Видео

@@slavikDrumstic sorta lmao . Looking back on the vid the drums kinda suck

Glad it helped you out! Thanks for watching, I appreciate it.

@@davidaix5771 true lemme just buy a 5150 rq. And true about the active emgs

@willytonezone yeah they are getting over priced maybe the Iommi amps would be better the Laney

@@richymoore very wise! I will consider that. Thanks for sharing

Mine is actually 14.3 Sonoma.

@willytonezone never update to sequia ...it ruined podfarm

@@jupiterghost9754thanks for letting me know. I hope they fix that asap

@@rinjilepcha9472 thank you very much!

You’re welcome!! Glad you enjoyed. The Tama kit is custom made from the Dark Matter EZX Pack.

@@RiffGrimez Glad it helped you out! Thanks for subbing

I’me @ I actually used it for Odeholm drums - also I found you can set the channels to “in” instead of auto and disarm the track and it still works fine

Great you figured that out. Also those drums sound amazing can’t wait to hear what you come up with.

@ check my page I put a demo up 🤘🏾

Not sure if you’re referring to superior Drummer mixer cause that you have to press the tab Mixer in the program. To create the drum channels in logic you need to look at the mixer view yes by pressing x and then the plus for the plugin will be there but you must load superior Drummer as the multi output version. Let me know if that makes sense.

I’m at 3min 57 seconds section of the video. I routed all the drum tracks in the Superior Drummer mixer. Then made the 11 audio tracks in Logic and I’m stuck at that part.

Pressing X on the Superior Drummer channel and opening mixer in Logic is where I’m stuck

Got the mixer open but my Superior Drummer track doesn’t have that plus + option

Make when you initialize the plug in on the track that it’s in multi output.

FMaj7#11/A

You know that chord?

You’re right it’s Dream Bubble actually I played the riff but on a left handed guitar as a right handed player and it sounds weird

I whole heartedly agree with what you have to say here! Thanks for your great insight.

@@peysecail9906 hell yeah brother!! Thanks

@@danisotopia Thank you for watching! I appreciate it.

@@Huginnm hahaha spot on. They just make a lot of cymbals so quiet

@@Urvos Put the audio of the kick on another track. Because you can’t record enable the midi. So just set the midi track to In instead of auto and put the audio of the kick on a separate track

Did you set up the outputs in Kontakt?

@@willytonezone yes. That's why I'm confused. St. 2 didn't show up as an option when making the outputs, even after resetting. If that has anything to do with it, I just used st.1[1]

@ did you hit the exclamation mark in the top of the Kontakt plug in

@ also try rebooting the plug in

I reloaded the plugin, hit the exclamation mark. Still not showing the outputs. Or st.2

@@Mrjaminyok I’ll give that a try. Thanks!

nvm got it great tutorial!!!!

Glad you figured it out!! And thank you

Interesting! Do you do any more mixing on it after that?

@@willytonezone I got the idea from this Joseph Puig video at about the 3 minute mark. Yes, I'll do more mixing if the snare needs it to cut through. ruclips.net/video/jl3ilZ5aBbI/видео.html

@@hummarstraful dam thanks for the reference I will check this out!

MIDI outside of superior Drummer?

Thanks man! You kind of look like m shadows.

Coming right up young fella. Thank you for your comment and feedback. I appreciate it

@@samsonlovesyou Thanks for watching and commenting!! So on sd3 whenever you route them out it creates output channels for each separate output you make. So what you can do is copy over the processing to those output channels that are created. OR You can make a bus for the kick or whatever part of the drum kit and set the output to that bus and process that way and then send it out its own output. Hope this makes sense!

@willytonezone Thanks man, I'll give this a shot. It's a same you can't keep the compression on the master bus to keep the cohesion off all the drums. Suppose that can be done in the DAW, but I love some of the preset kits and didn't want to mess with them too much!

