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Roberts Pianos Houston
Добавлен 16 май 2018
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Exploring with Roberts Pianos: Buenos Aires @Brunos Pianos
Exploring with Roberts Pianos: Brunos Pianos
Join us as we visit a remarkable piano store in Buenos Aires. Brunos Pianos opens its doors to us, offering a glimpse into the world of pianos in Argentina.
Join us as we visit a remarkable piano store in Buenos Aires. Brunos Pianos opens its doors to us, offering a glimpse into the world of pianos in Argentina.
Просмотров: 73
Видео
Sound of the Kawai BL-61
Просмотров 94День назад
Sound of the Kawai BL-61 - Try Our Pianos Schedule your appointment to try our pianos at robertspianoshouston.com/ Our Preparation Process Before acquiring any piano, we subject it to rigorous scrutiny to ensure its working condition. We tune each piano to A440-442 and fine-tune the action to meet quality specifications. Seamless DeliveryPiano Delivery services can vary in cost, typically rangi...
Yamaha Console 1969 possibility going to a tropical climate
Просмотров 303День назад
Yamaha Console 1969 possibility going to a tropical climate
Kawai BL-61 | 1978
Просмотров 35614 дней назад
Kawai BL-61 | 1978 - Try Our Pianos Schedule your appointment to explore our pianos at robertspianoshouston.com/ Our Preparation Process Before acquiring any piano, we subject it to rigorous scrutiny to ensure its working condition. We tune each piano to A440-442 and fine-tune the action to meet quality specifications. Seamless DeliveryPiano Delivery services can vary in cost, typically ranging...
1978 Kawai KG 2C grand piano improvisation after softening treble
Просмотров 259Месяц назад
1978 Kawai KG 2C grand piano improvisation after softening treble
Sound sample Kawai GS-40 1986 Japanese grand piano
Просмотров 1982 месяца назад
Sound sample Kawai GS-40 1986 Japanese grand piano
1982 Yamaha G2 Sound Sample (Improvisation)
Просмотров 1583 месяца назад
1982 Yamaha G2 Sound Sample (Improvisation)
Feurich 6’8” Grand designed and made by Schimmel in Germany
Просмотров 8564 месяца назад
Feurich 6’8” Grand designed and made by Schimmel in Germany
Samick SU-127A with custom German hammers
Просмотров 2224 месяца назад
Samick SU-127A with custom German hammers
Wyman 2004 | Chinese upright designed by Baldwin employees
Просмотров 5495 месяцев назад
Wyman 2004 | Chinese upright designed by Baldwin employees
2004 Kohler & Campbell KCG-500 sound example improvisation
Просмотров 1255 месяцев назад
2004 Kohler & Campbell KCG-500 sound example improvisation
1984 Baldwin Hamilton | assessment and known issues with Baldwin uprights
Просмотров 5085 месяцев назад
1984 Baldwin Hamilton | assessment and known issues with Baldwin uprights
1993 Young Chang GP-150 sound example
Просмотров 1926 месяцев назад
1993 Young Chang GP-150 sound example
Charles Stein assessment for reconditioning
Просмотров 356 месяцев назад
Charles Stein assessment for reconditioning
1914 Hardman piano (in storage) FOR SALE
Просмотров 2406 месяцев назад
1914 Hardman piano (in storage) FOR SALE
Hobart Cable - Assessment for reconditioning
Просмотров 2696 месяцев назад
Hobart Cable - Assessment for reconditioning
2012 Schimmel c169 German grand sound example
Просмотров 3,4 тыс.6 месяцев назад
2012 Schimmel c169 German grand sound example
Fun + professional development at the same time. That’s when you know you’re in the right line of work for you. 🙂 Yes the US could benefit from more European type pianos. Would be a real jewel if we could have a factory for them here, maybe buy the defunct Ibach brand and make a factory in Texas?
Yes definitely a passion for me to work on and view pianos in my mothers home country
Very interesting, thank you. Good to see other countries' shops and makes. (Would be good content to continue-- travel the world, Evan, and show us what you find!) Good video 🎹👏
That would be a dream
Pinblock is shot. You're the worst 😅😅😅
Pin block feels ok larger pins will most likely create enough torque for regular tuning stability. More tests in the shop required before a full conclusion is made for instance trying larger sizes.
