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Tone king definitely is an impressive one. What’s your go to Marshall plugin?

@@taylorjakubenko I use Tonex with the Amalgam Super Lead (MRSH SL100 1969) captures. And also the Softube Amp Room Marshall Suite. And I either use the JMP 2203, or sometimes the Bluesbreaker for that boxier / barkier combo tone. That said, my main Marshall tones come from a Marshall ST20 JTM studio head, that I run into the DAW from a Torpedo Captor, with IRs.

Haha yeah. I guess I haven’t spent enough time with it.

100% agree

Yeah i really struggled with the Pop Punk. So much built in processing that it almost disappeared into the mix. But yeah Modern Fusion was definitely the biggest surprise package. I normally blend Architects and Aggressive rock. But i think Modern Fusion might replace Aggressive rock.

​@@taylorjakubenkothanks to you I got modern fusion and could not be happier! Best comparison 😁!!

That’s awesome.. glad you found the one!

Makes sense why they are so epic then!!

No problem! What plugin are you leaning torwards ?

@@taylorjakubenko I was thinking of doing the Nolly because it was so feature rich but after your video I might go with the Palini. I could use some good cleans and medium gain options. I don’t actually use the super high gain stuff that often.

@@bobbydreg5597 yeah.. I think Plini is more unique in sounds for what you already have. Nolly and Gojira both have the 5150 covered. Where as Plini you get more of the Friedman style high gain. But yeah in terms on Mid Gain and clean. Plini probs just has the edge. The chorus, octave & fuzz pedals definitely set it apart in versatility.

You can only assume they spend a bit longer modelling the plugins as they are an individual product, tailored to specifications etc. the general amp modelling in QC is probably more of a simplified snapshot. I’ve heard people having a lot of success with built in amps but utilising their own 3rd party impulses. But yeah - probably not as straight forward as the plugin modelled amps.. maybe with the new amp modelling (TINA) there will be an increase in quality to get the general amp blocks at the same level as the detailed plugins. The best thing about QC is that it’s so powerful that. It’s relatively future proof.

Yeah Plini is probably the one most similar to Rabea - with Fuzz and octave effects. Etc. a whole heap of fun.

Love it!

Yeah Rabea has a special place for me. It’s definitely my most creative archetype. The effects would be epic in quad cortex!!

Love that. Thanks for sharing. The Tim Henson really is starting to get me very interested. 🤙

@taylorjakubenko ya he has a very dope part to his archetype that u don't see in other brands of amp plugin based companies

@@g3ng4rb0i3 ok I’m sold!

Yeah awesome insight. I guess we have to look at the plugins for parts also now they can be utilised in quad cortex. I think I might have to look into the Abasi when the ‘X’ update comes.

Thanks for the comment! Always room for a revised list. Just a bit of a stock take of where I’m at currently with the list of plugins. 🤟

Thanks man! Yeah Plini is a lot of fun!

Drop C!

Thanks mate!!!

Thanks so much for your feed back! A general break down of tone for this would be as follows Clean Crunch - Pink (Hiwatt) Baritone Guitar for this Gain 4 - Bass 3 - Middle 4 - Treble Cranked - Prescence & Master 7.5 (York Audio Vox 30 212 Cab IR) Chorus Pedal After Amp And Cab - (FREE PLUGIN - TAL CHORUS LX) Reverb Subtle Blend 20% - (FREE PLUGIN - Valhalla Supermassive) High Pass & Low Pass 100Hz & 14.5KHz Clean (Lead) - Sabbath Amp Gain 2 - Bass 0 - Midde and Treble Prescence Cranked. Top Switch off. (SM57 & Ribbon 160 Blended) - Delay to taste. High Pass & Low Pass 150Hz & 14KHz For the Octave (Linkin Park Part just cranked the gain and subtle reverb) Rhythm Tone - Pink (Hiwatt Amp) - Baritone Guitar Amped Drive Pedal Gain lowest possible setting Gain cranked - Bass 0 - Middle Cranked - Treble Cranked - Prescence & Master Cranked (York Audio Mesa 4X12 OS V30 IR & Marshall 4x12 MV30B IR) High Pass & Low Pass 80Hz & 11.5KHz EQ Pulling 2k & 4k out to smoothen. Boosting 180Hz & 350Hz For Body Hopefully you found this helpful.

Hey mate, Thanks for the comment.. No results given out so far but i can let you know now.. All IR's were using a SM57 generally located on the end of cone match location on the stock ir. Clean Examples Option A - York Audio - Vox VX30 2X12 BLUE (Alnico Blue Speaker) Option B - Ownhammer - Vox 2X12 VC30 - M25 (Celestion G12M-25 Speaker) Option C - GGD Zilla - Ported Cab - (G12 Creamback) Rhythm Examples Option A - OwnHammer - Marshall Mode 4 - 4X12 Cab - V30 (Celestion Vintage 30MF speakers) Option B - GGD Cali - Mesa 4x12 - Smooth Cab - V30 Option C - York Audio - Orange 2006 4X12 - ORNG 412 V30 (Celestion Vintage 30) Hopefully this helps (ive tried to keep the names similar to products names so they can easily be found) - My take on them was really that the GGD Ported Cab had a lot of unwanted whistling frequencies but had the largest range of High and Lows. York Audio was my favourite Vox. For the Rhythms, the Orange Cab just had that unique magic to it that suited the tone the best. You cant go wrong with any of the IR's for the Rhythms though, more so just a choice of flavour. Overall - York Audio seem to be the IR's id start with.

