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Thanks for checking. Yeah, I got rid of FB. The F35 and F3 groups were the only reason I stayed as long with FB. Still enjoying the F35 though.

Thx for watching. It’s a combination of Fusion setup and some custom Python code for the 1D transform. The final LUT is shaper LUT with 1D and 3D part. Luckily the BMD app supports shaper LUTs which most other apps or cameras don’t.

Hi, I film with the iPhone Apple Log and would like to have this, is there a possibility that you can give this away/sell it.

@ EL Zone is unfortunately protected. I’m afraid you have to roll your own LUT. I really hope that BMD will bring native EL Zone support into their products.

Sorry to hear. I hope you can sort it out.

It’s such a classic and the set is beautiful. I’m glad I got it. And of course it comes with exclusive track #19 😄

@@bobtronic73 Indeed. Vinyl is special, a player woud be worth it just for Aphex and the BOC records alone🔥

Hey, it’s the AF Micro Nikkor 105mm 1:2.8 D. It’s the old pre-digital lens but with camera motor autofocus on certain Nikon DSLRs. Image quality is still great with almost no distortion. Sharpness is probably better in newer macro lenses but it’s quite sharp and more than enough for video.

Hah, sorry, first shot is of course the stabilized one. Thanks for watching

@@bobtronic73 I see. Thanks. If you go for it with the tutorial, take some really shaky clip and make it tripod-like stable with the tracker 🙃

Yeah, lots of simulation going on 😂

Planning to do one 😊

Thank you! For most of my videos it’s a combination of the film LUTs in Resolve, grading and a bit of grain and halation FX. Sometimes I use Dehancer for its grain and halation. Thanks for watching.

Hi, thanks for watching. I still use the F35 sometimes. Personally I don’t think it’s very similar to the F3 but I was able to match both cameras quite close by using a custom color matrix on the F3. But both cameras are more similar than let’s say an Alexa and the F35.

@@bobtronic73 what do you mean about custom color matrix on f3?

@@great.verity the gamut for S-Log on the F3 is not S-Gamut, like the F35 or other Sony cameras. It's actually raw sensor gamut without any color matrix applied. I use my own custom color matrix in Resolve to transform F3 gamut into approximate S-Gamut.

@@bobtronic73 it's so interesting, thank you!

Hey, my sound card has multiple stereo outputs but I can route them quite flexible. In this case I assign for example the tempo sync CV to the left channel and the pitch CV to the right channel. Hope that helps.

⁠thank you for the answer Matthias ! i will be trying that 😀

@@bobtronic73 Hey great video 👏🏼, i just wanna ask can we do it with any sound card or the sound card or mixer should have CV processing and assignable output capability? Thanks again.

@@orcunyerlikaya thanks for watching. You need to make sure that your soundcard supports DC voltage. It’s usually called DC coupled audio interface.

That's great. Glad it was helpful.

Yes, it’s mostly about resetting time when powered off. Some recording options, such as raw, might require properly set time.

@@bobtronic73 thank you

Really, really noisy I'd like to add :) Did the sound by yourself i guess? Me like.

@@grundgedankethanks. Sound is from RUclips audio library.

Lol, thanks 😄

Thank you1

a tiny bit, hahaha

Hey, thanks for watching. Forget about autofocus on the F3. The Sony SCL-Z18X140 lens is the only lens that supported autofocus on the F3.

Thanks man. I'll probably posting more stuff with the F35, which I prefer over the F3. I might take the F3 for some outdoor shooting as it is much lighter than the F35 :)

Thank you! Glad it was helpful.

Thanks. I only used some cheap small no-name LED panel and softboxes.

Thank you! F3 is a great camera .

Thanks. It’s mostly down to experimentation and listening to references. A big part is the use of modulations, like envelopes and LFOs

@@bobtronic73 alright ty

Thank you!

Tehe 😄 it kinda does

Thanks for watching. I'm glad it was helpful.

Thanks for watching. I have not used the F55. Looks like a great camera though.

What's the f35 like to use?

@@r.hunter4426 It's a big heavy camera with a weird form factor. Also you can only record externally and for anything 444 or 50p frame rates you need dual-link SDI. The EVF is placed rather high which makes it less than ideal for shoulder rigs. But besides that it's easy to use. Most relevant settings can be changed without going into menus. Startup time is fast too. Power consumption is okish but still you can run quickly through batteries. The F55 is a way more convenient camera by all accounts. The image of the F35 is a beauty though.

Yeah it looks a big beast but the image is a beauty! Thanks 👍 Would be cool to say I own a camera that cost brand new $250,000 😂

Thanks for watching. I'm recording externally in S-Log, either using the Odyssey 7Q+ or the BMD Video Assist.

