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I worked with a PA28 very briefly and that was quite long time ago LOL. I vaguely recall the BGM as simply the 2track input that output to the LR jacks but bypassed the LR faders. You could continue to play a CD etc with the LR faders off for walk-in etc. Recording would be fairly straight forward. I think there was a single Aux so simply use those controls on each channel to mix your recording independently and send the Aux output into a recorder

Since it doesn't sound like you want (and it typically wont due to other acoustic sound that happens in the live space), you're first step is to create a new mix to become the source for the stream. Then yes you can use this process assuming that you are using USB to send to the stream.

​@soundadvicewithrob3083 is this the only thing we need to do on the mixer ? We tried today and didn't work

@@artmiranda8085 Yes as far as configuration goes this is it. You do of course need to make sure that you are sending the appropriate channels into Mix9-10 along with the Mix master. When you say it "didn't work" what exactly is the issue?

Yes. You have created a single Rev signal by sending singer1 channel into Rev1 so it the same signal being returned wherever you choose.

There are quite a few options when running a subwoofer. Best option is to use a processor like a DriveRack that will send the correct signal to the correct speakers. Without a driverack you need to get creative. Subs could be run from a dedicated Aux... set to postfader so it follows LR levels and changes plus a hard LPF on the EQ to limit signal freq to 100mhx or less depending on your subs.

@@Licht_en_geluid_meander Personally I like TP-Link routers and minimum I work use would be a 1500 model. eg. AX1500. if budget allows step up to an AX3000

@@soundadvicewithrob3083thanks!!

@@BetoiNazaire My first AH mixer was the analog MixWiz many years ago LOL. Been a fan ever since!

@ I’m new to Allen and heath I got a SQ5 I got the basic set up and I need more help on it can you give me some tutorial

Do you do personal tutorial for SQ5 Allen n heath

@@BetoiNazaire Sorry no

@@Frank-Ros There is no setting to change, you can only connect two tablets. You can connect up to 8 phones for monitor control but only 2 tablets for full control

thank's

@@tonywaghorn3164 Each of those have their own control. The only place to assign them would be the Custom layer. You access the Custom layer by pressing the Channel and Upper Layer button together. You can assign items to those channel strips in the Setup > Control > Custom layer

@@volkankale Sorry no. You cannot use stereo mixes as 2 separate mono mixes. The maximum on Qu32 is 11 mixes. Unfortunately your only option to get 14 would be to upgrade to a different system

@@soundadvicewithrob3083 Thank you

@@mikaeloliveira9772 Check Settings . SQ app . Local Network (must be enabled)

@ yeah o try a network cable.. one that is working I plug to my router and my SQ-6 and morning happens no Lights on the cable Port nothing, when i try on my computer it works so i dont if is a configuration on SQ-6, also i dont see settings on SQ app

@@mikaeloliveira9772 Are you sure the network cable is plugged into the "Network" port on the SQ6 and not the dsnake port (its the same connector)

@ yes it is.. there’s only 1 network port

@@mikaeloliveira9772 Ok let go the other direction... is the cable connected to a LAN port on the router and not to the WAN(Internet) port

@@kouadiokevinkouassi6221 Connecting a second tablet is as simple as connecting it to the wifi router and then launch the SQ software

Yes. You need to assign the LR to be the source to the matrix. That matrix can then be the send to your livestream

I should add the comment that using LR as your source for streaming will most often not give you the results you want. LR is mixed based on what is heard in the physical space. There may be sound sources that are not even mic'd because they are "loud enough" in the physical space. Unless you mic that source specifically to include it in your streaming signal, it would be missing because it's not part of LR. Just something to consider

@ good point. My purpose is mostly 1-3 people talking, who are all mic’d, and some computer audio. But I will remember this if things change. Everything needs to be mic’d for the livestream to hear. 🙏🏾

@@ricdelmoforcinetv4694 Choose Setup > I/O patch > USB Audio. Since you are only recording the first 10 channels simply choose an unused channel such as 11. With channel 11 highlighted on the screen, use the dial to set as FX Return that you want to record.

@@GEORGETKARAM When I mentioned the Insert jack behind the mixer, that was simply for demonstrataion of the old analog mix wizard that had physical Insert jacks. To create the same function of an FX dedicated to a single channel on a digital mixer, use the Insert option as I explained.

