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Teleunken TF47

@@trailervobrent Thanks, dude.

Ive taken countless workshops! Keep it up!

I tried it directly into a power conditioner. I've also tried it with 3 different Manley Ref C mics. It's just how the mic is with my gear I guess. The Silver into the same setup is dead quiet... So IDK?

It would be a more ROBUST sound... WA is more mid punch.

WA47 to Avalon 737 - No EQ- gentle compression to - WA LA2A leveling amplifier - to WA EQP to roll off the bass and touch a 3k lift a bit, then into the DAW. Then a final multiband compressor to add the punch! I use that to de-ess anything harsh and control the boomyness in the sub 200hertz range.

@@trailervobrent woW! Thank you so much!

Thank you Jeffrey.

If it is a live recorded session the editor will do that on their end. When I record for a self directed session I take them out. But, you should not have a breath in a sentence. Only in between. Try to get each full sentence or thought it one breath if you can. Makes more a more fluid audio file.

Thanks, editing is still a work in progress, breaths too are an arch nemesis. Take care.@@trailervobrent

RealVoiceLA.com

@@trailervobrent thank you very much.

Have you tried the CVOX plugin? If you’re able to dry a demo with it!

I have a couple NT1s and find that there's a strange choppiness to the sound I can't deal with. It has to do with how they doubled the voltage to get the lower noise figure. The older NT1As didn't have this. I still use them for a third set of room mics for big venues but I don't use them for primary sources anymore. I'll eventually replace them with AKG 414s but haven't decided on which flavor yet. You might try the TLM107 or the TLM103 if your budget doesn't cover the 107. The top end is emphasized but is silky smooth and clean with low noise. They're not quieter than the NT1s but it was no contest for me on tone. These may be too bright, though, so renting first is a good idea. Or add a sponge pop filter. That will knock down the tone and also eliminate a little room tone at the same time. I think that's what Howard Stern uses. Filtering background is dealt more with treatment and proximity rather than the via mic. I have a TLM102 on my desk at work and its lower sensitivity works with me using it in close proximity with a sponge pop filter. It's surprisingly isolated sounding, actually. I have it going through an analog channel strip so I'm EQ'ing for close proximity before it hits converters. Most of the bigger mics will let in a lot of background. Honestly, if background is the biggest problem after treatment with blankets and the like, you may want to look at a cardioid small diaphragm instead. With proximity you'll gain back the low end you might otherwise be loosing. Audio Technica 4051 would be great here but I've used Oktava MK-012s, RODE NT5s, and Soyuz SU-013 for this job before. Of course the MKH-416 is nice, too, but it's very v-shaped and noisier than the specification in real life. I wouldn't do long form with it. What sounds better to me is the Sphere L22 emulating a 416 but unless you've got an Apollo interface, that may not be the way to go and all-in it's an expensive setup compared to an NT1. I admit I overcooked the post-processing on this, but here's a sample from when I had the Oktava MK-012 on my desktop mic stand mainly because of the form factor. You can hear how isolated it is. facebook.com/share/v/gNerwasMb521nfJb/ Best thing I ever had on my desk was an AKG C12 remake. Nothing like real tube mics. Something duller like the WA47 is decent for long-form but lets in quite a bit of room and needs to warm up at least 20 minutes (so they told me). It works after a minute but the top end keeps developing for a while. It's definitely not the best 47 remake out there and they lost me with the delay on replacing a bad out-of-the-box tube and cable. I waited six months for a replacement cable and had to use my C12 cable in the meantime.

Comment on @epicvoicemails channel for that.

You should never been looking down, it closes your throat. Unless, you're intentionally doing that to get a different pitch. Eye level or above to keep the airways open and a natural sounding voice. I stood for about 10 years. I'm sitting just because of the layout of the camera frame and desk. But I would prefer standing because I use a lot of body language.

Im looking right at the Clarion on my desk. I posted one on my instagram. @trailervobrent Let me upload it here.

instagram.com/reel/CyUGpLESmqA/?igsh=ZWMyNDBlOTQyNg%3D%3D LINK HERE TO THE VIDEO REVIEW

Thank you!..very helpful. this mic sounds very clean and has a clarity about it. it seems a little more articulate than the Atlantis. I appreciate your time and response. @@trailervobrent

I did NOT keep this microphone for my collection.

The Silver is a quiet mic, the Reference C has a little self-noise. But, in any mix you'd never hear it.

WA67

I used it for a whole year. Im using the WA8000 Gold now.

@rvobrent I picked up a WA-47 for $520USD, I thought it sounded a tad muddy in the lower mids, and needed a bit more openness. As I have bought it cheaply, I have sent it off to Chad Kelly at Signal Art to be completely remodeled plus an M7 capsule installed. I have recorded audio prior to it was sent off so it will be interesting to compare after the remodel. I could send it to you if you like.....you might get yours redone then :)

I have the tone beast pre - WA2A and Tube EQ in my chain so I am able to dial it in with my hardware the way I need. I can see how just a direct DI would give you a lot of low ends. @@fuchidawagyu7815

Totally. On my auditions I read it twice outloud to understand the copy. Then I do my two takes and submit. Takes 5 minutes.