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jonas wolf music
Германия
Добавлен 10 авг 2020
As you may probably guess, this channel is about music: vocal and recorder arrangements, popular and classical music analysis, music compilations and some other stuff...
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The Bonnie Banks of Loch Lomond Acapella Arrangement
Too beautiful of a melody not to be arranged...
Big, big thanks to everyone involved!
Solo by Tabea Bös
Background Pictures by Jeremiah Weber
Audio Mix and Master by Valentin Bös, check him out if you didn't already:
soundcloud.com/virzient
ruclips.net/channel/UCnO7PGYIbi90eojR6J3nCIA
Subscribe to my facebook page: Jonas-Wolf-Music-100197228863493
Follow me on instagram: jonaswolfmusic?
Big, big thanks to everyone involved!
Solo by Tabea Bös
Background Pictures by Jeremiah Weber
Audio Mix and Master by Valentin Bös, check him out if you didn't already:
soundcloud.com/virzient
ruclips.net/channel/UCnO7PGYIbi90eojR6J3nCIA
Subscribe to my facebook page: Jonas-Wolf-Music-100197228863493
Follow me on instagram: jonaswolfmusic?
Просмотров: 1 289
Видео
Can't Help Falling In Love, but it's a Palestrina style parody mass (Kyrie)
Просмотров 1,5 тыс.11 месяцев назад
The mass fragment that Giovanni Pierluigi da Palestrina (ca. 1525 - 1594) never wrote. A parody mass is a mass that uses a commonly known (and likely secular) melody or setting as basis for the composition. The most widely used tune is "l'homme armé", which basically every renaissance composer wanting to achieve something wrote a mass around. Cantus Firmus by George David Weiss (1921 - 2010), H...
Fields of Gold (Sting) but it's a Bourree
Просмотров 381Год назад
Upon the fields of Bachley... 4th movement of my 'Sting Sonata in E minor', played by Kathrin Härtel (recorder) and me (harpsichord). Listen to the entire Sting Sonata: ruclips.net/video/EeqLPEF30FI/видео.html More by Kathrin Härtel: youtube.com/@kathrinhaertel Subscribe to my facebook page: Jonas-Wolf-Music-100197228863493 Follow me on instagram: jonaswolfmusic?
Goodbye Yellow Brick Road, but it's Baroque - Elton John Sonata in B flat major, 4th movement
Просмотров 591Год назад
Goodbye Yellow Baroque Road... Words and Music in their original form by Elton Hercules John Treble Recorder: An-Chi Tseng anchi.tseng Harpsichord, Arrangement, Audio Cut: Jonas Wolf Some Additional Audio Tweaks: Valentin Bös soundcloud.com/virzient Adagio / Can you feel the love tonight (1st movement): ruclips.net/video/-ZP8zSo2nds/видео.html Vivace / Crocodile Rock (2nd movemen...
Sorry Seems To Be The Hardest Word, but it's Baroque - Elton John Sonata B flat major, 3rd movement
Просмотров 257Год назад
Words and Music in their original form by Elton Hercules John Treble Recorder: An-Chi Tseng anchi.tseng Harpsichord, Arrangement, Audio Cut: Jonas Wolf Some Additional Audio Tweaks: Valentin Bös soundcloud.com/virzient Adagio / Can you feel the love tonight (1st movement): ruclips.net/video/-ZP8zSo2nds/видео.html Vivace / Crocodile Rock (2nd movement): ruclips.net/video/IPDF_nLU0...
Crocodile Rock, but it's Baroque - Elton John Sonata in B flat major, 2nd movement
Просмотров 222Год назад
Words and Music in their original form by Elton Hercules John Treble Recorder: An-Chi Tseng anchi.tseng Harpsichord, Arrangement, Audio Cut: Jonas Wolf Some Additional Audio Tweaks: Valentin Bös soundcloud.com/virzient Adagio / Can you feel the love tonight (1st movement): ruclips.net/video/-ZP8zSo2nds/видео.html Grave / Sorry Seems to be the Hardest Words (3rd movement): ruclips...
Can You Feel The Love Tonight, but it's Baroque - Elton John Sonata in B flat major, 1st movement
Просмотров 320Год назад
Words and Music in their original form by Elton Hercules John Treble Recorder: An-Chi Tseng anchi.tseng Harpsichord, Arrangement, Audio Cut: Jonas Wolf Some Additional Audio Tweaks: Valentin Bös soundcloud.com/virzient Vivace / Crocodile Rock (2nd movement): ruclips.net/video/IPDF_nLU0FQ/видео.html Grave / Sorry Seems to be the Hardest Word (3rd movement): ruclips.net/video/lodUF...