@@richardlynneweisgerber2552 16 inputs is easy as well as 32-EQ on each output and controlled over wifi from a tablet. Those are all common features. The trick will finding one with 16 outputs. Nothing comes to mind but I’m sure it’s out there

@@soundadvicewithrob3083 That was fast, Maestro. I have interest over in the modular synthesizer and desktop electro-acoustic 'phenomena' since I cannot claim anything resembling 'music', since I am always in test tones terrortory, but. For about twenty years I have been running something through my glacial-paced brain, "I could design & prototype an 8ch Stereo/16ch Mono Input through VCA @ each crosspoint with CV controlling amplitudes , of course with 'knobs' for the overzealous, 64 dual-shaft pots, but got all side-tracked when digital rotary encoders jumped in front of my bus. Then it is all how many useconds does it take to poll each one and can I do it through a ladder of 16:1 multiplexers without that godawful attentuator stepping noise? or... Then I bumped into these Multi-in to multi-out Matrix Mixers for audio distribution to what they call 'zones'' or something, but wait, there's more! They all have DSPs in there, and holy molene, I can stick hawever many bands of EQ RAW teslls me to at each destination, which are effects box or rack Inputs, with all their Outputs feeding back into the matrix which is a dang bear to re-patch with cables, as I would ten twenty years ago, which got this slow boat to Mars going in the first place. Then somebody had to beg them for Stereo Effects and well, that doubles the budget, but really squares it, Aside from this being 8x8 Stereo, but does not make 16x16 mono, only 2x 8x8. Any day KiCAD will teach me how to design the SMD parts-filled PCB, so it will all fitt. Assuming the qty 100 LM13700 for that Vintage VCA 'sound' you know. Yeahm old-age did nothing to slow my ADHD down. It gets rather amusing AND amazing just how much thought I put into this stuff nd these days, I cannot be bothered with a scratchpad of paper tyo pause long enough to see where the 'physical design' of the whole thing is today. I hope to amuse, but do you know of any hobbyist boards using decent Analog Devices >ADAU1701 SigmaDSP or Sharc trainer boards that don't cost as much as a production unit that I could modify in control software, so that's where it sits, finding some outfit(s) thhat allow tinkering in their products guts at the software level. DSP IP is downright abomiinnable what that runs for. ;-) Thanks for your kind guidance and Especially your infinnniiiite patience getting this far, sir. It is information like yours thhat smooths the throns down to a mere annoyance, compared to running this show with Null-Set information that I most-likely just 'made-up'. Take Care

@@СашаГаджетотСибиридоКрыма I had to back and look a few times but that gain is set at 25 not 58. I did say I’m using an SM58 mic… maybe that what you heard?????

@@СашаГаджетотСибиридоКрыма I do have a measurement mic and will use that when doing an “installation”. Typically I’m doing single shows at a variety of venues. Yes you can use other mic’s but again in my case i use Sm58 or Beta58 for vocal mic’s so it makes sense for me to run the process using the mic’s I also use. Primarily I’m most concerned about singers and feedback in their monitors. I routinely get comments about how good the monitors sound and loud I can get them without feedback. Lots of options and use what works for your situation

@@brianpaul317 Thx for your question. Unfortunately the "2trk" outputs on the qu-pac as simply a copy of the main LR output. They will not give you a "seperate mix" for your livestream. You should choose any of the Mix outputs to create a seperate mix.

@@dvbabu89 If you don’t already you need to dedicate an aux/mix as the source for your stream. setup the two mic’s as normal but simply don’t turn them up on the LR layer only on the stream mix layer. Same with the FX … send those mic’s to the FX but only use FXReturn on that stream mix layer

@@soundadvicewithrob3083 I was told from sweetwater that i had to do the same but i was also told to make that fx bus into an Insert? what does that do?

to elaborate.... i have my usb routed to output 2 for my livestream. i was told from sweetwater that i should create an fx send strictly for my livestream and make sure to put it in insert but i do not understand what the significance of that is. can you please help clarify?

@@johnfraboni Thx for the kind words. Glad is was helpful. Unfortunately the qu16 doesn’t have physical jacks to route send and return externally. Closest you could get would be use a mix layer to send out and then return into channel inputs.

@@soundadvicewithrob3083 thanks Rob! I'll try that!

Alrighty Rob, I got an outboard send return working by sending a signal out through mix 5-6 and the return through the stereo line-in 1. Works just fine, and allows for parallel processing. Not sure if A&H intended these channels to be used to route instrument signal in this regard, but so far, sok.

@@tsamanapeacebulelani3713 thx for the comments. Glad you found it helpful

Thx for the question. Using the FXReturn, the FX is simply part of the output where you have added that FX. When you assign an output to a matrix the FX will be part of the output signal. (I have other videos on using FX send and return). On the question of giving each player a copy of the master, unfortunately the QU series does not provide the option to route an output into another output. There's no direct way to send the LR back into a monitor mix output. I suppose you might do it with an external splitter and bring the LR back into a channel that can be used in a mix, but I'd be cautious of creating a feedback loop.

@@TheCyberdork Are you asking about the bass guitar? or possibly a separate signal to be sent to subs?

I want to send a separate signal to the subs so I can control them individually so when turning up the main L/R it doesn’t effect them I can control them on a separate fader of possible

@@TheCyberdork Typically you could use an aux/mix to send directly to the subs. This option does allow you to send specific channels only to the subs such as kick, bass guitar etc. A better option would be using an external processor like a Drive Rack to process the full LR output into subs etc.

