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Voice With Julia
США
Добавлен 17 июн 2019
I help singers break through vocal limitations to expand their vocal range beauty & power.
My clients have performed with companies such as Deutsche Oper, The Metropolitan Opera, Wiener Staatsoper, Houston Grand Opera, and Salzburger Festspiele. They have been seen in National Tours including Phantom of the Opera and have been signed to record labels and music management. They have received many honors including advancements at the Metropolitan Opera National Council Competition, final selections for NBC's The Voice, and Vocal Scholarships for conservatories and universities.
As an opera singer, I have performed with companies in both the US and Europe. Major roles include Marietta (Die tote Stadt), Rosalinde, Violetta, Donna Elvira/Anna, Fiordiligi, and Suor Angelica. Competition wins include: The Jenny Lind Competition, The Marcella Kochanska Sembrich Competition, Kosciuszko Foundation Competition, New Jersey State Opera Competition, and CareerBridges Foundation.
My clients have performed with companies such as Deutsche Oper, The Metropolitan Opera, Wiener Staatsoper, Houston Grand Opera, and Salzburger Festspiele. They have been seen in National Tours including Phantom of the Opera and have been signed to record labels and music management. They have received many honors including advancements at the Metropolitan Opera National Council Competition, final selections for NBC's The Voice, and Vocal Scholarships for conservatories and universities.
As an opera singer, I have performed with companies in both the US and Europe. Major roles include Marietta (Die tote Stadt), Rosalinde, Violetta, Donna Elvira/Anna, Fiordiligi, and Suor Angelica. Competition wins include: The Jenny Lind Competition, The Marcella Kochanska Sembrich Competition, Kosciuszko Foundation Competition, New Jersey State Opera Competition, and CareerBridges Foundation.
Mastering Classical Vocal Technique: Live Q&a Session!
Vocal technique LIVE Q & A on Appoggio, Support, Passaggio, Head voice, Whistle voice, Tongue placement, Audition warm-up routine, Getting Hired 😂😂😂😂
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WANT TO TRAIN YOUR TONGUE, LIPS, JAW, AND FACE MUSCLES FOR SINGING?
CHECK OUT THE MYOFUNCTIONAL SINGER COURSE HERE: julia-s-site-e8e1.thinkific.com/courses/the-myofunctional-singer
LINKS:
Website: www.voicewithjulia.com
Facebook: voicewithjulia
Instagram: @voicewithjulia
TikTok @voicewithjulia
***************
WANT TO TRAIN YOUR TONGUE, LIPS, JAW, AND FACE MUSCLES FOR SINGING?
CHECK OUT THE MYOFUNCTIONAL SINGER COURSE HERE: julia-s-site-e8e1.thinkific.com/courses/the-myofunctional-singer
LINKS:
Website: www.voicewithjulia.com
Facebook: voicewithjulia
Instagram: @voicewithjulia
TikTok @voicewithjulia
Просмотров: 606
Видео
Opera Vocal Technique Masterclass with Julia Radosz
Просмотров 6943 месяца назад
Opera Masterclass for Baritone and Tenor with Julia Radosz, Voice Teacher. Miste Voce Opera in Botswana, presented by Henry Nyatshane (tenor), hosts a masterclass for young singers of Botswana. Replay of Live Masterclass Singing: Lesang Ngidi, Bass Modi Magwaza, Tenor WANT TO TRAIN YOUR TONGUE, LIPS, JAW, AND FACE MUSCLES FOR SINGING? CHECK OUT THE MYOFUNCTIONAL SINGER COURSE HERE: julia-s-site...
Vibrato in Classical Singing
Просмотров 1,2 тыс.7 месяцев назад
Vibrato as an indicator of registrational balance and cricothyroid coordination/strength. This is 🗝️ for #operasingers and something to always be on the lookout for in your practice to keep your vocal balance.
Fear and Singing
Просмотров 763Год назад
Dealing with fear in your singing? I went live about this as I have A LOT of thoughts… LINKS: Book a Session: voicewithjulia.as.me/ Teaching Website: www.voicewithjulia.com Lucca Bel Canto Institute: www.luccabelcanto.com Singing Website: www.juliaradosz.com
Voice problems? Fix THIS first…
Просмотров 889Год назад
Everyone wants a quick fix, but building and calibrating the laryngeal musculature takes time. If you’re building or re-training your technique, or you are having vocal issues and inconsistencies, it is important to understand that you must first address the SOURCE of the problem, which always stems from an imbalance or weakness in the laryngeal musculature. Of course, many side effects can hap...
Learning to love your voice
Просмотров 565Год назад
Learn to love your voice... it's a process. I went live about this subject. LINKS: Book a Session: voicewithjulia.as.me/ Teaching Website: www.voicewithjulia.com Lucca Bel Canto Institute: www.luccabelcanto.com Singing Website: www.juliaradosz.com
Soprano development: then and now
Просмотров 818Год назад
Vocal growth…. Some thing that really hits me is the lens that we view ourselves in the present. Perfectionism persists as artists, and we are always trying to better ourselves but when we take a moment to stop and enjoy how far we have come in our journey, everything becomes very clear. Vocal growth doesn’t happen overnight and no amount of technical fixes will speed up the process. Consistent...