Singing with Olaf Scholz (Warmonger / "Kriegstreiber" Speech Accompaniment)
Просмотров 786Год назад
#ukraine #putin #warmonger On a public SPD event in Falkensee on June 4th, Olaf Scholz spontaneously reminded everyone who the real warmonger is. I second every single word of what he's saying (not a regular experience), so I made up a way to literally second it on a musical level. Original video here: ruclips.net/video/m0CDWs5cUU4/видео.html War is not fun, this video doesn't intend to suggest...
If Stayin' Alive had been composed in 16th century
Просмотров 7 тыс.Год назад
From the BG manuscript, ca. 1570. Words and Melody by Barry, Maurice & Robin Gibb Arranged and Recorded by Tabea Bös & Jonas Wolf Audio Mix and Master by Valentin Bös, check him out if you didn't already: soundcloud.com/virzient ruclips.net/channel/UCnO7PGYIbi90eojR6J3nCIA Subscribe to my facebook page: Jonas-Wolf-Music-100197228863493 Follow me on instagram: jonaswol...
Sting Goes Baroque (Sonata for Recorder in E minor)
Просмотров 812Год назад
Sting and Early Music is a good combination. 0:00 Shape of My Heart (Adagio) 2:30 Every Breath You Take (Allegro) 5:30 English Man in New York (Adagio) 8:27 Fields of Gold (Allegro) Words and Music in its original form by Gordon M.T. Sumner ('Sting') Treble Recorder: Kathrin Härtel www.youtube.com/@KathrinHaertel kathrin.haertel Harpsichord, Arrangement, Audio Cut: Jonas Wolf Wat...
You're The Voice (John Farnham) Acapella Arrangement feat. Lara Hartung
Просмотров 2,1 тыс.Год назад
Over a year of preparation lead to this outcome... You're The Voice Words and Music by Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson Originally interpreted by John Farnham Feat. Lara Hartung Mixing and Mastering by Valentin Bös soundcloud.com/virzient ruclips.net/channel/UCnO7PGYIbi90eojR6J3nCIA Arrangement and Video Cut by Jonas Wolf Subscribe to my facebook page: Jonas-...
Supertramp's ‚Dreamer‘ Is Far Weirder Than You Think
Просмотров 2,6 тыс.Год назад
I listened into 'Dreamer' from Supertramp's 1974 album 'crime of the century' more carefully than I would have anticipated. 0:00 Introduction 0:53 Roger Hodgson & Supertramp 3:21 What is going on here...? 4:19 Structure in 'Dreamer' 7:04 Keys and Harmony 11:17 Second Round 12:30 The ominous C-part 13:27 Where is the One (of the beat)...? 16:29 Polymetre vs. 'Shifted Metre' 18:02 Culmination 19:...
Scipione Lacorcia vs Carlo Gesualdo
Просмотров 1,4 тыс.Год назад
#renaissancemusic #earlymusic #naples Scipione Lacorcia (ca. 1585/1595 - ca. 1620) was a Neapolitan composer about one generation younger than Carlo Gesualdo. In this video, I will give an introduction to this almost unknown but highly interesting composer and compare his - very chromatic - composition style to Gesualdo's. 0:00 Introduction 1:29 Lacorcia biography 3:13 Gesualdo composition styl...
Billy Joel Goes Baroque (Trio Sonata in G major)
Просмотров 1,5 тыс.Год назад
This is what four of Billy Joel's greatest hits sound like when played on two treble recorders, a baroque cello and harpsichord (all in 415 Hz btw). 0:00 Uptown Girl (Adagio) 2:56 For The Longest Time (Allegro) 5:59 And So It Goes (Grave) 7:39 She's Always A Woman To Me (Allegro) Words and Music in its original form by William Martin "Billy" Joel Many Thanks to my dear fellow musicians: Treble ...
Stille Nacht (Silent Night, arr. Jonas Wolf)
Просмотров 1,2 тыс.2 года назад
#christmas Acapella Rendition of 'Stille Nacht', we use the modern version of text and melody. Stille Nacht, heilige Nacht, Alles schläft, einsam wacht Nur das traute, hochheilige Paar. Holder Knabe im lockigen Haar, Schlaf in himmlischer Ruh', Schlaf in himmlischer Ruh! Stille Nacht, heilige Nacht, Gottes Sohn, oh wie lacht Lieb' aus deinem göttlichen Mund, da uns schlägt die rettende Stund', ...