Beautiful sound and excellent playing! Thanks for sharing.
Do you have any opinion about the quality of Model 45 made in 2002?
Good question I can’t say I’ve tried a more modern one many grands hardly ever see upright steinwsys mostly yamaha U1’s etc. I would recommend checking with a local tuner for weight of keys action condition and tuning torque / tone
@@RobertsPianosHouston Thank you so much for your response.
Incredible playing as always and all your pianos' voicing and tone sound absolutely fantastic.
Thank you very much! This one had this tone originally it’s difficult to know when to soften and when to leave brighter. Do you have a preference between mellow and bright
Thank you for your great informations 🙏
I have a 1977 BL-61, I absolutely love it, it's one of the nicest uprights I have played.
In several cases I’ve seen old uprights have dampening issues in the five to eight notes above the break. Actually old Steinways have flying dampers (additional dampers above the hammers, attached on wires to the lower dampers) on these notes. On my old big upright I simply replaced the dampers on these notes with 50 percent longer ones extending lower and it has worked very well. This Price & Teeple probably depends on their budget. Lowest budget job would probably be hammers, bass strings, stabilize the wood capo and pins with CA glue, and turn the pins under the keys or ideally rebush them. I keep wanting to experiment with cleaning bass strings because it seems like it should be possible but I haven’t seen anyone do much experimenting. Salt with vinegar agitation bath for several days is what I hope to try out at some point. Anyway, some thoughts . . . Hang in there, wow with locations like that you could make dramatic videos like the Salisbury Organist channel (fun channel from your old home country!).
The cleaning of bass strings sounds interesting let me know how that goes if and when you get the chance to try it. Thank you for the information and tips, I feel the piano needs a lot or nothing in this case to avoid patching it up and give it a new lease of life. Thanks again for adding great information Charles, hope all is well in CA. Evan
@ Well you understandably have high standards given your father’s shop. When I see this Price & Teeple I guess I’m being what some techs call a “tooner” - willing to do patch type work to get some functionality to keep it going down the road. CA glue is cyanoacrylate, just to be clear. I’ve seen so many visually clean pianos that don’t have clean unisons, I’ll take clean unisons over a shiny visually clean piano any day. And anything to get keys less wobbly, like even cutting in card stock shims behind old worn out balance rail pin bushings. I actually tell people from time to time, King Charles has some old jackets that have been mended, very visible old patches; not everything needs to be shiny and new. On the finish I’d just run around with furniture marking pens to darken and blend those scratches.
I like the idea of always improving a piano even if not perfect I think it’s better than just tuning and going away with a check. If the client won’t pay for a new piano or full restoration I totally understand why CA glue is used. I’ve heard you have to apply a lot is that true?
@ I’ve used it just a couple times on pins as I’m a semi-pro technician at best, but there is a kind of reasonable amount you end up putting on each pin, a drop or several drops. I’m not sure you can get it to wick down more than that, but in any case it can seem like a lot after 200+ pins, yes. You have the piano tilted back, in the case of an upright, (I’ve just used a big stack of pillows underneath) so that the glue drips downward but the fumes do add up and can get you if you’re above looking closely at what you’re doing; but I read it’s not particularly toxic. I’ve tried to just go fast once I start and then you’ve got the whole thing treated within minutes.
That's a lot of work. Is this the kind of job you would take on? If so, I hope you'll document it!
This is a long job I may get some help from a local restorer on the damaged wood, the challenge with these older pianos is you really have to very many parts and the wood can become brittle, the video will be presented to the client to see what they might like to do.
❤
i do know that Julius Feurich III now works with Seiler. So this piano seems very strange to me. i was a dealer for both Feurich AND Schimmel (as well as Bechstein) from 1983 to 1989. I visited the Feurich factory in Gunzenhausen, Feb. 1987
That’s interesting I believe from the other comments it was a temporary collaboration
You are are a great improviser sounds great. Great skill to have ❤I try myself when the repertoire kills me ❤…
Thank you I am thinking about ways to teach the tips I’ve learnt along the way wrapping my mind around how to explain the idea
I don’t think there is any instrument or era of music which is able to capture the essence of exasperated screaming like romantic piano. (And Schimmel has a balanced tone able to offer attack for things like this as well as glassiness for other genres. . . Cool!)
