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The Pop Descriptivist
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Добавлен 18 июл 2023
Thinking too hard about music since 2023. Well versed in functional harmony, non-functional harmony, microtonality, and polymeters. Lend me your attention span and I will help you understand the way these songs work.
Piano Play-Through #1 - Pearl and the Oysters - "Planet Pearl"
Listen to the original album on Bandcamp or Spotify:
pearlandtheoysters.bandcamp.com/album/planet-pearl
open.spotify.com/album/01FUZCDUiAuHG4Zd1nqVww
===== Contents of this Video =====
0:00 - Introduction
0:10 - 01 - Side Quest
1:04 - 02 - Halfway Where?
2:21 - 03 - Together, Alone
3:56 - 04 - Phototropic
4:23 - 05 - Cruise Control
5:09 - 06 - A Planet Upside Down
6:35 - 07 - Ripples
7:04 - 08 - Big Time
8:42 - 09 - Triangular Girl
10:28 - 11 - I Fell Into a Piano
12:07 - 12 - 4D
13:34 - 13 - Mid City
pearlandtheoysters.bandcamp.com/album/planet-pearl
open.spotify.com/album/01FUZCDUiAuHG4Zd1nqVww
===== Contents of this Video =====
0:00 - Introduction
0:10 - 01 - Side Quest
1:04 - 02 - Halfway Where?
2:21 - 03 - Together, Alone
3:56 - 04 - Phototropic
4:23 - 05 - Cruise Control
5:09 - 06 - A Planet Upside Down
6:35 - 07 - Ripples
7:04 - 08 - Big Time
8:42 - 09 - Triangular Girl
10:28 - 11 - I Fell Into a Piano
12:07 - 12 - 4D
13:34 - 13 - Mid City
Просмотров: 146
Видео
Music Theory Analysis #11 - King Gizzard & The Lizard Wizard - "Witchcraft"
Просмотров 10 тыс.14 дней назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/C4WzPHaOS2M/видео.html Contents of this Video 0:00 - Introductory Remarks 0:47 - A Section 6:50 - B Section 7:55 - C Section 9:21 - Alternate B and C Sections 11:12 - D Section 15:43 - Alternate A Section 17:38 - Concluding Remarks
The Pop Descriptivist's Top 9 Albums of 2024
Просмотров 80128 дней назад
To see my top album lists for years past, please visit my site: sites.google.com/site/thepopdescriptivist/home/the-pop-descriptivists-yearly-top-albums Contents of this Video and Bandcamp Links 0:00 - Introductory Remarks 1:00 - #9 - Chris P. Thompson - Stay the Same chrispthompson.bandcamp.com/album/stay-the-same 3:38 - #8 - 'Oplites - Paramainomeni hoplites.bandcamp.com/album/ 8 6:17 - #7 - P...
Music Theory Analysis #10 - Jaga Jazzist - "Airborne"
Просмотров 341Месяц назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/x02xFpLkH_4/видео.html Contents of this Video 0:00 - Introductory Remarks 0:50 - First Section Chord Progression 3:11 - First Section Melodic Motifs 5:41 - First Section Scale Harmony 7:39 - First Section Chord Functions 9:15 - Second Section 11:52 - Sax Solo and Conclusion
Music Theory Analysis #9 - King Gizzard & The Lizard Wizard - "Crumbling Castle"
Просмотров 12 тыс.2 месяца назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/uLP8rFrL1W0/видео.html Contents of this Video 0:00 - Introductory Remarks 0:35 - A Section 6:14 - B Section 8:11 - Variation on A Section 9:29 - C Section 11:21 - D Section 13:11 - Variation on C Section 14:35 - Variation on D Section 15:30 - Variation on B Section 17:42 ...
Music Theory Analysis #8 - Opeth - "Blackwater Park"
Просмотров 6 тыс.2 месяца назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/j4xCb_OU_lM/видео.html You can browse the sheet music and chord charts that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/music-theory-analysis-8-opeth-blackwater-park Contents of this Video 0:00 - Introductory Remarks 0:58 - Sect...
The Microtonal Scales of King Gizzard and the Lizard Wizard (a Primer and Compendium)
Просмотров 7 тыс.3 месяца назад
Tolgahan Çoğulu comparing 'Sleep Drifter' with 'Kara Toprak' ruclips.net/video/-BbC2M7NIEg/видео.html Derdiyoklar İkilisi's 'Maden Ocaği' ruclips.net/video/w1SHW9-J42c/видео.html Encyclopedia of Turkish and Arabic makams for oud www.channelingstudio.ru/texts/Music Theory of Makams.pdf A good synopsis of Turkish makams we.riseup.net/assets/545041/Turkish-tetrachords.pdf Edward Hines' 1/8th tone ...
