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Merci ! Je ne pense pas, cela réduirait au maximum le node tree de 15% en enlevant un peu de vector math, tout en rendant les explications plus complexes pour les non matheux, donc ce tutoriel serait loin d'être le meilleur exemple pour passer aux matrix nodes.

​@@alexandre.albisser Je comprends ton point de vue :) Je me permets de suggérer ça car tu n'expliques pas vraiment les maths utilisées pour arriver au but dans cette vidéo. Donc pour un novice sans ces connaissances, vector math ou matrix, je suppose que l'incompréhension reste la même. 🤔 Il me semblait alors que l'objectif ici était surtout de montrer comment créer le tool pour arriver à ses fins, sans forcément comprendre tout le processus, ce qui est tout à fait acceptable. 👍

Bind is the correct term

Bind is indeed the correct term

Are you using Eevee? You might have to see other tutorials for the render settings for glassy materials

Glad it was useful! When you say the thread is moving, do you mean that the base curve itself is deforming? If so, you could get around this by replacing the "length" attributes with the "factor" of the "spline parameter" node, so it does not depend on the length of the curve, and replace the "length" from "spline length" with a custom value that would be the total length of the curve if it is not deformed. Hope that can help!

@@alexandre.albisser Hello! Thanks for your feedback! After further investigation it seems that it may be the Softbody simulation settings I used for the knitting part that caused that "twisting" effect. I changed some settings and it's way better now! If you're interested I'll send you the end result on instagram. Once again, thanks a lot for you help and this amazing tutorial!

Indeed, that's a nice one! But their execution is far better!

@@alexandre.albisser Your tutorials look like something I could get into. Will definitely be checking them out.

More to come! :)

Thank you so much for your comment, I am always debating making those setups as tutorials, but making them also helo me improve my systems a lot, so there will be more to come :)

@@alexandre.albisserthat’s great to hear! Yes, passing along knowledge is indeed a great form of self improvement as well :) we’re all lucky to have node-magicians like you pushing us forward and sharing knowledge. All the best! ✌️

Lucky for you I found the file in my backup, I added a link to it in the video description!

@@alexandre.albisser awesome. tysm :)

Glad you liked it!!

This is just a random uncut sheet design found online, the exact dimensions will depend on the manufacturer, number of cards, etc

@@alexandre.albisser thank you, alexandre! looking forward to your next content 🫶🏻

I am assigning the vertex group corresponding to each bone to some vertex of the mesh. This step is called weight painting or skinning and it is one of the main steps of assigning an armature for deformation. The kind of visualization I put on the screen is about the best way I could find to explain how to set the weight for this armature!

I select some cards by their index, for example I test the indexes greater than 13 or less than 10 ans I am left with the 10, J and Q, cards on which I can do some transform (and I put my boolean selection as the selection for the transform)

@@alexandre.albisser Thanks.

This is here to help you visualize but it is achieved with the "Viewer Node" which allows to display data in the viewport! If you want more details do not hesitate to download the assets with the first link in the description and take a look at my nodes

I noticed it as soon as Ten Hundred's video went live, that's the kind of mistake that can go unnoticed until the video is released, especially on low budget or short timeframe projects such as the one I usually do :p

It is indeed Blender with Cycles, with the right shaders and lighting setups you can achieve the same results!

Noted!

I am following the node set up from the file and group input to sample nearest surface node connectors turn red instead of green as in your file?

Not nerds, professional 😎

This view is just something I zoomed in on the edit so you can see better, but you can previsualize attributes like I do with the built in Node Wrangler addon, and the shortcut shift select, or the viewer node

@@alexandre.albisser Thanks. I am still lost on the part where you made the object black and white to highlight and delete excess faces though 😅

Pour + d’infos je sais que les fissures sont à l’intérieur, je les vois si j’augmente la thickness des cracks mais la surface simple des objets ne semble pas transparente pour laisser voir les fissures ?

J'imagine que tu utilises le moteur de rendu eevee ? Dans ce cas je t'invite a aller regarder des tutoriels pour les matériaux de verre optimisés sur eevee

Hello, les subtypes ont été intégrés dans Blender assez tardivement, est ce que tu utilises une version récente ? Datant au moins de la date de publicationrde la vidéo ?

@@alexandre.albisser​​⁠​⁠ ah je vois! Non effectivement je n’utilise pas la dernière version et impossible de l’avoir pour le moment je pense… je ne suis pas en charge de l’installation des logiciels sur nos machines ! Mais est ce qu’il y aurait une équivalence au Subtype distance du coup si on utilise une version plus ancienne ? (C’est à 10:08 )

@@sugarys dans les versions antérieures le subtype etait assigné implicitement il me semble, cest a dire que pour avoir un input de distance par exemple, il fallait la creer a partir de linput radius d'un curve circle node par exemple. Mais dans le pire des cas ce n'est pas important pour le fonctionnement

@@alexandre.albisserd’accord merci beaucoup ! Bonne journée :)

SOLVED (I think): The generated rocks have a bunch of modifiers, all of which I applied to the geometry. Thus, when Copying Modifiers from Icosphere it only copies the Procedural Nodes.

Sorry about the late reply but yes that's it, you might want to apply the modifiers of the rocks to ensure it works as intended!

Thanks 🔥

Thank you! 😄