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Appreciating Carnatic Music
Добавлен 26 дек 2014
Lec 44 Bhakti and Carnatic Music Metaphor, World view and Yearning in Carnatic compositions
Lec 44 Bhakti and Carnatic Music Metaphor, World view and Yearning in Carnatic compositions
Просмотров: 4 657
Видео
Lec 49 Muthuswami Dikshitar - an overview
Просмотров 5 тыс.6 лет назад
Lec 49 Muthuswami Dikshitar - an overview
Aspects of tala II
Просмотров 5 тыс.6 лет назад
Reference required for this lecture PLEASE SEE VIDEO AT (ruclips.net/video/pJqlNS0oiAU/видео.html) SMT. M.S. SUBBULAKSHMI PERFORMS KSHEERASAGARASAYANA, A COMPOSITION OF SRI MUTHIAH BHAGAVATAR IN MAYAMALAVAGOWLA RAGA AND CHATUSRA DHRUVA TALAM. Tala - the rhythmic facet Concepts of the avartana, samam, and eduppu Suladi sapta tala schema ABOUT THE COURSE Carnatic music is a vibrant musical tradit...
Carnatic Music as Raga Music
Просмотров 10 тыс.8 лет назад
www.saregama.com/artist/swathi-thirunal_19315/songs ruclips.net/video/J44z7qv47oE/видео.html
Lec 66 - The Typical carnatic Concert And Ragam Tanam Pallavi - RTP
Просмотров 12 тыс.9 лет назад
Lec 66 - The Typical carnatic Concert And Ragam Tanam Pallavi - RTP
An expostion of Balagopala,a kriti in the rega Bhairavi with alapana
Просмотров 16 тыс.9 лет назад
An expostion of Balagopala,a kriti in the rega Bhairavi with alapana
Percussive Accompaniment - the Mridangam
Просмотров 54 тыс.9 лет назад
Percussive Accompaniment - the Mridangam
Accompaniment in Carnatic Music - The Violin
Просмотров 3,2 тыс.9 лет назад
Accompaniment in Carnatic Music - The Violin
Subsidiary Accompaniment - Interaction Among Accompanists
Просмотров 3,8 тыс.9 лет назад
Subsidiary Accompaniment - Interaction Among Accompanists
Lec 59 - ALAPANA : Style and Aesthetics
Просмотров 2,4 тыс.9 лет назад
Lec 59 - ALAPANA : Style and Aesthetics
Improvisation in Carnatic Musci ALAPANA
Просмотров 11 тыс.9 лет назад
Improvisation in Carnatic Musci ALAPANA
Swathi Tirunal - the Versatile Royal Composer
Просмотров 2,5 тыс.9 лет назад
Swathi Tirunal - the Versatile Royal Composer
Muthuswami Dikshitar - Some Other Aspects of his Work.
Просмотров 4 тыс.9 лет назад
Muthuswami Dikshitar - Some Other Aspects of his Work.
Muthuswami Dikshitar - the Sanskirt Scholar and Advaitin
Просмотров 3,9 тыс.9 лет назад
Muthuswami Dikshitar - the Sanskirt Scholar and Advaitin
Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions.
Просмотров 3,4 тыс.9 лет назад
Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions.
Kriti - the premier compositional form in Carnatic music
Просмотров 6 тыс.9 лет назад
Kriti - the premier compositional form in Carnatic music
How to take classes from u?
I wonder if there is a theory to explain why close notes sound bad.
But is not sashtriya used for classical.
Where should we buy tambura im from hyderabad madam
Mam class edukrela Wa number pl
Veena cl?
Outstanding Amma on bringing out the life and Music of M Dixit and I have forwarded to about 200 music lovers and upasakas.keep up your professional work
Thararaina is alapana
Yes, mam- Time.
Creating melody with set pattern creates a raga!!!!!
EXCELLENT !!!
In your lecture , which is very well planned, you have taken an excerpt at 18.00 minutes, at which a respectable vidhwan wonders whetherAny composition of Trinity in the RAAG , sankarabaranam, starts from Gandharam. I was taught a Thigaraja Swamy ‘ s kriti, set to Rupaka thalam, which , has ( though “ Alpa “ prayogam in quantity) , starts with GMG…. “ RAMA NINNU VINA, NANNU RAKSHIMBA” . I may be excused if this pointer looks like an effort to out smart the vidhwan, as , that is not my intention.
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
❤❤❤❤❤❤
Excelent.
The Raja among the musicians, and the musician among the Rajas.
21:57 so well said, "not very aesthetic." Actually, if every swara has heavy gamakas, listener (rasika) would miss or not appreciate that significant gamaka which beautifies the whole phrase. My analogy is, it is like drawing on a plain canvas vs drawing on a newspaper. SP Balu garu also explained it once in Paduta teeyaga!🙏
Please do a video on Koraippu and korvai madam...
Excellent teaching madam
Gangeyabhushini sounds so much like Nattai!
Beautiful explanation 🎉
Excellent Sir Where are you sir God bless you sir Pls give your number
Super madam...God bless you 🎉
Thank you for this amazing course, half way through. Your knowledge is as generous as you :)
What a seriel, hoping it to b retelecasted a request to SUN TV
Excellent presentation, even a layman like me some what gather something about carnatic music
How can I join this course
Thanks Teacher for your vedios
Wonderful explanation mam I like your vedios thank you 🙏
This is a great video that displays the amazing approaches of 2 different forms of music. However, I am curious as to why the teacher says that "Indian music has no place for harmony" 6:41 Since Indian music of other forms (other than classical) do use harmony: We know cinema music does use harmony (AR Rahman for example)... Also, even Indian classical music might use it if you consider the 'shruti'... would that not be a harmony with the singer where multiple notes are being played simultaneously in a song? For if the vocalist is 'off' in harmonizing with the shruti, everyone would be able to notice. In a crude sense, even the tabla harmonizes with the shruti and the vocalist. So i dont think the concept is really that foreign in Indian music... it is used in pretty much every other form of music in the world also!
It was a very good lecture for those who wants to know about carnatic music ❤
Sri lanka
Amazing resource. Thank you 🙏
*tries to do the same 😅
Unfortunate for an English speaker trying to learn that the portions in Tamil (or Telugu?) are not translated and that the CC do not line up with the speech. This is my only complaint about this otherwise excellent course offering!
Madam please tell me the ragam of this thillana very nice 🙏
Do not listen to the girls. They are misleading.
Very nice
Thank you very much madam
Very nice
Prananams mam.Need to enroll in this course .can anyone pls guide me
Thank you mam. I can't sing carnatic music. But I love to hear.... So I want to knoe about all the things related to carnatic music. Like ragaas.. Thus I can enjoy the music... Your videos are very helpful and informative. I will follow you mam. Thank you for sharing. ❤️🙏
Pease explain briefly what's Alapanam before performing
Very interesting and educational video, thank you for uploading. 🙏
Finally understand the gamakas concept after so many videos So much Thanks for that..!