Music Theory Analysis #7 - Domi & JD Beck - "U Don't Have to Rob Me"
Просмотров 5593 месяца назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/G3nhULRaKNg/видео.html You can browse the sheet music and chord charts that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/music-theory-analysis-7-domi-jd-beck-u-dont-have-to-rob-me Contents of this Video 0:00 - Opening Remarks 0:3...
Radiohead's Harmonic Vocabulary (An Analysis of Functional Harmony)
Просмотров 4,9 тыс.Год назад
You can browse the charts and graphs that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/radioheads-harmonic-vocabulary Contents of this Video 0:00 Introductory Remarks 1:30 Overview 4:55 Keys 5:45 (CHARTS) Keys 8:08 Modes 8:28 (CHARTS) Modes 12:04 Non-Diatonic Features 15:19 (CHARTS) ND Features 16:05 ( CHARTS) ND Features 18:15 ( CHARTS) ND Features 18...
Music Theory Analysis #6 - Vertebra Atlantis - "Altopiano Celeste"
Просмотров 640Год назад
There will be a new album by Vertebra Atlantis relased on 20 October 2023, on I, Voidhanger Records. Check it out! i-voidhangerrecords.bandcamp.com/album/a-dialogue-with-the-eeriest-sublime If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/CTxNnJelvlw/видео.html You can browse the sheet music and chord charts that are us...
Music Theory Analysis #5 - Mamalarky - "It Hurts"
Просмотров 164Год назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/vJqm-AwXX-M/видео.html You can browse the sheet music and chord charts that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/music-theory-analysis-5-mamalarky-it-hurts Contents of this Video 0:00 - Opening Statements 0:34 - Intro Sec...
Music Theory Analysis #4 - Horse Lords - "Plain Hunt on Four"
Просмотров 1 тыс.Год назад
If you haven’t listened to this track before, make sure to familiarize yourself before watching this video! ruclips.net/video/A1l-3GbromY/видео.html You can browse the sheet music and chord charts that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/music-theory-analysis-4-horse-lords-plain-hunt-on-four To read about the 'plain hunt' and other change ring...
Music Theory Analysis #3 - Tame Impala - "Apocalypse Dreams"
Просмотров 1,1 тыс.Год назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/DmmvZrBnQ4M/видео.html You can browse the sheet music and chord charts that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/music-theory-analysis-3-tame-impala-apocalypse-dreams Contents of this Video 0:00 - Opening Statements 0:26 ...
Music Theory Analysis #2 - Renata Zeiguer - "After All"
Просмотров 161Год назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/EyOV2_l3raw/видео.html You can browse the sheet music and chord charts that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/music-theory-analysis-2-renata-zeiguer-after-all Contents of this Video 0:00 - Opening Statements 0:29 - Int...
Music Theory Analysis #1 - Radiohead - "Scatterbrain"
Просмотров 754Год назад
If you haven’t listened to this song before, make sure to familiarize yourself before watching this video! ruclips.net/video/r7mN9BLr4jU/видео.html You can browse the sheet music and chord charts that are used in this analysis on my website. sites.google.com/site/thepopdescriptivist/home/music-theory-analysis-1-radiohead-scatterbrain Contents of this Video 0:00 - Opening Statements 0:13 - Intro...
I always wonder to what degree these songs were thought out in advance or if they were just jamming until they got something that sounds good.
Probably a mix of both. I don't think you come up with something like 'Ontology' without at least some forethought. But a lot of the Huseyni-based songs, especially on the latter two albums, strike me as something that could have come from a jam.
@@ThePopDescriptivist I am currently building a microtonal guitar to cover some King Gizzard songs and possibly write my own. I have very little knowledge when it comes to music theory and your videos have been super insightful and of high quality overall. Thanks for putting in the time to makes these.
You're very welcome, and I'm glad to hear you're planning to make your own microtonal music! It's not as hard as people assume.
11:50 Drummer does a little variarion on the snare, alternating A pattern and B pattern
Good catch, I went back and listened and there is a variation as the guitar comes in, though it reverts to the original 13/8 pattern as the section continues. I'm not exactly sure it's alternating A and B, seems more like it's lining up with the guitar rhythm instead of the bass rhythm. I'll have to go back and listen more closely later.
checked the album on the basis of this video - thanks!
Glad I'm not the only one who heard this album and thought "Oh I need to learn this to figure out how it works", though I didn't get anywhere near this far haha, great job, this sounds incredible
Had to listen after your 2024's Top 9, and hooooooly what an amazing album. Not only an analytical master but a short-scale keyboard buff 🧐?? a real Renaissance Goat
Nice, been using the album to improve my harmony and songwriting since it came out
Same. It forced me to reckon with how diminished chords work a lot more thoroughly.
Had a listen after seeing this, really fun record, thanks for bringing attention to it.
Tasty playthrough, thanks for introducing me to Pearl and the Oysters!
