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Adelaide Baroque Orchestra
Австралия
Добавлен 20 авг 2019
Adelaide Baroque Orchestra specialises in the performance of Baroque music, a genre extending from 1600 until 1750, leading the resurgence of interest in the presentation and promotion of historical performance practice nationally and internationally.
"The newly founded Adelaide Baroque Orchestra plans to give audiences a diet of early masterworks and more besides. Adelaide will have a its own permanent period instrument orchestra if Adelaide Baroque has its way. Other cities boast such orchestras and have been wowing audiences for many years with Baroque masterworks played according to historically informed practice and using instruments of 18th-century specification. Sydney’s Australian Brandenburg Orchestra has been doing this since 1990, and a fleet of others have followed including the Australian Romantic and Classical Orchestra and Bach Akademie Australia."
Graham Strahle, the Adelaide Review,
"The newly founded Adelaide Baroque Orchestra plans to give audiences a diet of early masterworks and more besides. Adelaide will have a its own permanent period instrument orchestra if Adelaide Baroque has its way. Other cities boast such orchestras and have been wowing audiences for many years with Baroque masterworks played according to historically informed practice and using instruments of 18th-century specification. Sydney’s Australian Brandenburg Orchestra has been doing this since 1990, and a fleet of others have followed including the Australian Romantic and Classical Orchestra and Bach Akademie Australia."
Graham Strahle, the Adelaide Review,
J.S. Bach Suite No 3 in D Major BWV 1068
From Adelaide Baroque Orchestral Series 4 "Cathedral Bach II"
Saturday, 13th November, at Saint Peter's Cathedral, Adelaide, South Australia.
Ouverture
Air
Gavottes I & II
Bouree
Gigue
Saturday, 13th November, at Saint Peter's Cathedral, Adelaide, South Australia.
Ouverture
Air
Gavottes I & II
Bouree
Gigue
Просмотров: 16 601
Видео
Sinfonia in B Flat Major, HWV 339: Colour and sound test
Просмотров 4852 месяца назад
Will need captions etc before release, if approved.
Handel: "Eternal Source of Light Devine" from Ode for the birthday of Queen Anne, HVW 74.
Просмотров 9492 месяца назад
"The Ode calls for three voices and Orchestra, and contains this most exquisite Arioso featuring soprano and trumpet. Immediately we are plunged into a magical sphere where melody grows over slow harmonies, first in the voice and then answered by the trumpet. The two entwine in places, but Handel ensures that the singer is given all the space necessary for her symbolic utterances about "divine ...
AB Easter Concert
Просмотров 542 месяца назад
The Adelaide Baroque Orchestra performed on Saturday March 23rd, delving into riches of the Baroque period at Easter. The Passion of Christ has inspired composers for centuries, and this concert includes selections from Scarlatti’s Stabat Mater and Handel’s Brockes-Passion. Glorious soprano Emma Horwood stars alongside the Adelaide Baroque Orchestra led by ever-inspiring violinist, Ben Dollman.
Second Easter clip
Просмотров 632 месяца назад
The Adelaide Baroque Orchestra recorded on Saturday March 23rd, as they delved into riches of the Baroque period at Easter. The Passion of Christ has inspired composers for centuries, and this concert includes selections from Scarlatti’s Stabat Mater and Handel’s Brockes-Passion. Glorious soprano Emma Horwood stars alongside the Adelaide Baroque Orchestra led by ever-inspiring violinist, Ben Do...
Let the bright Bright Seraphim, from the "Handel's Glory at the Cathedral" Concert, May 26th, 2023.
Просмотров 3667 месяцев назад
"Let the bright Seraphim" from Handel's Oratorio Sampson was written immediately after the success of the Messiah and "Eternal Source of Light Divine" from Queen Anne's Birthday Ode. Here Adelaide Baroque are joined by soloists Jessica Dean, soprano; and Leanne Sullivan, baroque trumpet. The orchestra is lead by Ben Dollman.
Purcell: The Am'rous Flute
Просмотров 1,5 тыс.2 года назад
In vain the am'rous flute and soft guitar Jointly labour to inspire Wanton heat and loose desire, Whilst those chaste airs do gently move Seraphic flames and heav'nly love. From "the Art of Music" concert From 'Ode for St. Cecelia's Day, 1692. D328 Max Riebal Tim Reynolds Adelaide Baroque Orchestra Ben Dollman | Violin | Leader Simone Slattery | Violin | Recorder Janet Anderson | Violin Emily D...
