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Top-bar off by default is a GitHub request for sure!

@@rohandadswell8687 I would add multiple 2-step custom trace Actions (that don’t loop/repeat) to the one button and add delays between the actions. If you want the circuit to loop, add a force-pressed button press at the end of the sequence to repeat

@@davidjoshuaford Cheers, thanks for that

Thanks for the feedback and glad you found it helpful!

Hey Jason! Shoot me an email and I'll get your account upgrade sorted out!

Thanks! A good use for it!

I was planning to do the same. What bulb did you use that allows companion control of the colors?

Recent BMD firmware updates enable multiview over the USBC webcam input which is useful for viewing multicam on a laptop rather than an additional monitor. You can control your ATEM anywhere in the world via VPN - so you'd need to set up that first. I like Ubiquiti Unifi because the Teleport VPN is very easy to set up.

@@davidjoshuaford the following has been sent via discord DM but not sure if ur active there much or prefer email as RUclips replies can crash after so many replies. Anyhow My follow-up question was whether the likes of a VPN such as Ubiquiti Unifi is just the same as Chrome Remote Desktop, TeamViewer or AnyDesk? I've heard of Unifi before but just thought they were to do with routers and networking but not VPN. When I think of VPN I think of Nord or SurfShark VPN and never thought they had any connection with something like TeamViewer...

Yes - mine is only a few feet from the microphone in this video

That would be a great achievement for a camera this size

Hey there, glad you found them useful! Don't have exact plans for Black Friday sales yet but I have run them in previous years. Also you can get 10% off as a newsletter subscriber at any time davidjoshuaford.com/join

yes, i power down my studio and the settings remain when powered up again. the App/OSC recaall presets are different to the VISCA recall presets though.

Enjoy!

Thanks for the feedback - I'll consider if I can do something with my RS2 Pro

I haven't, but it looks amazing! Wish Canon would make something like that, especially with the new lower cost zoom lenses like the Canon RF 24-105mm f/2.8 L IS USM Z

I assume you're talking about the lack of optical zoom? Good point about the fast aputure given that's always a trade off with zoom. The low light on the Tail Air is pretty good.

@@davidjoshuaford exactly. I've got "the 2nd gen webcam verison" (is it called tiny?) To me the sharpening, saturation and colors are borderline acceptable/useable - until you zoom in to much. But looking back, these guys are developing fast. Got no doubt they will listen and resolve the last few issues for the next gen. Was very close to order the three cam set... you exactly pointed out the relevant "optimization points" imo and the awesome pros it has as well. Thank you for keeping us informed

It's a good question - I didn't look for it as I use these cameras for streaming rather than ISO recording but I can imagine that would be useful to people. It's not on their VISCA spreadsheet (www.obsbot.com/explore/obsbot-tail-air/visca-over-ip) but you could email their tech support and request it to be added. You could however use OSC commands direct to the camera or via the Center App as that is supported: www.obsbot.com/explore/obsbot-center/osc

Thanks for the feedback, glad you found it useful!

I’ll take a guess that the fan remaining on long term will be ok, but it would be good to have the option for auto off when on standby. Perhaps something you could request as a firmware update

It's meant to be, but some cables only work one way, so if it's not working, try flipping it 180

You'll need one module per camera so that you can connect with separate IP addresses, and then once you've built your first page you can mostly copy it to the new modules.

@@davidjoshuaford So you basically need a different page for each camera, buttons for up/down/left/right/etc can't be shared among multiple cams by selecting a camera button... gotcha. Thank you!!

Glad it was helpful!

@@jordanearth11 Canon CR-N300

@@BenjaminTemplar it’s a Canon PTZ camera, controlled by my DJF profile using Companion. The preset traces are built into my run of show

@@davidjoshuaford Spectacular! Have you done a tutorial about it? Id love to watch it if you already did and if not, I would love to watch it if you ever make it! Hollywood caliber my friend!

@@davidjoshuaford Spectacular! Have you done a tutorial about it? Id love to watch it if you already did and if not, I would love to watch it if you ever make it! Hollywood caliber my friend!

Thanks John!

Haha thanks…photorealistic top view! 😊

Thanks! I knew there must be a random setting somewhere. Maybe that was the problem with the Cut page source reel as well…

For the Stream Deck hardware, I just update via Elgato's native software. Then for Companion, export a back up of your configuration, then just boot up the new version. There's not usually a stream deck hardware update that makes it incompatible with Companion, but if there is then it's usually updated by the Companion team within two weeks.

It's an Otto bhpho.to/45qWNjb, though I'm interested to try the Shure SE215 Pros some day bhpho.to/3KF7pBL

I had a Sony TRV900 back in 02, and used a Z1 in 08 on some productions, but I've always been in the "detachable-lens" realm for production work since the 5DmkII days... These days it's a mix of C300's/C200s for live. You're right that camcorders are certainly a lot cheaper/ more for your money for live production, particularly given the inbuilt zoom range. But I've just personally invested a lot more in cinema cameras/lenses for production work that I carry over into live settings, and the PTZs are an incredible return on investment with reduced labor/crew. If I get the c400 I'll probably need to add a 24-105 2.8 for live/event work... (or 17-120 😅) and even then it won't have the full zoom range of a camcorder.

@@davidjoshuaford Definitely tradeoffs with camcorders vs. cine cameras! Looking forward to you getting a c400 + expensive glass (or REALLY expensive glass 😂) one of these days. BTW, thanks for your videos and streams! Your chennel's awesome.

I’ll have to experiment when I’m next in the studio

Good question - they've changed it now to "internal: Custom Variable: set with expression". Choose the variable you want to change, and then if you want to modify that same variable, add that same variable back into the "Expression" field and then modify it.. i.e. "$(internal:custom_value) + 1" would add 1 to the a variable called "value"

I wouldn't buy it again... cost me an additional $180 to have it repaired. Tech said there's a design flaw that makes it easy to blow a circuit if unplugging a phantom powered mic. Since the repair it has been working ok.

@@davidjoshuaford thanks for the answer. It’s good to know that at least they have pinpointed the flaw.

In that case do they suggest turning phantom power off on that line before unplugging to avoid that issue?

I thinkso, but in a fast paced production environment, and a hybrid photo/video workflow it’s easy to miss that

@@davidjoshuaford Thank you!

Hey! Glad you found it helpful. I have a livestream about that router in my feed, and I’ll do some more livestreams on the GL.iNet routers in the upcoming weeks/months. It’s essentially the same as any other router, and you’re connecting internet via the WAN port, just that these travel ones are very portable and have great features.

@@davidjoshuaford Wow that was fast! Thank you so much for your response. I’m watching your GL.iNet Slate AX Wifi6 Stream and I think I can set the travel router up. It looks like I will need to give each device a Static IP address with same subnet mask. I will let you know if I get everything configured. Thanks again

@@Casuallz You're welcome - the GL.iNet routers by default run on 192.168.8.1, so you'd set your ATEM and other devices to static addresses within that range 192.168.8.xxx

Thanks Eric!

I haven't tested it on Playoutbee but I would expect that it would work.