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NMK Music
Добавлен 1 фев 2018
This channel is dedicated to providing musicians of all levels with in-depth, highly detailed score reductions.
For updates on new video uploads, like and follow me on Facebook:
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Also be sure to visit my Patreon:
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For business inquiries:
nmkmusic89@gmail.com
For updates on new video uploads, like and follow me on Facebook:
profile.php?id=100034871598462
Also be sure to visit my Patreon:
www.patreon.com/nmkmusic
For business inquiries:
nmkmusic89@gmail.com
PEER GYNT: INGRID'S LAMENT Score Reduction and Analysis
The music is composed by EDVARD GRIEG and the score reduction and analysis is by Nathaniel Kuhns.
As always, be sure to LIKE, SHARE and SUBSCRIBE.
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/ nmkmusic
As always, be sure to LIKE, SHARE and SUBSCRIBE.
Like and follow my Facebook page for updates:
/ nmk-music-36
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Also be sure to check out my Patreon page:
/ nmkmusic
Просмотров: 358
Видео
PRELUDE TO THE AFTERNOON OF A FAUN Score Reduction and Analysis
Просмотров 1,3 тыс.8 месяцев назад
The music is composed by CLAUDE DEBUSSY and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
PEER GYNT: ANITRA'S DANCE Score Reduction and Analysis
Просмотров 710Год назад
The music is composed by EDVARD GRIEG and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
PEER GYNT: AASE'S DEATH Score Reduction and Analysis
Просмотров 826Год назад
The music is composed by EDVARD GRIEG and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
STAR TREK THE MOTION PICTURE MAIN TITLE Score Reduction and Analysis
Просмотров 2,4 тыс.Год назад
The music is composed by JERRY GOLDSMITH and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Also be sure to check out my Patreon page: www.patreon.com/nmkmusic PDFs for all of the score tracks are available in my Patreon shop: www.patreon.com/nmkmusic/shop
SCHERZO FOR MOTORCYCLE AND ORCHESTRA Score Reduction and Analysis (w/ END OF SCORE lists)
Просмотров 1,5 тыс.Год назад
The music is composed by JOHN WILLIAMS and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
JURASSIC PARK THEME Score Reduction and Analysis
Просмотров 32 тыс.Год назад
The music is composed by JOHN WILLIAMS and the score reduction and analysis is by Nathaniel Kuhns. The PDF of this score reduction is available in my Patreon Shop: www.patreon.com/nmkmusic/shop Other exclusive content is also available on my Patreon page: www.patreon.com/nmkmusic As always, be sure to LIKE, SHARE and SUBSCRIBE.
SCHERZO FOR MOTORCYCLE AND ORCHESTRA Score Reduction and Analysis
Просмотров 2,7 тыс.2 года назад
The music is composed by JOHN WILLIAMS and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
MARCH TO THE SCAFFOLD Score Reduction and Analysis
Просмотров 2,4 тыс.2 года назад
The music is composed by HECTOR BERLIOZ and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
Star Wars JAWA SANDCRAWLER Score Reduction and Analysis
Просмотров 1,5 тыс.2 года назад
The music is composed by JOHN WILLIAMS and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
THE SHARK THEME From JAWS Score Reduction and Analysis
Просмотров 12 тыс.2 года назад
The music is composed by JOHN WILLIAMS and the score reduction and analysis is by Nathaniel Kuhns. The PDF of this score reduction is available in my Patreon Shop: www.patreon.com/nmkmusic/shop Other exclusive content is also available on my Patreon page: www.patreon.com/nmkmusic As always, be sure to LIKE, SHARE and SUBSCRIBE.
