- Видео 38
- Просмотров 50 309
Cinegrams
Добавлен 10 фев 2023
Premium editing assets for creators.
How to Get the "Cinematic" Look
Enroll now: cinegrams.com/pages/academy
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The ultimate masterclass, network and resource hub for filmmakers, photographers & creators alike.
____
From in-depth courses and editing assets, to weekly calls, giveaways, competitions and much more.
Join today before the price increase.
💻 Win a 14-inch MacBook Pro
⏳ Click the link before the price increase
The ultimate masterclass, network and resource hub for filmmakers, photographers & creators alike.
____
From in-depth courses and editing assets, to weekly calls, giveaways, competitions and much more.
Join today before the price increase.
Просмотров: 666
Видео
How to get the Dreamy Film Look
Просмотров 22 тыс.9 месяцев назад
Cinegrams Master Bundle cinegrams.com/products/the-master-bundle Editing Essentials Bundle cinegrams.com/products/editing-essentials-bundle Use code ‘YT10’ at checkout to secure your bonus discount! In this video, Aaron demonstrates how to create a nostalgic, dreamy film look digitally, by utilizing our creative assets. Join the Community Instagram: cinegrams
guys please write your reviews here if you purchased their education before
following
can you do this in final cut pro, thanks
Which preset is this
Is this drag and drop and is it compatible with inshot?
The joker and Ozark
Hi ,how did you achieve that glow you add in your text motion graphics so nice, is it a plugin?
Mellow dreams🌟
please post more videos
Mat mat ohhh heeee
What is the size in GB for whole bundle?
Been following you for years on instagram and HOW on earth I have not realized you have a RUclips channel. Such a great video sir.
were these clips shot with a mist filter?
Amazing marketing
Hey guys, I would love to do a review of your master bundle. Collab?
can we have a tut on text ? the shaky text looking too good !! Great Tutorial 🔥
You worked hard on this video, respect. I'd like to see where this channel goes.
omg I love this video tks
this channel is underrated. i literally learned all you thought
So glad to hear this! Thank you 🫶
Which software??
Any software! We're using DaVinci Resolve, but you can achieve this (apart from the Gate Weave effect) in any program :)
yeah but in order to get most of these fx settings in davinci you have to buy studio fo nearly 400 dollars ^^
Not necessarily! The only effect that cannot be replicated quickly in other programs is the gate weave/camera shake effect. Everything else can be achieved quite easily :)
@@CinegramsOfficial The grain and noise reduction?
We don't use noise reduction to achieve the film look, and the grain we use is not DaVinci's in-built grain - it's our own ultra HD scans which have better authentic texture and more variation
lovely!
I'm working in Final Cut Pro which has no Halation or Camera Shake effects. Any suggestions on where to look for those? I bought the master bundle and I'm loving your film grain and mattes but I can't get these looks in FCP without those missing ingredients...
2in
Hey there! We dropped you an email with some potential workarounds for this. Hope it helps :)
how do you apply the super 8 effect in final cut pro@@CinegramsOfficial
Hi there! Same principles apply. Just follow the steps in this video. You may not be able to achieve the gate weave effect, but everything else is replicable within FCPX
Thank you ! How did you convert your LOG footage to REC709 in the "Basic Correction" tab of Premiere Pro ?
Hey there! So we recommend using a conversion LUT from your camera manufacturer. You will basically apply this LUT within the 'basic corrections' panel, and only after it is correctly balanced, then you can apply one of our creative LUTs in the 'creative' panel.
If the footage is not shot in log and converted to rec709 can these luts be added on top of normal footage straight from the camera?
Yes, if your video is already in REC709 you can apply the LUT directly to it (without needing to convert)@@KODYGnlp
@@KODYGnlp that's correct! They can be added on top of normal footage straight from camera, but for optimal results shooting in LOG and then converting to 709 is recommended. This is because you'll be able to capture more dynamic range and information compared to just shooting in 709.
ça a percé
What color management project settings do you use? This step is often forgotten in tutorials and is essential to the workflow.
Hey there! Our LUTs are designed for Rec.709, which is usually the default in DaVinci Resolve. If you haven't changed your color management project settings, you should be good to go. Just ensure your project is set to DaVinci YRGB with Rec.709 for input and timeline spaces for optimal results. Hope this helps :)
🔥🔥
😂nice