A Whole New World (Aladdin), but it's John Dowland style
Просмотров 1,1 тыс.2 года назад
A Whole New World (Aladdin), but it's John Dowland style
Eternal Flame (The Bangles) Acapella Arrangement feat. Sara Rozić
Просмотров 2,4 тыс.2 года назад
Eternal Flame (The Bangles) Acapella Arrangement feat. Sara Rozić
Barber Adagio for Strings but analyzed with faces
Просмотров 1,7 тыс.2 года назад
Barber Adagio for Strings but analyzed with faces
Liszt Liebestraum No. 3 Harmonic Face Analysis
Просмотров 3,6 тыс.2 года назад
Liszt Liebestraum No. 3 Harmonic Face Analysis
Richard Wagner Wesendonck Lieder - Harmonic Analysis
Просмотров 1,2 тыс.2 года назад
Richard Wagner Wesendonck Lieder - Harmonic Analysis
Nik Kershaw's most sophisticated song - Little Star (Oxymoron Analysis)
Просмотров 1,1 тыс.2 года назад
Nik Kershaw's most sophisticated song - Little Star (Oxymoron Analysis)
Nik Kershaw's most crazy moments - L.A.B.A.T.Y.D. / Violet To Blue (Analysis)
Просмотров 1,3 тыс.2 года назад
Nik Kershaw's most crazy moments - L.A.B.A.T.Y.D. / Violet To Blue (Analysis)
The Disappointment Cadence - Burning At Both Ends / Life Goes On (Nik Kershaw Analysis)
Просмотров 7642 года назад
The Disappointment Cadence - Burning At Both Ends / Life Goes On (Nik Kershaw Analysis)
Nik Kershaw likes to jump to F# minor - What the papers say / Monkey Business (Nik Kershaw Analysis)
Просмотров 6872 года назад
Nik Kershaw likes to jump to F# minor - What the papers say / Monkey Business (Nik Kershaw Analysis)
Wide Boy - Wide Key Changes (Nik Kershaw Analysis)
Просмотров 1,1 тыс.2 года назад
Wide Boy - Wide Key Changes (Nik Kershaw Analysis)
How to key change successfully - The One and Only (Chesney Hawkes / Nik Kershaw analysis)
Просмотров 1,2 тыс.2 года назад
How to key change successfully - The One and Only (Chesney Hawkes / Nik Kershaw analysis)
Nik Kershaw still makes great melody - Analysis series started
Просмотров 1,1 тыс.2 года назад
Nik Kershaw still makes great melody - Analysis series started
Carlo Gesualdo - O dolce mio tesoro (6th madrigal book) Analysis
Просмотров 1 тыс.2 года назад
Carlo Gesualdo - O dolce mio tesoro (6th madrigal book) Analysis
Carlo Gesualdo - Mille volte il dì moro (6th madrigal book) Analysis
Просмотров 1,1 тыс.2 года назад
Carlo Gesualdo - Mille volte il dì moro (6th madrigal book) Analysis
Carlo Gesualdo - Mercè grido piangendo (5th madrigal book) Analysis
Просмотров 1,3 тыс.2 года назад
Carlo Gesualdo - Mercè grido piangendo (5th madrigal book) Analysis
i dont know how i got here, but i listened to some Nik Kershaw after seeing The Riddle on a Music Channel, the breakdown of that song came up and i watched it last night at 3am, and now im here at midnight, with this in the background sort of taking things in
What about wouldn't it be good! That is an excellent song too!
I think you will like my 1 hour analysis of a whole bundle of Nik Kershaw's 80s songs ;-)
❤ absolutely amazing. Thanks a lot
@@AndreaS-j5v happy you enjoyed it 😀
Nur damit ich das richtig verstehe. Du und sie singt das Lied mehrfach ein und du fügst die Tonspuren zusammen? Richtig?
@@joergz.9073 Genau, wir haben vorher eine gesonderte Tonspur für den Rhythmus und die Tonhöhe erstellt. Die Mischung haben Valentin (Tabeas Bruder) und ich gemeinsam vorgenommen.