Did you manage to sell it? Sounds pretty crap.
Not a sale this one is a clients piano for tuning
What is the piece in the beginning?
It’s a theme that came to me in the moment
Evan, I can tell how much you enjoy this piano...sounds mostly great with a little coaxing and usage, bass register sounds a bit weaker from where i sit. A special piano to be sure- resonant, mellow tone.
Thank you Michael yes enjoying this piano very much. The bass does well for the small size, the tone is mellow and very smooth and pleasant across all registers. Concert pianists, from what I hear, like a little bite to tame on demand.
Very beautiful 🎹🥰
Thanks for listening
Nice sweet tone on this Baldwin.
Hello!. What did you exactly to this piano, hammer voicing?
Yes that’s right Jose voicing with needles on the shoulders at different angles and peppering the tips of the hammers. The bass I haven’t really touched yet not sure it needs very much mostly the treble needed toning down
Mellow piano❤
This is just a 'dirty fix'. The real solution is to redo the bushings.
Yes definitely the optimum repair would be to rebush especially when very worn. The cricket bats are there to regulate when only moderately worn. Which is why they are adjustable. If you can replace I agree it’s much better thank you for mentioning this
Please complete the video ❤️❤️👍
1978 Korean Samick upright sound example ruclips.net/video/Wmu0psqrQHE/видео.html
@@RobertsPianosHouston thanks
Looking for baldwin hammerhead
Most times there is no replacement from Baldwin just the closest match. Piano techs most times have spares. They need to bore the angle the same and match the size then voice if needed
www.robertspianoshouston.com/pianos-for-sale/kawai-kg-2c-grand-piano-2/ the piano is for sale on our website. For enquiries (832) 930-0469 / info@robertspianoshouston.com thank you! ER
Це супер ❤, як же легко пальці літають по клавішах
Thank you, you are very kind! 🎹❤️
Que bonito suena ☺️
Gracias Carlos! 🎹
This doesn't look hard at all. Go work on a car and tell me this is hard.
This isn’t hard in terms of the repair of the bridge countersink a screw pull it together and then raise the strings. In terms of the video the objective is to help people buying spinets on Facebook or from friend relatives when they could easily spend the same and buy a piano that the technicians are more likely to maintain well. Adjust the action with longer keys that play better a bigger soundboard and longer strings all making for a better purchase for the family who probably wants their child to learn on. Some alternative pianos much better and often similar prices Baldwin Wurlitzer consoles and or Samick young chang. Not top end basic middle but good pianos.
Thanks for the video! Doesn’t the mic stand vibrate when it's on the piano?
It doesn’t vibrate since the feet have rubber pads to absorb the vibration on this brand I’ve had no issues
@@RobertsPianosHoustonI see. Could you share the brand of the stand?
Wonderful video. I have a question regarding performing the flange work. I am purchasing a Yamaha U1R in the next week or two. Can I pay to come in and witness the flange work being conducted? I am fascinated with piano work/restoration. It is not the same when viewed on a video. Just a thought. I am in the Houston Area as well.
Thank you Le Maitre please send me an email at info@robertspianoshouston.com. I rarely do this job at the moment as I’m cutting down on pianos I think will need it to begin with however they are so common I assume one will come up relatively soon. Evan
Beautiful piano 🎹
Wood you recommend applying an oil or wax to the strings to prevent rust? Thank you. 🙂🍃
This is not something I’ve heard of before I would avoid products generally on the strings but happy to learn more. Have you read anything on this? Kind regards Evan
@@RobertsPianosHouston…certainly wouldn’t put any oil or wax near the pins but in my experience in the UK strings rust too easily. I wipe the strings with a light oil to protect them from rust as it’s a big job to remove rust and shine them up again. I can’t see any harm in doing this carefully as it’s unlikely to affect the acoustics. 😊
Funny how a sound can make you a little homesick. I'd love to see more English uprights here. I think there's only the Cavendish factory making pianos in the UK now but I've never played one.
