- Видео 14
- Просмотров 12 098
Jeff Lathrop
США
Добавлен 19 май 2024
Music from Epidemic Sound.
Contact me: jeff@lathropmedia.com
Contact me: jeff@lathropmedia.com
Видео
Alien encounter sequence - Davinci Resolve 19 - Color test.
Просмотров 1052 месяца назад
Rough test footage for a project I am beginning!
Custom Thumbnails for LUTs in Davinci Resolve 19
Просмотров 2313 месяца назад
Follow along while Explain how to make customer thumbnails for your power grades in davinci resolve on the color page. e-mail me: jeff@lathropmedia.com
Davinci Resolve 19 - Saturation Techniques
Просмотров 2,5 тыс.3 месяца назад
Join Jeff in a color grading session where he talks about saturation like how to use subtractive saturation and other tidbits. E-mail me: jeff@lathropmedia.com
Film Look Creator Test - Davinci Resolve 19.6 Beta
Просмотров 2,1 тыс.3 месяца назад
Film Look Creator Test - Davinci Resolve 19.6 Beta
Use Groups to Color Grade in Davinci Resolve 19!
Просмотров 9753 месяца назад
Did you know about how to organize your clips into groups for color grading? Davinci resolve has so many tools. E-mail me: jeff@lathropmedia.com
Build a Node Tree & Power Grade - Davinci Resolve 19
Просмотров 2,8 тыс.3 месяца назад
Lets build a fixed node tree to work from, and save it as a power grade. Davinci resolve is awesome, and I am happy to help anyone in the comments of via e-mail to : jeff@lathropmedia.com Thanks for watching.
Davinci Wide Gamut Settings & Using Color Space Transforms
Просмотров 4843 месяца назад
Use color space transform nodes to handle your footage!
Davinci Resolve 19 - Beta Update!
Просмотров 1,1 тыс.4 месяца назад
Follow the steps to update to the latest version of Davinci Resolve 19.0 beta 4
Davinci Resolve - Intro to Nodes on the Color Page
Просмотров 2134 месяца назад
Still mapping out my preferred workflow, here I am testing the difference between parallel and serial nodes. Which do you prefer? Shot on Canon R7 with RF 15-35.
Davinci Resolve Micro Color Panel - Unboxing
Просмотров 1,2 тыс.4 месяца назад
Join me as I walk through an unboxing and initial impression of the Davinci Resolve Micro color panel. This is not a very polished video, just wanting to get this video started and keep myself motivated!
Davinci Resolve - Tutorial Test Setup
Просмотров 744 месяца назад
Davinci Resolve - Tutorial Test Setup
BMCC 6k Full Frame - 4k DCI Crop
Просмотров 2025 месяцев назад
4k DCI crop of open gate 3:2 6k BRAW Q0 with L mount Sigma 24-70.
Lens?
@@BurtiB rf 24-70 /f2.8
this is great info, check out the color management in the project settings! Your first two nodes would not be needed.
Thanks! I prefer manging with nodes vs the project settings to have more control.
Beautiful Tone!!!
Thank you, I quite like the look as well! I almost fell over in the clip the light was so good 😅
Nice video 👍
@@Jeninisitie thank you!
How would i set this up for slog3 only?
Check out my other video on powergrade thumnails - but at thia video follow from 6 mins 30, and for input color space om the first node, put sony s gamut and sony slog 3 if that is what you shot. Let know if this works!!!
@@Jeff_Lathrop Ok i will try this and let you know thanks for the help
@robs_vlogg3959 any luck?
How would I use the with S-Log3 just so I can be clear on this setup.
Choose s log 3 in the first node as your input color space. Feel free to clarify so I can answer better.
How would I set up my ln node and out node since I shoot in slog3. Your videos are real helpful. I m new to Davinci and color grades
@cantgetright46 at 2.25 i talk about input color space. For sony, choose rec 709 or sony s gamut for color space, then sony s log3 g for the gamma. Exit node should match what I've shone, but tone mapping on or off depending on the footage.