What a wonderful job!!! The female's choir is awesome... beautyfull!!! 😍😍😍
@@cutunai Thank you!
I don't think you have a license to be able to sell this arrangement, but is it available for free? What other songs have you scored?
Hey there, write me via my instagram or facebook page, then I can share you a score.
I dont understand how V resolvs to IV and i thought V to VI was a deceptive cadence. Can someone explain to me?
V to VI is one of the most common types of deceptive cadence. In a wider and more historical context, deceptive cadence refers to any phenomenon where the V doesn't resolve into I but anything else, so for example V to IV, V to VIb, even V to I^6.
@@jonaswolfmusic1775 Thanks, i thought that tonal music had it so that alle dominant functions have to resolv to a tonic function. Like V - I, V- iv or V - iii
I think something’s off about his C#5. You could always hear it sticking out. At 5:27 It’s got its own rhythm going. That’s so cool.
Always wondered if Nik was inspired by Godley & Creme’s "An Englishman In New York" for this song? Has that similar mallet part, pulsing rhythm and interesting chord changes.
Nik Kershaw is a harmonic genius indeed. Listen to You Might also. It contains almost every power chord there is (except E flat :-)) in one song.
Thanks for your feedback! You might be interested in my one hour analysis video where I also cover You Might. ;-)
Ok i need to ask the weird bridge from the song Know How at 42 minutes i am obsessed with and unfortunatly i don’t read sheet music yet its a skill i want to learn but is it possible to write the name of the chords cos jeez that stuff is wild .. Amazing video im discovering nik kershaw and its pure gold thanks for the analysis
Just watched too much of your videos especially the long one on nik kershaw which i’m obsessed with lol and subscribed cos you do an incredible job at explaining all that !! Theres a strange thing though i find in the perception of music and how we feel it differently as humans with different backgrounds and maybe nature anyway my perception here is that even though the concept of shifted meter is really interesting but i wouldnt apply it there as the groove in the bridge feels more simply like a kind of rythmical call and response with the keyboard and vocals putting the accent on the 1 and 3 and the bass and drum on the 2 and 4 which has this ping pong exchange effect that makes you want to dance Meaning the bass and drum probably feels where the 1 is like all the other instruments through all the song but makes it bouncy with the emphasis on the 2 and 4 instead but thats my perception how i feel the song i guess everyone can feel it differently .. Also Never noticed the chord progression changed keys and used modal interchange it sounds much simpler than it is its all really consonant Anyway Great analysis 😊😊
Thank you for your enthusiastic comment and also your honest feedback!
Just amazing. Congratulations
@@raulalves1887 thank you! 😊
Ich find, dass ist die beste Version die ich bis jetzt gefunden hab :0 Schöne stimmen, gutes Zusammenspiel, klar und kräftig gesungen und auch die Betonung ua. Durch die Lautstärke find ich schön :)
@@Der_Ueberhamster Dankeschön! 😊
Hammer so wundrrschön gesungen ! Gänsehaut pur !
Dankeschön! :)
I love Ravel and his Impressionistic Style especially in his works about water.
If you put this much effort and to believe it in Jesus and reading the Bible you would totally believe in Jesus and have an amazing life be happy and have a peace that surpasses all understanding cuz I heard those little missionary thing that you said in I could get right away where you're coming from I'm military veteran from United States and it would be sad to waste your life on doing stuff like this that means nothing when you need Jesus to go to heaven I think after you die that's way more important it then trying to make a big deal about worldly things create about man God's creation is way more amazing he says in the Bible he named every planet he loves you so much he knows the hairs on your head he died on the cross for you he says pray for your enemies what other God in all the fake gods out there say that they don't because they're fake Jesus is the only way and I hope you realize that and I hope you realize if you become a Christian and believe in him he will change your life and so happy you can't even understand it you'll still have tough times you'll still sin and mess up but that doesn't matter because what you're saying you're always say that I don't care what any pastor tells you God says trust no man not one trust the Bible That's why the Bible has never been this proven not one mistake has ever been found I don't care what you've heard did research it has never been this proven because if it had been then Christians wouldn't believe in it still to this day and is still the number one selling book in the world for last decades so you can't argue with my comparison saying if Jesus wasn't real and the Bible was it true then it wouldn't still be selling at the number one position of all books old every year around the world and go do all the research there's documents that prove 500 people saw him after he died and rose I'm just telling you because you like your very smart and you put a lot of effort into this song and that end of the day it doesn't mean anything The one thing that mean stuff is stuff we do for others not ourselves and stuff we do for God that's what matters The problem with you two it makes people self-centered they want to be famous they want to be seen they feel like then need to have attention they find a way to try to make money easy RUclips has produced nothing will not nothing but mostly garbage it is turn society into garbage and there's so many other things that it's done that too
