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Siiiiii!🙌👏

Qual essa melodia?

Qual e essa melodia?

❤❤❤❤🎉🎉🎉🎉 YES

❤❤❤❤🥰🥰🥰🥰 Bravo

Clartastic and Clarific ❤❤❤❤

Been there, great store!!!

Which instrument is it? It sounds much different when I play on my buffet b12 with same mouthpiece and reed.

Haven't taken my D valve off my 822G, always need it, but agree it would free up the horn a lot.

I use a Griego Deco 2 on my 822G, no problems, just the cup tires me out. I go back to a Yamaha 59G, feel the same (rim) but just a bit shallower. I use either/or depending on what is needed. I played on a 612, that also "swallows" the mouthpiece, but never really hampered my playing. The new Yamaha 835 does not swallow the mouthpiece, they changed it to more "traditional" depth that is the most common.

That sound. Incredible!

Stellar. Sharing this with all my flutist friends. So glad I happened to find this excellent recording!

Thanks for sharing, really heplfull insights. I'm in the middle of "come back" to trombone after 10 year of pause. Grab the Bach 50B. Would love to buy new horn in your store someday! Greetings from Ukraine

Having such a talented musician as Edmar Colón presenting anything related to music and saxophone is just PERFECT. Thank you!

SM VI the best

Great tone.😮😊

Rampone comes across as really interesting gutsy sound. The 54 is probably closest to the mark VI, but thinner. The series III and ref 36 have a rich juicy 'nice' sound.

One suggestion on your playing , move your feet to keep the time not your body like a metronom you will find your sound get fatter

Lose that buzzing sound

I’ve had the metal Brahma 7* now about a year now on my Yamaha 82Z II tenor and it gives me all I need throughout ranges and dynamics, great piece.

I stay with my VI.

Great playing Mark 6 has a clarity from high C through the palm keys that the other selmers are lacking Rampone is a great sounding horn but it really takes getting used to

I've owned a few dozen Olds horns over the years, and the ones I reach for most are a '51 "receiverless" Special, a 1946 Super Cornet and '47 Super trumpet and. They sound beautiful, and play effortlessly - like riding a good French or Italian steel bike frame that disappears beneath you.

I thought the 54 was the closest but I liked the 36 the best

... Also i know you can find your preferred sound Inn either modern or vintages.. They're just different as it's the playability

I've Sissy's liked the Custom Z.. Regardless of cost.. It has that bite i like.... Shock the Tamponi have and the Ref36.... The Mark 6 are i think over hyped... Become a babe 6 off computer girl enthusiasts. Like You're not a real player unless you have one heh... Has nothing to do with Howe good anyone is

Nice. How free blowing is the b40 lyre?

What size mouthpiece did Mr. Markey play in this video?

engagement: Playing a Yamaha Xeno 822g, I've finally found out why I struggle with the upper register. Something you know about, but I didn't. Yamaha lead pipes swallow non-Yamaha mouthpieces, even the Griego Markey mouthpieces (82, 85, 87 & 90) I have. I've had to resort to using tape at the end of the mouthpiece so that they only now insert 2.5 - 2.6cm into the lead pipe. Now I have much less problems with endurance and uniformity of sound up to high b-flat. The mouthpiece doesn't rock in the receiver. The only problem is, occasionally the tape comes off the mouthpiece and sticks in the lead pipe. If I don't notice this immediately, the next mouthpiece I insert, may shove the piece of tape down the pipe. I've had to take the instrument apart a couple of times and fished out bits of tape from even the valves. I'm tired of this, so am going to try out a Shires Custom and a Yamaha 835 (that doesn't have this problem anymore).

The couesnon has mojo

I began to get serious about playing in the early 1970's, about the time that the Selmer Mark VI was coming to the end of its production run. Most people were saying the quality and consistency of the late VI's was very questionable compared to earlier VI's. People were all saying that the reputation of Selmer had gone down and that was the reason for the introduction of the Mark VII's. Now everyone goes crazy for all Mark VI's but that was not always the case.

View #916

What a lovely video. You are a great inspiring teacher. I love your positive enthusiasm! God bless you. Bill. Uk

I don't know why people, especially professionals, always go to trumpets like Bach, Yamaha, or these other mass produced trumpets. There are lots of better built trumpets that will not only be easier to play, but also have much better intonation, response, sound, etc. I love my Performance trumpet built by Logan Thane Brown in combination with a Lotus mouthpiece. Honestly, compared to Bachs, Yamahas, Shires, and others I've tried, the Thane trumpets just blow them away and the price point is very similar!

Only Schilke !

Congrats Ben!

The E/D partial on those horns can be markedly flat. I loved my CG, I love my Kanstul Chicago, but unless there's a fast passage where the notes go by quickly, I use alternate fingerings for those notes. Resno-Tempered for life, baby!

What's pitty you didn't check Yanagisawa...

Pro sax players doing these demos is somewhat useless because as pros they intuitively make micro adjustments to their sound without thinking about it. Therefore the saxes sound more similar (and better) than if a non-pro was playing the horn. A lot of it comes down to resistance, resonance and ergonomics none of which can be heard on a video.

Newer horns are probably more consistent from one to another because if tighter tolerances held in modern manufacturing processes.

The main difference is that your 6 has no lacquer on it unlike most of the rest. The second is the alloy used. Listening on my phone. Reference horns seem like they should be reversed in name. They all are in some respects copies of the 6 including the the one with the silver bell. Definitely not a king sound.

Just got assigned the e flat clarinet part on Bartok miraculous mandarin wish me luck lol

My school has a Getzen that plays well on Easter Sunday… Hallelujah!

Alto saxophone 's are better than tenor saxophone 's....I said, more soft and sweet's music tones.....than ever

The 87 is lighter. How much difference is there in cup size?, Are there throat shenk differences? I've experienced using different shenk sizes to change the color of my tone without changing cup depth or rim diameter. I've also experienced that it's cheaper to change mouthpieces than the horn, not that I wouldn't love to have an array of different bones.

I love my Benge. The whole line was amazing. However im partial to my 6x Large Bore. Shes a pretty rare bird but no trumpet plays like her.

I always prefer vintage horns (let's say pre mid '80's), however, with vintage horns you run the risk of red rot, not always tho, but usually older horns will require a new MPC receiver and if there's a leak in the horn (if the horn is over 40+ years you can almost bank on the fact there will be), that requires a valve-refit.

Wow! That Custom Z is such a versatile and great sounding horn. I personally think the vintage thing is overkill and Mark 6 is way overpriced. At the end of the day the comparisons are nice, but it’s the player that makes the horn sound the way it does period. I’ve been around quite a few experienced players and they could pick up the cheapest horn, throw their mouthpiece and reed on and make it sound like the best horn in the room.

I’ve learned that the amount of mouthpiece gap (space between the end of the mouthpiece and lead pipe) can be a large part of liking a horn or not. Other things in the horn have to be present, but gap with your mouthpiece can be a big deal. I generally like a gap of .100” Too large of gap slots too hard, doesn’t allow me to adjust pitch as much, and the high range feels like smaller targets. Too small is too open, not as focused, and wears on my endurance, using my chops too much to center the notes. Years ago in a lesson, my teacher Charlie Geyer thought he was really “losing his chops” as he was getting older. He found out that he just wore down his mouthpiece receiver almost to no gap using the same Bach mouthpiece and same Bach C trumpet he purchased in the 70’s.

Umm…not really! Technology has gotten so much better!