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You’re welcome!

It’s a PRS, but there’s only 4 in existence and they all belong to Mark.

I have an entire playlist dedicated to Katana tones. Starts with this video. Boss Katana 50 MkII lead tone (use headphones) ruclips.net/user/shortsfTRQJxfKiTI?feature=share

You bet! These are my favorite wireless handhelds that I’ve used.

Personally? Probably. 🤷‍♂️

Thanks for the input, James! I appreciate the kind education. This hobby has been a fun learning experience. -PJ

You are very welcome!

Lekato advertises, "6 hours at a peak output of 5 watts." A my house, the JA02 is also used as a bluetooth speaker/receiver (because you can link your device to it and run a line out to powered speakers) and lasts about 6 to 7 hours when used that way.

You bet!

We’re about to install the system and begin using it. I’ll let you know after we’ve used it some.

@@medinsmakemusic ok thanx

Turbo sounds a little more modern to my ear.

Seriously though. The guy is a beast.

Seriously such a great guy.

The man knows good tone when he hears it.

Thank you! I’m glad you like it. I’m looking forward to giving this guitar to someone who needs it.

PRS needs to put that thing in production.

@@medinsmakemusicI know right

He’s a beast.

You got judged for playing Smoke On The Water at GC? Yikes. Well remember that everyone is free to be wrong. ;)

@@medinsmakemusic 🤣🤣 nah I haven't been in a music store in years.

All I can really do is speculate. It could be some kind of electronic interference. Or they’re going bad. In either case, I’m sorry to hear that. I’m sure that’s frustrating.

All I can say is that we are currently running 6 receivers off of the one transmitter for IEM’s and we’re not getting noticeable lag at all.

Such a cool idea though.

It was a great time.

It would be great if they'd finally put it into production. I know that's not the plan right now, but the people have spoken. They want that guitar.

@@medinsmakemusic And you’ve been near it. I’m jealous. How much did he use it during the concert?

@@wheelsdetroit8608he used it for a bunch of songs. I don’t remember exactly how many though.

Please, whats the name of that model ?

@@FilipeReishandmadehe calls it Stella.

Check out the full video that this short was pulled from. It’s on our channel and linked as a related video on this short.

If you need to see two hands to figure this one out, you’re not a guitarist. You’re probably learning to be a guitarist.

@@774471jr Did you get the hit of dopamine you were looking for with that attempted put-down to feel artificially boosted self esteem?

I hate it when that crud happens. I’m so sorry to hear that.

I don’t own this pedal anymore. I gifted it to a friend awhile back. According to the manual, “FV05 has 11 saving slots for recording tracks. 1-8 slots support up to 5 minutes capacity; 9-11 slots support up to 10 minutes capacity. Rotate the SONG to select a slot for recording and saving. After the recording is complete, the audio file will be saved in the selected slot, it will not lose if you switch to another slot or power the pedal Off.”

I’m using my phone to capture the sound of the amp in the room.

I’m happy to help!

Honestly, a high gain preamp through preset 11 is crazy good.

@@medinsmakemusic dude I played it for like 10-12 hours straight into the morning. no pedal has made me do that.

If you want to hear the guitar, you need to have it plugged into some kind of speaker system.

@@medinsmakemusic what speaker system?

@@DiamondXOfficial you are too kind! Thank you so much!

ur welcome! ​@@medinsmakemusic

Seriously, it’s so good.

With this pedal, you can set the drums to start playing as you record your part. When you’re done recording your part, it will continue to play with the drums.

This is from Debra Audio’s site. WIRELESS STEREO SYSTEM TECHNICAL PARAMETERS: Carrier frequency range: 530~580MHz/640~690MHz Audio sampling depth: 24bit, 44.1k Signal delay: 7ms Number of wireless channels: 100 Modulation method: GFSK Audio Frequency Response: 20~18000 Hz Comprehensive T.H.D.: <0.1% Separation: 75dB Audio SNR: 85dB Dynamic range: 95dB Effective use distance: 80 meters (open environment)

I do recommend this pedal.

Thank you! And that’s too funny. I’ll let him know.

I haven’t had a blipping noise to speak of but I’ll let you know if that changes.

I’m glad we could help. And just so you know, we have several newer videos where I’ve tweaked and improved the tone further.

The pedal doesn’t come with any cables. There isn’t any set up that needs to happen before using it. My only advice is to place it after any OD or distortion pedals. If your amp has an effects loop, I recommend placing it in the loop.

@@medinsmakemusic where is the sound being produced from if it’s not connected to the amp?

If you’re sending vocals to left and instruments to the right, you can’t blend them. For that, you might as well just send them to a single input. You can however control the individual input levels using the dials on the back of the transmitter. Check out my part 1 video for this review when you get a chance

@@medinsmakemusic Thanks. This is probably a better explanation: Stereo Mode & Mix Output The Stereo/Mix configuration is used as follows: the signals from both the L/1 and R/2 inputs go to both the left and right earphones. Use the receiver’s balance control as follows: turn clockwise to make R/2 louder and L/1 quieter; turn counterclockwise to make L/1 louder and R/2 quieter. (However you adjust the balance control, both the left and right earphones will have the same total volume)

@@medinsmakemusic Personal Mix Control. See image B on page 14. Typical two-channel operation using Personal Mix Control 1. On M3R Stereo Receiver: Set MIX Ouput; Set STEREO Mode. 2. Create a band mix with an aux channel of your mixing console. 3. On a separate aux channel of your mixing console, create a second mix featuring vocals. (Alternatively, this second mix could feature guitars, drums, keyboards, etc.) 4. Connect the band mix aux output to the R/2 input on your M3T Stereo Transmitter. 5. Connect the vocal mix aux output to the L/1 input on your M3T Stereo Transmitter. 6. Monitor the AF level indicators on front of transmitter to make certain the signal is not clipping. (Signal is clipped when the peak light is on constantly or distortion is heard.) 7. If necessary, use the trim control to adjust input level. 8. Turn the M3R Stereo Receiver’s balance control toward the left to hear more vocal (L/1) in both ears; turn the receiver’s balance control to the right to hear more band (R/2) in both ears.

@@medinsmakemusic It might be that I can have two different mix inputs going left and right, set the transmitter and receiver to mono, then lower or increase the channel input volume on the back of the transmitter? Fiddly, but doable. I saw a review of the Anleon S3 which does this, but you can't seem to buy that in the UK, only ship them from China.

@@robwakelin5559 Hi, I would like to ask about the point 8. According to this it means, that there is a possibility to pan the stereo to the Left channel only (on the receiver) and I will hear the Left channel in both ears? If it is so, it means, there is an option that if I will have 2 receivers and one will be set to Left and second to the Right, So this system would use 2 persons with individual IEM mix? It would be great. but I cannot find any user manual online to check this function, before I buy this set. Thank you for any info.

Hey, Jim! I explain that in the Pt. 2 video. ruclips.net/video/xCeC6TqhQAk/видео.htmlsi=BZdGkwIDH_ulRW96