Purcell: Dance of the Furies
Просмотров 7852 года назад
From Orchestral series 1 "The Art of Music" Adelaide Baroque Orchestra Ben Dollman Simone Slattery Heidi von Bernowitz Rob Nairn Katrina Brown Thomas Marlin
Zelenka- Sinfonia from the Serenata Il Diamante ZWV177
Просмотров 4283 года назад
Adelaide Baroque Orchestra Zelenka- Minuet from Sinfonia 'II Diamante' Adelaide Baroque Orchestra Ben Dollman | Violin | Leader Simone Slattery | Violin | Recorder Janet Anderson | Violin Emily Dollman | Violin Heidi von Bernewitz | Viola Michael Robertson | Viola Thomas Marlin | Cello Robert Nairn | Violone Adam Masters | Oboe Kirsten Barry | Oboe | Recorder Jackie Newcomb | Bassoon Lynton Riv...
Zelenka Hipocondrie à 7 concertanti ZWV187
Просмотров 2,3 тыс.3 года назад
Adelaide Baroque Orchestra presents Zelenka- Hipocondrie à 7 concertanti - ZWV187 Grave - Allegro - Lentement Adelaide Baroque Orchestra Ben Dollman | Violin | Leader Simone Slattery | Violin | Recorder Janet Anderson | Violin Emily Dollman | Violin Heidi von Bernewitz | Viola Michael Robertson | Viola Thomas Marlin | Cello Robert Nairn | Violone Adam Masters | Oboe Kirsten Barry | Oboe | Recor...
Alternative Chevalier de Saint-Georges Andante & Haydn Sailors Song (arr. William Gardiner)
Просмотров 3773 года назад
From Adelaide Baroque's concert "Music of the Ships" held on Saturday 22 August, 2010 at Pilgrim Uniting Church, Adelaide, South Australia. The Performers Bethany Hill | Soprano Ben Dollman | Violin Simone Slattery | Violin Heidi von Bernowitz | Viola Thomas Marlin | Cello Robert Nairn | Violone Recording engineer: Ray Thomas Video and post production: Les Peters
Ignaz Pleyel: Flute Quartet in D Major, B. 381 for flute, violin, viola and cello
Просмотров 9283 года назад
From the Adelaide Baroque concert "Music of the Ships" held on Saturday 22 August, 2020 at Pilgrim Uniting Church, Adelaide, South Australia The Performers Simone Slattery | Violin Heidi von Bernowitz | Viola Thomas Marlin | Cello Lydia Sharrad | Flute Sound Engineer: Ray Thomas Video and post production: Les Peters
Matthew Flinders/J. Haydn ‘My Evening Song’ (arranged by William Gardiner)
Просмотров 3293 года назад
From Adelaide Baroque's concert "Music of the Ships" Held on Saturday 22 August, at Pilgrim Uniting Church, Adelaide, South Australia. The Performers Bethany Hill | Soprano Ben Dollman | Violin Simone Slattery | Violin Heidi von Bernowitz | Viola Thomas Marlin | Cello Robert Nairn | Violone Sound engineer: Ray Thomas Video and post production: Les Peters
F. Hoffmeister Quartetto No.2 for contrabasso, violin and bass
Просмотров 6823 года назад
From the Adelaide Baroque Concert "Music of the Ships" Held on Saturday 22 August, 2020 at Pilgrim Uniting Church, Adelaide, South Australia. 1. Allegro mderato The Performers Ben Dollman | Violin Heidi von Bernowitz | Viola Thomas Marlin | Cello Robert Nairn | Violone Sound Engineer: Ray Thomas Video and post production: Les Peters
Haydn Divertimento No 15 for viola, cello and violone
Просмотров 1,9 тыс.3 года назад
Recorded at the "Music of the Ships" concert of Adelaide Baroque held on 22nd August, 2020 at Pilgrim Uniting Church. The Performers Heidi von Bernowitz | Viola Thomas Marlin | Cello Robert Nairn | Violone Sound Engineer: Ray Thomas Video and post production: Les Peters
Andante From Overture 'L'Amant anonime' , Sailor's Song Hob.XXVIa:31
Просмотров 1073 года назад
Andante From Overture 'L'Amant anonime' , Sailor's Song Hob.XXVIa:31
Vivaldi: From "L'Olimpiade' RV725 Sinfonia Allegro, Recitative and Aria ' Gemo in un punto s fremo.'