What’s up man I just subbed
@user-xm8sq1mu1c yo, right on! More vids coming soon, took a short break revamping my setup a bit lately. Thanks for subbing!!
At the end of the video you said that for C-log3 (and other log footage) it would be better to change the tone mapping to none, which i did in the CST Out-node but it turned my otherwise correct looking footage into highly overexposed mess. Using the luminance mapping with custom max input looked fine to me. Any ideas why this could be and is it something I´m doing wrong?
Tone mapping may be better for you camera, what did you shoot with? With no tone mapping, try turning the highlights knob to -100, ( as far as it will go) and see how much more detail you have in the highlights vs tone mapping. This is the highlights knob in primaries, not log highlights nor gain. Also, mess with tone mapping level to find what looks best, most people max it out which is not always best, but usually works ok. With b raw footage tone mapping looks great - with clog3 sometimes tone mapping is ok but often sacrifices a ton of highlight detail. It really depends on the clip, too - bight clips may need tone mapping while darker shots might not.
@@Jeff_Lathrop Thanks for the anwser, I shot it with Canon R8
@EvylBeats i have a cannon r8, too. Its a great cam! Try the highlight adjustment, the one on the primaries that goes to -100, and see how it works.
Just subbed. What reference monitor are you using and what do you recommend in three levels of budget?
I like Dell u2723 QE and u3223 QE for budget, i also have a really cheap AOC 4k monitor that calibrates really well - almost any modern IPS panel will be good for SDR. The dells monitors have "hardware calibration" just like some of the LG monitors,, but it stores the profile in an ICC profile rather than the monitor, so it is very similar to the software that is included with any colorimeter. So - color management on the windows or mac side seems hugely more important than the monitor itself! I do not have experience with more expensive monitors, but EIZO and of course flanders seems pretty good. I don't think i would spend more than $1k for a monitor as a hobbyist, and I have been very pleased with my setup.
This looks so weird. What is the point or goal here?
Really just a first test with the film look creator node on some vibrant footage to see what happens. First half of the video is a vibrant grade and the 2nd half is just with film look creator slapped on top - very simple and fast comparison test. What looks weird about it to you?
I think the film look creator is great and it will only get better, I’ll soon be releasing some ready made presents for easy drag and drop!
It's already drag and drop!!
Yes, what I meant is that I’m developing a few nice presents as power grades so you can drag and drop and all settings are already tweaked from the get go or at least it gets you a bit closer depending your original footage.
@DavinciResolveTipsTricks that's great. Everyone should be making their own power grades and timeline presets, a huge time saver! I have a video on how to make custom thumbnails for powegrades, too - check it out!
what camera?
@@TheForistality black magic cinema cam 6k with sigma 24-70 f/2.8. Shot in open gate 3:2 and exported in 4k dci.
@@Jeff_Lathrop damn that full frame is really on some next level here.
@@TheForistality it's really something!
Hee hee. Looks good though. 🫡
Haha... thanks! Super rough. I hesitated posting but it was fun to share.
Dude those flowers near your backyard color pallet photo are gorgeous!!!
Those are Yulias 3 rose plants! I love them, too.
You are Expert Sir!
❤🎉😊
Hi brother i really liked ur video May i know the settings of ur CST in ?
@@KaranSingh-fl5ts check out my video on color management, and the one on saturation secrets has it also. What camera are you using?
@@Jeff_Lathrop yes i just found out amazing, i mostly use SonyFx3/Fx6 , on S Gamut Cine 3 and slog 3
@KaranSingh-fl5ts nice!! I'll do another video on CSTs soon, and I Will mention slog 3 along with some things I've learned about canon clog3 compared to braw.
@@Jeff_Lathrop great!! I also purchased micro panel, have u tried User button on it ? I dont know how to make that work, and can u share ur insta or any social media where we can talk more about it, i am also a video director/editor/colorist working from 8 years
@KaranSingh-fl5ts the user button is not functional yet, but hopefully will.be available for custom user set actions - hopefully once resolve 19 is out of beta. I do not use Instagram right now but I am on Facebook. The panel rocks!
loving the color grade! would you be able to make a tutorial for this?