Star Wars THE ADVENTURES OF JAR JAR Score Reduction and Analysis
Просмотров 1,1 тыс.2 года назад
The music is composed by JOHN WILLIAMS and the score reduction and analysis is by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates: NMK-Music-36 ... Also be sure to check out my Patreon page: www.patreon.com/nmkmusic
Star Wars ANAKIN'S THEME Score Reduction and Analysis
Просмотров 1,6 тыс.2 года назад
Star Wars ANAKIN'S THEME Score Reduction and Analysis
"SUPERMAN MARCH" Score Reduction and Analysis
Просмотров 19 тыс.2 года назад
"SUPERMAN MARCH" Score Reduction and Analysis
The Incredibles "100 MILE DASH" Score Reduction and Analysis
Просмотров 3,5 тыс.2 года назад
The Incredibles "100 MILE DASH" Score Reduction and Analysis
Star Wars "Here They Come" Score Reduction and Analysis
Просмотров 1,5 тыс.3 года назад
Star Wars "Here They Come" Score Reduction and Analysis
RAIDERS MARCH Score Reduction and Analysis (RE-EDIT)
Просмотров 4,4 тыс.3 года назад
RAIDERS MARCH Score Reduction and Analysis (RE-EDIT)
Shostakovich Piano Concerto No 2 I: Allegro Score Reduction and Analysis
Просмотров 1,8 тыс.3 года назад
Shostakovich Piano Concerto No 2 I: Allegro Score Reduction and Analysis
"BUCKAROO HOLIDAY" Score Reduction and Analysis
Просмотров 2 тыс.3 года назад
"BUCKAROO HOLIDAY" Score Reduction and Analysis
"Also sprach Zarathustra!" Score Reduction and Analysis
Просмотров 7 тыс.3 года назад
"Also sprach Zarathustra!" Score Reduction and Analysis
"RHAPSODY IN BLUE" Score Reduction and Analysis
Просмотров 13 тыс.3 года назад
"RHAPSODY IN BLUE" Score Reduction and Analysis
Star Wars "Luke and Leia" Score Reduction and Analysis
Просмотров 7 тыс.4 года назад
Star Wars "Luke and Leia" Score Reduction and Analysis
I came here for inspiration. I was not disappointed.
I think the first chord should be AbaugM7, not CM, even though the Ab in the first chord is thought of as the pedal point.
@@babecha9141 Yeah, I can see that. At the time, I considered the Flute chords as they're own separate entity. In that context, the Ab in the Violas and Harps could be considered a chromatic mediant, as well.
Brilliant! Genius use of harmony.
So great to see this. The first score reduction of this that I saw had an absolutely obnoxious interruption of the music track right at the climax.
There's quite a lot that I don't see in my score. For example, measure 3, I don't see a 7th (B) or a 9th (D#) in that chord on beat 2. There are several other places where I'm similarly confused by notes in your reduction that simply aren't present in the score. For example, measure 61, I cannot find the B and D# on beat 1 or the D# on beat 2. Also, measure 77, the chord is clearly a B7 in the horns not an F#7. My guess is that these are transposition errors. What score did you use as a source? Still, all in all, the reduction is a pretty heroic effort.
@@barry7246 store.doverpublications.com/products/9780486295824?_pos=3&_sid=3ccef9060&_ss=r
@@nmkmusic6396 That's the same score I use.
The original film is still the best. It showed the awe and majesty of the dinosaurs through this score.
Damn, I haven’t seen an analysis this in-depth since my music theory classes in college💀
This is a superhuman effort, thanks!
The fact that the cough was included XD
😅개미핥기소금먹방
Nice thoughtful score analysis! Where did you get the full score to this piece? Also another question, I’m assuming the numbers besides each note indicate the degree of the chord each instrument is playing. What’s the difference between the dashes and the commas?
@@ivanbenning2609 halleonard.com
Terrible choreo a la primera de Brahms.
hello Mr. Kuhns. I tried to send you my credential about my paypal twice so I could donate you some money in this comment section but unfortunately it is gone everyday. Are you deleting my comments or youtube just delete it? please answer the commment if you are interested on my donation :)
Hi, first time here looking for your analysis, thank you for this great work you did. Is there any explanation about the lists you include in your analysis? at first seems a little confusing to see all these numbers with parentheses etc, I think lists are set of notes o scale degrees played by particular instruments depending on the harmony played is´n it?. Do you have an explanation or a way to clarify this system? Thank you.
@@nopalitosms Yes. In the instrument lists the numbers in parentheses are chord tones.
you share this for free? wow, what a generous person you are. Do you have paypal so people could have the option of one-time donation other than patreon?
@@febilogi I do have a paypal.
5 years later, this in depth analysis is still greatly appreciated.❤❤❤
DUNDUNDUNDUN DUN DUNDUNDUN DUNDUNDUNDUN DUNDUNDUNDUN DUN DUNDUNDUN DUNDUNDUNDUN DUNDUNDUNDUN DUN DUNDUNDUN DUNDUNDUNDUN
Hi, great analysis! Thank you for sharing this wonderful reduction!
Thank you very much! Please make more of these!
I can clearly see the Lydian mode listed in the brighter major statements of the Journey to the Island portion of this theme. No wonder that portion of the theme sounds bright, grand, and bold.