@@djbassick Thx for comment. Let me clarify. My statement about "Gain" is actually true, but as well your statement about "Gain Staging" is also quite correct. While unity does indeed apply to fader level, it also holds true for the gain adjustment. There is actually a "zero" or unity position on the gain dial, however I should have been more clear that the "zero" position of the dial does not correlate with the zero position in the input meters. Most input signals must be adjusted up or down from the gain knob zero position in order for the signal to register correctly on the input meters. Hope that helps

Typically subgroups are used for summing channels and aux groups are used for monitor/headphone mixes and FX sends

@@essenceoftheanimal All channel have the option of getting signal from 3 "sources". Local is the physical XLR on the back of the board. Dsnake is an expansion box like an AR2412 etc. Finally USB is just as it sounds - input comes from the USB port. After recording, you need to change all channel input sources to USB in order to playback from Logic over USB. Shortcut - I create a scene with all channel inputs set to Local, then create another scene with all inputs as USB. This allows me to quickly and easily change all channels.

@@soundadvicewithrob3083 thank you so much rob! cheers!

@@soundadvicewithrob3083 oh, but when i want to overdub or play over or along with the previously recorded tracks how will that work?

@@essenceoftheanimal USB won’t provide record and playback on the same channel so you simply need to use another channel for dubs other than the channel wised for playback

The Qu-PAc is based on the same engine as the qu32 and does actually include 2 stereo Matrix out. It is a limitation of the hardware footprint that does not include actual matrix jacks on the unit. These are only available by adding an AR168 or AR2412 expansion unit and routing the matrix to any of the output jacks on those units

@@soundadvicewithrob3083 Thank you, it's interesting!

@@Elio_1030 Volume fader position is based on how you as the engineer choose to “mix” the overall sound. Once gain is correctly set the volume fader is moved up when an instrument needs to be “brought to the foreground “ for a solo etc then moved back to its position in the mix when the solo is done and the player moves back into the ensemble. Just one example

@@soundadvicewithrob3083 I see, Thank you for helping.

@@VoxLesPaul LOL

@@ronaldhaduca5714 Agreed. Anymore I typically only use this process for wedge monitors

@@juanchis.investigadorsonoro Glad to hear it. You could route channels that are not assigned to LR to a destination that allows you to select PFL. This is how you will send to headphones. On a QU24 I would suggest converting a group into a mix and send your channels to that mix. Then PFL that mix to send it to headphones

@@soundadvicewithrob3083 that also works, I also want to try the Additive PAFL. :)

@@juanchis.investigadorsonoro It can be confusing at first. The FXSend in the upper layer is simply a duplicate copy of the FXSend master fader. Its the same as all of the Mix masters on the upper layer. They are all just duplicate copies of the master fader from each layer. The upper layer control does not "send again". All of those upper layer controls are there just as a convenience to have all access to all masters in one place

@@juanchis.investigadorsonoro Just to confirm my point here's a test you can try.... select any Mix, then change to the upper layer. When you move the master fader for the mix, you should see the fader for that Mix Master on the upper layer also move... they are tied together. Also move the Mix Master fader on that upper layer and you will see the actual master fader (far right) also move. Hope this helps

@@soundadvicewithrob3083 I'll test that using the iPad app so I can see the layer moving. Thx!

@@juanchis.investigadorsonoro Tou can certainly use the app, but you can also see the faders move directly using the desk

@@philippemartignier9858 Thx for the feedback and a great question. Your choice for "sending" to the external Lexicon will depend on what signal you want to send. Since you can only route an output to matrix, it would only make sense to use a matrix output if the signal you want to send is first assigned to an output and that output is assigned to a matrix. Probably and extra and unnecessary step. You could use a mix or a group but again the specific plan on what you want to send would help make that choice. Q2: For studio monitors I would recommend using the ALT outputs. You can easily assign many different existing outputs to the ALT so could even "monitor" different sources simply by changing the assignment to the ALT. The other benefit is that ALT has a dedicated physical volume level control.

@@soundadvicewithrob3083 thanks a lot for your answer. So for Q1, the idea is to use my PCM80 as an effect on some tracks coming from instruments plugged in the aux in or from channels coming from the mac via USB, so maybe better to use a mix output indeed. For Q2 yes I understood the concept but I have 3 sets of studio monitors, so should I plug something like the big knob from Mackie in the alt out and plug my studio monitors or can I use my main studio monitors in the ALT and then use a mix output for the other 2 sets of studio monitors? and Q3 : did you have a look at the Midas 32 Live? (no touch screen, no jack input, but more digital options and better layout). Thanks again

@@mauricelechenault3814 The QU system creates a separate signal for the FX so you need to record the FXReturn channel

@@jaydaves6835 FXsends are just for … FX. They send a signal into one of the FX engines so these won’t be what you use for what you need. The easiest is to use a Mix Send for your band monitors and a second Mix for your Live stream

@@soundadvicewithrob3083 Can I then control the sound on those two Mix Sends independently from the LR?

@@jaydaves6835 Yes absolutely