You did an insanely fantastic job here! So glad to see someone doing this. And doing it well. I’m a music theorist who has studied opeth for 20 years. You nailed section I. In section ii, i interpret this as a D octatonic scale (the lead plays half-whole and the rhythm part plays whole-half).
I'm not sure I agree with you on section II. Ignoring that first transitional measure, the first part of the rhythm guitar riff plays Eb, D, and then C# - no octatonic scale contains those 3 notes together, so you pretty much need to take a 'changing scales' approach to make sense of it. That little lead guitar riff does technically fit into the half-whole octatonic scale, but it uses so few notes that you could just as easily fit it in, say, the Lydian dominant as well. And in most cases, I try to avoid explaining things using the octatonic scale unless it's really clear-cut and unavoidable, as I feel that it's harder to connect it clearly to aesthetic concepts. It can be bright or dark, functional or non-functional, it's like tofu - which can be useful, and Opeth do use it on other tracks, but here I feel like there's a better explanation.
@@ThePopDescriptivist good point. There is also the C sharp and c at the end of the “rhythm guitar part” which doesn’t fit the Octatonic. This section is pretty tough to explain the “why” of the note choices and place into any particular scale. I do think that Mikael thinks “octatonic” on deliverance and ghost reveries. So I jumped to that here but it really doesn’t seem that way on this album and track.
FMB, KG and LW have cause me to become obsessed with microtonality and my goal is to one day build microtonal instuments for my band and write songs using them. I'm so grateful for this breakdown on how King Gizzard uses microtonality in their sclaes, and hope that more people can learn about microtonality
amazing analysis!
Brother your King Gizz videos are an absolute God Send. Please may you break down Todd Rundgren's music? He is an absolute GENIUS composer who has a lot of golden nuggets in his music. You can start with songs like *Compassion* , *Flesh* or *The Verb to Love* , I honestly believe you will have an AMAZING time dissecting his music!
I can't say I've ever listened to Todd Rundgren; I'll have to check him out.
@@ThePopDescriptivist please do brother! You'll have an absolute blast!
siiiiiick, yeah I didn't catch the 7/16 drums at all listening casually. And that visualization of misalignment with the drums with the diagonal lines is intuitive and slick!
I like the title, but know basically nothing about music theory.
Nice to see more Jaga Jazzist content on RUclips, thanks!
Brilliantly done!
YESSSSSSSSS!!!!! FOUND YOU THROUGH THE YEAR END ALBUMS VID AND I LOVE THIS ALBUM AND I LOVE THIS BREAKDOWN
This King Gizzard content is top tier, great work!!
when that harmonied solo comes im my pantaloons just drop
2:18 that’s so surprising to me that the first way of hearing it was overwhelmingly what people preferred, i’ve only ever heard it the second way and never even considered the first way until this video
It seems like there's probably more people in your position than my (admittedly small) sample size of 8 people suggested, though it seems like the first way of hearing it is still the majority. Perhaps I should have done a larger poll beforehand.
Make more gizzard vids!
one of my favourite tracks on my favourite album ever. awesome. :)
Great breakdown!! Made it pretty easy to follow why the song is tricky
What tempo is the "WOOOOOOOOOOOOOOOOO" delivered at?
666 BPM
Primarily what I’ve learned in this video is that I need to start composing SNES era boss music using compound polyrhythms
This album is so amazing, every song is a 10. Dragon would be another cool breakdown, but I assume that video would be an hour long to break down every section lol
The intro is so damn good.
i heard that little cheeky hiccup at 14:47!!
I can't express how much satisfying it is to finally make sens of this song in such a clear and visual way . I sincerely want to thank you for putting in the work of transcribing and analyzing this song, It revived and confirmed my fascination for the band ! Amazing job !
another day another banger, TPD never misses
I remember hearing this song for the first time after an upload came out and my ears immediately perked up - ''Oh, this is Crumbling Castle 2.0 but Middle Eastern and metal!''. ruclips.net/video/9Zp0a3WKDu0/видео.html
I just discover you by this video. This channel is amazing!! greetings from Chile!
I would love to see you do a Breakdown of some Trivium songs especially the Shogun album!
5:26 i keep trying to train my mind to feel ok with each different configuration. So that it’s not polymetric but a cascade of different patterns with singing on top. But it’s hard. Only the bass is sort of a glue.
Melody gives the illusion of the song being the least complicated composition on the whole album. Turns out its the opposite, pretty challenging to comprehend.
Could you do a breakdown of Tumbleboy by Palm? Some of the rhythms are very confusing to me.
I've got a video about a different Palm song in the works, but if that one's popular, I would consider doing 'Tumbleboy' as well. Good pick from a band with a lot of material worth analyzing.
@@ThePopDescriptivist Ooh looking forward to the video!