Yes. But might be able to get a better result with a compressor from your daw rather than the sup drum 3 ones!

@@phildimopoulos6010 it’s a process I don’t blame ya 😅 Unfortunately that project didn’t get finished because the lead singer went AWOL. But it’s all good I’ve been working with other people on things. As for it sounding, it honestly sounded kind of decent. The drums were punchy and had a vibe that glued with the rest of the song. I did use some slate trigger samples specifically like a black beauty snare sample to beef up the snare. The guitar did have a little bit of tuning issues at certain parts but overall it was a good first time recording a band and I’m going to keep working on bettering my sound selection. Thanks for asking I appreciate it.

Thank you! Hope you learned something and can apply it to your songs.

Maybe. I wanna see your way.

Awesome!! You buying it?

​@willytonezone Absolutely, once I get new system up and running... I've been using Battery 2 for decades

@@davidgoode7416 wow that’s an old one. Yeah this will be a massive upgrade for ya!! And the best part is you can put any sound you want in SD3. Basically a DAW

@@willytonezone The only complaint I've heard is the cymbals, and you disproved that for me in 2 minutes

Hey! I realized this issue as well. The best solution I can give you is if you use the aux sends within GGD and put up aux 1 so you have your verbed snare sent through there. Then route out the aux track out of ggd. Or you can just use a reverb within your daw. Hope that makes sense?

@@willytonezone i'll gonna try. Thank you!

@@FistOfRuin Let me know if it works out.

@@willytonezone I needed to use a FX out and works. Thanks man!

I’ll check out that ISOL8. Thanks for the extra tip that’s very helpful! Another way of production.

@@willytonezone No worries brother! Have a great one!

Yes they definitely do that to get consistent popping notes

@@jackmurphy8696 pickups really affect the sound and thank you!!

@@willytonezone Passive pickups? I always thought they used emg 81 but the passives seem to sound more like the record

@@jackmurphy8696I wouldn’t be surprised if they used emg 81s but I didn’t do much research other than what amps they used. I found somewhere that they used triple rectifier for the record. But as for their guitars not sure lol I just used my ear after finding the closest head and cab

@@willytonezone Triple recto is on my list as well as a framus dragon

@@jackmurphy8696 actually never heard of the framus dragon. Do you know what records it features on?

I believe if you download all the superior libraries from Part 1 to 4 + Additional Bleed you should be able to get this punchy kick preset sound. It is a Superior Drummer 3 Preset Sound

@@willytonezone Can you check for me ? it must be must be stored name of pack on the right side when choosing sample

When I search for kicks it’s all the way at the bottom. It’s also under the Library called “Superior Drummer 3 - Preset Sounds” so check that out. If you don’t have that then you are missing a download or it didn’t install properly.

@@willytonezone i will check that, Thanks 🔥

@@jmedicus514 sometimes don’t realize I say stuff like that

No way that’s amazing. I had no idea about that but I can believe it. I want his superior drums

@clarenegracey I haven’t listened to it really actually lol I just assume it sounds like the first two albums and those drums sound amazing.

@clarenegracey It is definitely processed / mixed

Naglfar's Cerecloth album also uses the ny avatar kit

Well dam I didn’t know it was that easy.

@@willytonezone it be like that sometimes

@@GarthNGuitars that happen to you? You in a band?

@@willytonezone hasn’t happened to me, I’m in a punk band rn and I have a solo metal project. I’ve just noticed with some band interviews there can be a mutual split or a fire and everyone is still chill

@@GarthNGuitars oh yeah like As I Lay Dying. That’s another band that had some fiery situations. Very cool are you guys or you on Spotify?

Thanks for commenting! Glad I can help you out. As for your question I believe it will work either way. I personally like to have the midi file (groove consolidated) out in an Ableton MIDI track instead of in SD3 just because I prefer to work that way. I like having all the data out of the plug in if that makes sense. Let me know if that works for you.