Просмотров 7 тыс.4 года назад
Vivaldi: From "L'Olimpiade' RV725 Sinfonia Allegro, Recitative and Aria ' Gemo in un punto s fremo.'
Handel: From "Giulio Cesare in Egitto" HWV 17 Duetto: Caro! Bella!
Просмотров 9 тыс.4 года назад
Handel: From "Giulio Cesare in Egitto" HWV 17 Duetto: Caro! Bella!
Vivaldi: Ottone 'Leggi almeno, tiranna infedele' Adelaide Baroque Orchestra; Bethany Hill, soprano
Просмотров 1,1 тыс.4 года назад
Vivaldi: Ottone 'Leggi almeno, tiranna infedele' Adelaide Baroque Orchestra; Bethany Hill, soprano
Handel: Agrippina HWV6 Overture and Aria 'L'alma mia fra le tempeste'
Просмотров 1,3 тыс.4 года назад
Handel: Agrippina HWV6 Overture and Aria 'L'alma mia fra le tempeste'
Telemann: Concerto in D minor TWV 43:d2 for 2 violins, viola and b.c.
Просмотров 4,6 тыс.4 года назад
Telemann: Concerto in D minor TWV 43:d2 for 2 violins, viola and b.c.
Purcell: Overture & Rondeau from 'Abdelazar Suite', Cold Song 'What power art Thou?'
Просмотров 66 тыс.4 года назад
Purcell: Overture & Rondeau from 'Abdelazar Suite', Cold Song 'What power art Thou?'
Handel: From "Ottone, re di Germania" HWV 15 the duetto: 'A tenert affetti'
Просмотров 1,7 тыс.4 года назад
Handel: From "Ottone, re di Germania" HWV 15 the duetto: 'A tenert affetti'
Nice music for thunder airlines come to south porcupine lake airport cpw5
The orginal is for strings only. The winds were added later.
That is conjecture. There is no version for strings only.
@@WinrichNaujoks There is also no original of the missing 100 cantatas of the 300 he composed. It doesn't mean they didn't exist.
@@rickmarti77 Well yes but we have evidence those existed. No evidence exists that there's an "original" version of this suite. It's pure conjecture.
Amazed I have never heard this lovely music before. Wonderful Handel.
Violins uncomfortably out of tune
Ethereal. Magnificent. Sublime. Wonderfully sung by the soprano.
The slow movement from 6:22 was the inspiration for Procol Harum"s hit "A whiter shade of pale".
Ja!!!❤
❤❤❤
Magnifique encore et toujours ❤️
Beautiful and gorgeous!!!!
Very Impressive Performance. I was very moved.
Браво!!! ❤
sublime! from south Korea
Wonderfully played, with enormous verve and accuracy. The suite, however is written with the inclusion of trumpets, timpani and oboes except the Air. The notes Bach wrote for these instruments are independent of the string parts and add the colour I'm sure Bach intended, so why leave them out?
All the right notes but the verve and splendor is absent. Leaving out the three trumpets and kettle drums is like preparing a banquet ~early without any spices or sugar. This ensemble could have properly played the 1st suite and would have won rave reviews. Reminds me of the Alice Springs Accordion Band playing Ravel's Bolero.
This is the original version.
@@ww0yrr Your learned opinion is duly noted. However, this is the original version. I suspect that had you never heard the version with trumpets and timpani, you would not now be pontificating that they are essential.
@@herrickinman9303 I have a Lea pocket score of the four suites that come without explanatory notes. My score contains the full orchestration of all four suites, and have always known the third suite as being scored for trumpets, drums, oboes, strings and continuo. I have never seen any reference to an original version in all my seventy years as a musician. Just because the original version is for strings only doesn't make it the best. Authenticity in reproducing an original idea that then becomes something fuller is not always a good idea. It is like the popular performing edition of Handel's 'Messiah' compared to the rather bland versions based on the first London and Dublin performances.
@@user-xh4nq4vt5y Well, people of your generation want everything orchestrated, with 10 or 20 players to a part and trumpets, timpani and crashing cymbals. I much prefer this suite without trumpets and timpani. I've always found the trumpet and timpani annoying and unnecessary. The Netherlands Bach Society, under Lars Mortensen, also performs this suite without oboes, trumpets or timpani. In the last 50+ years, we've learned a lot about Bach's music and Baroque performance practice, thanks to musicological research. I'm surprised that in your 70 years as a musician, you're unaware that this suite was not conceived with trumpets and timpani in mind. The string parts, in J.S. Bach's, hand date from not later than 1731, while the oboe, trumpet and timpani parts, in C.P.E. Bach's hand, date from 1734 and 1738. (The technique for adding trumpet and timpani parts to a finished work was taught in the Bach household.) I suggest you listen to the Netherlands Bach Society's performance of BWV 1068 and also to "Mortensen on Orchestral Suite no. 3 in D major BWV 1068 | Netherlands Bach Society" -- both on You Tube.
divine and how!