Thanks for putting all the work to condense these scores! I noticed the first chord on measure 40 should have A naturals, not A flats. Measure 38 also.
4:00 🏈 Detroit Lions💙🩶 vs Denver Broncos💙🧡 4:05 🟠 Orange Crush
Beautiful transcription and piano performance! 😍 And huge thank you for the detailed harmony analysis!
Thank you so much for this, I am doing an arrangement (completely different style) of this, and seeing this really helps me get a grasp of it. I'll make sure to credit you when I put it out.
Jeez. This theme keeps jumping between musical modes and scales. One moment it’s Dorian, the next moment it’s mixolydian, the next it’s Phrygian, and the next it’s Lydian. It just doesn’t stick to a single mode.
Tchaikovsky simph 4 pls
I'll add it to the list.
Oh, with the WDR klassik orchestra version pls. Thank you.
Tchaikovsky symphony 4 please
Really fun thing, very impressive! I've been looking for an analysis like this which really breaks down all chords, it might not be very useful for understanding the piece but it's interesting for us nerds nonetheless;) However after a quite quick look i already found a couple of mistakes, so i wouldn't blindly trust all of it...
5:40 ghost cymbal!!!
Unglaublich schön! Toll auch, die Noten verfolgen zu können.
haha V(omit)
jazzzzz
In compass 60 , the last note of flute solo is a B , not D
now faster
Thank you for your help, I’m learning the chimes to this and I am struggling the most with this piece and Uranus more than any other piece from planets. This really helps me understand the context of my part with the orchestra, thanks!
Just curious, why not to label chords with functions instead?
What do you mean by functions?
@@nmkmusic6396 functions of the chord in the key (I, II, III etc.). Functional harmony allows a higher level of abstraction and it's easier to understand what particular chord means in the key and overall logic of development, since Western classical music is basically built on modulations. Just in case my explanation is incoherent you can read more here: en.wikipedia.org/wiki/Function_(music) Don't get me wrong, I really appreciate your work, it's just I was trained on the system of functional harmony and it's really weird for me to see analysis with chord names written the same way as in jazz or pop music, so I was wondering if is this a difference in practice between different countries or a conscious choice not to use functional harmony.
@@DariaSemikina in my opinion this is a much better way to look at a piece like this -- functional harmony analysis works for Bach or Beethoven but once you start diving into jazz harmony etc it makes much more sense to just list the chord. I find functional harmony to be useful but man it gets annoying when you start reaching out of traditional changes and start borrowing from different modes etc - it all becomes needlessly complex
This takes me right back to hearing the theme tune in full surround sound at my local Odeon cinema multiplex last April for the 45th anniversary. Absolutely epic!
You might laugh, literally at the last few days I started reading the score with the aim to make a score reduction of it and upload it here on youtube. Unfortunately(or actually fortunately), you did it before me. Well, now reading the score will be much easier. Here's my first attemp with the score of Samuel Barber Adagio for Strings: ruclips.net/video/lo1Njsir_lM/видео.html Thanks
Amazing content
1:45 lol holy shit 3rd trumpet is blaring
Give me last chance please 🙏 I’m begging you Nate please
Good morning Nate how was your night………please i need your forgiveness 😢😢😢😢😢😢😢😢😢😢😢😢
Good morning Nate please forgive me I can’t do without you
ruclips.net/video/lo1Njsir_lM/видео.html My own Reduction to a Famous Score- Samuel Barber Adagio for Strings Enjoy
ruclips.net/video/lo1Njsir_lM/видео.html My own Reduction to a Famous Score- Samuel Barber Adagio for Strings Enjoy
thanks, love it. would be nice to see it full screen without the black space bit at the bottom
Love the song! I do think that at measure 364 (6:46 timestamp), the interval of the middle staff (the one playing the triplets) is wrong. It should be playing D-C-D-E-F, instead of what is shown at G-F-G-A-Bb
Instrumentation (session recordings): 3 Flutes 3 Oboes 4 Clarinets 3 Bassoons 6 Horns 4 Trumpets 4 Trombones 2 Tubas (the second one plays at the end) Timpani Percussion 2 Harps Piano 2 Synths SATBarB Choir Strings (Violins I/II, Violas, Cellos, Double Basses)
The timpani from 9:55 🔥
I have long wished to see the Score for this Piece, as i think its one of John Williams best Concert pieces. And thats saying something. Shows his Contrapuntal skills.
Admiration for the brainy kind of human who is capable of creating such brilliant score reductions. Спасбо большое !!