@@bobtronic73 Thank you! Video from 1080 is converted to 4k with crop?

@@ВячеславРакитин-ю6ю it was upscaled to 4K in DaVinci Resolve

is the image scaled? or does it remain the same as in 1080?@@bobtronic73

Thank you1

Hey, thanks for watching. This was with the Meike S35 75mm, one of my favorites.

thanks man!

Hey Davide, thanks for watching. To answer your question, I sampled the click from the Sync Out of the Volca. In Ableton there is actually an even better way that I just learned the other day. There is a Live package called CV Tools that you can install for free and this offers CV clock generator which basically sends out generated clicks via the audio interface. I recommend to check these out.

@@bobtronic73 awesome dude, thank you so much for your advice and this tutorial! Again, thank you!

@@davidefromearth glad I could help

Hey, thanks for watching. Regarding your question, any F3 with the 1.45 firmware (which is a free upgrade) can record S-Log 10bit 422 to an external recorder. The S-Log is an option in the picture profile settings.

@@bobtronic73 Thank you for your quick and informative response :) I have been sent some pictures of the Sony F3. It has firmware version 1.4 and seems to have Slog also. Is there any chance I could get these pictures to you to have a look at before I purchase this camera? I just want to make sure I’m getting the correct version as it seems harder to find active firmware download links these days!

@@joshuahartwell9224 hey, I just checked the firmware manual, v1.4 seems to be ok for recording S-Log via picture profile. You can contact me through my e-mail in my profile or via instagram. Cheers

@@bobtronic73 Can you provide firmware manual, v1.4? Thank you for your help.

Thanks dude this got me back up and running again after I thought I had bricked it.. 👍🙏

Oh no, sorry to hear about that. It’s a fairly easy procedure so I’m wondering what went wrong. Keeping fingers crossed that you get it to work.

I had a similar problem but if you go to the power socket and line the notch with your lead it should work. Use a flat head screwdriver but just twist at the top, don’t insert it fully to avoid damaging the pins.

@@Tony_BrookfieldMedia hey man what can I say! In the heat of me bricking it yesterday I didn't even think to look at the orientation of the notch in the power socket! That was it! All I did was Google an image of it showing the notch at 12 o clock. Turned it back (assuming it had turned when I tightened up the outer nut) and bingo, it powered up! Thank you so much for this! 🙏🙏🙏

@@winstonnugara5226glad it worked out 🎉

@@Tony_BrookfieldMediathanks for helping out ❤

4K upscale work fine. Just don't sharpen the footage in-camera.

What changes is the perceived DoF. Zooming in and out will change the size of the bokeh in the visible part of the image. Now if the sensor size would change along with he focal length that would be a different story :)

Thanks for watching. Yes, I used the Kodak film LUT in Davinci

@@bobtronic73 Is it the 2383 LUT?

@@kraftpunk6654 yeah, it's the 2383 LUT

Sorry about the damage. Unfortunately I can't assist you there.

@@bobtronic73 As I mentioned, it's all about measuring the mentioned resistances so that I can determine which ones should be installed there. Is there anyone else who is currently changing their battery and can take a quick measurement?

@@deadendboredompossibly able to help you

@@RiderX424 I have by now found out that the components are not all resistors, and some of them cannot be measured easily. However, it would still be very helpful for me to learn the results of your measurements.

@@deadendboredom I’m no pro and my multimeter leads aren’t small but this what I could get: L602 nothing R601 Continuity read 0.2 ohms L601 nothing R604 Continuity read 0.1 ohms R603 75.1 ohms R607 75.2 ohms Hope it helps

I didn't apply new paste. I suppose that would be the proper way of doing it. But I haven't had any issues whatsoever after the reassembly and I had it run for hours since then.

Afaik there are not available for download. Can't help you there unfortunately.

Thanks so much. Enjoy the F3!

Hey, sorry, without removing the screw on the power connector this is going to be near impossible. You have to see if you somehow can (carefully) remove the screw.

I had this exact same situation, and solved it by doing something pretty stupid. I plugged in the power connector, then used pliers to hold the power connector in place while using a small wrench to unscrew the nut around it. It took a little bit of fiddling, and I was taking as much care as possible to not damage the power connector in the plier. Dumb, but it worked! YMMV.

😆

Sorry to hear. Have you checked the contacts for corrosion or any other damage? Otherwise I don't really know.

@@bobtronic73 yes i do and everything is super clean inside...

@@markcutdavid dang, sorry, no idiea what it could be.

Finally, I've let sleep the recorder for couple of days and apparently everything is solved by itself hahaha

@@markcutdavid 😅 haha, that's what I always hope for my broken stuff