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FLAHERTY’s loss was cinematography’s gain. A private joke between Ben and myself.. Ben will know what I mean. Great explanation Ben, thank you. Martin

Superb discussion. Having seen some of the issues mentioned in this have now been sorted with firmware, it’s a better workhorse now. I still wonder though if I’m the only person in the world who hated the default handle. Not long enough to be long, and way too long to be short. Would be awesome if it could go c100 styles while maintaining rotation.

2:23 no game engines, such as Unreal then say unity! we all know Unreal is number one!

Is it better than fx3 in low light conditions??

Thank You Sir

Thank You

With Respect Sir

A complete guide to the HDR10 workflow aimed primarily at those wishing to create and share HDR videos on RUclips may be found by Googling Monster Guide HDR.

We can now grade in HDR with the M1 Pro/Max MacBook Pro mini LED display with Adobe Premiere or Davinci Resolve, I'm speechless the first time I saw HDR video on my MacBook Pro 16" screen and it boosted the highlights up to 1600 nits while still keeping contrast and all the detail in the shadow. Simply amazing!

Where can i find the HDR Version mentioned at 1:00?

I've been experimenting with HDR filming in my spare time, and want to upload my videos in HDR. The image looks much more life like, and more exciting to look at and will be the way you'll stand out against the many others out there.

Fascinating, well-done production on a subject about which there is so little understanding. Learned a lot; thanks very much.

Great timing, I've been working on a new chapter of my course which is all about turning timelapse sequences (RAW photos) into HDR video. I've had to do an enormous amount of research and testing to finalise it. There's a shockingly small amount of info out there, and nobody seems to be really certain which methods are best for this particular workflow.

Hi this is Kumar Sai I am from India (Hyderabad). I am an actor, I have done 40 movies as an actor (Telugu film industry is a region of India) First of all I appreciate your channel content about cinematography 🙂✌️ Sincerely: I am going to make my directorial debut here (in India) with a tropical rain forest survival feature film. I am looking for technical experts in this project, especially cinematographer, please help me to contact someone who can deal with their cinematographic excellence in rainforest and virtual production shots on set.

Hi this is Kumar Sai I am from India (Hyderabad). I am an actor, I have done 40 movies as an actor (Telugu film industry is a region of India) First of all I appreciate your channel content about cinematography 🙂✌️ Sincerely: I am going to make my directorial debut here (in India) with a tropical rain forest survival feature film. I am looking for technical experts in this project, especially cinematographer, please help me to contact someone who can deal with their cinematographic excellence in rainforest and virtual production shots on set.

Fantastic overview. The impressions of these experienced DPs were priceless, along with the technologists clearly and honestly explaining the pros and cons from their point of view. Well done.

Test

No ILM fluff promo video that cuts away quickly from the stagecraft in order to not give away it's flaws. This is a good transparent and honest perspective on LED virtual production.

Hi, please answer that which type/technology/specification/pixel density-size these LED screens are preferred so to avoid shimmer & interlacing problems.. what lumen range should monitors be & does it needs to be changed on different fps on camera etc etc. such practical things to be noted!

Great presentation!

This is tragic that this video doesn't have more views. It's one of the best FX9 reviews/conversations anywhere, still to this day. Thanks to the ACS for producing and putting this out there.

I m from india..Hyderabad Planning to do tropical forest survival background pro movie please help me to contact you people I need your association

Hey Lee, I'm having trouble with frame rates while making the showreel, I set the project to 25fps, and the videos that were below it gets faster and the ones above it get slower. Please help, even the audio messes up! :(

Can't wait till I finally get access to this technology, Kinda sad how most production companies aren't trying to do setups like this tbh.. They just like to spend ridiculous amounts of money, and time since they think they have it...

Pretty interesting stuff. I agree with the point that it is going to breed a new version of filmmaker. Looking forward!

Good presentation and I appreciate that the pros and cons are being pointed out. There's a tendency to get over-excited at new technology as if it's going to make it so you can just pick up a camera and get your shot at the push of a few buttons, without considering that with it will come new challenges and skillsets. There's no substitute for the blood, sweat, and tears, as it were if you want to get your vision onto the screen. There's always a tradeoff.

Wow, very nicely explained. Thanks.

Thanks ACS for compiling these interviews of DPs who have tested Virtual production and addressed the benefits and challenges. Looking forward for more informative videos.

Great overview!

Furry Bubble

I recognize ROE panels! So good. I'm jealous

Exciting and at the same time scary! Is the medium in danger of replacing the story?

Hello Lee, This video is so informative on so many different levels and as a certified FCP trainer, I am hoping you can help me with my question about camera archives, please. I have searched, but have been unable to find answers. I recently edited a 6 minute project by copying 4 SD cards with all my footage into my external hard drive and editing. After editing, I discovered the value of camera archives! The client wants a longer project from the same footage and some changes on the 1st project. My question: If I make camera archives of the 4 SD cards from the 1st project and then delete the copied media associated with the 1st project will I be able to make changes to that first project with footage from the camera archive created after editing is complete? Any insight you have will be greatly appreciated. Thank you.

I just had to reset my column again..super annoying even on 10.5.2..Great video mate!

There’s also no reason foreground elements cannot be generated on-the-fly and composited into shots. This would give limited sets even more depth and verisimilitude.

Great review! I've been very pleased with my FX9 coming from a FS5 which has mostly shot raw externally. It's very very versatile and continues to impress me in challenging situations.

What was your most difficult process? So many different techs to work together. How did you fix those problems?

Frameworks is a very nice term in this topic

Clear, succinct, excellent presentation. Thank you!

OMG! Incredibly informatice. Thanks.

Film doesn't have any pixels. With pixels, in this case, we indicate how many MOSFET there are on a censor. We indicate film sizes with millimeters or sometimes inches, so like Super35 (official name is Superscope 235) is 24,89x18,66 Cinescope (2,35:1) is 21,95x18,6 Techniscope (2,39:1) is 22x9.47 The name super35 came from the film that is used named "135" better know as 35mm I'm not sure but 4k is about 18 years old, but definitely not 100. en.wikipedia.org/wiki/Super_35 en.wikipedia.org/wiki/MOSFET en.wikipedia.org/wiki/Image_sensor en.wikipedia.org/wiki/135_film

Can I still call UHD 16x9 3.8k?

Thank you!

THANX

Very usefull.

I may need to watch this 5 more times to digest it.

Exciting to be a part of this transition into virtual filmmaking.

That was great! Thank You!

This is so fascinating! I got to stop postponing and just deep dive into Unreal.

This is a great video. Made me think of the old painted studio backgrounds.