Thank you for the in depth answer. Admittedly, I was referring to only the rhythm tones and completely skipped over the cleans. Happy to see I wasn’t too far off with my guesses in that context. I really like how easy it is to blend different cabs with GGD, even across different packs or with other ir’s like the Catharsis ones.

No probs! I’ll have to check them out - I got some ML Sound Lab ones today for another IR Shootout I’m wanting to do.

Thanks mate! Appreciate the feedback

Thanks mate!!

Perangkat soundcard yang sama juga? Senar yang sama dan jenis gitar yang sama? Saya berfikir mereka pengaruh terbesarnya

You’re spot on!

also way too many band tune their guitars so low that bass is just a mess and there is just nothing in the frequency to replace the mids of the guitar. Their mixes just sound empty and useless.

Thanks heaps!! Awesome suggestion. Especially with all the updates to logic! Keep an eye out for it :)

Considering the word "heavy" in this case is extremely objective - i respect your opinion. For sure i could of palm muted my way through this. But no fun in that. All about tension and release. The whole reason the end feel's heavy is because the rest got you there. Hope to bring you around on future songs.

Drop D is relatively easy on the guitar (being only the top string tuned down half a step) - In saying that I do run thicker gauge strings regardless. Ernie Ball Skinny Top Heavy Bottom 10-54. Thanks for the comment!!!

Super hard to pull a bad sound out of these amps!!

Thanks heaps! Was a lot of fun! Pretty easy when the amps sound so good!!!

Thanks heaps! Yeah amp has some serious attitude. I’m here for it!

Thanks for the support!! I’ll have to check them out.

Thanks mate, means a lot! Yeah the amps hold weight. Some of the best simulations on the market. That edge of break up tone or pushed power tubes always has been the toughest to nail down. Love the way these amps do it. But yeah, I’m using a baritone guitar. They are the best. Really want to make some upgrades to mine.

Thanks heaps. Comments like this make the effort worth it!

Thanks mate!! A lot of fun to play this one!!

Thanks mate!!! What an update from neural

Yeah I’ve been looking at the Boss wireless pedal. Now that whammy pedals are all the rage! Haha.

Hey there! Thanks for the support - appreciate it. Yeah this whole youtube thing is a bit of a springboard for me releasing music. Always putting off doing it but yeah im going to lock some time away this year to do a proper release. But i definitely could finish off some of these instrumentals and put them up on spotify etc. had planned to do a bit of a post rock instrumental experiment for youtube, so could do something in that vein as well.

And secondly. I can absolutely check out the Two Notes Genome. Its some how slipped under my radar. Ill do a bit of research. And start having a look - will probs look at doing a video on it when i get back from Japan in a couple of weeks. Thanks for the suggestion!

Absolutely can do. Nolly still has my favourite amps by Neural! I’m hoping they give it the update treatment soon. Will do some presets for it then or sooner!

@@taylorjakubenko yeah I’m also waiting for this X update. It might push me to buy a Quad Cortex then. I’m not seeing it soon though.

Yeah. I’m keen on a quad cortex. But I haven’t jelled with modellers as a whole. So the plugins (especially nolly) integration will be a major selling point.

I played your presets a few times this weekend and I love it! Tones are great and seems really adapted to my guitar pickups

That’s awesome man! Glad they sound good! Tough to get a one size fits all preset so glad it’s doing the job!

Yeah it’s always a working progress. Never thought I’d put a mixing video out. But here we are haha. Thanks for taking the time to watch!!

@@taylorjakubenko NP, It was a RUclips recommendation, was cool to see another small channels approach of mixing

@@AscentToZenith I’ll be sure to check to your channel out 🤟

They are the best!

Oh damn! That’s so awesome you own one. Virtually impossible to find one here in Australia. I can understand the hesitation to bring that thing around! Yeah i realised I stuffed up the dates too late in the piece. But hey, it happens! Thanks for clarifying! Gibson need to add some more dates though. I’d love to see a 2024/2025 run of these and beyond. There is no way it wouldn’t be a success. You’d see people using them live so often, just a straight up beast of a guitar!

I feel that. Had a few opportunities to buy a few fender baritones and Squier ones back in the day. If only we knew what we know now! Insane. Surely they have a baritone jag or jazz in the works. Just such a demand for it!

Yeah i have the CV Squier Tele and the thing rips! the new Rabea Massad Nomad pick ups look like an epic fit for it (although to be fair the stock pick ups are no slouch). Soon as the latest Paranormal range was announced i was set on trying the Stratosonic and the esquire.. unfortunately haven't but man, Squier are doing awesome things! And yeah Sterling really need to start incorporating the artist series quicker! The Fluff model, Dustin Kensrue and the Rabea models will kill it. Especially if they can get out a baritone model! Thanks for your support! Trying my best to keep things going!

Yeah I hear you! I’ll keep hoping they bring it out with a hardtail..