. So much pressures on them. But my cornet playing arse will still go after single-note-playing Cymbalist and make them buy the first round of drinks after the performance to get even.
vl
4:10
This belongs on my 'classical music for when you need to pump iron' workout playlist
Temazo 👍
Excelente producción!
Muy buen arrego, gran trabajo maestro!!
Legend of the galactic héroes brought me here
Interesting to hear this on easy mode, I've been obsessed with Jochum's 1964 recording of this
17:00
All of Bruckner‘s symphony is off the charts, and universal
i am sorry but early symphonies are definitely... not 'off-the-charts' shall we say.
@@AndreyRubtsovRU Your comment Thankyou Various people, various comments From A corner of Tokyo 🇯🇵⛩️🍙🍚🥟🍱🍲🍜🍘🍣🍢🍥🍡🎴🎏🎎👺🌊🏯🗾🗻🗼㊗️ These emoji 絵文字 are unique to Japan
Metaphysical sentimentality
thx for ur work with the score, very helpful!
4:00
1:34
The score link doesn’t work. Could you please make a new link to the score I would appreciate it a lot :-)
He's had a number of gloriously intriguing scherzos of deceptive simplicity, but this one is surely the greatest!!!
Beautiful.
It was the Doctor Who episode "the mind robber" that brought me here
Amazing! The harp in the second movement are so clear and perfect.
How much beauty and depth can be in one piece?
Mahler was simply a genius, he accompany my life since many years
whatever is in these 20 minutes gives you a pretty good idea. I don’t think anyone wrote more meaningful slow movements than Mahler.
So are the "Tenor Tuben" and "Baß Tuben" both Wagner tubas?
Exactly, just tenor in B (B flat) and bass in F. Nowadays most orchestras just use double tubas in B flat and F, though, just like french horns.
10:30
6:00
7:00
8:45
7:43
Some performances, like Celibidache's, take a quarter-hour longer than this one of Wand's.
17:00
just perfect.
Mahler is still alive...forever
This is MONO!
Don Diego, lo acompaño en su quijotada. Gracias por compartir esta excelente versión de la 8 de Brückner. Saludos de un melómano..
Gracias! Saludos.
@@diegoparra8178 Me sorprende muy gratamente su reacción inmediata a mi mensaje. Reconforta saber que Bruckner propicia este contacto.
1:07:29
Bruckner's symphonies invigorate the human spirit .
I'd enjoy this a great deal more if it was conducted by someone who understands the music. The only thing I can say in Boulez' favour is that it's nowhere near as bad as his Mahler 9. Boulez is all right with early modernist repertoire, but this is quite outside his comfort zone.
Well, maybe you should try to criticize it with some sort of argument. Personally, I think this is an exceptional Bruckner 8 and one of the best things Boulez ever did in any repertoire, which is why I chose it for the video.
@@diegoparra8178 Here's an argument:, Wagner aside, Bruckner 8 is, it must be conceded, the least traduced of Boulez' attempts at conducting late-romantic repertoire. Wagner is an exception because long-range tonality is subordinated to the drama; Bruckner is an inherently "stop-starty" composer, so Boulez' inability to understand extended tonal spans (together with their internal modulations) is less of a handicap than it would be in the kind of repertoire that he avoided (and conveniently dismissed as "historically irrelevant"), e.g. Brahms's symphonies or concertos, because it would have cruelly exposed his severe limitations. If you want a solid illustration of Boulez' inability to understand large tonal spans, just listen to his ghastly performance/recording of Mahler 9, with the Vienna Phil (no less!); he sounds as though he has never heard the piece before, and is being fed single pages of the score in real time as he conducts. Boulez was OK with early modernists like Stravinsky and Bartók (in their more sectional works, at any rate), and with the freely atonal and serial works of the Second Viennese School. Schenker wrote, dismissively, of "surface" composers; he would surely have identified Boulez as a "surface" conductor.
This isn’t even Boulez 😂
@@lorenzogallegos3504 You're right. I put the "right" comment under the wrong video. Sorry for that, and thanks for pointing it out.
10:04 <3
ruclips.net/video/VRqL2irrqOs/видео.html
Murakami's First Person Singular brought me here