@@willytonezone I totally agree man. I commented while I was still at work, and now I’m at home and JUST opened Ableton, rewatched your vid and 100% it’s much better to have the audio file right in Ableton. I think though, that I/whoever should have the song structure 100% before doing this otherwise making changes to the drum parts will become a PAIN. Btw, thanks again for these vid (and your others I checked out, very well done, and getting better!), AND for responding. You’re awesome!

@@phildimopoulos6010 Wow really appreciate everything you have said here. It’s so nice to read your thoughts. Thank you for the feedback. I hope to hear some great mixes and drums from you! Yes, always have everything articulated before you print ! Happy producing and mixing.

You are correct, almost! It is a left handed guitar but I’m playing the riff right handed so it’s going to be upside down

I agree. Like a few months ago I had no idea how to do it just by looking at it. So GGD should consider us people who don’t just immediately know how to work it. It’s a very good kit so technically you won’t need anything else but the superior Drummer 3 and ezx packs are really fun different sounds if you want something a little more traditional and or creative.

Thank you for shortening the headache! I know that part can cause a lot of confusion.

@@willytonezone Also if you want to print mono tracks like for example kick, sd, toms seperately etc, pan them to the left on the SD Plugin. Then, on the triggered audio channels make them mono to the ones you want and voila ! Make sure you adjust the printing volume from the SD faders IN your daw. So , gain stage in 2 stages, One is on the SD busses hitting -18dbfs (if using analog emulations especially), in order to get that tone , and then add a level meter on each of the recording enabled audio tracks and compensate from the SD Busses faders on your daw! Aiming normally at around -12dp peak. Happy mixing bro!

I'm having trouble understanding the first part. Where do I go to specifically route the SD output bus? In the SD3 mixer it only gives the outputs as shown in the video (output 1-2, 3-4, etc) and I can't seem to find where to route the individual track from within Logic to a normal audio track. What am I missing?

Thank you for the suggestion I will check it out. I’ve heard of Gideon

Hah dammit I’ve been caught

@@willytonezone once I hear out or about it's over.

@@willytonezone I'd like to request a new video, where you sing the song "all about us, by Tatu" :)

Hahaha. Oh this might be a real personal one.

Certainly! Might be a bit tougher but it’s definitely possible. Thank you

Very cool! Would you consider making a tutorial about the drum sound of band: Oceansize, album: Effloresce (2003). To me it’s one of the greatest drum sounds of all time. But I have no idea what the ingredients (other then a great drummer of course) of this great sound are. Hope you can help! Thanks and goodluck with your channel.

Hmm I checked them out. Remind me of A Perfect Circle. But I agree, those drums sound way too good for its time! I will look into it, thanks.

@@willytonezone thanks man. That's really appreciated 👍 best of luck with your channel.

It’s a little bit brutal yes but what you can do is if you use all the outputs. You can copy the same drum kit over to another track and get the rest of the outputs out of the second drum kit. If that makes sense? Unfortunately only protools and cubase have the functionality where you can mono the signals and everything makes sense. But logic and Ableton you have to do it the stereo way.

If you figure out that way I would love to know but unfortunately to get it printed to audio, this is the only way I know.

@willytonezone OK, I could have swore I saw an option to directly connect the SD3 inputs to audio tracks the other day, but I'm not seeing them now. You're right. You need the bus layer. Just doesn't make sense. If I can route a physical input from my Scarlett directly to an audio track, why not a virtual SD3 one?

Amazing hahaha. Great story. Back when the pits were just that brutal! Lucky you got to meet Phil. I still think he’s such a funny and interesting guy

Yes most definitely this is possible. You would simply route out your drum rack and then move that track so it’s under your superior Drummer track and group them together so they can both be processed at the same time within Ableton. If that’s what you were asking?

I’ll have to look more into drum rack I haven’t used it much.

@@willytonezoneI’d love to know what you find :)