Zu jeder Zeit freue ich mich ,so etwas schönes hören zu dürfen, Dankeschön 😮😮❤
Zéro au violoniste de droite, nous ne sommes pas à un cours de gymastique.
To much polka dance...
Oh! so wonderful and vivid Baroque music it is. This is the very first time to hear Bach suite which was played with Baroque Bow. I would feel there might be some different articulation between Tourte bow and Baroque bow. there are so clear different musical touch. By the way, I was moved so much. soon be 92 years Japanese. sorry strange English.
Comfort and solemnity of Bach’s music are off the charts
Ennuyeux!... lent trop lent! Boring!... slow too slow!
Lovely voice and handsome man. Singing with the angels now...God bless his family.
Love your energy
Really very very beautiful piece and excellently performed.
Extraordinary beauty!
A light for the soul. 💕💖
Glorious. Thank you very much! 🙏❤️🥰
What a beautiful birthday present for Queen Anne! Very nicely performed, so very beautifully sung.
Zelenka was such a genius! Bravo for the performance!
Superbe
R.I.P
What a wonderful voice! Was Max Riebl forced to be vaccinated?
Hello, can someone tell me what key they are in? I have the duet on F major but appears to be a step lower? Thanks
Brilliant.
Beautiful music. A wonderful voice. This is somewhat unusual. I am delighted with Purcell. This is music little known to us: we all grew up on the Bach family and Viennese classics, and here is something unusual. I work as a cellist in the city opera theater of Lviv, in Ukraine. In our country, Purcell is known only in the circles of chamber music. I would really like to have one of his operas staged here.
A wonderful voice, a wonderful performance that will not leave anyone indifferent.
Talmente straordinario da essere richiesto in Paradiso❤
One of the best interpretations of this beautiful composition, and Bravo to the ensemble for their balance and musical purity.
Wouw what power😮
100win300piw
Bravo
Wonderful! Purcell was a genius.
Caro!/Bella! Più amabile beltà mai non si troverà del tuo bel volto; in me non splenderà né amor né fedeltà da te disciolto.
brawo
Les PROFESSIONELLES !!!
Coreografia scarsa ....
What’s with the undun tie??
This was just a rehearsal, and Max was reminding himself to hold back a little for later.
Absolutely excellent.
ليش حاطط ايديك بجيبك ... صح هي بروفا بس أغنية متل هي مليئة بالمشاعر لازم كانت حركت فيك شي
The best music never...
Max Riebl (Australian countertenor) died at the age of 30 (30 April 2022). The news comes four days after the singer took to Facebook to notify his fans that he has incurable cancer. He said, ” Hundreds of solo shows around the world. Orchestras, Operas, Renaissance ensembles, Evensong, cabaret and theatre. Spectacular venues. Thousands of hours of practice, radio interviews, photoshoots, extraordinary musicians. Hundreds of hours of travel, uncountable pieces learned and sung. Dozens of competitions. Thunderous applause. Silence and contemplation. Recording sessions. Sleepless nights. Hotel rooms. Loneliness. Laughter. After parties. Tension. Freedom. Bach, Monteverdi, Vivaldi and all things contemporary. Airports. Sacrifice. Sets, costumes, suits worn to a thread and stained with sweat. Difficult to quantify. Difficult to comprehend. An intense, unbearable and mesmeric series of experiences and memories. Some of the greatest and most honorable people I have known. You know who you are and I’ll never forget you.” He continued, “To those unaware, I have been diagnosed with an incurable cancer. The fight has been brutal and relentless and current symptoms make performing and touring impossible at this time. Nothing is set in stone, miracles happen, but for now, thank you for your support, your kindness and appreciation. May the music go on and may the musicians of Australia continue in their brave pursuits, against the odds. With Love. Max” (operawire com)
mon dieu, so sad to read ... a reminder of the passing last year of Patricia Janeckova, beautiful soprano, only 25, and all that the future has lost with her voice and beauty ... blessings on the memory of Max Riebl