Great to hear from you Joseph, Cavendish are making pianos to what looks like a high quality of precision embarrisingly I haven't tried one, I would love to next time I'm in the UK. 1066 pianos are making a line of pianos www.edelweisspianos.com with quite unique cabinets, we played a couple at Harrods in London on my recent visit. Knight and Welmar made good quality pianos in this category of 'European uprights'. Hope all is well. Evan
Regarding tapered soundboards, and following on from what CharlesLangSamuel says, I think the Steinway diaphragmatic soundboard does actually allow for freer movement of the board, and that's part of the reason why the American Steinway sound seems to growl and distort at very high volumes. Far more so than the Hamburg Steinway. The Hamburg Steinway now has something similar to the New York soundboard but it's a bit thicker. There have been times in Hamburg's recent history when they did not use the diaphragmatic soundboard, and some Steinways from Hamburg had boards that were uniform thickness. They sounded like Steinways but they were probably cleaner in tone (not better or worse, just different). I think Estonia pianos don't taper their soundboards, and I'm not sure if Blüthner does. Bechstein do taper their soundboards in the Konzert series, I don't know about the academy series. Piano Restorations tend not to taper their soundboards but you can ask for it. Most older pianos, before WW2 in Europe did not have tapered soundboards but the aesthetic in tone was so different it's impossible to compare really. Anyway, I like the sound of that GS-40, it's nice and clear, and it'll make a beautiful instrument for someone for sure. It does sound a little bit like a Steinway as CharlesLangSamuel notices although I think it's more Hamburg-ish. I used to have a KG-2 a long time ago and it sounded like an older Steinway O.
Thank you for adding your knowledge here Joseph, I didn't know that it's possible the tapering could (as you say potentially) cause distortion, I will look out for this, just been offered a Steinway M. As for the GS-40, it's quite bright, do you like a brighter tone to play it down when needed, yet get power from, or do you preffer a smoother more mellow tone? I'm tempted to tone it down in a few days. Look forward to hearing your thoughts. Best from Houston, Evan
Man...I love your improvisation...what key is that?
Finally sat down to play through by ear I believe it’s in A mayor
👏🏾👏🏾👏🏾 Great playing
Thank you 🙏🏻
You make great enjoyable piano overviews. Quick question: I'm considering buying a Samick height of 44 inches high... Do you think there will be gigantic difference in richness of sound from a 46-48 inch high Samick (like the one in this video), Or will they be close enough to where I will be happy and not wishing I went with a taller Samick (46-48 inch tall) Thanks for any input, I know that's a wildly subjective question. :)
With a difference of 4 inches I would say the taller as long as the touch is as good as what is making you sway towards the shorter one? Is it the touch. Sometimes the woods are better on one piano from the other or the craftsmanship can vary
@@RobertsPianosHouston Thank you for your reply.. To be honest it's only because a customer of mine happens to have a pristine 44-46 inch Samick that she is trying to gift to someone, and I'm happy to take it off her hands, however I don't want to end up with a piano that I am not satisfied with because I already out grew my current piano which is 47 inch high (Baldwin Hamilton)
Hamilton pianos when in good shape (hammer alignment and no hard leathers and checked) can have a richer tone from my experience than some or most samicks. However it’s a condition question tone and touch best to ask a local tuner for a quick check mechanically etc
Tapered soundboard means the edges are thinner than the center, allowing more free movement, supposedly at least (grain of salt as with all piano technical claims). Steinway calls it diaphragmatic sound board. In this recording I do feel like I can recognize a particular aspect of this sound from my Steinway with diaphragmatic sound board, a certain delicateness and sensitivity in the attack. Still I don’t know whether it’s proven, because some designers just talk about stiffness being the important thing, which presumably can be adjusted by other means than tapering.
Very interesting Charles thanks again for great insights
I bought a GS-50 in January 1983. I loved it, and regret having sold it years ago. The GS series was Kawai's premium piano at that time, and is very difficult to find now.
Sad to hear about loosing your GS-50, this piano is very special, a concert pianist is currently interested, trying to find a way to but this or a black ebony G2 we have in stock, it has been interesting to watch him compare both the G2 much more mellow. Evan
What piece is that?