Vibrato in Singing- Understanding and Troubleshooting
Просмотров 1 тыс.Год назад
Vibrato problems in singing are a common occurrence, and a misunderstanding of this natural function can lead to tension and imbalanced registration. In this video, I discuss this topic to a great extent. This video is an example of the detailed content you will receive in my VWJ Monthly Membership. Applications are now open to join this exclusive membership for Professional, Student, and Amate...
Release for High Notes
Просмотров 1,8 тыс.Год назад
How to release for High Notes and Onsets… A little taste of the kind of instruction that will be given at the Lucca Bel Canto Institute. This program is intended for professional and young artist classical singers looking to make a real jump in their technique this summer outside of the pressures of the “industry”. This is a safe space to work out technical issues, make fach or repertoire chang...
Day 30: Breath Support Explained - 30 Days of Breath Support
Просмотров 1,2 тыс.Год назад
In Day 30 of our 30 Days of Breath Support, we sum up all the basic elements of breath support. This is a quick summary, with many details left out due to time. Be sure to catch up on days 1-29 for full explanation of all the concepts! To sing well, you need to breathe well. Most people- beginners and professional singers- agree on this point. However, how to do it? That is the question… Follow...
Day 29: Vocal Exercise on Intervals - 30 Days of Breath Support
Просмотров 710Год назад
Day 29: Vocal Exercise on Intervals - 30 Days of Breath Support
Day 28: Vocal Exercise for Control - 30 Days of Breath Support
Просмотров 702Год назад
Day 28: Vocal Exercise for Control - 30 Days of Breath Support
Day 27: High Notes - 30 Days of Breath Support
Просмотров 1,2 тыс.Год назад
Day 27: High Notes - 30 Days of Breath Support
Day 26: Release the Breath - 30 Days of Breath Support
Просмотров 670Год назад
Day 26: Release the Breath - 30 Days of Breath Support
Day 25: Stamina and Singing - 30 Days of Breath Support
Просмотров 532Год назад
Day 25: Stamina and Singing - 30 Days of Breath Support
Day 24: Stretches and Exercises for Support - 30 Days of Breath Support
Просмотров 524Год назад
Day 24: Stretches and Exercises for Support - 30 Days of Breath Support
Day 23: Pitch, Intonation & Breath - 30 Days of Breath Support
Просмотров 614Год назад
Day 23: Pitch, Intonation & Breath - 30 Days of Breath Support
Day 22: Pitch and Breath Coordination - 30 Days of Breath Support
Просмотров 609Год назад
Day 22: Pitch and Breath Coordination - 30 Days of Breath Support
Day 21: The Grand Vocal Scale with Support - 30 Days of Breath Support
Просмотров 722Год назад
Day 21: The Grand Vocal Scale with Support - 30 Days of Breath Support
Day 20: Vocal Exercise for Support - 30 Days of Breath Support
Просмотров 715Год назад
Day 20: Vocal Exercise for Support - 30 Days of Breath Support
Day 19: Vibrato in singing - 30 Days of Breath Support
Просмотров 974Год назад
Day 19: Vibrato in singing - 30 Days of Breath Support
Day 18: How much air to sing? - 30 Days of Breath Support
Просмотров 712Год назад
Day 18: How much air to sing? - 30 Days of Breath Support
Day 17: Messa di Voce (Vocal registration & Support)- 30 Days of Breath Support
Просмотров 1,3 тыс.Год назад
Day 17: Messa di Voce (Vocal registration & Support)- 30 Days of Breath Support
Day 16: Singing Sul Fiato vs. Col Fiato - 30 Days of Breath Support
Просмотров 1,7 тыс.Год назад
Day 16: Singing Sul Fiato vs. Col Fiato - 30 Days of Breath Support
Day 15: Singing Legato on the Breath- 30 Days of Breath Support
Просмотров 837Год назад
Day 15: Singing Legato on the Breath- 30 Days of Breath Support
Day 14: Staccato (Vocal & Breath Exercise)- 30 days of Breath Support
Просмотров 1,2 тыс.Год назад
Day 14: Staccato (Vocal & Breath Exercise)- 30 days of Breath Support
Day 13: Whole Body Support in Singing- 30 Days of Breath Support
Просмотров 857Год назад
Day 13: Whole Body Support in Singing- 30 Days of Breath Support
Day 12: Vocal Exercise with more Breath Choregraphy - 30 Days of Breath Support
Просмотров 996Год назад
Day 12: Vocal Exercise with more Breath Choregraphy - 30 Days of Breath Support
Day 11: Breath Choregraphy Vocal Exercise - 30 Days of Breath Support
Просмотров 1,2 тыс.Год назад
Day 11: Breath Choregraphy Vocal Exercise - 30 Days of Breath Support
Day 10: Common Misconceptions about Breath Support - 30 Days of Breath Support
Просмотров 1,1 тыс.Год назад
Day 10: Common Misconceptions about Breath Support - 30 Days of Breath Support
It does help.