@@AlbieJr_ yea, totally!!
What did you find good in this color grade? I am interesting in what details you pointed your attention because for me its a regular image with just greens shifted a bit to blues
Check out the breakdown here : ruclips.net/user/liveQ5LGAJMZp_A?si=AEp_aE5QYHUlNGzt
Nice video! I want to make one correction. The Color Space transform is included with the free version.
@KonaVisualzz oh great, thanks for the info! I thought it was studio only when I got my license last year, maybe not. Either way that is definitely good to know, and makes free resolve such an insane tool!
That's all cool!
Thanks bro, I think so too!
Well NICE!!!
Thanks! Looking back this is not very filmic, but I did use the film look creator tool to adjust the 2nd clip!
Thanks for the video. Can the panel edit curves? For example adding points and shifting the position?
I will have to double check on that. There is a cursor button that allows you to select a part of the image from the viewer with the right most trackball, which will create a point in the curves. I am not quite sure how to adjust the point or switch between the different curves - I do not think it full curve functionality, but I will have to follow up on that!
nice! thanks for the tips!!!
You bet!
Thank you for showing this! Very interesting! But Why do you place the 2nd CST on the 3rd group and not on the 4th? What is the difference between those?
The last button affects the entire timeline. When using groups, the 3rd button affects the entire group but not the timeline. With pre and post group clips levels you just get additional group controls before and after the clip level and before the timeline level. When using groups, you get 1: Group pre clip level - adjust entire group 2: Clip level - adjust selected clip only 3. Group post clip level - adjust entire group 4. Timeline level - adjust entire timeline. Hope this is helpful! Super handy when grouping scenes or different cameras. Say sony cameras are all 1 group and canon is another group, I can make adjustments to each group before adjusting everything at once with the timeline level. Your clips will need to be shot matched, and then groups might each have their on look once the clips are all matched at the clip level.
@@Jeff_Lathrop Excellent! I do understand now, thank you so very much! Looking forward to more videos from you!
@@RobertWildling Right on! I'll have a few more out this week!
@@Jeff_Lathrop ...meanwhile checking out your existing ones! Great stuff!!!
@RobertWildling thank you, and thanks for watching!
thanks from France, i am new to color grading and i find this work of yours more helping
@jean.kirwaweber thanks for the comment. It's awesome that you are color grading!
Perfect Audio btw!
Oh thanks!!
Love all your videos! Cool!
Thanks Michael! Love seeing your videos too!
@@Jeff_Lathrop Little Me? Ha ha. Thanks ❤😊
I don't use Resolve but love your videos.
@MichaelDeLormePhotography thank you! I am an admirer of your work, that is cool to hear from you!
much better audio!
Thanks!
Amazing
@@NeelamTalkies46 thanks! Such a beautiful area :)
Resolve 19 was announced in April… We’re halfway through July and it’s still in beta? What is taking so long?
@2424rocket I've noticed it's a bit more resourde heavy and rendering slightly slower, maybe just taking extra time get it dialed in. Additional support for h.264 doesn't really seem faster so far, but who knows. I'm not sure if there is any official timeline either.
I'm a beginner to color grading but really want to become an export in the future. Is this panel worth for a newbie like me?
@KyleFilms it's definitely a luxury item. It is very fun to use and intuitive but not necessary at all. I love it and am keeping it, but just remember there are people color grading on laptops with a trackpad doing better results than some full on colorists!
@@Jeff_Lathrop thank you so much!
@@KyleFilms you bet! Are you working on any projects at the moment? How do you like grading so far?
@Jeff_Lathrop basic maximum 5 nodes, but I want to get better. I will get my hand on the new micro. I do use loupedeck for my editing, so I believe I will adapt fast with the panel.
@KyleFilms it is not the numbers of nodes used, but how they are used! 5 is plenty:) you'll love the panel.
They finally added FLAC
Resolve is really great, and the updates are legit!
Hello bro make the long tutorial on DaVinci resolve please 🎉🎉🎉🎉
@@jhonesreece4946 ill start working on it!!!
@@Jeff_Lathrop okay fine