3 Redondas en 4/4?????
Why, oh why was Wagner such a horrible and disgusting person? Listening to his music in awe goes a bit in the direction of admiring a painting of Hitler. I will never be able to wrap my mind around the fact that this divine, supreme music was written my maybe the most repulsive character in music history. But it simply is exquisite music. Elegant, thought through, overwhelming, touching, timeless, beautiful, exciting, intelligent. And he lived long ago enough and didn't mass murder people. So I will forgive myself for listening to his works. But it will always have a certain aftertaste. Because he simply was a haggish, nasty and bitter narcissist with a profound, passionate hate and disgust towards Jews. It is a paradox to me how such a horrible person could possibly create music/lyrics dripping with tenderness, longing, melancholy, love, pathos, elegance and purpose. Incredible.
Thank you for your comment. I've wrestled with the same thought a lot as well, but during my most recent years of training in classical music theory, I also came to the conclusion that writing beautiful music is really a craft, and one doesn't have to be a particular good person in order to master this craft. We've been raised with the genius trope a lot, but one always has to keep in mind that even the 'masters' really were trained crafts(wo)men whose ability to write music wasn't gifted from heaven but they actually went through a hard process of learning, experimenting and doing. And in this, they were both just as extraordinary and as ordinary as crafts(wo)men from every other discipline, with their bright and with their (some with their very) dark personal sides.
сделайте то же видео с сыном Алоизия
love you
I've been listening to it since I was 12 (so 16 years) and I always liked it, I found it special. Today I heard it randomly on the radio with a friend in a car. I told my friend "the song does something with me". I never knew what it was
That EMaj7 at the end is simply wonderful and never gets old 🥰🥰
Scientifically catchy
That's a lot of fancy words I only partially understand but needless to say this song is a BANGER
What a great lesson! Congrats!
IT'S A FIFTH LOWER!
How could something this extraordinary sophisticated become a world wide hit?
Absolutely incredible analysis Jonas - I came here after learning this on the acoustic with ¡Guitarra, Guitarra, Guitarra! - I am no intellect regarding to the theory but I love the fact that you have arrived in the same space and that this song as are so are many of Nik's song harmonically genius!
@@julianpratt9616 thank you! Nice to hear that you came over from the !Guitarra, Guitarra, Guitarra! channel. 😊
44/3 : your chord 6-4 means d# g# b but your III means d# f# a#. It's not the same sounds.
Different system: you are referring to Roman Numeral system, where your statement is absolutely correct. Here, with the Roman Numeral the scale degree of the bass is referred to (confusing, I admit).
Interesting, I’ve never had any issues of feeling the 1 in that section… And considering that the bass line continues with the same groove even in the last A section, I feel that the heavy 2 and 4 beats are just a part of the feeling of this song. But I do think it’s an interesting idea to explore more.
Dreamer was composed only by Roger Hodgson when he was 17 years old. He had Sony recorder that (maybe was broken) could record and playback without limit. He played his new Wurlitzer, all the instruments and voices. Used cardboxes and even galsses with water. When the band tried to play Dreamer in the studio the music was so complex that they give up and used the original recording to play over it.
Hey there, thanks for the insight! I would be happy if you coud share a source where all of this can be looked up. Thanks in advance. :)
@@jonaswolfmusic1775 I'm not completely certain because i'm 57 years old and I'm a supertramp fan since 13 (a lot of reading about them), but I think I read it in The Supertramp Book, an almost 200 pages biography written by Martin Melhuish By Sound and Vision Omnibus Press published in 1986. There are also a DVD Supertramp 1974 - 1978 where many of the songs of this period are musically analysed by specialists, but nothing like your wonderful analysis. Thank you for your work!
@@PauloBaptista-jj6ek Thanks for your response!
-How many? -Yes
This piece actually goes 🔥🔥🔥🔥🔥🔥 I remember how astonished I got on the first hearing... That feeling still today is quite fresh
Nice analysis - thanks!
you're welcome :)
Outstanding work!!!
Thank you! :)
This explanation of the harmonic complexity of the song brings tears of joy to my eyes and so much happiness to my heart.
