Видео

Fantastic writing. You've made me think more deeply about my own compositions! Thank you.

Well done. Creative, engaging, and nice handwriting

Guts theme aura

Nice , you also a very nice handwriting

i love these so much! are you going to make the sheets digital any time soon? id love to play them

The First half of the first Piece reminds me of rachmaninoffs prelude op 23 no 4. Great job!

The first movement is somewhat reminiscent of a berceuse. The second section with the chromatics against the whole tone scale is really quite beautiful, as is your handwriting throughout. The ending is fresh. I liked it very much. The second piece somewhat reminds me of Messiaen's recitatives in places, combined with those Debussy swirls. I think some more development in that work would have been welcome, to better set up the ending. The third work was even more Debussy. Again, I was hoping for a little more development in your vision, but I'll be happy with what you've given. Fourth piece's B section almost seems like some kind of forgotten dance, like a mutated passage from the 3rd Mephisto Waltz. You seem to really like your binary form. Scarlatti would be proud! The fifth work is a welcome burst of grotesqueness, shades of which I think could have really fit well into the second piece in order to break up the established tropes. Very sarcastic moments, I'm in favor of your use of bass in this last piece. Prokofiev comes through. If you were to ever flesh these works out more, I'd probably give them a crack.

lol first it was mobius going atonal and now its u (very nice pieces as always)

It was an original idea to show a music notebook. In any case, this is the first time I've seen this. Thanks for the music.

I really like this. It isn't like much I've heard before. It uses chromatism in a very unique way. It doesn't feel too impressionistic, nor too dissonant. It is an unsteady peace, almost. Even the final piece, with it's loud and quick chords do not feel dissonant. It is very hard to describe. Great work.

Really good! I like them!

what a unique concept

Rly nice work again! Ending the first with chromatic parallel fifths gave such a unique sound,,,, also the last one kinda reminded me of Prokofiev

what a masterpiece

Great playing, I have trills in the Scriabin poem at the beginning

Nice! Hoppe now you're studying at one of those conservatories you applied.

at 16:34 is that a clinker?

They put the wrong accent on the "e" when they wrote "Deux Poémes." The manuscript has it right, tho'. You'd think JS Bach might have come up with more original names than "Preludium" and "Fuga". I mean, he wrote 48 of them. How about a little pizzazz in the titles, like "More Notes than you can shake a stick at"?

The Bach fugue was nicely voiced and well realized. Nice work overall. Good luck w/ your applications

In what college did you get accepted ?

Hi could you tell me what was the most difficult part of your audition ? Also could you make a video of all exam piece each year/grade You add before conservatory,it would be interesting and it could also make me find something to play after my burgmuller op 109

nice! i wonder if there's an age limit on trying to get in and studying in conservatory 😅

Appreciate the technical mastery of composition but what's the point? Without functional harmony there is no drama, no meaning. IMO.

opinions on jazz and other world music????

Wow.. absolutely delightful! I'm glad I came across this. The first piece struck me as incredibly beautiful from the start, and it didn't stop being good. They're all good, and I like the first and last most. It's like you gave each piece its own identity and didn't just toss it out after a couple of bars, but instead took it on an adventure. It's really satisfying to listen to. Also the lofi sound quality makes it sound kinda eerie which is a nice aesthetic, but I'd love to hear these on a grand in a concert hall with good quality mics.

dawg this is so good

stop this nonsense

RUclips just recommend this to me and I got surprised positively. I'm in love by No. 2, but the whole set is great. Greetings from São Paulo, Brazil.

even skriabin sounds badly when an E is out of tune😂

Great playing, but as I've played and listened to the first and fourth mvts too many times, the fourth seems a little too fast and the texture the left hand is making is a little as if it's little triplet groups like in the first mvt. Idk about this edition, but I've always thought that they need to be more legato, like much more stable runs. The middle section is also really well played but might be a little too rushed. I'd say in general that there are 2 characters having a debate, and the first character immediately gets furious, then the second tries to calm him down and it goes on. Basically what I'm getting at is to voice the "characters" in a little more different tempo (slight changes bc otherwise it'll mess everything up) and a generally much more contrasting voicing. Btw sorry for the yap session

You have a real gift !

Quite impressive !

Not easy playing in a piano of suboptimal condition or recording an entire session, great job! Hope you don’t mind if I shared some thoughts on what I’m hearing. I didn’t get a chance to listen through every piece. Overall you have some good ideas of what you’re trying to do and good tones. I would think about the competitiveness of some of the choices however, the Bach and Beethoven you picked are all more on the ‘elementary’ levels so you will be judged harsher on perfection so keep that in mind. For the fugue I would refrain from rubato expressions (the prelude is okay to use some rubato) but having rubato or anything that disrupts the pulse of the music can also disrupt the presentation of the subjects when they come in. Structure is extremely important here. Overall there’s a feeling the left hand can be more subdued throughout all the pieces at moments. The 1st Scriabin can sound a bit dry at times, this isn’t purely pedaling, could try to finger pedal more and legato involves transferring of weight between fingers rather than pure finger work.

I am giving a like for Good Success, as you are correct, your phone, and probably the piano did not make justice to your quality as a musician and an interpret.. Cheers!

Ich mache zwar erst das Abi, trotzdem interessant zu sehen wie dein Programm aussah. Gibt es Konservatorien überhaupt noch? Heisst das nicht Musikhochschule heutzutage? Wenn ich dann dran bin mit der Aufnahme Prüfung, was denkst du von einer Ligeti Etüde? (Wahrscheinlich Fanfares oder Cordes à vide) Oder was für eine Sonate würdest du empfehlen?

very well executed. Excpept, i cannot understand why you have chosen Scriabine 2 poems.... not easy to impress the auditors.

The third has a real "Brahmsian" beginning (Op. 119/1) ;) Otherwise, wonderful compositions!

Congratulations and thank you for sharing your beautiful performances

I feel good just listening to it

Fuge #2 ends with a nice V-I cadence 😁

The scores for anyone wishing to read or play through it :) 1: musescore.com/user/34360945/scores/19731640 2: musescore.com/user/34360945/scores/19731643 3: musescore.com/user/34360945/scores/19731646 4: musescore.com/user/34360945/scores/19731649

Another amazing set! Love how the texture builds throughout no.1, water splash like arpeggios in the 2nd were so calming, and 'Largo' has some rly powerful harmony Hard to pick a favourite :)

No. 4 is absolutely stunning. Well done! 👏👏

8:21 Scriabin Op. 8 no. 12 reference?????

Amazing...

Honestly I think the first movement is rather 4+3 rather than 4+3+3, because of the dotted quarter note. But overall I love the romantic/impressionistic vibe of the pieces, keep up the good work! (compose more atonal stuff lol, i loved the atonal fugues)