This is one my favorites from this album! Thanks for the analysis
Thank you for all of your hard work in doing this. This is awesome. Makes me love KGLW even more.
really loving this channel! would you be interested in covering some music theory from 'rope' and 'the beggar' in swans' 'the beggar' live tour?
In principle yes; Swans is awesome. But their music is so textural and layered that I think it would be very hard to analyze it, at least using the typical approach(es) that I take in these videos. Usually the harmony is kind of vague, or is simple on paper with the richness coming from arrangement and timbre. Something for me to ponder, because there's a lot of similar artists like Bruce Lamont, Chelsea Wolfe, and New Age Doom whose music's simplicity belies something that I would analyze and emulate if I could.
Great video, I got a lot out of it. Some less-educated questions: Why do we use Dm/F and not F6? The latter seems at least as elegant in this case. D#b6b5 is certainly more clunky than B7/D# but the former seems to capture the hefty D#-ness of that movement. Remember learning this on bass as a teenager and feeling like those low notes were really where the significance of those chord changes were.
Great question. Coming up with a chord name is deceptively tricky and there's a lot of different factors which come into play. Sometimes there's multiple valid names, each of which might emphasize different elements of the chord's function or voicing, or purpose in the song overall. In this case, F and Dm are highly related chords. In fact, F6 and Dm7 share all the same notes, so if you see these notes together, you might rely on the bass note to determine the chord name. But the voicing also plays an important role - here, it is (from low to high) F D A D. There's no C, like would be a common low, non-root note in an F major chord (but is totally inessential to D minor), and the top 3 notes form a D5-like shape, emphasizing the D note, which is a color tone in the context of F major but a chord tone in D minor. Finally, the chord change from a more unambiguous C#m sounds more like a chromatic shift, where Dm would be the appropriate description. That said, F6 isn't exactly wrong per se, I just feel that it doesn't tell the reader of the chord chart about the chord's voicing or its context in the progression. With a slightly different voicing and context, F6 would be a good description. Like if you were in a jazz setting, and the notes were F D G A, and the previous chord was like a C7b9 or something. Here, treating this like an F major chord reflects a strong, typical V / I change (whereas V / vi, moving to D minor is less common when you have lots of chromatic tensions on the V), and it's more typical to see a dropped fifth in jazz voicings, so not having a C is less suspicious. I have a slightly different rationale for B7/D# - you were right that D#b6b5 is a clunky shape, but moreover it's not a particularly 'strong' chord identity. Certain note combinations will strongly indicate a particular chord regardless of the exact voicing. Like I told you to play a Csus4add6 (no 5), it would just sound like an F major, or perhaps Fmaj/C, even with C as a root note. Obviously, it's a matter of degree, but I think the dominant 7th with no 5th is a very strong identity. There is also less of a functional role for the D# (or Eb) as a root note for some kind of weird augmented chord in moving to the next chord, C#m. Hope this explanation makes sense.
I'll tell you it took about a minute after seeing this video in my recommended for me to be subscribed. Was then psyched to see Vertebra Atlantis on top of that! I'm sure you have enough on your plate, but I'd mention Haunter as a death metal band w/ some sweet harmonic elements (especially on Discarnate Ails)- check them out if you haven't. Great video!
10:04, I think this is the little cymbal that Ambrose plays when there's no harmonica part and he hasn't got much else to do lol. Love the guy, but I suspect it's rhythmically "simple" (at least compred to Cavs' part) because he's just not a drummer. You can see him bangin it around 1min55s here: ruclips.net/video/I1cvm0FosMs/видео.html
Good catch. I think it's still useful to show this cymbal on the same staff as the other drum parts; in my mind they occupy the same 'space' in the music, having similar timbres, which highlights the phasing effect I illustrate in the video.
I fucking knew there was something weird about this song. It's my favorite one on the album and none of my friends agreed. All I could say was "THIS ONE ISNT LIKE THE OTHERS ARE YOU NUTS?" But I couldn't put my finger on it.
I'm so glad you chose this track for a video. This song hooked me when it came out, and I knew there was some witchcraft going on in the rhythm section. Thank you for the breakdown, and for giving me a deeper appreciation for the songwriting.
Love watching Stu and Joey performing the solo harmony that I now sorta understand a little more ( or maybe just appreciate its complexity more). Thanks for this
I have a math degree and this made my head spin
One of my favorite Gizz songs. Great breakdown as always!
i know how to play this song on bass. not once have i counted or looked at it this way xD done it all by feel hahaha that being said your vid is awesome. i would have never thought this song is so busy.
Awesome list! My two top albums that sort of stood above anything else were Eunuchs - Harbor Century and Geordie Greep - The New Sound. But some of what i’m seeing in this vid sounds appealing. Might have to append the list soon.
This video is awesome! It’d be sick if you could make sense of some of the stuff math rock band Giraffes? Giraffes! has concocted.