I cannot do a liptrill...... help please!
Hi Julie! Do you know if this can also be applied to pop or musical theater singing?
It is helping me a lot to study 🙏🏼💖🎶👌🏿very beautiful voice ✨
What does your uvula look like?
By example, how should I sing this by Guns and Roses? "Shes got a smile that seems to me (no breath) reminds me of childhood mem-or-ees (breath) where everything was clear as the bright bule sky". Now i take that breath with a gasp. Any advice?
Yep! Got this. Weell, I understand this but doing it is another thing. This was easier to understand than Day 4. Thanks. And by the way, my thumb in my back was really getting pushed out
ok, Júlia, treinando isso!
Ok, praticando!
Obrigada! Excelente!
ok, obrigada!
Yay… at last a singing tutorial from a singer who has actually mastered voice! 🌷
My first lesson on the book, without you, I'd be damned, thysm miss julia❤❤❤❤
Can mewing affect your singing?
Ótimo! Obrigada!
Sim, eu percebo essas pequenas falhas no suporte, na região média, e quando desço uma escala... É muito clara essa sua explicação! Ajuda muito! Obrigada!
Excelente! Vou praticar! Obrigada!
Nossa! Que exercício excelente! Sua explicação realmente faz a diferença! Obrigada!
Feito! No 5:02 a chave que eu precisava! Obrigada, Júlia! Grande abraço pra você, do Brasil.
Feito!
Feito!
Feito! Obrigada Júlia!
Feito mais um dia! Esta e a aula 11 foram muito instrutivas, essas ondulações, isso é realmente ótimo para o controle da respiração e suporte ao canto! Obrigada!
Excelente, obrigada Júlia, vou praticar bastante!❤
When we got to the beaker from the muppets / minnie voice i got depressed because i already have been doing that assuming it was a head voice thing and that means that's probably as high as i can go. Guess I'll never hit that Mike Patton whistle.
Ok, construindo apoio vocal! Obrigada!
Valeu, obrigada!
Feito! Obrigada Júlia, por nos ajudar a construir a base do nosso canto!
Obrigada, Júlia! Que sorte ter encontrado uma cantora de ópera maravilhosa disposta a nos ensinar tantas coisas! Eu estudo canto, estava querendo melhorar minha respiração e apoio, porque não conseguia sustentar notas longas, frases longas... a última música que tentei cantar observei que tinha que resolver na respiração e apoio... procurei bastante até ter a sorte de encontrar você! Vou fazer direitinho os 30 dias, estou aliando exercícios físicos pra correr, ofegar e aumentar a capacidade respiratória, também.... minha meta é no final dos 30 dias cantar bem a música que escolhi e, "de quebra" perder alguns quilinhos e ficar com a barriga magrinha como a sua!!!
Feito
Feito!
2:30 lip trill 6:15 yawny slide 9:05 arpeggio yah 11:13 zee zah
THIS WAS SO GOOD MY THROAT WAS SO BLOCKED THANKYOUUU <3
Muchas gracias por compartir la teoría de los Vaccaj 🙌✨
i haven’t commented yet, but i thought i should by now… i’ve been slowly working through these videos for the past few months as my voice is currently dropping, and this was suggested to help it during the change and stabilisation practice. I’m trying to preserve as much as my range as possible (whilst expanding where possible) and alongside the help with technique, this method has really helped! I definitely also feel that my voice is stronger and more stable now when singing. Thank you for this series, and I’ll be sure to check out your other videos on technique when I can!
毎日聞いてピアノの練習に歌います。とてもきれいな発声でもう何回もみてます。
技能はすごいですね
Whoah. I don’t understand why, but I think that tip about switching between two vowels (ah-oh) on a trill might have done the trick for me! I’m a fairly experienced singer but after 15+ years of trying to trill, I had nearly given up. But a piece I’m working on now really requires a prolonged trill. Thank you!
Thank you Julia for your knowledge on fear based response!
Great info making sence of what’s going on !Big thank you 😊
how please??? this is my problem
Question for you! Do you have any videos doing opposite of this video? It appears I've been able to do the instructions of this video with ease, and I feel comfortable with my whistle register. I just recently enrolled in a voice program at school and I'm doing classical music. I'm having trouble accessing the same notes with my whistle register in my high head voice. I feel I'm able to go up to a Bb5 with my full head voice and after that I feel I just instantly flip into my whistle register instead of continuing my head voice. Do you have any videos for this or do you have tips for me?
Thank you Julia.
just watched one that said the opposite. it doesnt do it automatically - i dont know who to believe
I can't do it
Thank you!!
I'm a guy. I hit the seventh octive
Thank you soooo much 🙏🏻 You speak the truth and the video is really helpfull ❤
This is a great exercise, it instantly helped me find a bright and very loud resonance but I can only use this for closed vowels like oos and ees how do I open up my vowels without losing that bright beautiful resonance?
This is amazing!! Thank you
Gracias. Grazie mile. Hvala. thank you. Fantastico. Salvatore Fisichella ,truly a great maestro. You are great too. Rado or Radoslav loves to sing from Dubrovnick, Croatia