Like the other commenters, I have often wondered where the happy tension in Dreamer came from. Nice job. Great band, great songwriting.
I know its four your later but I had to comment. I have talked about this song for years to my friends and family but they just look at and nod there heads (none of the play an instrument). When you started talking about this song I started to cry a bit with joy. Thank you for posting.
This composers use as complex and epic harmony as this before chopin? Or is it his innovation
this was an excellent harmonic analysis! I love how the figured bass was so detailed and all of your facial expressions representing the feeling each chord evokes! one major thing that you could've improved though, is putting lowercase roman numerals for minor and diminished chords, for example, the chord at 1:08, the 7 chord, is correct, but the roman numeral should be lowercase (write it as vii instead of VII) to make the chord quality clearer, as it is a type of diminished 7th chord.
Thank you for your enthusiastic response! The roman numerals that I used here aren't actaul roman numerals but circled arabic numerals in disguise, therefore I completely disrespected the lower and upper case writing system. I can understand that this is confusing, and I don't do these mixtures any more. Thank you again!
I went to see him the other night on his "1984" Tour. A-May-Zing! Great analysis by the way.
1:58 1:53
Hmmm, alas lots of approximations of English or straight mistakes in the commentary...for me a better idea would have been to use your mother tongue and then a translator to produce an English version. While analysing the song may be an interesting exercise, I think you also have to bear in mind that 20-something Kershaw, while musically inclined and gifted, was not extensively trained but rather self-taught, and would no doubt have been writing what he heard, unencumbered by these theoretical paradigms. The freedom of modulation in the synth part of the interlude reminds me, of all things, of the b-side synth accompaniment on the French TV program Chapi Chapo by François de Roubaix!...who was also formally untrained, incidentally.
Congratulations for your work. But, I have to say, though, I strongly disagree with your point about the time shift. What you're hearing in the bridge I would not actually define as a shift in meter, but rather a stylistic choice in the arrangement-something that's very common in popular music, especially with weak beat accents. For example, listeners familiar with the one-drop rhythm in reggae (where the kick and snare land on 2 and 4) might find this sensation of displacement you're talking about simply non-existent. It's all about the arrangement, not the meter itself.
And before your reply, I'm talking about the displacement of chords and anticipating rhythm as well. 🙂
@@RiccardoDiPaola thank you for your kind comment. I agree that one can come to different solutions / hearing dispositions. I am aware that putting kick and snare on 2 and 4 is a common practice, but what I try to bring about with this video is that it is a special phenomenon with this track for several reasons, as discussed in the video. I am trying to share my perception while fully aware there is lots of different hearing dispositions. So, thanks again for your thoughts, I totally understand your point!
@@jonaswolfmusic1775I understand, but the feeling you’re referring to is a perceptual one influenced by your academic background. When you say, “we can’t do anything but accept this as the new one,” you’re making a statement that you present as universal, but it’s very much your own. I find it extremely difficult to perceive it as you do, especially because you add that the perception of two different meters comes from the fact that the vocals remain where they are, which is exactly what anchors everything to the regular meter. It would have been a different story if the melodic line had shifted as well. Another element you mistakenly assume as universal is the downbeat of the bass, which you perceive as the 1, whereas to my ears it clearly remains on the 2, and my reasoning is backed by the fact that the phrase starts on the upbeat, even in the previous section.
@@RiccardoDiPaola To your first point: yes, it's presented in the video as universal. I take this critic with me. Second point: if the melodic line shifted as well, then everything would be the same, so (in my understanding) no shifted metre, right? But I think both of us can live on with different perceptions, especially with such a personal thing as a listening experience, it's only the most natural thing to happen. Again, presenting something as universal fact in the video is a critic I take as valid with me, and I thank you for pointing it out.
@@jonaswolfmusic1775 glad to have such a nice and polite confrontation. Thank you.
Listen to "Cowboys and indians" chorus, he did a similar thing.
I covered that one within my one hour Nik Kershaw analysis, you might like it. :)
Add closed captions please! Some of us need them! Thank you!
Add closed captions PLEASE! Thank you.
Back then I was just learning the piano and was really frustrated I couldn't make out all the chords. Later when I was able to, it almost took away the magic to know what was going on.
Before I even watch, I have to say that C part is absolutely nuts. I could pick the rest of the song pretty easily by ear but I gave up as soon as that C part started.