It’s an improvisation I believe in Gm 🎹
Magia.. solamente magia...👏👏👏👏👏💐
Muchas gracias amigo de todos!
It does sound refined!
I really like it😊
Feurich is the old Wendl & Lung. WL bought Feurich and then changed their name. Most current Feurich pianos are now made by Hailun in China. Your Schimmel Feurich seems to be a one-off partnership before becoming part of WL. Nice piano.
Feurich with a Serial Number 75820 would have been built in 1996. I believe the Langlau factory had closed by then. It would seem that Feurich then contracted out to Schimmel for their larger grands. Schimmel is know for European handcrafted quality. This decision assured for German craftsmanship in their upper echelon models. I just became the proud owner of a 1983 Feurich F227 crafted in Langlau while the factory was still in operation. It has to be one of the most gorgeous pianos I have ever seen. Pristine like right off the showroom floor. Materials and sound quality are excellent. This was after an exhaustive search for the perfect Steinway B or C. A complete diversion from my forever dedicated Steinway devotion lol. This F227 was love at first sight.
Thank you for the information this Schimmel model is rather special and thank you for the date it makes sense with the information that has been commented thank you for confirming. Now I am curious as to the sound and touch of a Feurich made model.
Schimmel is one of the rare company to uses its own action. That's why you don't have a name of another manufacturer.
Thank you Michel that’s very interesting indeed
Schimmel uses Renner actions and the piano in the video had a Renner action. The Hammers did not have a manufacturers mark on them. Usually manufacturers are using Renner actions with Renner hammers as the actions usually come from Renner with hammers on them.
@@jacobneal5388 Thanks for the clarification. On Schimmel website only the Classic and Konzert series have Schimmel action made by Renner. For the Fridolin and the Wihlem they are Schimmel action, no mention of Renner. My guess is that they have their own spec but uses Renner reputation. There's some magical words in the piano industry: Handcraft, Renner action, solid spruce soundboard, Abel hammer, Roslau string. If you come with something different, it's harder to sell...
@@jacobneal5388 Thanks for the clarification. I don't know how you were able to recognize it from the video. I'm not a technician, more a fan of acoustic piano. By the way, the high hand Schimmel piano (Konzert and Classic series) are using Schimmel Action made by Renner. The Wilhem and Fridolin have Schimmel actions. I guess Schimmel have their own spec and rides on Renner reputation and craftmanship. There are some magical words in the piano industry: German, handcraft, solid spruce soundboard, Renner action, Abel hammer, Roslau string...
@@michelprimeau4531 Renner actions always have a decal in the center of the action. Yes Schimmel has Renner build the action to their specs and the actions are regulated in the Schimmel factory.
Cool!
Piano snobbery is real and techs should not turn their nose up at a customers instrument if it is of reputable make and fixable. I would recommend that Acro-sonic console be fixed over recommending any number of cheaply made new pianos. Gluing a bridge cap back on is no big deal, nor is removing an Acro-sonic action.
The acrosonic does sound better than most spinets however as a pianist the leverage and lack of tonal color and clarity I have seen people pay $500-700 for a spinet then $300-500 for delivery add a full regulation of strings and grommets etc a few hundred more you can buy a young Chang upright or similar quality. I made this video after seeing a family buy a spinet for a total of close to a thousand dollars. The pins were loose they could have bought a Baldwin console or similar. Hopefully it helps people avoid buying. I tuned an acrosonic last week I wouldn’t say it was a good piano for the teacher teaching with it but I served her explained options for upgrading. It’s all about guiding people something that will be more enjoyable to play mechanically and tonally rather than looking down on a spinet a young pianist cut their teeth on
Thank you for this. I may do this on one of the pair of E3 strings on the outdoor public piano I maintain. Seems doable. Not sure why turning the inside wire would cease the buzz, physically. I am guessing the inside wire makes some uniform bulging when turned, just enough to snug up the copper wrapping wire, thus stopping the potential for rattling/buzzing.
This will do it in many cases I have roughly 70% success sometimes the coil won’t tighten and the string needs replacing. Good luck! The pin can sometimes be loose after replacing having some lo-torque to replace is a good idea a size up. If loose