Видео

Como presta, muy guapu!!!

muy guapo

Increíble... Gracies por esta ayalga

Sublime

Elías, eterno

Qué grande eres

Sos un grandi. Vou sacalas.

¡Fantástico! ¡Enhorabuena!

Muy, muy, muyyy pro. Enhorabuena.

Como me presta escuchar otra vez a Guzmán. Muy guapo

I have never listen anything like this,, It's fantastic how two persons can play Asturian music .. It is gorgeous! Thank you so much.

It's amazing!!

Vaya guapu!

¡¡ARTE Y SOLO ARTE!!

Perfect....x

Beautiful....

¿A qué tará esperando TPA pa echar el capítulu? 🙈

Muy guapo

Me estoy dando cuenta de que yo estuve en ese concierto. Gracias Rubén por publicar parte de lo que nos dejaron estos dos grandes

Qué maravilla

Per guapu Rubén, gracies por compartir esto. Ye oro puro :)

En primer llugar, milenta gracies po'l trabayu que te tomaste y por compartilo con tóos nos, esto ye un documentu hestóricu del que podemos seguir deprendiendo tantu los más "vieyos" como les nueves xeneraciones. Siguen con nos...

(Original liner notes from the original tape) In March 1998, the Foundation of Culture of Xixón Council got in touch with Elías and me to develop a workshop of Open Tuning for Guitar and Bouzouki; their aim was not to teach two different workshops but to keep pupils learning both instruments at the same time into the same space, so that they could enjoy to play guitar with a bouzouki on their side or viceversa while learning. Because we both play guitar and bouzouki, they thought it would help to make a more interactive and versatile workshop. To introduce it, they wanted us to show in a conference the different applications of the structure Guitar/Bouzouki, illustrating it with musical examples. We tried then to develop a repertoire as heterogeneous as could, playing over different rhythms and joining to our Asturian repertoire some tunes from abroad (Brittanny, Ireland, Bulgaria…) given to us by some well-known bands who also use the Open Tuning for Guitar and Bouzouki. Please note that this single live recording has been made just to show the different techniques we teach in our workshop, and the quality of the sound is Little; still, we hope you like it. Igor Medio 1. TORMALEO/TRUEBANU (Muñeres) Trad. Asturies, Arr. Igor Medio/ Elías García 2. BOLEROS D'URBIÉS/LA MOLINERA (Boleros/Cantar) Trad. Asturies, Arr. Igor Medio/ Elías García 3. O'FARRELL'S WELCOME TO LIMERICK (jig) Trad. Eire, Arr. Igor Medio/ Elías García 4. AMANDI/ALBORADA ASTURIANA (Alboraes) Trad. Asturies, Arr. Igor Medio/ Elías García 5. MUÑERA'L CENTRU (Muñera) Trad. Asturies, Arr. X.N. Expósito/Igor Medio/ Elías García 6-.CANTAR DEL AYERÁN QUE PERDIÓ LA GUERRA Trad. Asturies, Words Fernando Álvarez Balbuena, Arr. Igor Medio/ Elías García 7. VARBISHKA RATCHENITZA (HORO) Trad. Bulgaria, Arr. Kornog/ Igor Medio/ Elías García 8. MAQUILO (ALborada) Trad. Asturies, Arr. Igor Medio/ Elías García 9. CHORÍN EL LLAGARERU (Danza/ Pasucáis/ Marcha Nupcial) Trad. Asturies/ E. García/ X.N. Expósito, Arr. Xuan Nel Expósito/ Igor Medio/ Elías García 10. SALTÓN DE MERES/ SALTÓN DEL CENTRU/ ALBORADA'L TIGRE XUAN Trad. Asturies/ Trad. Asturies/ Elías García, Arr. Igor Medio/ Elías García 11. IBIAS (Muñera) Trad. Asturies, Arr. Igor Medio/ Elías García 12. SMECENO HORO (Horo) Trad. Bulgaria, Arr. Planxty/ Igor Medio/ Elías García Xuan Nel Expósito: accordion (Muñera'l Centru, Chorín el Llagareru) Fernando Oyagüez: fiddle (Chorín el Llagareru) Ruma Barbero: Bodhrán (Ibias) Performed live at the Salón de Actos of the Old Institute Jovellanos, Xixón (Asturies), March 13th, 1998. Recorded in Digital Audio Tape by Juanjo Mintegui.